This is an example of what makes Verdi more vocally demanding then any other composer. You dont just get an aria. You get an entire scene. Begin with a demanding recit, then an aria that you have to sing two times through, then right back on with a cabeletta. It was his formula. So when you step into the lights its not just a race its a marathon. Even Pavo was getting tired by the end.
I love listening to Pavarotti sing with just piano because one can hear everything, the pureness of the voice is exposed. He was a singing machine, a technical marvel, and always sung with a natural and pure sound (unlike many of his colleagues)
Bravissimo Pavarotti!!!! A man that will be forever missed in the world of opera and music as a whole. And not to mention the caliber of his accompanist. John Wustman is a wonderful pianist not to mention a very close friend of Pavarotti. I had the pleasure of performing in one of John's master classes, and I have to say. Never have I learned so much from such little time with a voice teacher. May Luciano Pavarotti's memory live forever.
The first time I saw him in concert, he sang this aria. I was overjoyed and in tears, but this is the best version I've heard and the cabaletta is wonderful. He shows so much emotion!
Wow, I envy you so much! I never was able to hear the man live unfortunately! I would have given anything to hear him in the 2000's much less in 1970!!! I can only imagine what it sounded like!
I agree completely with your sentiments. How well I remember the first time I heard a radio broadcast in the 1970's that focused on a Pavarotti recital. I had never heard such singing before!
This is from Luisa Miller by Verdi. Here Rodolfo thinks his lover Luisa betrayed him and he goes from melancholy in the first aria, to frenzy in the second aria which is referred to as a cabaletta.
There are two audio tracks on this video, one loud and one faint, the faint one almost sounds like an echo, but it is playing ahead of the loud one, and so cannot be an echo. You can notice it particularly at 5:16 where the 'echo' clearly precedes the main track.
Chi si permette di criticare un simile cantante dimostri di saper far meglio. Pavarotti è stato un signor tenore il resto è chiacchiera. Ottima esecuzione... A chi afferma il contrario dico QUANDO LA VOPLE NON ARRIVA A PRENDERE L'UVA DICE CHE È ACERBA.
Isn't Pavarotti's accompanist, John Wustman, super? I studied with Wustman at the Univ of Illinois, and what a privaledge it was. Graduated in 1981 from the M.M. program.
A very curious view, as I hear the opposite - I don't find him to be straining at all, and to me the sound is thrillingly virile, the emotion earnest and immediate. I'd be interested to know who you prefer. I admire Bergonzi's elegant interpretation of this aria, although to me Luciano is so much more fluid and passionate. L. Miller was a good opera for him in the 70's. Try to get hold of the live recording from La Scala 1976, with him and Caballe - he was on amazing form.
@maxlorenz24 Though I think giving an opinion is perfectly fine, I think you are more so showing your ignorance then offending people. I can understand maybe disagreeing with stylistic choices, though I dont know how you hear that. This is gorgeous singing. in any case, there is no arguing that this is quite close to perfect singing! His technique, especially in this time, was superb. It doesnt get much better.
I thank you for your kind reply. It must be me then, because I cannot stand him, safe on religious music. I too like Bergonzi-s refined and round (as his voice) rendition but I confess that I am a fan of the singers of the first half of the past century. I uploaded a version from Aureliano Pertile which I found almost perfect, for example.
I had to force myself to listen to the complete post. I have never listened to a version so unpleasant. The voice is hard and sterile, it lacks morbidezza, the emotion is fake. The line of singing is forced without good taste. The highs are strained...etc. I am sorry to say this. I know most of you love him. I should not post these words about a singer that passed away, maybe... Anyway, just my humble opinion. I hope I do not offend anybody.
This is an example of what makes Verdi more vocally demanding then any other composer. You dont just get an aria. You get an entire scene. Begin with a demanding recit, then an aria that you have to sing two times through, then right back on with a cabeletta. It was his formula. So when you step into the lights its not just a race its a marathon. Even Pavo was getting tired by the end.
Restare per ore ad ascoltarlo, questa saraebbe la cosa più bella. Grandissimo Pavarotti, sarai sempre con noi ❤️❤️❤️
MERAVIGLIOSO LUCIANO PAVAROTTI!!!BRAVISSIMO!!!
I love listening to Pavarotti sing with just piano because one can hear everything, the pureness of the voice is exposed. He was a singing machine, a technical marvel, and always sung with a natural and pure sound (unlike many of his colleagues)
Bravissimo Pavarotti!!!! A man that will be forever missed in the world of opera and music as a whole. And not to mention the caliber of his accompanist. John Wustman is a wonderful pianist not to mention a very close friend of Pavarotti. I had the pleasure of performing in one of John's master classes, and I have to say. Never have I learned so much from such little time with a voice teacher. May Luciano Pavarotti's memory live forever.
Bravo Luciano Great voice of the century
nonostante una piccola perdita di posizione sul finale,resti uno dei piu' grandi tenori della storia!
People say that Pavarotti couldn't act...and look at this.
The aria is just dripping with emotion and sorrow that it become almost unreal.
The first time I saw him in concert, he sang this aria. I was overjoyed and in tears, but this is the best version I've heard and the cabaletta is wonderful.
He shows so much emotion!
Beautifully sung and Wustman rocks!
Wow, I envy you so much! I never was able to hear the man live unfortunately!
I would have given anything to hear him in the 2000's much less in 1970!!! I can only imagine what it sounded like!
Pavarotti is the best of the best.
The singing line is flawless, the high notes aren't as easy as they usually were, but still very free, the emotion is not fake at all.
Timbro limpido e chiaro ! Bravo!!!!!
I agree completely with your sentiments. How well I remember the first time I heard a
radio broadcast in the 1970's that focused on a Pavarotti recital. I had never heard such singing before!
Neither before nor after.
Bravi Pavarotti in a high demanding Rodolfo from a great Verdi !!!
This is pav at his best!
It's too bad people only listen and watch his later works.
excelente, bravooooo, el mejor por siempre
Semplicemente unico!!!
This is from Luisa Miller by Verdi. Here Rodolfo thinks his lover Luisa betrayed him and he goes from melancholy in the first aria, to frenzy in the second aria which is referred to as a cabaletta.
Solo hay uno que se le puede medio comparar, por eso ha sido siempre mi inspiración, este su servidor 👏🏼💪🏻👍🏻 los demás sigan intentando.
BRAVO. BELLISSIMA CABALETTA DEGNA DI PEPPINO 😉
My Goodness. Thank you for this.
I love that song...
What a wonder!
perfect
beautiful
Ohhh Luciano. How we miss you. Of course he could act. Find his "No, Pagliaccio non son". See what operatic acting is.
@lovingee1
I am 100% with you Pav is in vocal Heaven here- glad he recorded it - I do not think he sang it on stage.
Regards-John
Regards
Perfekcion!
I'm thinking:I have to learn alot more, when I hear this beautiful rendition! Pavarotti sings so much better than me!
Frank Mylius Of course he sings better.He is a proffessional
MORE OF THIS!!!!!
BRAVOOO!!
There are two audio tracks on this video, one loud and one faint, the faint one almost sounds like an echo, but it is playing ahead of the loud one, and so cannot be an echo. You can notice it particularly at 5:16 where the 'echo' clearly precedes the main track.
Te quiero mucho osito de peluche ❤❤❤❤❤❤❤
Chi si permette di criticare un simile cantante dimostri di saper far meglio. Pavarotti è stato un signor tenore il resto è chiacchiera. Ottima esecuzione... A chi afferma il contrario dico QUANDO LA VOPLE NON ARRIVA A PRENDERE L'UVA DICE CHE È ACERBA.
Per una volta mi trovo d'accordo con lei.
Yes, you are right. It is not my job> it is your mom-s job to learn you how to speak politely to other human beings...
Henry Moore, you are the shiit!!
Isn't Pavarotti's accompanist, John Wustman, super? I studied with Wustman at the Univ of Illinois, and what a privaledge it was. Graduated in 1981 from the M.M. program.
A very curious view, as I hear the opposite - I don't find him to be straining at all, and to me the sound is thrillingly virile, the emotion earnest and immediate. I'd be interested to know who you prefer. I admire Bergonzi's elegant interpretation of this aria, although to me Luciano is so much more fluid and passionate. L. Miller was a good opera for him in the 70's. Try to get hold of the live recording from La Scala 1976, with him and Caballe - he was on amazing form.
@maxlorenz24 Though I think giving an opinion is perfectly fine, I think you are more so showing your ignorance then offending people. I can understand maybe disagreeing with stylistic choices, though I dont know how you hear that. This is gorgeous singing. in any case, there is no arguing that this is quite close to perfect singing! His technique, especially in this time, was superb. It doesnt get much better.
😳😳😳
Is this full recital available on DVD anywhere? I've seen the whole thing on YT, but it's low-res.
Anyone know where I can find English lyrics for this Aria?
He, he...have you taken yours?
This is a conversation about music. It is not supposed to make you say dirty words.
OK.
I thank you for your kind reply.
It must be me then, because I cannot stand him, safe on religious music.
I too like Bergonzi-s refined and round (as his voice) rendition but I confess that I am a fan of the singers of the first half of the past century. I uploaded a version from Aureliano Pertile which I found almost perfect, for example.
Are you a faithful example of what Pavarotti's fans are and behave like???
I do not think so...
Ciao.
Luciano i love you, but that cadenza is horrible... better to do what is written!
I had to force myself to listen to the complete post.
I have never listened to a version so unpleasant.
The voice is hard and sterile, it lacks morbidezza, the emotion is fake. The line of singing is forced without good taste. The highs are strained...etc.
I am sorry to say this. I know most of you love him. I should not post these words about a singer that passed away, maybe...
Anyway, just my humble opinion. I hope I do not offend anybody.