Word, thanks heaps for the kind words, much appreciated! MFX 12 compresses so hard you can make almost anything into a kick drum...if you give it a crack, I’d be to keen to hear how it goes.
Ive been away from the SP for a while, bought a deluge.. Getting back to it tho. I have to say man, that little sequence at the end was TIGHT. Your drumming is getting crazy good.
@@Nonjuror genuinely the best money ive ever spent. If you are ever tempted, just do it. Matches with an SP perfectly. Ive got one track uploaded so far. more will follow.
@@Nonjuror stock sound with onboard filters, but yeah it booms. Ive recently put your lofi pack on it and it sounds sick AF. Would love to see what you could do with one.
@@Nonjuror also i notice the peak level dont light even after you use the comp, then you boost low, and still no peak. so you had the drums real quiet, or did you eq on the lows and then after the comp you put it back up?
To start, if I was sampling a kick I would have a little peak light as long as it sounded clean (enough), but in these scenarios I was sampling breaks that were from 60s/70s n the snares were much louder in the mix so when I chop the kick it isn’t that loud. In either situation, when I start resampling I’m much more careful with the peak light - during or after mfx 12 if you keep the level down a little you have more head room to boost the lows with mfx 13 eq cleanly. Another thing, these days I usually try doing mfx 12/13 with Effect Limit on or off to see which I like better too.
@@Nonjuror good tip. i almost never check limit on how it sounds, bugged me that there is too little gain, but headroom on the sp is most important and keeps it clean. what i do sometimes to get a nice tight tail is to turn the gain knob as i resample, also with reverb i do that so i can get the gated or the delayed one.
Hands down the best SP videos. Pure quality from first to last second and no blabla.
Word, thanks heaps for the kind words, much appreciated! MFX 12 compresses so hard you can make almost anything into a kick drum...if you give it a crack, I’d be to keen to hear how it goes.
You are genius, thank you for these videos!
Cheers man, much appreciated! Hope the technique comes in useful.
Thank you! 🙌
Cheers for checking it out - lemme know how it goes!
Ive been away from the SP for a while, bought a deluge.. Getting back to it tho.
I have to say man, that little sequence at the end was TIGHT. Your drumming is getting crazy good.
Cheers, my dude! I've watched a bunch of videos on the Deluge - looks hella fun and powerful, how do you find it??
@@Nonjuror genuinely the best money ive ever spent. If you are ever tempted, just do it.
Matches with an SP perfectly.
Ive got one track uploaded so far. more will follow.
@@badbenjy holy crap, that kick
@@Nonjuror stock sound with onboard filters, but yeah it booms.
Ive recently put your lofi pack on it and it sounds sick AF.
Would love to see what you could do with one.
@@badbenjy oh word? maaan, I wanna hear that! What's the process for loading samples like?
GATE+REVERSE!!! THANK YOU VERY MUCH!!!!
For real, that's a killer technique for the ol'micro chop
are you leaving a bit of air in front before you apply mfx12? then cut it out after?
Sometimes I find that helps create a less aggressive attack that way, def not every time tho
@@Nonjuror also i notice the peak level dont light even after you use the comp, then you boost low, and still no peak. so you had the drums real quiet, or did you eq on the lows and then after the comp you put it back up?
To start, if I was sampling a kick I would have a little peak light as long as it sounded clean (enough), but in these scenarios I was sampling breaks that were from 60s/70s n the snares were much louder in the mix so when I chop the kick it isn’t that loud.
In either situation, when I start resampling I’m much more careful with the peak light - during or after mfx 12 if you keep the level down a little you have more head room to boost the lows with mfx 13 eq cleanly.
Another thing, these days I usually try doing mfx 12/13 with Effect Limit on or off to see which I like better too.
@@Nonjuror good tip. i almost never check limit on how it sounds, bugged me that there is too little gain, but headroom on the sp is most important and keeps it clean. what i do sometimes to get a nice tight tail is to turn the gain knob as i resample, also with reverb i do that so i can get the gated or the delayed one.
@@Unaqer that's dope af, I dig that!
do you put compression on the drums and sample to make it sidechain like that at the end?
this one was out of the box, I tried but I didn't like how mfx 12 was colouring the drum sound so I did it in Reason