Domenico Scarlatti : Sonata in C major K. 406 / L.5 - Antonio Castagna
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- Опубліковано 20 лют 2024
- - Il pianista Antonio Castagna esegue la Sonata in do maggiore K. 406 di Domenico Scarlatti.
- Pianist Antonio Castagna performs Domenico Scarlatti's Sonata in C major K. 406.
www.antoniocastagna.it
#AntonioCastagna #DomenicoScarlatti #sonata
Le 555 sonate, delle quali poche pubblicate durante la vita di Scarlatti, furono stampate in modo non sistematico nei due secoli e mezzo successivi. Scarlatti ha, tuttavia, attirato ammiratori di rilievo, tra cui Bach, Händel, Clementi, Mozart, Beethoven, Czerny, Liszt, Chopin, Mendelssohn, Brahms, Verdi, Debussy, Bartók, Shostakovich, Casella, Poulenc, Messiaen e Schenker. La scuola russa di pianismo ha particolarmente valorizzato queste sonate.
In questi brevi brani, costituiti generalmente di un solo movimento bipartito, Scarlatti si dimostrò pioniere di tecniche tastieristiche nuove per i suoi tempi, come arpeggi, note ribattute in agilità, incroci delle mani, ottave spezzate e percosse, doppie note: tutte difficoltà tecniche da padroneggiare progressivamente, a mano a mano che il compositore svela le potenzialità timbriche, melodiche e ritmiche della sua scrittura ricca e articolata. Dal punto di vista dello stile, le sue sonate sono caratterizzate da una rapidissima mobilità espressiva, e da una grande inventiva armonica, con l'impiego di accordi spesso sorprendenti.
Altri attributi distintivi dello stile di Scarlatti sono i seguenti:
* L'influenza della musica popolare iberica (portoghese e spagnola). Un esempio è l'uso di Scarlatti del modo frigio e di altre inflessioni tonali più o meno estranee alla musica artistica europea.
* L'influenza della chitarra spagnola, ravvisabile nelle note ripetute in modo rapido.
* Affinità con lo stile galante.
* La struttura della sonata. Quest'ultima, infatti, è di solito divisa in due sezioni di durata uguale, ognuna delle quali conduce ad un momento cardinale, che lo studioso Ralph Kirkpatrick ha definito "il punto cruciale" (crux), e che a volte è sottolineato da una pausa o fermata...
The 555 sonatas, few of which were published during Scarlatti's lifetime, were printed unsystematically over the next two and a half centuries. Scarlatti has, however, attracted notable admirers, including Bach, Handel, Clementi, Mozart, Beethoven, Czerny, Liszt, Chopin, Mendelssohn, Brahms, Verdi, Debussy, Bartók, Shostakovich, Casella, Poulenc, Messiaen and Schenker. The Russian school of pianism has particularly valued these sonatas.
In these short pieces, generally consisting of a single bipartite movement, Scarlatti proved to be a pioneer of keyboard techniques that were new for his time, such as arpeggios, notes struck in agility, crossings of the hands, broken and struck octaves, double notes: all technical difficulties to be master progressively, as the composer gradually reveals the timbric, melodic and rhythmic potential of his rich and articulated writing. From the point of view of style, his sonatas are characterized by a very rapid expressive mobility, and by great harmonic inventiveness, with the use of often surprising chords.
Other distinctive attributes of Scarlatti's style are the following:
* The influence of Iberian (Portuguese and Spanish) popular music. An example is Scarlatti's use of the Phrygian mode and other tonal inflections more or less foreign to European art music.
* The influence of the Spanish guitar, recognizable in the rapidly repeated notes.
* Affinity with the gallant style.
* The structure of the sonata. The latter, in fact, is usually divided into two sections of equal duration, each of which leads to a cardinal moment, which the scholar Ralph Kirkpatrick defined as "the crucial point" (crux), and which is sometimes underlined by a pause or stop...
Antonio Castagna graduated from IMP “G. Braga” of Teramo and, subsequently, he perfected himself with Maestro Franco Medori and Maestro Carlo Zecchi.
He has held numerous concerts and recitals in Italy and abroad (ARGENTINA, AUSTRIA, SOUTH KOREA, GERMANY, SWEDEN, SWITZERLAND, BELGIUM, HOLLAND, UNITED ARAB EMIRATES, USA). He has participated several times in RAI radio and television programs.
He played in Salzburg as part of the Salzburger Schlosskonzerte and in Paris, at the Italian Cultural Institute, as part of the “Hommage à LA FIGIA DI JORIO” event.
He toured Basel for the Consulate General of Italy.
At the invitation of the Italian Cultural Institute, he played in BRAZIL, in Rio de Janeiro, in the prestigious National Museum of Fine Arts.
He played, with the Teramo Trio, in Philadelphia (USA) in the Marshall Auditorium of Haverford College, in the Lincoln Hall of the Union League.
He was Director, from 1996 to 2012, of the I.S.S.M "Gaetano BRAGA" of Teramo. He was a piano teacher at the Conservatories of Foggia and Teramo.
Played so sensitively! So much heart - that's what the world needs. Thanks for the music on this channel!
a great interpretation-very beautiful music, wonderful piano playing. Thank you very much, dear friend Antonio. Sincerely, your friend Natalie.Let the beginning of the week be successful, let all plans be implemented in full. New Monday is the beginning of the unknown, new, interesting. Let the mood be at its best, let the morning be cheerful and positive. Let unexpected meetings, new prospects, and worthy rewards surround you, starting on Monday. I wish that every minute of today will be reflected in your heart with warmth and joy.
A sparkling performance of this beautiful sonata, delicately phrased and clearly articulated. The colours and contrasts in Scarlatti's work are communicated with a perfect sense of style. Thank you dear Antonio for this inspiring interpretation. With warmest greetings, Paul
Perfect performance of this wonderful sonata. Very clear and precise articulation with a wonderful sense of dynamics. Thank you, dear Antonio, for the pleasure you gave us with your superb performance. Congratulations, best regards, all the best.
Scarlatti's sonnets are superbly arranged, played with great feeling. I found the beauty of music here, with impressive emotions and made me drunk in the melodies created. Amazing.
Boa noite amigo tô aqui acompanhando até um final deixando meu joinha 134❤👍
Exquisite melody and captivating piano rendition; a harmonious masterpiece that enchants the soul with its elegance and grace, leaving a lasting impression of sheer musical brilliance.🎹🎶🎹
MIO CARO MIO CARISSIUMO AMICO CARO CARISSIMO ANTONI con affetto e amicizia dalla mia SICIKIA UN CARISSIM O SALUTO BELLISSIMO PIANO FORTE A CODA INCANTEVOLE TUA ESECUZIONE DI QUESTA MERAVIGLIOSA E STUPENFDA MUSICADALLA SICILIA U CARISSIMO SALUTO TUO AMICO GIUSEPPE
LIKE 118👍👍👍
Oh, your Scarlatti!
It makes you rediscover the beauty of the music. The sophistication and passion are perfectly palpable, and the depth of emotion is impressive, reminding us of the power of music. Makes me feel deeply moved.
Raffinata, Elegante, Magnifica Interpretazione 💎💎💎 Un grande piacere poter ascoltare e godere tanta ricchezza 👏👏👏👏👏
Ciao caro Antonio,
❤Bonsoir Antonio merci pour cette belle découverte ce soir Que j’écoute avec toujours autant de plaisir
Ciao Antonio.
Dear Antonio
La musica è un linguaggio universale che ci permette di comunicare emozioni, idee e sensazioni in modo immediato e diretto. Attraverso le note, i suoni e i ritmi, possiamo esprimere ciò che a parole non si può dire. Grazie Antonio!!!
It is such a shame that most of the works are only published after the death of the great masters. Maybe Scarlatti was listening from above today and was incredibly happy that there are still wonderful pianists and admirers today🥰🙏🏻
Incantevole sonata di Domenico Scarlati e magnifica interpretazione pianistica. Ancora una volta Bravissimo Antonio per la tua performance e buona giornata. Cordiali saluti. André 👏👏👏
Good evening Antonio.