I CANNOT UNDERSTAND WHY A GOD WOULD BLESS A PERSON WITH SUCH GREAT TALENT, ONLY TO TAKE IT AWAY BY ILLNESS, OR ACCIDENT, OR WAR INCIDENT. WHY CREATE ONLY TO DESTROY? I JUST DON´T UNDERSTAND.
En plus de se rapprocher de la réalité historique ( si jamais il y en avait une) , Scott Ross essaie de comprendre avec quels matériaux les compositeurs du XVII ème et XVIII ème siècles pouvaient interpréter la musique de leur époque: démarche que Glenn Gould n'avait pas comprise. Je rajouterai que tout génie interprète fait aimer l'instrument qu'il joue, tout comme Richter au piano, Oïstrakh au violon et Victor-Julien Laferrière au violoncelle !
The Gigue is, next to the one from the 3rd French Suite(in B minor), the best Gigue from any Bach works Edit: If you guys disagree, name your favourite Gigue so that we have a comparison, I welcome any counterpoint^^ to my statement
@@rahonauguste6057 I mentioned the 3rd French suite, also I learned that piece on the harpsichord as well! :D Yes 5th Fench Suite is pure beaty, I recently discovered it and it is on my to learn list!
@@Adar195 Some other baroque composers manage a higher complexity and variation in emotion than him, but in terms of his skills as an artisan and understanding of counterpoint, his truly is the highest form no question.
Preciosa interpretación por un gran maestro del clavicordio, Scott Ross. Muchas gracias por subirlo a YT.
Scott Ross: inégalable.
2:50 Allemande
5:22 Corrente
8:32 Sarabande
12:27 Burlesca
14:40 Scherzo
16:17 Gigue
so what's before is a fantasia ?
Among the best recordings.
Beim Zuhörer wird eine unermüdliche "major" Begeisterung geboren- es ist wunderschön !!! Tepper Michael.
Hier hört man, wie die Gigue klingen kann: Phantastisch, tollkühn.
Спасибо!
S udovolstviem!
I CANNOT UNDERSTAND WHY A GOD WOULD BLESS A PERSON WITH SUCH GREAT TALENT, ONLY TO TAKE IT AWAY BY ILLNESS, OR ACCIDENT, OR WAR INCIDENT. WHY CREATE ONLY TO DESTROY? I JUST DON´T UNDERSTAND.
The fragility of life is no small part of its beauty..
Because life and death are part of the divine order of existence.
Be grateful we got to borrow one of God's musicians for a while in this world, and the he left so much.
En plus de se rapprocher de la réalité historique ( si jamais il y en avait une) , Scott Ross essaie de comprendre avec quels matériaux les compositeurs du XVII ème et XVIII ème siècles pouvaient interpréter la musique de leur époque: démarche que Glenn Gould n'avait pas comprise. Je rajouterai que tout génie interprète fait aimer l'instrument qu'il joue, tout comme Richter au piano, Oïstrakh au violon et Victor-Julien Laferrière au violoncelle !
Gould fait aimer le piano bien plus que Richter, en tout cas sur Bach
perfect. lovely❤❤
ahhhh the correct way of playing bach
How do you know? Were you alive in 1720?
@@rdubb77 no, i can read music
The Gigue is, next to the one from the 3rd French Suite(in B minor), the best Gigue from any Bach works
Edit: If you guys disagree, name your favourite Gigue so that we have a comparison, I welcome any counterpoint^^ to my statement
Gigue from the 5th French suite is also great ! and 3rd french suite as well
@@rahonauguste6057 I mentioned the 3rd French suite, also I learned that piece on the harpsichord as well! :D
Yes 5th Fench Suite is pure beaty, I recently discovered it and it is on my to learn list!
Bach was a god like beast of a composer. The absolute top peak of Everest in the world of music composition in general.
@@Adar195 Some other baroque composers manage a higher complexity and variation in emotion than him, but in terms of his skills as an artisan and understanding of counterpoint, his truly is the highest form no question.
My favourites are gigues from both so called lute suites, gigue + double from BWV 997 is just incredible
Thanks!
14:40
6.Scherzo
1:53
what was going on through Bach's brain?🧠🤯, just listening to this is melting mine
Quando Deus fica contente pede aos anjos para tocar MOZART, mas quando fica pensativo pede para tocarem BACH.
WHEN THE ANGELS LISTEN TO MUSIC, THEY LISTEN TO MOZART. BUT WHEN THEY LISTEN MORE PROFOUNDLY THEY TURN THEIR EARS TOWARDS BACH.