Pete Callard - Out A7 legato lick based on arpeggios

Pete Callard demonstrates an out A7 line based on arpeggios. For a full transcription of the line, and the option to support the channel, go to: www.buymeacoff...
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[@JonathanGrahamMusic]

14 years on and still getting great advice from Pete Callard.

[@PeteCallard]

Jonathan Graham Thanks Jonathan, hope things are good with you

[@Tmidiman]

OMG THE Pete Callard! Best articles from Guitar Techniques Mag. Subscribing immediately!

[@akhariayob]

Good lesson Pete. for me its very useful..

[@PeteCallard]

+Akhari Ayob Thanks Akhari, glad you like it

[@DavePriceGuitarist]

Nice one Pete, I will have a go at this one. Cheers

[@PeteCallard]

Thanks Dave, hope all's well

[@DavePriceGuitarist]

Thanks Pete, ticking over at the moment . Hope things are good your end.

[@TheBluemosso]

Hi, very nice :-) greetings, Mike

[@RobertoRestuccia]

great line pete, hope all is well :)

[@PeteCallard]

Thanks Roberto, I'm good thanks, how about you?

[@RobertoRestuccia]

Pete Callard glad to hear !! all good here too :)

[@gingerbbm]

Sounds great - but why does it work?

[@PeteCallard]

Thanks Stuart. That's a big question - a short answer would be, as with any outside idea, as long as you start and end strongly inside the tonality, you can get away with all sorts of strangeness! Being more analytical, it gradually moves outside, using arpeggios moving around the circle of 4ths, with the strong harmonic pull of the idea hopefully taking your ear with it. The first three arpeggios (A, D, G) are all in the A7 key and the C arp pretty much works as well. It's only the tritone move between the F and B arps where it gets properly outside, although the B7 implies lydian b7 which is commonly used over 7th chords in jazz. Ultimately it resolves strongly back to the root note A at the end, which is essential...

[@gingerbbm]

Thank you Pete. Short answer is plenty for me to mull over :) I appreciate you taking the time to write.