Prelude is by far the most unappreciated song in any CV game, and this entire soundtrack doesn't get the love it deserves. CV3/AD has the best music of the entire NES/Famicom lineup. It changed my expectations of musical quality, in video games. Konami might have forgotten how to make a good game, but this is a reminder of how great they really were, back then.
@@GrOuNdZeRo7777 a lot of patience! i ripped each channel from each song, figured out by ear what combination sounded best for each one and just adjusted volume data and panning for everything. a couple songs required even more work (different lengths / different BPMs between versions etc); i spent around 6-8 months on everything between that and my full time job at the time
The counter-melodies in Beginning and Mad Forest are instant eargasms. Clockwork perfectly captures the feeling of heavy machinery doing its thing, and this mix makes me fully appreciate Rising and Stream. Now I want to loop together Beginning-Mad Forest-Aquarius-Deja Vu.
Alex Snitzer The way the bass and upper melody jump toward each other in contrary motion on the first two notes and then descend/ascend away from each other in a scale fashion in Mad Forest is one of my favorite moments in the soundtrack.
Nightmare really is the best of both worlds, so bone chilling with the meat of the VRC6 chip with the extra harmonies and fullness of the triangle wave of the NES. EDIT: Also I adore how extra melodic the bass is in Deja Vu (Vampire Killer) with the triangle wave. Honestly the combo of sawtooth and triangle adds so much fullness into the mix, it's crazy how they work in tandem so well together.
Hearing the arps from the NES version in Rising and the VRC6 bass at the same time, makes me say that this is the definitive version for this track! :D
I always felt something... something.. was missing from all these songs. I loved them growing up, but to hear them "complete" like this... I'm in music nerd heaven! Thank you!
Mad forest mixed is simply INCREDIBLY, the NES version has actuallty added things to compensate the extra channels lack, but listening this with the VRC6 AND the arps from NES is really impresive, specially if you think of the sound capabilities of that time. This is trully a masterpiece
Aquarius sounds genuinely fantastic when both renditions are combined, Mad Forest too, but I might be biased since that's my favourite track in the entire OST
A....Amazing. My heart STOPPED. For thirty two minutes, and twenty five seconds. Only to be startled awake, gasping, by the rhythmic pulse of moonlight, within. YOU did this to me. For that, I thank you.
To access Sound Mode: on the title screen, press A, B and Start all at once. When the Sound Mode screen appears, press Up or Down on the control pad to go through the songs heard in the game, and press B to play. Press A to stop.
Incredible. I'm so used to the original NES versions that I'm blown away by how much better these are. Really need extended versions of them because they're just too short here! I could easily listen to 30 minute loops of ones like Aquarius, Mad Forest, Beginning, Vampire Killer, Stream and Clockwork.
It's great to see people with enough of a desire to hear stuff like this, that they'd go through a soundtrack and badass-ify every single track... just awesome work. Thank you so much for posting this for everybody to hear.
Oh my god look how they complement each other so well in Beginning during the breakdown. I'm like, wow... it's like this is truly the definitive version of the song.
Man, what a great piece of content, I did my senior capstone project in college on chip tune music and this game on the nes vs famicom because of stumbling across videos like yours. Keep it up.
I have always long considered that even though the NES soundtrack is technically less robust, because it came a almost a year after the SFC soundtrack, the composer had spent the ensuing 9 months letting the soundtrack run through his head, brainstorming new ideas, and took advantage of the opportunity to actually flesh out the melodies, despite the new limitations. That's what makes this arrangement important. In Overture for example, only the NES version has that moment where the triangle channel adds its own component to the chord progression (e.g. 25:08). That by itself makes the NES version of this BGM superior to the SFC original. So it's nice that we don't need to choose.
I like how this version of Overture has both the huge chords of the Fami version and the oscillating notes from the more limited NES version. Both together work very satisfyingly.
YES ! ! ! This is like Neuromancer finding Wintermute, like Vegeta fusing with Goku, like Kakashi making up with Obito! So long I have waited for this union. *cries tears of joy*
This is absolutely fantastic! Every single gripe I have for either version of the soundtrack is addressed here. The triangle channel was woefully underutilized in the Japanese version, replaced instead with a sawtooth that, as you mentioned, overpowers everything else. Phenomenal work, sir.
I feel like the OST for this game should be both these OSTs merged together. They sound heavenly when played in unison. If this game ever gets re-released, that's what they should do. Why pick one awesome soundtrack when you can have both and enjoy a euphoric eargasm?
And if they ever do decide to do a re-release, then please, make it so that the characters you play with don't share a life bar with each other. Like TMNT 1 for NES.
I never really liked "Anxiety" but your creation here makes it something almost entirely different. I remember hearing the Akumajou Densetsu version of "Clockwork" on a bonus disc a friend got with his copy of SOTN and at the time I didn't realize the Japanese cart had used a different sound chip. I kept rewinding that one (he copied it to tape for me) and the additional layers in that song just blew me away. "Overture" always stood out to me when I was younger, it was so ominous yet pretty. I feel like you brought true justice to these tunes for sure. Man, sometimes the internet is a magical place hahaha
Those compositions where master pieces at the time. I’m glad they are becoming recognized and saved from being forgotten. I can only imagine how the original pieces actually sounded when the artist composed them. It must have been heart wrenching to hear them reduced to what these 8bit machines could handle. Nevertheless that was some of the best music I had heard at the time. Still is.
The single most important thing that this gets correct is the highlight of the arpeggiated chords in "Rising". Having the straight chords from the FC version is good, but on their own they sound way out of place. The NES version has a nice faux-reverb effect going on that fits.
Adam D Couldn’t agree more. When I was playing the FC version a few weeks ago, I got to this level and anticipated that part in the track, only to be like “what... what is missing here?” I realized I’d been listening to this hybrid soundtrack far more than the other two on their own. :P
Frank C Yes! Melodically, dynamically and even "mechanically" with its crazy time signatures, Overture is the best boss theme in Castlevania, and it's not even close.
Yeah, and maybe the original! (Go, Simon.) For CV1: The entire soundtrack (+Vampire Killer-Ending (MSX)) For CV2: Bloody Tears Monster Dance Within These Castle Walls Last Boss Requiem Game Over
And here I thought that the orchestrated version somebody did years ago was the definitive version of this album and you bring this to the table. bravo I say!!
Sentient Toaster Igarashi’s Castlevania canon wasn’t established when this game was made. That and the deja vu aspect is for the players who already played Castlevania 1
in the CV3 manual it says its a prequel for CV1 so it has nothing to do with igarashi's canon ------- I guess is just for the players who played cv1 before
Amazing sountrack one of if not the best ive ever heard from a nes game incredible what they were able to do with such limited tech great job remixing this i truly enjoyed it thank u
Great work. I just played through the NES version getting 3 out of the 4 endings so far (working on Trevor alone) and I love the soundtrack of the game. I know that people say the Famicom soundtrack is better, and in some cases it is, but the limitations of the NES actually delivered a fantastic version too. The ONE song I think that the NES does better is Pressure, probably because of the faster tempo. Descending on that stage with the platforms, trying to get past the pendulums without getting knocked off by a freaking bat and making it to Dracula without being low on health was a real challenge for sure. The Famicom version of that track doesn't deliver in terms of....pressure. However, I have to say overall, this mix is awesome!
Also, can I just say how cool it is that you matched your background/history text to Prelude? It makes me feel like I'm reading the scrolling story from the game.
"Rising" sounds absolutely wild with both styles. The overall tone of the music is just incredible. Would have been the best sound out of the NES if it was possible to have this good quality music back then.
This is a really interesting video. I just spent like 3 years working on CV covers for a 30 song album. It's intriguing to hear the parts I never knew were in these songs! Great job!
See below for track listing. Castlevania: Bloodlines Castlevania: The New Generation バンパイアキラー Recorded from real hardware: Sega Genesis Model 1 "High Definition Graphics" VA3 fully serviced, recapped, audio tapped directly before headphone amplifier for high clarity and minimal distortion. Recorded via Audacity on Linux through ESI Juli@ soundcard at 48khz 24 bit. View video at 720p for highest audio quality. 0:00 - Konami Logo 0:04 - The Beating in Darkness (Title Theme) 0:17 - A Vision of Dark Secrets (Opening Theme) 1:17 - Bonds of Brave Men (Character Selection) 1:55 - Arduous Journey (Map Theme) 2:08 - Mysterious Curse (Password) 3:13 - Reincarnated Soul, Part 1 (Introduction) 3:27 - Reincarnated Soul, Part 2 (Stage 1) 5:18 - The Sinking Old Sanctuary (Stage 2) 7:18 - The Discolored Wall (Stage 3) 9:23 - Iron-Blue Intention (Stage 4) 11:21 - The Prayer of a Tragic Queen (Stage 5) 13:03 - Calling From Heaven (Stage 6) 15:30 - Pressure (Invincibility) 15:58 - Beginning (Classic Tune 1) 17:45 - Bloody Tears (Classic Tune 2) 18:55 - Vampire Killer (Classic Tune 3) 20:03 - Nothing to Lose (Stage 1D) 21:14 - Messenger From Devil (Area Boss Theme) 21:48 - The Six Servants of the Devil (Stage Boss Theme) 22:58 - Theme of Simon (Classic Tune 4) 25:15 - The Vampire's Stomach (Final Boss Theme) 26:30 - Orb Theme 26:34 - Energy Orb 26:46 - Stage Clear 26:57 - Dracula Orb 27:01 - All Clear 27:11 - Together Forever (Ending Theme) 29:16 - Requiem for the Nameless Victims (Staff Roll) 31:47 - Death 31:52 - After the Good Fight (Game Over) Composed by Michiru Yamane Notes: I don't know what it is about Castlevania music, and the music from Bloodlines in particular, that makes it hard to find on youtube in decent quality. People tend to make and upload bad emulator recordings, or worse, put reverb on them to make them sound more "epic" (this sounds really bad, cut it out). Enjoy this pure, minimally processed recording form pristine Genesis hardware. :) In particular you'll notice the warmer bass and gentler treble--check out the pizzicato string type sound on Requiem for the Nameless Victims in particular.Escuchen
It seems like this channel has been inactive for a while, but I always find myself coming back to this video because it is just so good! Does anyone know if there are any other retro game soundtracks that got a similar treatment? Not just Castlevania, but the Simon’s Quest OST would be awesome to hear, for sure!
Until this day, I find it jarring that Riddle's first part in the NES version doesn't loop like in every other version. Cartridge size skill issue back in the days?
Great Mix! Mad Forest level is one of my fav in game soundtracks and was thrilled to hear the Famicom Castlevania 3 soundtrack with the enhanced sound chip.
OH MY GOD!!! The NES CastleVania 3, and the FAMICOM CastleVania 3 ost both Combined! and the cherry on top, it’s STEREO!! This is THE Definitive OST No denying that!! 😃👍👌💯 Edit: Nightmare in particular is ASTOUNDING!!!
This is great. In comparing the two versions, what I like in the Prelude of the NES that cannot be replicated in either remaster or Famicon version is the distinct break, like an eighth beat rest (or a move to a lower note) to really get the downbeats and the "plodding" nature of the beginning right. In the Famicon version the root notes are just sustained throughout, which I think takes away from the "strike" of the chord on each downbeat.
Prelude is by far the most unappreciated song in any CV game, and this entire soundtrack doesn't get the love it deserves. CV3/AD has the best music of the entire NES/Famicom lineup. It changed my expectations of musical quality, in video games. Konami might have forgotten how to make a good game, but this is a reminder of how great they really were, back then.
FRRRRRR
Frankly
I think Prelude is _the_ example of NES music.
I rarely heard the track before this video, and yet that sound track felt so familiar.
Came back to this video again to rekindle my love for Prelude
Same thing with overture..
@@EverythingBagelSeasoning
At the very least, Overture got reused in Portrait of Ruin.
oh my god thank you everybody
you're a fucking madman, this shit is crazy. this has immediately become one of my favorite OSTs to listen to.
No. Thank YOU. This was awesome from start to finish
No thank you, oddly the most faithful rendition is this IMO, How did you accomplish this?
@@GrOuNdZeRo7777 a lot of patience! i ripped each channel from each song, figured out by ear what combination sounded best for each one and just adjusted volume data and panning for everything. a couple songs required even more work (different lengths / different BPMs between versions etc); i spent around 6-8 months on everything between that and my full time job at the time
This trilogy, the nija gaiden trilogy, and blaster master are the best nes soundtacks....a few honorable mentions come to mind though.
Amazing work.
Si, así es.
Viejo sabroso
Dross que haces acá?? xd hombre de cultura.
¡...!
que grande
This is outstanding. I feel like the one who did this truly understood what makes both versions great.
Ay waddup
thank you i’m a big fan of music
Not the person I expected to see on this video
@@babypinksnail You didn't expect me to have good music taste? :p
@@Chyrosran22 Nah I'm just so used to seeing you solely as the keyboard guy lol.
Man this would be incredible as an organ duet.
01. 00:00 Prelude
02. 01:42 Epitaph
03. 02:30 Prayer
04. 02:42 Beginning
05. 04:39 BOSS FIGHT
06. 05:47 Stage Clear
07. 05:53 Destiny
08. 06:26 Clockwork
09. 07:55 Mad Forest
10. 09:28 Anxiety
11. 11:39 Rising
12. 13:25 Stream
13. 14:43 Dead Beat
14. 16:16 Nightmare
15. 17:50 Encounter
16. 18:32 Aquarius
17. 20:03 Demon Seed
18. 21:35 Deja Vu (Vampire Killer)
19. 22:38 Riddle
20. 24:07 Pressure
21. 24:45 Overture
22. 26:49 Big Battle
23. 28:09 Bigger Battle
24. 29:26 All Clear!
25. 29:36 Evergreen
26. 30:43 Flashback
27. 31:56 Ooooops!
28. 32:00 Game Over
Here hope u guys like it.
Thanks alot buddy
This is so helpful but also laid out in a very aesthetically appealing way. I nominate you as official UA-cam track lister guy.
truly the mvp of every comment section, thank you for your service
I see
21:35 Deja vu (Vampire Killer) so good
I imagine the joy of people playing the III and suddenly hearing the iconic music of the I.
Incredible delight; thank you for doing this and explaining the differences so thoroughly in the intro.
The counter-melodies in Beginning and Mad Forest are instant eargasms. Clockwork perfectly captures the feeling of heavy machinery doing its thing, and this mix makes me fully appreciate Rising and Stream.
Now I want to loop together Beginning-Mad Forest-Aquarius-Deja Vu.
Alex Snitzer The way the bass and upper melody jump toward each other in contrary motion on the first two notes and then descend/ascend away from each other in a scale fashion in Mad Forest is one of my favorite moments in the soundtrack.
Not gonna lie... I think Mad Forest is the best song in the franchise, so I loved how well this mix handled it.
My favorites as well
Beginning and Mad Forest are beyond amazing. The complexity is incredible for NES tunes. It's like crack for my ears
I really love Beginning and Mad Forest
I like how CVIII have so many holes where you can die that the music that plays when you lose a life is literally called "Ooooops!"
This Is SPARTA! Knockback Into VOID!
悪魔城伝説をCastlevania3に作り替える時にちゃんとNES音源用に音楽をアレンジして違和感を無くそうとするKONAMIのクリエイターの愛が窺えますね！
Nightmare really is the best of both worlds, so bone chilling with the meat of the VRC6 chip with the extra harmonies and fullness of the triangle wave of the NES.
EDIT: Also I adore how extra melodic the bass is in Deja Vu (Vampire Killer) with the triangle wave. Honestly the combo of sawtooth and triangle adds so much fullness into the mix, it's crazy how they work in tandem so well together.
Hearing the arps from the NES version in Rising and the VRC6 bass at the same time, makes me say that this is the definitive version for this track! :D
I agree. It's truly awesome
Hey bro check out my Castlevania 3 vrc6 "Pressure theme" when you get a chance =) ua-cam.com/video/YCkkorWyYqM/v-deo.html
impressive indeed o.o
Yes. I think the arpeggios in Rising sound better in the NES version but this hybrid just takes it all to a new level
I was just noticing this myself right now lol
I always felt something... something.. was missing from all these songs. I loved them growing up, but to hear them "complete" like this... I'm in music nerd heaven! Thank you!
8:32 the combined waves made it sound like an accordion. it's magical!
Holy shit "Epitaph" sounds just monstrously ominous when both renditions are combined.
It's amazing.
Agreed, that is some Freddie Kreuger shit right there
Sounds like doom metal lol
I wish it had shown up in more of the games. Perhaps it would've made a good song for visiting a sinister shopkeeper in a metroidvania title.
@@RetrOchannel beat me to it lol
This "Rising" version is melting my face from eargasms. Holy crap. 10/10
Mad forest mixed is simply INCREDIBLY, the NES version has actuallty added things to compensate the extra channels lack, but listening this with the VRC6 AND the arps from NES is really impresive, specially if you think of the sound capabilities of that time. This is trully a masterpiece
3 is better in some ways. Densetsu in others. This is better than both in more ways than the others have combined.
Beginning is such a great track and it's only enhanced by hearing a mix of both versions!
Hey bro check out my castlevania 3 vrc6 "Pressure" remix if you get a chance
ua-cam.com/video/YCkkorWyYqM/v-deo.html
Prelude is the most beautiful track
@@BaldCape9 Prelude is definitely nice... I think the highlight of the soundtrack (and actually the franchise, imo) is Mad Forest.
Clockwork is simply a masterpiece in this mashup version, the two types of soound combine perfectly and complete eachother.
Dead Beat is also great!
this is a work of art, a gift to all of us castlevania fans. thank you!
This soundtrack is still so catchy to me. Sometimes instrumentals can say more than words.
Aquarius sounds genuinely fantastic when both renditions are combined, Mad Forest too, but I might be biased since that's my favourite track in the entire OST
Aquarius is absolutely the standout track in this mix.
Fantastic idea. Sounds just lovely. Could be a held in history as a significant, recognized observation of the music.
Cept for maybe the arp added in Rising 😜🧡
Update: I just realized Bigger Battle has louder parts like you're fighting for your life
yess i wanted the second one to sound way more dangerous, glad it came through!
1:57 This Dracula must be a very jolly fellow.
WAIT IS THAT SUPPOSED TO BE A LAUGH? I never knew..... thats spooky
@@SeasonedKale dude yeah its a laugh lol. It creeped me out as a kid.
Why do people say that's Drac's laugh when it's Death that uses it in-game...
2:42 Beginning ---hadn't heard that in a long time...epic
A....Amazing. My heart STOPPED. For thirty two minutes, and twenty five seconds. Only to be startled awake, gasping, by the rhythmic pulse of moonlight, within. YOU did this to me. For that, I thank you.
Michael M thank YOU man wow what a compliment
@Zoe Kin If his heart stopped for over thirty minutes he'd be dead, so I guess not
Hearing those extra channels for the first time with that much clarity on such familiar and nostalgic songs blew my mind.
To access Sound Mode: on the title screen, press A, B and Start all at once. When the Sound Mode screen appears, press Up or Down on the control pad to go through the songs heard in the game, and press B to play. Press A to stop.
とても綺麗な矩形波ですね。
Hearing Aquarius with all those harmonies...music heaven
9:28 I never realized that song is called "Anxiety". That gives me anxiety just listening to it. Great job on the remakes.
Estrogen levels rising
This is awesome, have always preferred the Japanese version and now we have the best of both worlds! Thanks for all the hard work.
The best version of Beginning I’ve ever heard
Incredible. I'm so used to the original NES versions that I'm blown away by how much better these are. Really need extended versions of them because they're just too short here! I could easily listen to 30 minute loops of ones like Aquarius, Mad Forest, Beginning, Vampire Killer, Stream and Clockwork.
It's great to see people with enough of a desire to hear stuff like this, that they'd go through a soundtrack and badass-ify every single track... just awesome work. Thank you so much for posting this for everybody to hear.
thank you! I'm really glad other people like it as much as I do :)
Oh my god look how they complement each other so well in Beginning during the breakdown. I'm like, wow... it's like this is truly the definitive version of the song.
Man, what a great piece of content, I did my senior capstone project in college on chip tune music and this game on the nes vs famicom because of stumbling across videos like yours. Keep it up.
A capstone about chiptune music?! Damn, I went for the wrong degree haha
I have always long considered that even though the NES soundtrack is technically less robust, because it came a almost a year after the SFC soundtrack, the composer had spent the ensuing 9 months letting the soundtrack run through his head, brainstorming new ideas, and took advantage of the opportunity to actually flesh out the melodies, despite the new limitations. That's what makes this arrangement important. In Overture for example, only the NES version has that moment where the triangle channel adds its own component to the chord progression (e.g. 25:08). That by itself makes the NES version of this BGM superior to the SFC original. So it's nice that we don't need to choose.
I like how this version of Overture has both the huge chords of the Fami version and the oscillating notes from the more limited NES version. Both together work very satisfyingly.
This sounds amazing, thanks for re-mastering this great classic!
Eyyyy I remember you! Fancy seeing you here :3
He just reposted the whole thing from someone in Bandcamp
@@JB2X-Z he asked me first it's all g
The mashup of these different versions... it's like they complete each other here.
Awesome work!
YES ! ! !
This is like Neuromancer finding Wintermute, like Vegeta fusing with Goku, like Kakashi making up with Obito!
So long I have waited for this union.
*cries tears of joy*
This hybrid mix is a BEAST especially Epitaph, Beginning, Boss Fight, Nightmare, Aquarius, Riddle and all the way to the final track!
This is absolutely fantastic! Every single gripe I have for either version of the soundtrack is addressed here. The triangle channel was woefully underutilized in the Japanese version, replaced instead with a sawtooth that, as you mentioned, overpowers everything else. Phenomenal work, sir.
24:46 Things are about to get serious.
I feel like the OST for this game should be both these OSTs merged together. They sound heavenly when played in unison. If this game ever gets re-released, that's what they should do. Why pick one awesome soundtrack when you can have both and enjoy a euphoric eargasm?
This. I wish I could play a version of the game with these specific arrangements.
And if they ever do decide to do a re-release, then please, make it so that the characters you play with don't share a life bar with each other. Like TMNT 1 for NES.
22:38 Riddle is a master piece.
This is the most underrated castlevania imo
I never really liked "Anxiety" but your creation here makes it something almost entirely different.
I remember hearing the Akumajou Densetsu version of "Clockwork" on a bonus disc a friend got with his copy of SOTN and at the time I didn't realize the Japanese cart had used a different sound chip. I kept rewinding that one (he copied it to tape for me) and the additional layers in that song just blew me away.
"Overture" always stood out to me when I was younger, it was so ominous yet pretty. I feel like you brought true justice to these tunes for sure. Man, sometimes the internet is a magical place hahaha
Thank you very much for creating this comparison and orchestrating it’s success in sound mapping. Many thx m8!
This is absolutely fantastic. A true gem.
Such a boss upload!
What I never get tired of is the sense of chilling relief the Picardy third gives me at the end of "All Clear". So satisfying
This is amazing! As a huge Castlevania fan, I'm glad I came across this.
Those compositions where master pieces at the time. I’m glad they are becoming recognized and saved from being forgotten. I can only imagine how the original pieces actually sounded when the artist composed them. It must have been heart wrenching to hear them reduced to what these 8bit machines could handle. Nevertheless that was some of the best music I had heard at the time. Still is.
Oh my.. I always wondered what would happen if you layered parts from the NES and FC versions together and here it is. So crispy! I love this!
The single most important thing that this gets correct is the highlight of the arpeggiated chords in "Rising". Having the straight chords from the FC version is good, but on their own they sound way out of place. The NES version has a nice faux-reverb effect going on that fits.
Adam D Couldn’t agree more. When I was playing the FC version a few weeks ago, I got to this level and anticipated that part in the track, only to be like “what... what is missing here?”
I realized I’d been listening to this hybrid soundtrack far more than the other two on their own. :P
aw man adam i’m so glad you agree, it’s the only thing i didn’t like about the fc version!
Despite being near the end of the NES's life cycle, Castlevania III proves that it can go as hard on its soundtrack, as it should rightfully so.
Gaaaahd Overture is so beautiful 😭
Frank C Yes! Melodically, dynamically and even "mechanically" with its crazy time signatures, Overture is the best boss theme in Castlevania, and it's not even close.
@@Disembow1280 Close to what?
Woah; You are so flippin' right it's not funny.
@@Disembow1280 WELL SAID
It would be really cool to hear Simon's quest the Us and Famicom version mixed as well.
Yeah, and maybe the original! (Go, Simon.)
For CV1:
The entire soundtrack (+Vampire Killer-Ending (MSX))
For CV2:
Bloody Tears
Monster Dance
Within These Castle Walls
Last Boss
Requiem
Game Over
Thank you for putting this together. It's truly wonderful. Memories of a simpler better time in life
Love how you arranged these, I can't believe how good they sound.
And here I thought that the orchestrated version somebody did years ago was the definitive version of this album and you bring this to the table. bravo I say!!
absolutely gorgeous! I have had this game's north american soundtrack stuck in my head for most of today.
wait a minute,
if CVIII takes place BEFORE CVI, *how can it be deja vu if it hasn't happened yet?*
Because we've heard it before and we're all time-travel wizards :V
Sentient Toaster Igarashi’s Castlevania canon wasn’t established when this game was made. That and the deja vu aspect is for the players who already played Castlevania 1
in the CV3 manual it says its a prequel for CV1 so it has nothing to do with igarashi's canon
-------
I guess is just for the players who played cv1 before
If you heard or played Vampire Killer, then you can think: “Wait, have we seen this type of level before?”.
OK, so Deja Vu actually applies to NEW experiences, making this title completely appropriate
The mix of the two Rising tracks just feels like what the track SHOULD have been entirely.
Wow. Just wow! This sounds incredible!
Man, imagine something like this with the FDS vs. NES versions of other osts. That would be epic.
Awesome! Learned a basic version of Evergreen, and now can fill in the blanks thanks to your vid -- really appreciate it!
Thank you for the link to Kirby's bandcamp.
I just bought it and gave him some much deserved cash.
듣기 좋네요..
Holy SHIT Aquarius!
Amazing sountrack one of if not the best ive ever heard from a nes game incredible what they were able to do with such limited tech great job remixing this i truly enjoyed it thank u
What a fun listen. Gives all of our classic favorites more depth without straying from the original. Whoulda thunk!
This is amazing with a good pair of headphones.... Wow.
Great work. I just played through the NES version getting 3 out of the 4 endings so far (working on Trevor alone) and I love the soundtrack of the game. I know that people say the Famicom soundtrack is better, and in some cases it is, but the limitations of the NES actually delivered a fantastic version too. The ONE song I think that the NES does better is Pressure, probably because of the faster tempo. Descending on that stage with the platforms, trying to get past the pendulums without getting knocked off by a freaking bat and making it to Dracula without being low on health was a real challenge for sure. The Famicom version of that track doesn't deliver in terms of....pressure. However, I have to say overall, this mix is awesome!
Also, can I just say how cool it is that you matched your background/history text to Prelude?
It makes me feel like I'm reading the scrolling story from the game.
God, this is amazing.
"Rising" sounds absolutely wild with both styles. The overall tone of the music is just incredible. Would have been the best sound out of the NES if it was possible to have this good quality music back then.
this brings me back 30 years ago
This is a really interesting video. I just spent like 3 years working on CV covers for a 30 song album. It's intriguing to hear the parts I never knew were in these songs! Great job!
i love it ! amazing work here! congratulations!
See below for track listing.
Castlevania: Bloodlines
Castlevania: The New Generation
バンパイアキラー
Recorded from real hardware: Sega Genesis Model 1 "High Definition Graphics" VA3 fully serviced, recapped, audio tapped directly before headphone amplifier for high clarity and minimal distortion. Recorded via Audacity on Linux through ESI Juli@ soundcard at 48khz 24 bit. View video at 720p for highest audio quality.
0:00 - Konami Logo
0:04 - The Beating in Darkness (Title Theme)
0:17 - A Vision of Dark Secrets (Opening Theme)
1:17 - Bonds of Brave Men (Character Selection)
1:55 - Arduous Journey (Map Theme)
2:08 - Mysterious Curse (Password)
3:13 - Reincarnated Soul, Part 1 (Introduction)
3:27 - Reincarnated Soul, Part 2 (Stage 1)
5:18 - The Sinking Old Sanctuary (Stage 2)
7:18 - The Discolored Wall (Stage 3)
9:23 - Iron-Blue Intention (Stage 4)
11:21 - The Prayer of a Tragic Queen (Stage 5)
13:03 - Calling From Heaven (Stage 6)
15:30 - Pressure (Invincibility)
15:58 - Beginning (Classic Tune 1)
17:45 - Bloody Tears (Classic Tune 2)
18:55 - Vampire Killer (Classic Tune 3)
20:03 - Nothing to Lose (Stage 1D)
21:14 - Messenger From Devil (Area Boss Theme)
21:48 - The Six Servants of the Devil (Stage Boss Theme)
22:58 - Theme of Simon (Classic Tune 4)
25:15 - The Vampire's Stomach (Final Boss Theme)
26:30 - Orb Theme
26:34 - Energy Orb
26:46 - Stage Clear
26:57 - Dracula Orb
27:01 - All Clear
27:11 - Together Forever (Ending Theme)
29:16 - Requiem for the Nameless Victims (Staff Roll)
31:47 - Death
31:52 - After the Good Fight (Game Over)
Composed by Michiru Yamane
Notes: I don't know what it is about Castlevania music, and the music from Bloodlines in particular, that makes it hard to find on youtube in decent quality. People tend to make and upload bad emulator recordings, or worse, put reverb on them to make them sound more "epic" (this sounds really bad, cut it out). Enjoy this pure, minimally processed recording form pristine Genesis hardware. :) In particular you'll notice the warmer bass and gentler treble--check out the pizzicato string type sound on Requiem for the Nameless Victims in particular.Escuchen
Best form both OSTs. Incredible.
Would love more like this! Thank you!
The quality is wonderful.
It seems like this channel has been inactive for a while, but I always find myself coming back to this video because it is just so good! Does anyone know if there are any other retro game soundtracks that got a similar treatment? Not just Castlevania, but the Simon’s Quest OST would be awesome to hear, for sure!
You did a great job! Amazing mix indeed
11:40 - Rising is still one of my fav. video games tracks. Well done!
Until this day, I find it jarring that Riddle's first part in the NES version doesn't loop like in every other version.
Cartridge size skill issue back in the days?
Whoever disliked this needs to re-evaluate their life choices
Great Mix! Mad Forest level is one of my fav in game soundtracks and was thrilled to hear the Famicom Castlevania 3 soundtrack with the enhanced sound chip.
Wow epitaph is so heavy. Sounds metal AF
Clockwork is even more amazing than it already was.
OH MY GOD!!! The NES CastleVania 3, and the FAMICOM CastleVania 3 ost both Combined! and the cherry on top, it’s STEREO!! This is THE Definitive OST No denying that!! 😃👍👌💯
Edit: Nightmare in particular is ASTOUNDING!!!
thank you! nightmare actually became one of my favorites after making this thing! I love how creepy it is with all the synths
This is great. In comparing the two versions, what I like in the Prelude of the NES that cannot be replicated in either remaster or Famicon version is the distinct break, like an eighth beat rest (or a move to a lower note) to really get the downbeats and the "plodding" nature of the beginning right. In the Famicon version the root notes are just sustained throughout, which I think takes away from the "strike" of the chord on each downbeat.
Making my nostalgia better than it was is a dirty trick, congratulations
Prelude is just perfect this way. Congrats
This definitely brought out the best of both versions! Love it!!
Truly this is the ultimate version of this soundtrack IMO. Kirby really did the compositions justice
He didn't make this though! Check the description ;)
@@quadpad_music Noted! Thanks for pointing that out.
@@JizzburnGigaqueer - Oh wait, Kirby did actually do this. I got confused, sorry xD
@Dave Hanson
*gasp*
A Nonbeliever!
ty!!! love your name
Gorgeous