How to colour grade D-log M on DJI Osmo Action 4 and Avata 2
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- Опубліковано 24 сер 2024
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In this video we take a look at hot to easily colour grade D-log M on DJI Osmo Action 4 and Avata 2 drone.
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Love it! Thanks a ton! I use this for my camp docu-series
Hey! Nice to hear that. Thanks for the comment. Cheers!
Learned a lot as always! 👌🏻
Hello. Thanks for the comment. Cheers!
so well done!! thank you!
Hello. Glad I could help. Thanks for the comment. Cheers!
Great indepth knowledge of color grading 🥰🎉
Hello. Glad you think so! Cheers!
Very helpful! But will a tutorial for depth math and lens blur be possible? Thank you so much
Hello. I have a video:
ua-cam.com/video/K13uVHud-cU/v-deo.html
Cheers!
thnks man
Hello. You're welcome. Cheers!
You said in order spice things up with 10 bit in DR, you have to use the studio version and then noted if you use HEVC and 10 bit from the OA4, you can use the free version. Can you clarify this? It seems contradictory. If you have to use the Studio version for 10 bit, then the assumption is you can not use it in the free version.
Hello. I've got a few comments on this topic and some peple said that Davinci shows the 10 bit video if it is HEVC. As I've said in the video I haven't tryed this out because I only have the Studio version. Thanks for the comment. Cheers!
@@M1R0_Life_through_a_lens I did a little digging and although I have not tested this. If you’re using the free version of DaVinci Resolve 18.6.6 on a PC, consider this approach: Convert your H.265 footage to DNxHR (4K) using FFmpeg. Then, work with the DJI Normal color profile (avoiding D-log M) in 4:2:0, 10-bit. The bit rate for D-log M is guesstimated to be too high for 18.6.6.
@@MstrRo1 Hello. Thanks for sharing. Really appriciate it. Cheers!
What's the point in recording in "10 bit", if you just bring it down to Rec.709 with the LUT? Is there any way to keep it in Rec.2020?
Edit: TIL 10-bit doesn't mean Rec.2020, the OSMO 4 still only records in Rec.709.
Hello. Just export the video in Rec.2020 (in the color management).
The LUT just ads contrast and saturation the "right" way. Think of it as like a filter. Thanks for the comment. Cheers!
@@M1R0_Life_through_a_lens Thanks for the reply! Just to be 100% clear on this, the Osmo 4 is still recording in Rec.709, even in D-LOG M "10-bit" right?
All files are labeled as Rec.709 by DaVinci (and in the video metadata).
If I manually set it to Rec.2020, the colors definitely don't look right at all...
A bit misleading on DJIs side to call it 10-bit, as I would expect that to be Rec.2020 (not just 10-bit Rec.709).
Yes that's correct. D-log M doesn't use D-gamut colourspace. That's what that M stands for. The 10bit allows you to do more kompleks edits because colour banding isn't an issue. So it's better then 8bit is this regard.
Why do you want to use Rec.2020? Do you have a HDR TV? Just curious 😉.
@@M1R0_Life_through_a_lens thank you, finally it's clear. There's a lot of conflicting information online, with some people suggesting to set the input colour space to Rec.2020/Rec.2100 HLG, and some "demanding" for DJI to share the LUT to convert to Rec.2020 to recover the "billions of colours lost by converting to Rec.709".
But now it's clear that such LUT cannot exist.
And yes, I have a HDR monitor and TV, hence why I want to move to Rec.2020, especially after seeing Blue Planet 2 in HDR, I'm hooked :D