I have listened to Waldstein to Polini, Zimerman, Pletnev, Ashkenazy, Brendel, Sokolov...etc BUT YOURS iS THE BEST!!!!!. I like your modest, honest approach with an immaculate flow!!!
The most beautiful rendition of the Waldstein sonata I have ever heard. Her unusually brisk tempi are exactly what this music demands, and I am sure the composer would have agreed.
Exactly this, she is dynamic, very dynamic, and has perfectly caught Beethoven's message. Better is impossible ! Congratulations ! I have heard Beethoven since my childhood, and Su's interpretation is surely one of the best !!!!!
Exactly the extremely high speed is the best in her interpretation. Despite the high speed, all all all ALL the notes are very clear, there isn't any note skipped, stunning interpretation, impressive. Greetings from São Paulo, Brazil! Much success!!!!
After listening to it many times, I say: Perfect scales, perfect staccatos, perfect linked notes, perfect chords, extremely high speed and well-highlighted melody, this is Su's performance. Better impossible, again: congratulations on PERFECTION, thanks for sharing, from São Paulo, Brazil!!!!
It's very well defined: refined style, remarkably beautiful Beethoven ! I add to this: "powerful interpretation" with "extremely high velocity" ! Congratulations from São Paulo, Brazil !!!!
She understands very well the melodic sequence of the sonata and transmits us perfectly, with the perfect speed, so the sonata isn't boring. If the speed isn't high, then the piece becomes boring. For sure, a master interpretation, one of the best of all time. Yes, exactly this, OF ALL TIME. Super, super impressive, beyond compare. So, I will research all the interpretations of Su Yeon Kim, thanks for sharing, from São Paulo, Brazil !
It's very well defined: refined style, remarkably beautiful Beethoven ! I add to this: "powerful interpretation" with "extremely high velocity" ! Congratulations from São Paulo, Brazil !!!!
I have heard it many times. This interpretation is full of energy, powerful, dynamic, spectacular, one of the best I've heard since my childhood in the 60s. This includes the interpretations of Beethoven by Horowitz, Rubinstein, Nelson Freire, Lisitsa, Hupmann and other masters. We observe that Su has excellent teachers in her country ! What is her school, please ? Congratulations and thanks for sharing !!!!
In my opinion, Beethoven must be played at extremely high speed, just as Su plays. When the pianist does not achieve this, then, for me, the interpretation becomes tedious. This interpretation of the Waldstein by Su, for me, is perfect, better is impossible. Surely Su is one of the greatest pianists of today. Thanks a lot for sharing, much success will come for Su, all the best, from São Paulo, Brazil !
@@irinasher7269 Thanks for the sugestion, I've just listened to and liked very much, surely he is another great interpreter of our time, I'll follow him also!!!!
Before listening, I'll say a typical performance of the Waldstein takes between 24 and 26 minutes. Edit: and she does it in 21 if you take away the 30 second break between movements 1 and 2 she plays the first movement very fast, more than 2 minutes faster than most versions I've heard, I hear the 2nd movement drag on often, but I think she gets through it a bit too quickly, especially the last section. It's ok to dwell on some of the chords for a moment or two Won't criticise the third movement, thus is actually become one of my favorite interpretations, its important not to make it into a sprint (play it too fast) but I don't think she does that, obviously different pianists will play at slightly different speeds. But I've got to give credit, to play at that speed required immens technical ability, and she's got that, I just think she could hold back a little at certain points
Great performance but I think the first movement was played too fast, especially at the beginning. She then somehow slowed down reaching the right tempo.
computerized waldstein. I just heard Matteo Sugan - piano/Italy in summer music festival prague recording on youtube. He is so nervous that even messes up notes but sounds so interesting that even downloaded his recording. This above I am trying to listen and do not understand humans plays or robot
She doesn’t have a good understanding of what she is playing, thus the chaos and incoherence. This sonata is not for any pianist like her. Very unpleasant presentation. Poor Beethoven !!!!👎👎👎
This pedaling at the beginning of the last movement is a notoriously famous place. Beethoven actually wrote it this way, blurring the major and minor harmonies. For this to make sense, you need to play it very softly, or you may cheat by using half pedal. Ms. Kim got it exactly right, in this marvelous recording.
@@olavk7111 iam teaching myself to play the waldstein, managed to play 2nd movement and 3rd, with 3rd movement I managed to play the notes, at mo it has a few mistakes and hesitation, but not bad humbly speaking considering I am teaching myself, today also went through a bit of the 1st movement, iam mostly self taught, taught myself fortunately at the age of 15yrs to play the piano, I also love playing the moonlight 2 movements, all the pathetique, and 2 movements of the appassionata, though I left it for a while, going back to playing it now, but all the credit goes to the creator of the human brain 🧠, and that is the ALMIGHTY GOD JEHOVAH, greetings from wales uk.
와 진짜 대박이다....진짜 내가 들은 발트슈타인 중에 최고인 것 같다.....
인정 인정요~~^^
정말 감동. 너무 아름다운 연주. 지금까지 들어본 모든 발트슈타인 연주중 단연 최고.
I have listened to Waldstein to Polini, Zimerman, Pletnev, Ashkenazy, Brendel, Sokolov...etc BUT YOURS iS THE BEST!!!!!. I like your modest, honest approach with an immaculate flow!!!
I didn't know zimerman recorded a waldstein. I know what I'm doing this afternoon.
Послушайте БаренБойма... Будете очарованы
That last movement is pure gold.
우연히 팬이 됐어용 다른 피아니스트와는 음악적으로 확실히 차별성있게 느껴져요 어떤 곡도 한번 들으면 중간에 멈출수가없어여ㅠ 울림을 총괄하는 능력이 뛰어나신거같아여 그리고 뭐라 말을 못하겠는데 정말 특별해요, 더욱 더 흥하셔서 많은 곳에서 뵐 수 있으면 좋겠어요
이 분 쇼팽 콩쿠르 3라운드까지 가신 분이에요.. ㄷㄷㄷ
The most beautiful rendition of the Waldstein sonata I have ever heard. Her unusually brisk tempi are exactly what this music demands, and I am sure the composer would have agreed.
Exactly this, she is dynamic, very dynamic, and has perfectly caught Beethoven's message. Better is impossible ! Congratulations ! I have heard Beethoven since my childhood, and Su's interpretation is surely one of the best !!!!!
Exactly the extremely high speed is the best in her interpretation. Despite the high speed, all all all ALL the notes are very clear, there isn't any note skipped, stunning interpretation, impressive. Greetings from São Paulo, Brazil! Much success!!!!
YUP! she's got GREAT hands... very well trained.. and natural musicianship...
@@Highinsight7 That's it, and don't miss Su in concert, playing Mozart in Austria!
After listening to it many times, I say: Perfect scales, perfect staccatos, perfect linked notes, perfect chords, extremely high speed and well-highlighted melody, this is Su's performance. Better impossible, again: congratulations on PERFECTION, thanks for sharing, from São Paulo, Brazil!!!!
여느 연주자의 발트스타인과 비교해도.. 단연 최고입니다..심장이 쿵쾅!;;
해석이 되게 청초하네요. 이렇게 섬세한 버전은 처음입니다.
She reminds me of Ivo Pogorelich's style, in more elegantly refined version. She plays such a remarkably beautiful Beethoven.Thanks for posting.
It's very well defined: refined style, remarkably beautiful Beethoven ! I add to this: "powerful interpretation" with "extremely high velocity" ! Congratulations from São Paulo, Brazil !!!!
So impress, one of the best waldstein that I ever heard. very musical and outstanding interpretation.
Great performance of the Waldstein. I really enjoyed it.
She understands very well the melodic sequence of the sonata and transmits us perfectly, with the perfect speed, so the sonata isn't boring. If the speed isn't high, then the piece becomes boring. For sure, a master interpretation, one of the best of all time. Yes, exactly this, OF ALL TIME. Super, super impressive, beyond compare. So, I will research all the interpretations of Su Yeon Kim, thanks for sharing, from São Paulo, Brazil !
my all time favorite, unstoppable absolute beauty. as good as Levit's and Giltburg's
It's very well defined: refined style, remarkably beautiful Beethoven ! I add to this: "powerful interpretation" with "extremely high velocity" ! Congratulations from São Paulo, Brazil !!!!
The most impressive and beautiful trill ever!
Agree totally
엄청난 테크닉과 수려함의 극치 최고의 피아니스트 탄생
Her musical clarity is the best. bravo!
Agree! Perfect musical clarity !!!!!
I have heard it many times. This interpretation is full of energy, powerful, dynamic, spectacular, one of the best I've heard since my childhood in the 60s. This includes the interpretations of Beethoven by Horowitz, Rubinstein, Nelson Freire, Lisitsa, Hupmann and other masters. We observe that Su has excellent teachers in her country ! What is her school, please ? Congratulations and thanks for sharing !!!!
와^^ 대박입니다.
1악장도 너무 좋았지만 3악장 눈부시게 아름다운 연주였습니다.~~
쇼팽콩쿨때도 너무 인상 깊었는데, 진짜 팬 될게요^^
Love those octave glissandos!
This is a great performance of Waltstein Sonata.
2mov. 8:25
3mov. 12:07
19:28
김수연은 쇼팽도 좋지만 개인적으로 베토벤 음악이 넘나 찰떡인 것 같다.
Wonderful playing, I love the first movement of this work even more than the third movement of the 'Appasionata'.
👍 특히 3악장 너무 좋아
Magnificient.
와~~~
완전 깔끔. 완전 멋있음!!
와.. 엄청 놀랬음. 첨뵙는분인데 엄청나네요.. 다른 것도 찾아봐야겠어요
이게 음악성이다ㅜㅜㅜㅜ
이 분은 실수를 해도 그 음악을 유지하기위해 스타일을 내가 유도한 것 처럼 순간 바꿔버리시네...
In my opinion, Beethoven must be played at extremely high speed, just as Su plays. When the pianist does not achieve this, then, for me, the interpretation becomes tedious. This interpretation of the Waldstein by Su, for me, is perfect, better is impossible. Surely Su is one of the greatest pianists of today. Thanks a lot for sharing, much success will come for Su, all the best, from São Paulo, Brazil !
If you listened to Konstantin Emelyanov!
@@irinasher7269 Thanks for the sugestion, I've just listened to and liked very much, surely he is another great interpreter of our time, I'll follow him also!!!!
@@irinasher7269 Irina, are you a pianist? You recognized Emelyanov as a great interpreter! Just like Su! Where did you study music?
@@gilbertomfalcoski4804 No, I am not a pianist, my brother was. I just love music but my experience is very small.
@@irinasher7269 Me too, I just like, I don't play. Where are you from? From Russia?
우와 섬세하네요👍
Bravissima.
내가 보고있는 악보가 이 노래였다니..(충격과 공포)
열심히 연습하셔서 맘에 드는 연주하시길~!!
Prachtig.... echt fantastisch !!!!!
Absolutely superb !
와 진짜 댓글 안남기는데 완전 잘치세요ㅠㅠㅠㅠㅠ
Одарённая природой. Интересная пианистка. Произведение звучит великолепно. Спасибо.
the best!!!!!
8:28 2nd
12:06 3rd
I would have thought the applause would have erupted before the fional chord had died away
듣는 재미가 있게 치시네
최고네요!!!
진짜 잘친다
너무 잘 치세요. 와우
God's finger that makes a beautiful nebula in the sky.
3악장 12:05
Well played!
Agree! Very, very, very well played !!!
They say it takes 10,000 hours to perfect an instrument. This young lady is not old enough to have put in 10,000 hours. She is from somewhere else.
사랑해요 언니
Before listening, I'll say a typical performance of the Waldstein takes between 24 and 26 minutes.
Edit: and she does it in 21 if you take away the 30 second break between movements 1 and 2
she plays the first movement very fast, more than 2 minutes faster than most versions I've heard, I hear the 2nd movement drag on often, but I think she gets through it a bit too quickly, especially the last section. It's ok to dwell on some of the chords for a moment or two
Won't criticise the third movement, thus is actually become one of my favorite interpretations, its important not to make it into a sprint (play it too fast) but I don't think she does that, obviously different pianists will play at slightly different speeds.
But I've got to give credit, to play at that speed required immens technical ability, and she's got that, I just think she could hold back a little at certain points
❤
최고다 ㅠㅠ
第1楽章 0:05〜8:10
👍
This performance remains in box, albeit a well crafted one....
I do not understand, I would like you to explain better your view
대박,,,,
와
She makes Beethoven sound like Scarlatti.
너무잘치고
와우
Great performance but I think the first movement was played too fast, especially at the beginning. She then somehow slowed down reaching the right tempo.
16:34
10.24: 2,3movement
최곤데요
computerized waldstein. I just heard Matteo Sugan - piano/Italy in summer music festival prague recording on youtube. He is so nervous that even messes up notes but sounds so interesting that even downloaded his recording. This above I am trying to listen and do not understand humans plays or robot
Well she is performing not just hitting the notes. I still think she could play more with volume and she respects tempo too much though.
perhaps you can upload your performance to demonstrate your thoughts?
Technically great but not very clear(some parts overlapped?).... overall not like Waldstein. A little slower and more clear performance desired.
나약한 베에토벤? 베에토벤스럽진 않고 그래도 좀 색다른 느낌. 베에토벤이 좋아하진 않을듯.
She doesn’t have a good understanding of what she is playing, thus the chaos and incoherence. This sonata is not for any pianist like her.
Very unpleasant presentation. Poor Beethoven !!!!👎👎👎
Agree. Listen to Konstantin Emelyanov.
If you say listen to Pollini or Backhaus, why Emelyanov?
@@dalesyang mee too
Could somebody tell me how she pedaling 3 Movement 1st Theme. So beautiful and beethoven would suggested his Urtext. DYNAMIC. This pianist catched it.
Exactly that, she is dynamic, very dynamic, and has perfectly caught Beethoven's message. Better is impossible ! Congratulations !
This pedaling at the beginning of the last movement is a notoriously famous place. Beethoven actually wrote it this way, blurring the major and minor harmonies. For this to make sense, you need to play it very softly, or you may cheat by using half pedal. Ms. Kim got it exactly right, in this marvelous recording.
@@olavk7111 iam teaching myself to play the waldstein, managed to play 2nd movement and 3rd, with 3rd movement I managed to play the notes, at mo it has a few mistakes and hesitation, but not bad humbly speaking considering I am teaching myself, today also went through a bit of the 1st movement, iam mostly self taught, taught myself fortunately at the age of 15yrs to play the piano, I also love playing the moonlight 2 movements, all the pathetique, and 2 movements of the appassionata, though I left it for a while, going back to playing it now, but all the credit goes to the creator of the human brain 🧠, and that is the ALMIGHTY GOD JEHOVAH, greetings from wales uk.
❤