SANJURO Trailer (1962) - The Criterion Collection
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- Опубліковано 29 вер 2024
- In Kurosawa's sly companion piece to YOJIMBO, jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clans evil influences, and in the process turns their image of a proper samurai on its ear.
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Incredible being able to see Kurosawa actually directing Mifune and Nakadai. Thank you so much.
My favorite part was the whole movie
I have gotta get this in WIDESCREEN. I just re-watched my old videotape. It's FUZZY as hell, half the image is missing. Strangely enough, ALL of the dialogue in this trailer is DIFFERENT from the subtitles on my old copy, and the shot of him killing the 3 guys is a COMPLETELY-different camera-angle (from the other side)! WHAT the...?
The footage used in the trailer is a making-of footage, as you can see from the staff in the background, and is different from the actual footage from the main movie.
1:43 The subtitles are "like a centipede," but they actually say "like a goldfish droppings."
Respect to the witty translator
ゴールドフィッシュ・ドロップィングか、面白い！
Even funnier.
@@spinnact original line is better
"Kingyo no Unko" sounds more like "Goldfish Poop" 💩💩💩💩💩
And "Is there somewhere we can hide?" is actually "Is there somewhere you can stay still and get stored?"
One of the almost infinite reasons why the movies of Akira Kurosawa are almost divine is the fact that in them you see real humans doing real humans things like climbing walls, opening doors, stalking on the road and so on instead of the computer created acrobatic jumping and fighting of today; and because of this Kurosawa’s movies are so enthralling and can be watched over and over again, while at least I can’t endure to watch most contemporary movies even once.
Prior to The Matrix this is how 90% of movies were made. There are literally tens of thousands of movies made with real people doing things. But I'm 57 years old so it's no big deal to me! Half my life has been spent watching real humans doing real things. And I intend to continue the same.
Wow Akira Kurosawa was so tall, like physically. No wonder the film crew called him "The Emperor".
At six feet, Kurosawa was tall by contemporary Japanese standards; for someone who came to prominence during the war, his stature was almost freakishly uncommon.
無駄に打ち合わないのが緊張感を生んだ名作。
欧州などではシングルショットの決闘に近い感覚かな？
This is probably the best sequel I've seen.
Pellicola molto bella, certo nulla di eccezionale ma la sceneggiatura è abbastanza interessante, però alcuni combattimenti sono un pò ingenui, c'è un errore cioè i tre nemici che si arrendono sono tenuti in una stanza con rete metallica tesa attraverso la porta. Questo è stato inventato in Inghilterra nel 1844 e non esisteva nell'era o nel luogo rappresentato nella pellicola, quindi molto bella e molto bella per me come valutazione è 7,5.
What a strange music under this.
Any way, anyone knows a samurai movie, maybe black and white, samurai in the rain surrounded and fixing his legs but he has a hat on he can barely see under it. (not the large rain hat that covers the whole head) not out on the fields , dark not sure if night and maybe a woman on bridge. thanks
ほんとのタイトルは"TUABKI"SANJUROU
0:51 kizaru (『ONE PIECE』Character ua-cam.com/video/FP1XoyymZ0M/v-deo.html )
To be on the left
Wtf is this music
SUPER !!! BRAVO !!! FROM ROMANIA
Cómo se llama ese instrumento que suena como un cascabel?
I'll admit, it's not half bad (I could never do better myself if I tried) but to me, Yojimbo feels like the superior grim and gritty juggernaut.
Still, this two films set is what introduced me to Kurosawa many years ago...
I agree, it’s an alright movie, but Yojimbo is legendary, I was sort of disappointed by Sanjuro. Still liked it enough though
@@shotbro4998 yeah same to be honest, yojimbo felt more epic and eventfull, came to appreceate it in the end though, kurosawa wouldve definetly been able to essentially make yojimbo 2 and top the first one so making it the way it is was definetly intentional,
i mean yojimbos message was supposed to be that idividualism and anti japanese authoritarianism are good things, which he got across pretty well by Sanjuro manipulating both parties and how the warring families turned the happy town into a warzone.
Thing is, is that that kind of made sanjuro seem like some kind of perfect man that should be worshipped, which kinda backfires the whole individualism message.
The movie Sanjuro was probably supposed to destroy that notion, shown by how Sanjuro constantly has people worship and follow him at the end of film, and especially how he rejects their praise and just walks of/realizes that he had to kill a
Skilled man just like him who didnt deserve to die/shows him more like a human being with flaws and emotions.
Compare that to the good bad and ugly which is an amazing and epic film where they try to go for the same individualist/anti war message with that civil war bridge scene where both parties needlesly kill each other. Which works fine till you realize that clint eastwood keeps on stylishly killing bad guys for the rest of the movie, and that the movie litterary defines him as THE absolute Good man and his enemy as the the absolute Bad guy and that there is no blurred middleground or morality involved like in Sanjuro, so yeah honestly Sanjuro is far worse as a samurai western than yojimbo, but as just a movie its a really good one since it takes its message seriously
And is still pretty fun to watch.
Still it couldve been done better, Once upon a time in the west is a good sergio leone western that manages to be epic without being too cheesy or senseless, probably my all time favourite.
Man, the Sanjuro duology should've had a 3rd sequel, it'd be interesting if it was a trilogy.
監督の立ち姿が一番絵になってるという
OVERWHELMING FASCINATION
soper
cant find this anywhere
So good. Maybe even great.
監督でかすぎ
Masterworks tend to be watched all over again and this is especially true for the movies of Akira Kurosawa; and Sanjuro is like all the other Samurai tales of Kurosawa a true masterwork and a powerful illustration of the old Japanese culture, which seem to have been replaced by the liberal trash culture of the Americans recently; and Kurosawa did compose here a fine epic tale about an old Samurai helping out some younglings on a quest to bring down some corrupt officials.
You're very unfamiliar with Kurosawa if you think he was endorsing old Japanese culture by making these films. Kurosawa would probably be content with Japan in its current state. He and many of his contemporaries were of the opinion that American's influence was ultimately a good thing for Japan.