Realized something listening to these back to back, and figuring out how eVe may have gotten so popular. Since both sides of Nadia represent a different personality of herself almost, the songs so drastically different. Mayday hears and sees the oppressive and aggressive side of her realm,the side that sounds the most like a very nasty form of EDM: Dubstep. While not my favorite genre in EDM, it can easily suck people in with it's strong rhythm and heavy tempos. Meanwhile, Zuke is on the opposite. Her softer side, where the music is more clear and has a proper melody most off. When you listen to Mayday side, the original rhythm gets almost lost under the loud screaming of the dubstep. Meanwhile, in this clearer side, Zuke actually hears the music Nadia wants to produce. The sound she identifies as her best. And yet, I have a theory because of the stress of sticking out and wanting to find someone to weave her heart with. Her softer white side barely creeps out into her music and is locked away. Mayday herself isn't very artistic, and has become more accustomed to the noise of her rivals, not to mention being a stranger to her finds her music awful. But Zuke has history, he als has a more artistic perception and better appreciation of eVe's craft. Think about it: Millions of people hearing the same song, but different people hear *Two different songs*. Because their views and ideals may differ greatly. One side hears party bopping dubstep, while the other hears soulful synths, all at the same time in this orchestra of emotion.
@@NIHIL_EGO I believe the term is Trance EDM, its similar to what eve does. Also fun fact people who like that style are known to call poeple who don't get it, "Pedestrians"
“Remember when I was the tectonic plates and you were the sea? The heat was channeled when your waves broke upon my earth was euphoric. We were untouchable!”
9:59-13:11 is just Godly, the atmosphere is so heavy and crisp I just gotta time stamp it. The synth+organs in the background with a high pitch keyboard, *and* the drums and guitar are so amazing 🌟🌟🌟🌟🌟
"Phase 3 Partial rock" In this version it makes me remember the Rock era of 1990. An interesting fusion. It is one of the phases that I like the most when the combat gets more epic (including the EDM Partial version which is more).
What even is eve She has her own dimension she can trap people in which she says no one has escaped from And Zuke says she does this before How many have been trapped
If shes looking for someone to share her heart with, is this the process of getting closer to her? Or some form of forcefully portraying herself when emotions become really strong? No Straight Roads really is a game to show personality.
It's implied by later dialogue and visuals that it's some kind of psychic illusion based power. Zuke says "I'm still here" when she separates them, after the fight they are back in the main room like nothing had happened and Mayday when looking at a trophy from Eve's boss fight says "Its creepy how Eve can mess with our minds" "No one escapes" probably means "No finds thier way out if my illusion world"
For anyone who's a little confused on what tracks play for each side, here's what I got from it: Note: This doesn't apply to the Switch version: (Warning this is very long, read slowly to understand) "Enter Eve" plays as normal before the fight during Eve and Zuke's conversation. "Intro" plays when Eve talks about College before the fight. "Phase 1"'s whole instrumental in-game works in a weird way. It's always: Base -> (Lead Base + Backing Rock) -> Rock From what I've seen, it ALWAYS plays in this order on Zuke's side of Phase 1. It actually plays like this on Mayday's side too as when the fight starts, it automatically switches to playing as Mayday. The only time when EDM plays in Phase 1 at all, is if you switch back to Mayday after switching from Zuke. So if you switch to Zuke and then back to Mayday, it plays: EDM -> (Lead EDM + Backing Rock) -> Rock This means that on Mayday's in-game mix it would be: Base -> EDM -> (Lead EDM + Backing Rock) -> Rock The way Phase 2 and Phase 3 work in-game is much more simpler, it plays Base for Zuke, and EDM for Mayday. Zuke's side for both Phase 2 and Phase 3: Base -> (Lead Base + Backing Rock) -> Rock Mayday's side for both Phase 2 and Phase 3: EDM -> (Lead EDM + Backing Rock) -> Rock Note: Phase 3 Rock also plays when your controlling both players at the same time in the final tunnel. Phase 4 always plays as Rock. In-game, Mayday doesn't play in Phase 4. But in her side of the mix, I think it was a good idea to keep Phase 4 to make the song feel complete. The switch version has a entirely different structure (I'm not as certain about the order here), As Zuke it’s: Phase 1: Base Phase 2: (Lead Rock + Backing Base) Phase 3: (Lead Base + Rock) Phase 3 (Final Tunnel): (Lead Base + Rock) Phase 4: Base As Mayday it's: Phase 1: Base -> EDM (Plays IF you switch to her after playing as Zuke) Phase 2: (Lead EDM + Backing Base) Phase 3: (Lead EDM + Backing Base) Phase 3 (Final Tunnel): (Lead Base + Rock) [It changes to match Zuke's side] Phase 4: (None) On a side note: "Lead" refers to both the Rhythm and the Melody, while "Backing" refers to just the Backing.
Another detail is that the melody is generally a lot clearer on Zuke's side, possibly referencing the fact that Zuke knows her and her attacks (as the attacks are based off the music). Another reference to this is that the melody especially in Phase 3 of Zuke's fight is overbearing (the melody at 8:55), possibly referencing how "intense" they'd viewed each other before. Furthermore, the melody in Mayday's side is much more the opposite: at times the melody is drowned out by the aggressive backing, sometimes it's overbearing, and sometimes there is none at all. The melody being drowned out can reference how tough Eve's attacks are to learn: Something that supports this is that during Phase 3 on Mayday's side, the most aggressive attacks take place at the start of phase 3, and at the end of phase 3, both of which parts have a melody heavily buried by aggressive instruments. One more connection is how each side sounds with partial rock. On Mayday's side, the aggressive EDM overpowers the backing rock. And on Zuke's side, the melody overpowers the backing rock in Phase 3, but otherwise they go together somewhat balanced.
Well yeah theres a softer area to Zuke's side hence eve and Zuke once being good friends while her hatred towards may is more based on the calamity on her side.
one thing i found interesting (and correct me if i’m wrong), but in phase 2, i noticed that the guitar is used throughout the entire first part, while in the semi-dubstep for mayday it goes in and out. maybe it’s alluding to how eve wants to get back with zuke, so their sound is more integrated from the start? idk ansndndj-
ninguém vai falar sobre o rock da última faixa? durante a apresentação pra fazer parte da NSR, Eve só rejeita a Bunk Bed Junction quando Zuke fala (provavelmente por rancor). eu sinto que a Eve tem uma afinidade com o rock, tanto que durante a quarta fase está tocando rock. embora o Zuke esteja presente durante a reaproximação dentro do prisma, a música continua sendo da Eve.
Realized something listening to these back to back, and figuring out how eVe may have gotten so popular. Since both sides of Nadia represent a different personality of herself almost, the songs so drastically different. Mayday hears and sees the oppressive and aggressive side of her realm,the side that sounds the most like a very nasty form of EDM: Dubstep. While not my favorite genre in EDM, it can easily suck people in with it's strong rhythm and heavy tempos. Meanwhile, Zuke is on the opposite. Her softer side, where the music is more clear and has a proper melody most off. When you listen to Mayday side, the original rhythm gets almost lost under the loud screaming of the dubstep. Meanwhile, in this clearer side, Zuke actually hears the music Nadia wants to produce. The sound she identifies as her best. And yet, I have a theory because of the stress of sticking out and wanting to find someone to weave her heart with. Her softer white side barely creeps out into her music and is locked away. Mayday herself isn't very artistic, and has become more accustomed to the noise of her rivals, not to mention being a stranger to her finds her music awful. But Zuke has history, he als has a more artistic perception and better appreciation of eVe's craft.
Think about it: Millions of people hearing the same song, but different people hear *Two different songs*. Because their views and ideals may differ greatly. One side hears party bopping dubstep, while the other hears soulful synths, all at the same time in this orchestra of emotion.
This makes me wanna hug the eccentric artist so badly. Am I the only one who wants to do that? ;-;
The EDM version isn't dubstep though, it's more like a sort of glitch music, but I understand what you mean.
It even makes sense with nobody really connecting with her music as she puts it because she can't express herself fully, she is conflicted.
@@NIHIL_EGO I believe the term is Trance EDM, its similar to what eve does.
Also fun fact people who like that style are known to call poeple who don't get it, "Pedestrians"
@@NIHIL_EGO Glitchhop?
“Remember when I was the tectonic plates and you were the sea? The heat was channeled when your waves broke upon my earth was euphoric. We were untouchable!”
“Huh. How can I forget. You set my hair on fire!”
@@SonicLegends989Are you upset about THAT?!
I feel like that is just a huge metaphor for sex
@@MrExiledgooneroh...
@@MrExiledgooner yeah
Zuke's masters degree in arts and music came in handy.
Eee-ve... ro...tate... FASTER...
Eve is a banana confirmed 🍌🍌🍌
RO..TA...TE BAN A NAA
WE HAV RECAHED MAXIMUM VELOCIPY
Are you okay?
@@ze_glitchy_gamer7629 WHÓ ARE YOU TO ACCUSE ME
9:59-13:11 is just Godly, the atmosphere is so heavy and crisp I just gotta time stamp it. The synth+organs in the background with a high pitch keyboard, *and* the drums and guitar are so amazing 🌟🌟🌟🌟🌟
I've been listening to these boss fight daily for like a month and am only just feeling it. This music is beautiful.
6:30 SOOOOOOO GOOD!!!
9:19 The halfway portion of phase 3 has me fucking *ascending* it is sooo good
You even have the phase 1 part where she was talking about college. Thank you for reconstructing this. This is the perfect eve mix.
"Phase 3 Partial rock"
In this version it makes me remember the Rock era of 1990. An interesting fusion.
It is one of the phases that I like the most when the combat gets more epic (including the EDM Partial version which is more).
I can't get enough of it it's so good, I wish I could here more songs like it. Are there any rock songs form The 90s that sound like it?
I love the partial rock versions
SIM!!! o som da Eve combina MUITO com rock, em ambas as versões
6:15 & 9:59 sounds so unbelievable good. Its a battle but the two mesh so well together 👌💞
If there's a sequel, Eve needs to Collabe with Bunk Bed Junction.
I listen to this RELIGIOUSLY.
If NSR was a religion I’d totally join it
@@susie1175
"I do it...FOR NSR!!! HALLELUJAH!!"
@@BBWahoo ALL HAIL THE MOOSE GOD
True I've been listening to this for over half a year now I don't know if it's normal or if I should be worried
@@unsightedjorge458 oh god you're right there with me
Holy moly
10:55 - 11:20 always hits me hard. It is so powerful
What even is eve
She has her own dimension she can trap people in which she says no one has escaped from
And Zuke says she does this before
How many have been trapped
If shes looking for someone to share her heart with, is this the process of getting closer to her? Or some form of forcefully portraying herself when emotions become really strong? No Straight Roads really is a game to show personality.
It's implied by later dialogue and visuals that it's some kind of psychic illusion based power.
Zuke says "I'm still here" when she separates them, after the fight they are back in the main room like nothing had happened and Mayday when looking at a trophy from Eve's boss fight says "Its creepy how Eve can mess with our minds"
"No one escapes" probably means "No finds thier way out if my illusion world"
@@WannabeWryter wait, you can make them read the trophies they got?
@@angerey_ yeah, there's a little text under each trophy
Musicians all have magic powers.
For anyone who's a little confused on what tracks play for each side, here's what I got from it:
Note: This doesn't apply to the Switch version: (Warning this is very long, read slowly to understand)
"Enter Eve" plays as normal before the fight during Eve and Zuke's conversation.
"Intro" plays when Eve talks about College before the fight.
"Phase 1"'s whole instrumental in-game works in a weird way.
It's always:
Base -> (Lead Base + Backing Rock) -> Rock
From what I've seen, it ALWAYS plays in this order on Zuke's side of Phase 1. It actually plays like this on Mayday's side too as when the fight starts, it automatically switches to playing as Mayday.
The only time when EDM plays in Phase 1 at all, is if you switch back to Mayday after switching from Zuke.
So if you switch to Zuke and then back to Mayday, it plays:
EDM -> (Lead EDM + Backing Rock) -> Rock
This means that on Mayday's in-game mix it would be:
Base -> EDM -> (Lead EDM + Backing Rock) -> Rock
The way Phase 2 and Phase 3 work in-game is much more simpler, it plays Base for Zuke, and EDM for Mayday.
Zuke's side for both Phase 2 and Phase 3:
Base -> (Lead Base + Backing Rock) -> Rock
Mayday's side for both Phase 2 and Phase 3:
EDM -> (Lead EDM + Backing Rock) -> Rock
Note: Phase 3 Rock also plays when your controlling both players at the same time in the final tunnel.
Phase 4 always plays as Rock. In-game, Mayday doesn't play in Phase 4. But in her side of the mix, I think it was a good idea to keep Phase 4 to make the song feel complete.
The switch version has a entirely different structure (I'm not as certain about the order here),
As Zuke it’s:
Phase 1: Base
Phase 2: (Lead Rock + Backing Base)
Phase 3: (Lead Base + Rock)
Phase 3 (Final Tunnel): (Lead Base + Rock)
Phase 4: Base
As Mayday it's:
Phase 1: Base -> EDM (Plays IF you switch to her after playing as Zuke)
Phase 2: (Lead EDM + Backing Base)
Phase 3: (Lead EDM + Backing Base)
Phase 3 (Final Tunnel): (Lead Base + Rock) [It changes to match Zuke's side]
Phase 4: (None)
On a side note: "Lead" refers to both the Rhythm and the Melody, while "Backing" refers to just the Backing.
Some of these themes are bit... _fuller_ than those on Mayday's side.
that's good attention to detail, it probably has to do with eve's for zuke being more tender
Another detail is that the melody is generally a lot clearer on Zuke's side, possibly referencing the fact that Zuke knows her and her attacks (as the attacks are based off the music).
Another reference to this is that the melody especially in Phase 3 of Zuke's fight is overbearing (the melody at 8:55), possibly referencing how "intense" they'd viewed each other before.
Furthermore, the melody in Mayday's side is much more the opposite: at times the melody is drowned out by the aggressive backing, sometimes it's overbearing, and sometimes there is none at all.
The melody being drowned out can reference how tough Eve's attacks are to learn: Something that supports this is that during Phase 3 on Mayday's side, the most aggressive attacks take place at the start of phase 3, and at the end of phase 3, both of which parts have a melody heavily buried by aggressive instruments.
One more connection is how each side sounds with partial rock. On Mayday's side, the aggressive EDM overpowers the backing rock. And on Zuke's side, the melody overpowers the backing rock in Phase 3, but otherwise they go together somewhat balanced.
Well yeah theres a softer area to Zuke's side hence eve and Zuke once being good friends while her hatred towards may is more based on the calamity on her side.
Coming back to this makes me miss the people making deep analysis on the music
Good times
one thing i found interesting (and correct me if i’m wrong), but in phase 2, i noticed that the guitar is used throughout the entire first part, while in the semi-dubstep for mayday it goes in and out. maybe it’s alluding to how eve wants to get back with zuke, so their sound is more integrated from the start? idk ansndndj-
That intro was the part I've been looking for!!! Ahhh I love you!!!!
Same
Phase 3 Partial Rock is absolutely beautiful.
Zuke's partial rock is drowned more than maydays
Phase 2 makes me think of being with my plushies
0:55
Africa - Toto (Bad Future)
I hope they make a version that switches between the EDM and normal mix like with the boss fight
Lo adore, muchas gracias queria esto hace mucho
9:11 Eve gets down all night to get lucky
i finally figured out that there's some missing instruments in this version, i always hum along to those parts, ;0
what do you think is missing?
at which part?
@@Agronaut022 the part of Enter Eve when it sounds like the first phase
@@fysioh4284 hmm i cant really hear a diffrence
@@Agronaut022really? i can't really describe them with out sounding crazy
ninguém vai falar sobre o rock da última faixa?
durante a apresentação pra fazer parte da NSR, Eve só rejeita a Bunk Bed Junction quando Zuke fala (provavelmente por rancor). eu sinto que a Eve tem uma afinidade com o rock, tanto que durante a quarta fase está tocando rock.
embora o Zuke esteja presente durante a reaproximação dentro do prisma, a música continua sendo da Eve.
Phase 2 edm on zukes side is my favorite part imo
i love this😍
Can you do YINU next?
I didnt plan on it but maybe, next up is 1010 tho
@@Agronaut022 Got it, hope it turns out good!
@@Agronaut022
oh my god if you do yinu I will marry you
i just had an idea, vs eve ing game mix but its zukes on one side maydays on the other
like one in each ear
5:27👌
Eve is so vaporwave
Can we get the Christmas version?
im sorry but no one can tell me that part 2 is not the best,
00:56
its 4/20 and this song is 14:20