There are over 8 billion people on this planet if I'm not mistaken, and for over 90% of them, this would be the achievement of a lifetime transcribing this album down to the drumming of Elvin Jones!! This is something most of us would have artificial intelligence do instead of a single person. You have a phenomenal ear to be able to understand everything going on in this album!! A monumental achievement!! Depending on how accurate it is, a lot of musicians would pay top dollar to get their hands on this. I can't imagine how long it took you!!
“I would like to show people the divine using a musical language that goes beyond words. I want to talk to people’s soul.” Damn Johnny, you truly succeded…
Nice. I’m still serious about the bass transcription! Just haven’t had time! Great work. I appreciate that Coltrane’s words are superimposed on “Psalm”.
This album has been with me since the 70's and I wore out countless tapes listening to it. It's one of the most beautiful and inspirational albums ever recorded and you're transcription gives a whole new meaning to it. I really hope lot's of other people will discover the beauty of this album through your efforts.
God, that first movement... It's like McCoy Tyner just picked a chord shape and then started moving it around randomly, and yet somehow it works. Sorcery!
Omree!! Dude!! Awesome and phenomenal work - and that is no jive! I'm so glad this came up on my radar- great to see what you've done - and needless to say, makes me so very joyful and proud of you!🙌🏼👏🏼🎶💜 And: Marcelo- Wow! Beautiful, you cats.
Thank You! Lots of love and effort was needed to get all this written down. However, anybody who wants to learn properly this stuff must still pick these solos by ear and notate them on their own. Afterwards they can cross reference to your transcription. Jazz enters the brain through ears and exits through the instrument. Reading somebody else's transcriptions is okay too, but it is much less efficient than transcribing.
@@sheilamacdougal4874 You are free to believe whatever you want, but academic research and essays from established Jazz Masters and educators (for example Dave Liebman) prove my point. There is a whole lineage of the transcription process in jazz dating back to Lennie Tristano and his teachings.
@@vmertane There's a whole lineage, so what? There's also a whole lineage of some of the greatest jazz musicians who never spent time doing transcriptions. Of course listening to the masters, learning licks, reharm tricks, rhythmic and harmonic devices from them is essential. I'm talking about the laborious process of transcribing. Charlie Parker couldn't even read music.
I'm no expert but I agree that you'd probably learn more and in less time if you transcribe yourself instead of relying on someone else's transcription. You'd be relying on your ears instead of your eyes, which makes all the difference in the world I believe.
Sorry, Omree my English isn't so good... But what you have done with this Video is absolutely great great work ! Thank you very, verey much for this big, big artwork ! Thank you so much !!!
This is utterly fantastic! Thank you so much. One question: is there a note missing at bar 174 (the first f# of the f#-a-f#-b sequence)? Or does Coltrane not play that first f#?
Thanks! And good question! I don't hear that first F# in that instance, so I didn't notate it there. He might be playing it in a way such that it's disguised.
man nice job, but i would like to point out that some left hand piano voicings expecially during McCoy Tyner solo in Pursuance are actually different from what you wrote. but other than that super nice work!
@@OmreeG minute 17:13 bar 589 and 590. the note of the last voicing of bar 589 and the first voicing of 590 are from bottom to top: Bb-C-F, instead of what you wrote (G-C-F). also minute 17:39 bar 621 and bar 633 you forgot the F in the Db-G-C voicing. also minute 18:21 bar 669 the voicing in the middle of the bar is not D-Ab-C# , but Eb-Ab-C#. and also i think in some other point of the transcription. maybe i'm wrong but i'm pretty sure
Thanks for the feedback - I wanted to leave some of it out in order to allow the completion of the work to be done by others. I believe you can find transcriptions of the bass lines for Acknowledgement and Resolution on UA-cam. Hopefully someone does the other parts completely and we can piece it all together.
there are a few different parts to it, the piano and sax together (like in the video) is 84 pages. Piano by itself is 43 pages. Bass and drums sum up to 9 pages. Tenor by itself is 22 pages
It’s not interesting in the same way a lot of Coltrane is, to be sure. It’s less pure jazz, less be-bop based. I personally prefer it to any other Coltrane album overall, and I think its more accessible to more people as well.
Man, you are a legend! You should be given an award for this gift to the world
Thank you Ari!
Thank u!! Yep amazing transcription
There are over 8 billion people on this planet if I'm not mistaken, and for over 90% of them, this would be the achievement of a lifetime transcribing this album down to the drumming of Elvin Jones!! This is something most of us would have artificial intelligence do instead of a single person. You have a phenomenal ear to be able to understand everything going on in this album!! A monumental achievement!! Depending on how accurate it is, a lot of musicians would pay top dollar to get their hands on this. I can't imagine how long it took you!!
This is the greatest thing the internet has ever shown me, thank you so much
Well, damn
As a student of piano I AM IN AWE! I cannot explain what infinity is except that this is it ....
For twenty five years I have (unknowingly) been waiting for this.
You are Great, congratulations. I've been looking for it all my life and I've been living for 62 years. Greetings from the homeland of Chopin :-)
the best thing i've ever found on internet !! thanks, legend
thank you. spectacular achievement. never saw the words to psalm juxtaposed to the music. it was like going to church.
A gift for everyone! No words,
extraordinary! A thousand thanks!
“I would like to show people the divine using a musical language that goes beyond words. I want to talk to people’s soul.” Damn Johnny, you truly succeded…
Nice. I’m still serious about the bass transcription! Just haven’t had time! Great work. I appreciate that Coltrane’s words are superimposed on “Psalm”.
I like this method of learning music, it's a great thing that ever happened on youtube. Thanks.
timestamps for practicing mcoy’s piano solo :-)
9:54
10:06
10:35
my guy
This album has been with me since the 70's and I wore out countless tapes listening to it. It's one of the most beautiful and inspirational albums ever recorded and you're transcription gives a whole new meaning to it. I really hope lot's of other people will discover the beauty of this album through your efforts.
This Is a magnific work thank you so much, Love Supreme deserves this.
Resolution sounds so badass
Man, I,m just schocked. Incredible work. For me you are legend of our era
God, that first movement... It's like McCoy Tyner just picked a chord shape and then started moving it around randomly, and yet somehow it works. Sorcery!
Agreed! It's surprising
Phenomenal work! Really looking forward to digging into this
Wow, this is really something!
For twenty five years I have (unknowingly) been waiting for this.
You should definitely be awarded for this! Maybe put a donation link up? :)
This is absolut insane holy shit. I love you so much
I'm extremely grateful for this.
I'm grateful for your saying that
Thanks you so much for this incredible transcription! Excellent work!!!
Thank you!!
Impressive! Thanks for sharing your hard work!
Damn man, this is the best thing I've seen in my whole life!!! You're simply the best!!!
What a gift you’ve given. Thank you.
בנאדם, תודה על העבודה שלך!
Omree!! Dude!! Awesome and phenomenal work - and that is no jive! I'm so glad this came up on my radar- great to see what you've done - and needless to say, makes me so very joyful and proud of you!🙌🏼👏🏼🎶💜 And: Marcelo- Wow! Beautiful, you cats.
Paul!!! Great to hear from you! Thank you!! I'm really glad you got to see it and I get to see your playing on youtube!
This is epic! Thank you so much for the great work!
Wow, a legend is what you are! Thank you
you are a legend for this
Incredible.
Thank you so much for enriching your fellow musicians with this.
just wow. This is what I'm paying the internet bills for.
Thank You! Lots of love and effort was needed to get all this written down. However, anybody who wants to learn properly this stuff must still pick these solos by ear and notate them on their own. Afterwards they can cross reference to your transcription. Jazz enters the brain through ears and exits through the instrument. Reading somebody else's transcriptions is okay too, but it is much less efficient than transcribing.
I don't believe that.
@@sheilamacdougal4874 You are free to believe whatever you want, but academic research and essays from established Jazz Masters and educators (for example Dave Liebman) prove my point. There is a whole lineage of the transcription process in jazz dating back to Lennie Tristano and his teachings.
@@vmertane There's a whole lineage, so what? There's also a whole lineage of some of the greatest jazz musicians who never spent time doing transcriptions. Of course listening to the masters, learning licks, reharm tricks, rhythmic and harmonic devices from them is essential. I'm talking about the laborious process of transcribing. Charlie Parker couldn't even read music.
I'm no expert but I agree that you'd probably learn more and in less time if you transcribe yourself instead of relying on someone else's transcription. You'd be relying on your ears instead of your eyes, which makes all the difference in the world I believe.
This is definitely a crazy work, thank you so much for this.
this is heavy work brother
haha I was playing the second c# in the intro an octave too low. I was totally gotta expose you but of course I was the fool. Thank you!
Thanks for this! I’ve been looking for a transcription of that Garrison bass solo
Great work, thanks!
Fantastic work!
you're a savage dood this is amazing
Sorry, Omree my English isn't so good...
But what you have done with this Video is absolutely great great work !
Thank you very, verey much for this big, big artwork !
Thank you so much !!!
great works /// thanx
Thank you bless your heart
Amazing!
Brilliant
Mil gracias!!!!!!!!!!!!!!!!!!!!!!!!!!!
Amazing
This is just amazing
Bravo !
this is incredible
Awesome
Thanks
Extraordinary, thanks.
thanks my lord
Thanks.
Thanks a lot!!!
:O wow! Thank you so much man! This is genius! How long did it take you? Do you have perfect pitch?
I spent about a year transcribing it many evenings
Amazing. May I suggest putting this on Soundslice? That would make it much easier to learn/practice from than a UA-cam video.
Decided to try it out. Here's part 1: www.soundslice.com/slices/c-Ckc/
@@OmreeG Thank you for this and also for soundslice. I can't read music, but i'll be starting today!! Outstanding work
🙏🏻😌
This is utterly fantastic! Thank you so much. One question: is there a note missing at bar 174 (the first f# of the f#-a-f#-b sequence)? Or does Coltrane not play that first f#?
Thanks! And good question! I don't hear that first F# in that instance, so I didn't notate it there. He might be playing it in a way such that it's disguised.
Transcribing jazz is almost an oxymoron, but i am glad you have done it.
Also McCoy Tyner is a genius
where can i download pdf of this transcription?
gum.co/ggHl
Could you enable print settings on the Soundslice for all 3? That'd be awesome.
man nice job, but i would like to point out that some left hand piano voicings expecially during McCoy Tyner solo in Pursuance are actually different from what you wrote. but other than that super nice work!
Ah, can you point out which chords in which measures?
@@OmreeG minute 17:13 bar 589 and 590. the note of the last voicing of bar 589 and the first voicing of 590 are from bottom to top: Bb-C-F, instead of what you wrote (G-C-F). also minute 17:39 bar 621 and bar 633 you forgot the F in the Db-G-C voicing. also minute 18:21 bar 669 the voicing in the middle of the bar is not D-Ab-C# , but Eb-Ab-C#. and also i think in some other point of the transcription. maybe i'm wrong but i'm pretty sure
@@francescomerli5731 You could be right, the difference is very subtle in those specific cases
is the sax in Bb?
🫳Gold✨️✨️
damn
19:20
22:58
Great job. But can't you include all the drum and bass too. Not just the piano and sax?
Thanks for the feedback - I wanted to leave some of it out in order to allow the completion of the work to be done by others. I believe you can find transcriptions of the bass lines for Acknowledgement and Resolution on UA-cam. Hopefully someone does the other parts completely and we can piece it all together.
Thanks for responding to my comment. You truly did a great job with this transcription. Can't wait to see more❤
How many pages is the $20.00 complete transcription book?
there are a few different parts to it, the piano and sax together (like in the video) is 84 pages. Piano by itself is 43 pages. Bass and drums sum up to 9 pages. Tenor by itself is 22 pages
@@OmreeG thanks
I'm trying to play along on my guitar and Coltrane's sax seems to be a whole step too high. Is there a solo sax transcription in C?
If you'd like the complete sheet music you can get it here (includes individual parts and parts in Concert):
gum.co/ggHl
He is great to be able to do this BUT YOU GUYS LEFT OUT THE BLACK MAN WHO CREATED THIS MASTER PIECE THE GREAT JOHN COLTRANE.
Yikes!!
Boring
It’s not interesting in the same way a lot of Coltrane is, to be sure. It’s less pure jazz, less be-bop based. I personally prefer it to any other Coltrane album overall, and I think its more accessible to more people as well.
great work