That is really handy to know that it has the zoom function, that makes it more interesting! Thanks for the video! I was looking at the AD300 because of using the same charger as the AD200s I already have, but the AD100 looks very tempting.
solid review, i wont be switching to the ad100 from the 200. but you made some very solid points i can see why some would make the jump over, its incredible how teeny these lights are getting
Thank you! I think the size of these often gets overlooked for power, but there's something to be said in being able to have a nice compact lighting kit that can still get the job done.
This has been the best video I've found to answer the why of this flash. I just picked up an AD200, and an AD600. I've been looking at more AD200's, but kept wondering about also using a mix of AD100s and AD200s. This video has been the first to justify the price to me. I keep a speedlight in my backpack, but the AD200 has its own case with modifiers. I could ditch 2 lenses for 2 AD100's in the camera compartment, and get a third in the top compartment without needing to add another bag. Take out the speedlight case, and I could add all the modifiers for the AD100s. I could reconfigure my backpack to take AD200s and modifiers, but using AD100s, I don't have to modify anything, and I can easily go back to carrying more lenses and less lights by just swapping items in the compartments. It also looks like I could just place the AD100 upright with a dome without the need for a light stand or mount in certain scenarios. That would have worked great the other day when I needed to take out the shadows my key light was throwing on the wall. I don't see it replacing my current AD200, but I do see it as adding to what I can do.
I am going to start learning flash photography. I want a not too heavily priced, lightweight, portable setup that I can take with me wherever I go to cultivate and continue this new hobby of mine. What do you suggest?
Been looking to add a ad100 pro to my line up. The ad600pro I have is just too over powering for indoor shoots and bulky. I will most likely use it for the outdoors and the ad100pro for indoor events or shade. I also liking it has a built in fan and zoom capability.
Never getting rid of my ad200 pro’s to versatile, with all the accessories for it and its raw power with the Godox AD-B2 double ad200 connector it becomes a 400 with a pretty good modeling light.
Hey Shawn, thank you for this informative video. I myself have two AD200’s with the round heads, and one V1. I also saw Robert Hall’s comparison. I shoot dance events. I use the extension heads (EC200) for my AD200s as I mount them on the stands to eliminate being top-heavy together with the umbrellas I use. I was thinking if I switched to the AD100 pro, I won’t need to setup with extension heads as the AD100 pros wouldn’t be as top heavy. Can you confirm that? Then my setup would be simplified. Keep the videos coming. Cheers!
Thank you! I never got the extension heads with my 200s, but did have some almost near falls with them, so it was on my list before switching to the 100s. The 100 is definitely more balanced in that the whole light is right within the bracket and not sticking out like the 200, so I would say it is much better balanced. I'd recommend picking up 1 100 to take a look and then switching over at that point. Where you have the V1 being able to use the same batteries and chargers is a nice bonus. I picked up the 3 bay charger Adorama sells for the V1 which was a nice addition to charge all my batteries at once.
Hope you find your 100 your best option. There's plenty of reports suggesting the 200 Pro has better color accuracy and doesn't suffer from the green tint issue. I'm sticking with my 600 and 300 pro as a great outdoor combination. Thanks for sharing your thoughts.
I am going to start learning flash photography. I want a not too heavily priced, lightweight, portable setup that I can take with me wherever I go to cultivate and continue this new hobby of mine. What do you suggest?
Hey, I've been trying to figure out how to use a tripod as a light stand. What's the correct adapter? Also when using the round heads with the little dome, do you find the light similar to using a small softbox or octobox?
I use the Westcott M6 Tripod Plate which allows you to use a Tripod as a light stand. It has been really nice in a pinch or when I want to put a light lower than a normal light stand. I find using the dome nice if it is all I have to help spread the light, but even a smaller softbox/octobox will give softer light where the light source is bigger.
I've seen amazing work with just simple speed lights that anyone would call professional. It is just another tool and it is how the creator uses the tool that I'd say determine wether it is professional or non-professional.
Thank you! I'm still very happy with them and think they'd work well in a wedding situation. I'd probably recommend getting 1 to test with to see if it'd work for you. I wouldn't be surprised if they drop down to $199 over the Black Friday sales next month.
I bought the Ad200 with the round head but it does not fit my SMDV softbox though it looks identical to the V1. So have to sell my AD200. ad100 is compatible with my v1 batteries & accessories.
I can’t really find a good softbox for this light. You can use the s2 brackets but that bracket looks so big for this small light. This light also doesn’t work with magmod. Might as well just get the ad300pro and a godox softbox and you wouldn’t have to worry about a bracket. I’m stuck between the ad100pro and the 300pro
it's been fixed, and you can buy the replacement glass to fix it from Adorama if you have an older model. Flashpoint Xplor 100 glass on flash head Lenses
Yes, I love making my subjects look like aliens! :) I've been following the thread on that. I don't think I ever had an issue with this because I shoot flash using a Daylight White Balance (5200k) and the poster was using the Flash White Balance which at least with Canon means * Applicable with Speedlites having a color temperature transmission function. Otherwise, it will be fixed to approx. 6000K.
@@forgewire Yes, correct. My post got cut off for some reason, but also in using those settings, the Flash WB did a +6 on the tint to the magenta side and the flash WB did a -1 toward the green. This is just default as shot what Lightroom shows.
100W is on the higher end of the speed light spectrum. There's more to light than just power though and the big thing on the AD100 for me is portability and the magnetic system for attaching gels.
I am going to start learning flash photography. I want a not too heavily priced, lightweight, portable setup that I can take with me wherever I go to cultivate and continue this new hobby of mine. What do you suggest?@@castielvargastv7931
I think I had it linked in the video, but I'll see about updating it. He's renamed his channel to Sharpen, so that might have caused a problem. Here's the link to the video. ua-cam.com/video/zwpnQSVxBio/v-deo.html
@@shawnkempleportraits Thanks... I did a huge search.. and found him and his channel. i became a member. you said.. "in The Description"... Not .. In The Video Link On The Top Right Side... lol I enjoyed your videos and Rob Hall Videos... Thanks
Literally have no idea what the logic was here. Selling the more expensive Ad200s as used items, you’d likely only get approximately the price of the AD100’s new. So no price/money advantage. If you had to position lights in the tiny studio out of shot or had some other use case were the size a real advantage other than I don’t want to tire my poor shoulders with heavier equipment…. I mean I also have that leak design bag, and you can pack a lot into that bag… for sure pack it so it zip up tighter than the loose set up you showed, plenty of room fit 2 x AD 200s
Why switch from more power to less? At that point you're just using a speedlight. Makes no sense to me other than to flex, "hey guys look I have the new ad100" 😂😂😂
As I mentioned, strictly on the round head, the AD100 produces more output than the AD200 does. I only use the round head because I like how easy it is to modify with the magnetic attachments. The other thing the AD100 has going for it is the size which was my other reasoning to switch. I can easily fit 3 of them in my camera bag making my set up a lot more compact and one less bag to have to carry with me. More power does not mean better in all scenarios, so it just depends on the type of photography you do. I just wanted to share my positive experience with these where I saw so many comments just going on about the power, but these do have some advantage even if the power is lower.
I can completly understand. I'm looking to sell AD200 to get the 100's. The 200's with extension and round head or round head alone are much more of a bulky passage to lug and use. The AD 200 has imho quite poor balance for fitting on stands. I have borrowd and used a couple of AD100's and, for me a much more useful, less tiring and more efficient bundle.
I am going to start learning flash photography. I want a not too heavily priced, lightweight, portable setup that I can take with me wherever I go to cultivate and continue this new hobby of mine. What do you suggest?@@shawnkempleportraits
In the Godox realm one doesn’t switch we just add.
LOL true. And they do tend to complement each other.
Have have 6 of these now they go everywhere with me! I carry a full photocopy studio in a back pack! Crazy we’re we are in 2023
That is really handy to know that it has the zoom function, that makes it more interesting!
Thanks for the video! I was looking at the AD300 because of using the same charger as the AD200s I already have, but the AD100 looks very tempting.
This was probably the most useful AD100 / AD200 video out there.
solid review, i wont be switching to the ad100 from the 200. but you made some very solid points i can see why some would make the jump over, its incredible how teeny these lights are getting
That intro was intense! Thanks for the video!
Great video! I was looking at the 200 but ended up going with the 100 because of their size and compatibility with the V1 (batteries and accessories)
Thank you! I think the size of these often gets overlooked for power, but there's something to be said in being able to have a nice compact lighting kit that can still get the job done.
Good point about the V1 batterys
Im using 2 V1’s so this would be a nice swap later on
This has been the best video I've found to answer the why of this flash. I just picked up an AD200, and an AD600. I've been looking at more AD200's, but kept wondering about also using a mix of AD100s and AD200s. This video has been the first to justify the price to me. I keep a speedlight in my backpack, but the AD200 has its own case with modifiers. I could ditch 2 lenses for 2 AD100's in the camera compartment, and get a third in the top compartment without needing to add another bag. Take out the speedlight case, and I could add all the modifiers for the AD100s. I could reconfigure my backpack to take AD200s and modifiers, but using AD100s, I don't have to modify anything, and I can easily go back to carrying more lenses and less lights by just swapping items in the compartments.
It also looks like I could just place the AD100 upright with a dome without the need for a light stand or mount in certain scenarios. That would have worked great the other day when I needed to take out the shadows my key light was throwing on the wall.
I don't see it replacing my current AD200, but I do see it as adding to what I can do.
I am going to start learning flash photography. I want a not too heavily priced, lightweight, portable setup that I can take with me wherever I go to cultivate and continue this new hobby of mine.
What do you suggest?
Been looking to add a ad100 pro to my line up. The ad600pro I have is just too over powering for indoor shoots and bulky. I will most likely use it for the outdoors and the ad100pro for indoor events or shade. I also liking it has a built in fan and zoom capability.
Thanks for the video! I'm considering a switch from speedlights to AD100 or AD200s
Nice video, said few things that made sense. Does it have alternatives to this strobes like even cheaper as well?
Never getting rid of my ad200 pro’s to versatile, with all the accessories for it and its raw power with the Godox AD-B2 double ad200 connector it becomes a 400 with a pretty good modeling light.
Great insight! Thank u sir. Have u tried this in harsh sun light?
Hey Shawn, thank you for this informative video. I myself have two AD200’s with the round heads, and one V1. I also saw Robert Hall’s comparison. I shoot dance events. I use the extension heads (EC200) for my AD200s as I mount them on the stands to eliminate being top-heavy together with the umbrellas I use.
I was thinking if I switched to the AD100 pro, I won’t need to setup with extension heads as the AD100 pros wouldn’t be as top heavy. Can you confirm that? Then my setup would be simplified. Keep the videos coming. Cheers!
Thank you! I never got the extension heads with my 200s, but did have some almost near falls with them, so it was on my list before switching to the 100s. The 100 is definitely more balanced in that the whole light is right within the bracket and not sticking out like the 200, so I would say it is much better balanced.
I'd recommend picking up 1 100 to take a look and then switching over at that point. Where you have the V1 being able to use the same batteries and chargers is a nice bonus. I picked up the 3 bay charger Adorama sells for the V1 which was a nice addition to charge all my batteries at once.
Hope you find your 100 your best option. There's plenty of reports suggesting the 200 Pro has better color accuracy and doesn't suffer from the green tint issue. I'm sticking with my 600 and 300 pro as a great outdoor combination. Thanks for sharing your thoughts.
He mentions price and size first, obviously quality is not one of the requirements..
I am going to start learning flash photography. I want a not too heavily priced, lightweight, portable setup that I can take with me wherever I go to cultivate and continue this new hobby of mine.
What do you suggest?
Thank you. It would be cool to see photos/vidos of your setup shooting outdoor :)
It is not clear if it has light modeling ?
Thank you sir this helped a lot
GODOX MF12 is small and portable, and can make wonderful films anytime, anywhere
Same battery as V1 and V860iii. This is another pro for me. I rarely use my AD200 anymore.
Hey, I've been trying to figure out how to use a tripod as a light stand. What's the correct adapter? Also when using the round heads with the little dome, do you find the light similar to using a small softbox or octobox?
I use the Westcott M6 Tripod Plate which allows you to use a Tripod as a light stand. It has been really nice in a pinch or when I want to put a light lower than a normal light stand.
I find using the dome nice if it is all I have to help spread the light, but even a smaller softbox/octobox will give softer light where the light source is bigger.
how well does the AD100 work with softboxes?
Thank you for your video! I am just thinking which is more suitable. seems AD100 is more suitable for non-professional use
I've seen amazing work with just simple speed lights that anyone would call professional. It is just another tool and it is how the creator uses the tool that I'd say determine wether it is professional or non-professional.
@desmond a professional uses any tool at their disposal that gets the job done.
Ty for the video, what is the difference in ad200 and a200 pro?
Nice photos I’m a wedding photographer I’m thinking about dumping my ad200s how’s it so far ? Thanks
Thank you! I'm still very happy with them and think they'd work well in a wedding situation. I'd probably recommend getting 1 to test with to see if it'd work for you. I wouldn't be surprised if they drop down to $199 over the Black Friday sales next month.
Thank you!
I bought the Ad200 with the round head but it does not fit my SMDV softbox though it looks identical to the V1. So have to sell my AD200. ad100 is compatible with my v1 batteries & accessories.
Can AD100 Pro power a 165cm / 6 ft Translucent Parabolic Umbrella?
🤔
What is the link of the comparison of the round head of the AD200 PRO with that of the AD100 Pro?
Here's the link to the video. I'll see about updating the description. ua-cam.com/video/zwpnQSVxBio/v-deo.html
I can’t really find a good softbox for this light. You can use the s2 brackets but that bracket looks so big for this small light. This light also doesn’t work with magmod. Might as well just get the ad300pro and a godox softbox and you wouldn’t have to worry about a bracket.
I’m stuck between the ad100pro and the 300pro
AD 300 pro on sale for about $300 right now.
How about the green color cast that the AD100 produces?
it's been fixed, and you can buy the replacement glass to fix it from Adorama if you have an older model. Flashpoint Xplor 100 glass on flash head Lenses
Fantastic video 👌📸👍 subscribed
Swiitched to tint in green the faces of your subject?
They've fixed that in newer units. And you can buy replacement glass to get rid of the tint from Adorama
Because you light green cast it produces?
Yes, I love making my subjects look like aliens! :) I've been following the thread on that. I don't think I ever had an issue with this because I shoot flash using a Daylight White Balance (5200k) and the poster was using the Flash White Balance which at least with Canon means * Applicable with Speedlites having a color temperature transmission function. Otherwise, it will be fixed to approx. 6000K.
@@shawnkempleportraits Kelvins affect the blue yellow, greens are from the light color cast used in V1/AD100, nothing to do with color temp
@@forgewire Yes, correct. My post got cut off for some reason, but also in using those settings, the Flash WB did a +6 on the tint to the magenta side and the flash WB did a -1 toward the green. This is just default as shot what Lightroom shows.
So basically you switches to a speedlight with a fancy look because the 100 is not more powerful than any speedlight.
100W is on the higher end of the speed light spectrum. There's more to light than just power though and the big thing on the AD100 for me is portability and the magnetic system for attaching gels.
@@shawnkempleportraits i inderstand to me its not worth it i want a more powerful light even though 100 wats is enough for many situation
I am going to start learning flash photography. I want a not too heavily priced, lightweight, portable setup that I can take with me wherever I go to cultivate and continue this new hobby of mine.
What do you suggest?@@castielvargastv7931
love the video... I do not see in the "Description" no details about... Rob Hall Video Comparing AD200 vs AD100
I think I had it linked in the video, but I'll see about updating it. He's renamed his channel to Sharpen, so that might have caused a problem. Here's the link to the video. ua-cam.com/video/zwpnQSVxBio/v-deo.html
@@shawnkempleportraits Thanks... I did a huge search.. and found him and his channel. i became a member.
you said.. "in The Description"... Not .. In The Video Link On The Top Right Side... lol
I enjoyed your videos and Rob Hall Videos... Thanks
Because ad100 looksexier
AD100 produces more power than AD200 round head? How is it even possible? AD200 round head is rated at 200WS vs 100WS of AD100.
wow, intro music is loud
Literally have no idea what the logic was here. Selling the more expensive Ad200s as used items, you’d likely only get approximately the price of the AD100’s new. So no price/money advantage. If you had to position lights in the tiny studio out of shot or had some other use case were the size a real advantage other than I don’t want to tire my poor shoulders with heavier equipment…. I mean I also have that leak design bag, and you can pack a lot into that bag… for sure pack it so it zip up tighter than the loose set up you showed, plenty of room fit 2 x AD 200s
Your intro music is way too loud.
Because you promo it,you should be really....whatever...to downgrade
Why switch from more power to less? At that point you're just using a speedlight. Makes no sense to me other than to flex, "hey guys look I have the new ad100" 😂😂😂
As I mentioned, strictly on the round head, the AD100 produces more output than the AD200 does. I only use the round head because I like how easy it is to modify with the magnetic attachments. The other thing the AD100 has going for it is the size which was my other reasoning to switch. I can easily fit 3 of them in my camera bag making my set up a lot more compact and one less bag to have to carry with me. More power does not mean better in all scenarios, so it just depends on the type of photography you do. I just wanted to share my positive experience with these where I saw so many comments just going on about the power, but these do have some advantage even if the power is lower.
I can completly understand. I'm looking to sell AD200 to get the 100's. The 200's with extension and round head or round head alone are much more of a bulky passage to lug and use. The AD 200 has imho quite poor balance for fitting on stands. I have borrowd and used a couple of AD100's and, for me a much more useful, less tiring and more efficient bundle.
I am going to start learning flash photography. I want a not too heavily priced, lightweight, portable setup that I can take with me wherever I go to cultivate and continue this new hobby of mine.
What do you suggest?@@shawnkempleportraits