I honestly cannot believe these videos are free. They are both a very sharp hook into your paid education and so well done as a useful standalone bit of knowledge that it's mind boggling. We live in a very interesting time, especially for someone looking to learn new skills. Cheers, Karl
The Short Period In Which You Spoke .. Was Very Useful And Has A Lot Of Information .. All Thanks And Appreciation For Your Valuable Time And Your Sharing Of The Extensive Experience That You Have
I press like even before I watch the video. This is one of the few subscriptions that I have that is really worth having. Thank you for sharing your knowledge. I hope to be able to enter your advanced courses soon.
I watched all tutorials from the free course on your website. They are fantastic and helped me in many ways and improve my skills to. Looking forward for more such in-depth tutorials. Thanks a lot Karl
Thanks, the links to the other videos are at the bottom of the blog post which there is a link to but I will get someone to update this video in the morning
I just started following your channel and I'm so impressed with your quality of work, the way you make your videos, the information giving and the spectacular setup on all of them. Thank you for sharing.
By the way I finally joined the education group today!! I'm excited about elevating and having the knowledge. I really appreciate you and your team brother!! Cheers!!
Good stuff, very crisp and to the point explanation! As a side note, the newer Godox lights can sync up to 1/8000 with full format cameras. Quite short flash durations too, makes stopping motion a breeze.
@@VisualEducationStudio Thanks Karl.. I was just thinking mirrorless would allow you to monitor the scene. But appreciate its only a small benefit. Thanks again! Oh and can I do some work experience with you please (I am 47).
Yes that would be the main advantage but I think some DSLRs can also monitor the scene with the 'live view' feature and still shoot, although I'm not sure they can all do that. As for the work expericence I'm a couple of years older than you but I'm afraid our work experience slots are usually for students :)
@@VisualEducationStudio Thanks Karl, ah yes, Live view, that's a point! Also, I didn't expect a response to the work experience request (you do indeed look like you are having great fun, but at the same time have some great challenges to get your teeth into - I like that)... but now you have got me thinking (I will look into becoming a student) ... thanks again. Keep up the great work.
Perfect timing! I'm currently planning a header image for a webpage about water supply in Africa. A more abstract splash image might be a good eye catcher to the serious topic.
Hi Karl ! I learnt lot of thing about Commercial Photography, But in this video you have shown liquid color splash on model. My Question is what kind of liquid color do you use for liquid splash on model ?
Can i ask what types of paint you use for paint on models photography. coming from the splosh world where food based items are used for very messy sessions, the messy side of things i have done before, i have been looking recently at doing some more creative/artistic paint pours.
Hi throughout this video I explained that all of these examples were using flash and I explained the difference in flash durations. So clearly flash was required based on the fact that it was the flash duration that is freezing the splashes. If you have a bright enough continous light then you could potentially get to 1/8000th sec with your camera shutter at f16 if you have a light source about 5 times as bright as the sun.
I have a novice question. My speedlight is capable of 1/128, but the amount of light is insufficient. I want to supplement it with my monolight, but it can only go down to 1/32. How will using one light at 1/128 and another at 1/32 impact the shot in regards to freezing water. Thanks in advance!
Hi Ron, that's a complex question that we don't cover on our youtube channel but is covered here - karltayloreducation.com/class/understanding-flash-duration/
Hi Splash Strike it was more of a generalisation to speed up the delivery of what I was saying. But you're right it wasn't completely accurate because not all Medium Format cameras can achieve 'any sync' speed. The higher attainable sync speed is because of the 'leaf shutter' which is actually in the lens and not the camera body which is what allows faster sync speeds, however not all MF cameras have a leaf shutter option in the lens, for example the Pentax 645 can't achieve higher sync speeds because it doesn't use 'Leaf' shutters. All Hasselblad and all Phaseone cameras can sync at higher speeds. The new Hasselblad lens use a combination of the leaf shutter and electronic timing to achieve a maximum sync speed of 1/2000th of a second. The Phase One camera and leaf shutter lens combinations can reach a maximum 1/1600th sync. Unfortunately on the Fuji GFX it's a dismal 1/125th of a second which people often neglect to consider when comparing it to the Hasselblad equivalent X1Dii - for me personally the higher sync speeds are very useful for shooting on location with flash and far outweigh using HSS. So yes you are right I shouldn't have generalised but as a medium format user of over 20 years and also considering Rodenstock and Schneider lenses on certain view cameras and that most pro medium format cameras sold are Hasselblad or Phase, I thought it easier to generalise the capabilities of those systems.
Thanks. In the graph the t0.5 and t0.1 are related to output power so what t0.5 actually means is when the flash exceeds 50% of its maximum brightness for a given power setting. t0.1 is when the flash exceeds 10% of its maximum brightness for a given power setting. The time measurement is the actual time such as 1/7000th or 1/15,000th etc.
You can but it would have to be so bright that it would be distracting for the model and the photographer. Studio flash is much more powerful but just for a milisecond.
Yes I'm quite impatient too but the trick with product photography is problem solving. You list every problem and you solve them one by one. That working process is quite pleasant and enjoyable.
I sure will, better still can you tell us why we would have it, how you recognised it and what can be done about it given we are using high quality Sony wireless mics?
I honestly cannot believe these videos are free. They are both a very sharp hook into your paid education and so well done as a useful standalone bit of knowledge that it's mind boggling. We live in a very interesting time, especially for someone looking to learn new skills. Cheers, Karl
Wow, thank you
You are the James Bond of photography world!
Very helpful and informative as always! Thank you so much Karl! God bless you and your wonderful assistants! Good luck and keep creating!
Thanks, you too!
@@VisualEducationStudio Thank you so much!
Best Photography Training of this Century.
thanks
The Short Period In Which You Spoke .. Was Very Useful And Has A Lot Of Information .. All Thanks And Appreciation For Your Valuable Time And Your Sharing Of The Extensive Experience That You Have
5:34 Dexter would be proud of you guys ;)
He would if he knew the truth.
Karl, you are a phenomenal fellow, my biggest source of inspiration. You have my prayers from Iran. Bahram Delgoshaei, PhD
thank you
Outstanding, as always. Thank you!
Our pleasure
Excelente video!!! Gracias por compartir estos tips tan esenciales para lograr muy buenos resultados.
Your welcome
I press like even before I watch the video. This is one of the few subscriptions that I have that is really worth having. Thank you for sharing your knowledge. I hope to be able to enter your advanced courses soon.
Awesome! Thank you
wow. amazing work. teamwork helps with big splash work for sure.
Yes indeed
Simple and excellent explanation. Thank you for your great video
Glad it was helpful!
Congrats master. Incredible class
Cheers
I watched all tutorials from the free course on your website. They are fantastic and helped me in many ways and improve my skills to. Looking forward for more such in-depth tutorials. Thanks a lot Karl
Glad you liked them but remember our best stuff is on our site.
Awesome video! So helpful! What’s the name of the infrared sound trigger? I have a Sony and I would love to try 😌
It is Miops Smart+ Trigger. You can check it at: www.miops.com/products/smart
Great video. Unfortunately you didn't add the links in the description for the other videos
Thanks, the links to the other videos are at the bottom of the blog post which there is a link to but I will get someone to update this video in the morning
Thank you Karl - this is just what I need for a photo challenge we're having at work.
The subject is "Coffee". I am excited to get started :-D
Fantastic I hope it goes well
You're an inspiration 😀🇲🇽
cheers
Brilliant instruction.
Thank you.
i just sign up for his education and is going well so far.
Great thanks for joining our community
I just started following your channel and I'm so impressed with your quality of work, the way you make your videos, the information giving and the spectacular setup on all of them. Thank you for sharing.
Thanks and welcome
great video
Thanks!
By the way I finally joined the education group today!! I'm excited about elevating and having the knowledge. I really appreciate you and your team brother!! Cheers!!
Wonderful, thank you.
Good stuff, very crisp and to the point explanation! As a side note, the newer Godox lights can sync up to 1/8000 with full format cameras. Quite short flash durations too, makes stopping motion a breeze.
Thanks for the info
yeaaah babyyyy. love it.
Thanks Karl. I have been shooting splashes & making decent progress. Although that (t.05/01) lesson created a surreal depth. Kudos to you!
Thanks, more on our site
Would mirrorless cameras be an advantage versus using mirror lock-up on a DSLR? Brilliant video, thanks!
Hi it would only be an advantage in that you didn't need to activate the mirror lock up but otherwise no difference in image quality.
@@VisualEducationStudio Thanks Karl.. I was just thinking mirrorless would allow you to monitor the scene. But appreciate its only a small benefit. Thanks again! Oh and can I do some work experience with you please (I am 47).
Yes that would be the main advantage but I think some DSLRs can also monitor the scene with the 'live view' feature and still shoot, although I'm not sure they can all do that. As for the work expericence I'm a couple of years older than you but I'm afraid our work experience slots are usually for students :)
@@VisualEducationStudio Thanks Karl, ah yes, Live view, that's a point! Also, I didn't expect a response to the work experience request (you do indeed look like you are having great fun, but at the same time have some great challenges to get your teeth into - I like that)... but now you have got me thinking (I will look into becoming a student) ... thanks again. Keep up the great work.
What is the liquid using for photography ?
Awesome!!
Thank you! Cheers
Top!👍
Thanks
Entertaining
Perfect timing! I'm currently planning a header image for a webpage about water supply in Africa. A more abstract splash image might be a good eye catcher to the serious topic.
Contact me through my commercial website karltaylor com and I may be able to help you with this if it is for strictly charity purposes.
I just would like to Thank you I remember my first lessons was. Purchased through your photography courses long time ago maybe 8 years age. 🌹🤗👍
Glad you like them
Hi Karl ! I learnt lot of thing about Commercial Photography, But in this video you have shown liquid color splash on model. My Question is what kind of liquid color do you use for liquid splash on model ?
All the liquid information, paint types are answered on our site
Spot on bud 👍
Cheers
Nice one
Thanks for watching
'some experts, myself included of course' :D. Karl, you're simple geniuos! I've really loved this video, without any irony!
Ha Ha I have to give myself some credit sometimes too :)
@@VisualEducationStudio Well deserved credit, these lectures are awesome.
Can i ask what types of paint you use for paint on models photography.
coming from the splosh world where food based items are used for very messy sessions, the messy side of things i have done before, i have been looking recently at doing some more creative/artistic paint pours.
Hi all of that information can be found on our site at KTE
Great video Karl, thank you, I have a question, is Flash required.or can you shot it with Continous Video Lights?
Hi throughout this video I explained that all of these examples were using flash and I explained the difference in flash durations. So clearly flash was required based on the fact that it was the flash duration that is freezing the splashes. If you have a bright enough continous light then you could potentially get to 1/8000th sec with your camera shutter at f16 if you have a light source about 5 times as bright as the sun.
I have a novice question. My speedlight is capable of 1/128, but the amount of light is insufficient. I want to supplement it with my monolight, but it can only go down to 1/32. How will using one light at 1/128 and another at 1/32 impact the shot in regards to freezing water. Thanks in advance!
Hi Ron, that's a complex question that we don't cover on our youtube channel but is covered here - karltayloreducation.com/class/understanding-flash-duration/
Hey Karl you made a mistake when you said medium format cameras can sync at any speed. It's because the have a leaf shutter not the format size.
Hi Splash Strike it was more of a generalisation to speed up the delivery of what I was saying. But you're right it wasn't completely accurate because not all Medium Format cameras can achieve 'any sync' speed. The higher attainable sync speed is because of the 'leaf shutter' which is actually in the lens and not the camera body which is what allows faster sync speeds, however not all MF cameras have a leaf shutter option in the lens, for example the Pentax 645 can't achieve higher sync speeds because it doesn't use 'Leaf' shutters. All Hasselblad and all Phaseone cameras can sync at higher speeds. The new Hasselblad lens use a combination of the leaf shutter and electronic timing to achieve a maximum sync speed of 1/2000th of a second. The Phase One camera and leaf shutter lens combinations can reach a maximum 1/1600th sync. Unfortunately on the Fuji GFX it's a dismal 1/125th of a second which people often neglect to consider when comparing it to the Hasselblad equivalent X1Dii - for me personally the higher sync speeds are very useful for shooting on location with flash and far outweigh using HSS. So yes you are right I shouldn't have generalised but as a medium format user of over 20 years and also considering Rodenstock and Schneider lenses on certain view cameras and that most pro medium format cameras sold are Hasselblad or Phase, I thought it easier to generalise the capabilities of those systems.
Clear and limpid....Thank you.
By the way, in the graph, wouldn't that be t 0.05? ;-)
Thanks. In the graph the t0.5 and t0.1 are related to output power so what t0.5 actually means is when the flash exceeds 50% of its maximum brightness for a given power setting. t0.1 is when the flash exceeds 10% of its maximum brightness for a given power setting. The time measurement is the actual time such as 1/7000th or 1/15,000th etc.
thank you so much :)
No problem 😊
Thank you!! Great stuff!! I think I'm about to go destroy my "studio" area with splashes now. ;)
Have fun!
How come can't use constant light and a fast shutter speed?
You can but it would have to be so bright that it would be distracting for the model and the photographer. Studio flash is much more powerful but just for a milisecond.
Haha wow thats messy 😂 I think I can never be a really Good product photograper...I lack in patience! 😔
Yes I'm quite impatient too but the trick with product photography is problem solving. You list every problem and you solve them one by one. That working process is quite pleasant and enjoyable.
@@VisualEducationStudio i Will try that approach 😊👍👍
I’m unable to access the download, please help !
Hi John, which download are you referring to?
Some intriguing shots, BTS, etc. Would have loved more voice-over-example-sequence though. Still, certainly enough .
🙏😊🙏
Tell your audio technician that you have a resonance problem at around 760 Hz.
I sure will, better still can you tell us why we would have it, how you recognised it and what can be done about it given we are using high quality Sony wireless mics?
7:45
Model's full name, please?
450 likes include mine its hard to find all likes videos in youtube :D
Thanks glad you enjoyed it.
Breasts is enough... splash not needed