Claudio Arrau Beethoven "Waldstein" (Full)
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- Опубліковано 30 вер 2024
- Piano Sonata No. 21 in C major, Op. 53 "Waldstein"
I. Allegro con brio
II. Introduzione. Adagio molto - attacca
III. Rondo. Allegretto moderato - Prestissimo
Ludwig van Beethoven (1770-1827)
Claudio Arrau (1903-1991)
Best Beethoven interpreter ever...Arrau always took time to understand profoundly every piece he played...
The most unbelievable incredible astounding pianist in the history of music. Actually the word pianist is totally inadequate to describe Master Arrau. Musical genius may just begin to be adequate. It's how Beethoven was meant to be played. His tempo is perfection. So blessed we can immerse ourselves in this divine music via UA-cam! 💖💖
Totally agree. I love his Mozart solo piano sonatas.
Beethoven > Carl Czerny > Franz List > Martin Krause > Claudio Arrau.
Czerny was a Beethoven champion and devoted his life teaching pianists, Beethoven. Czerny took 11 year-old Franz Liszt to meet Beethoven who, allergic to child prodigies, reluctantly agreed to the meeting. Upon passing Beethoven demanding tests (a Bach's fugue and transposition of same to another key on the fly), Liszt played Beethoven's 1st piano concerto (first movement). Beethoven's frown turned to a benevolent smile and seized both Liszt's hands, kissed him on the forehead and said gently ``Off with you! You are a happy fellow, for you will give happiness and joy to many other people. There is nothing better or greater than that''
Having learned from Czerny, Liszt imparted to his pupils the Beethoven way to the sonatas and Krause was not only young Arrau's piano teacher, but also as importantly, taught him music and culture.
How sweet.
Every so often you find a golden gem in comments section. Thank you for this interesting bit of history.
He watched Parsifal in Berlin at the age of seven!
Mm
I don't really think the line of pupils always work, if it had, every great virtuoso of early to mid 20th century would have been comfortable with their way of playing Beethoven; contrary to the fact that some like Cziffra avoided performing the music of Beethoven.
This is from 1977 when Arrau was 74 years old. Wow!! What an amazing skill at any age, but here coupled with a lifetime of artistry. Bravo maestro!!
Arrau has the best line and understanding of phrasing of any pianist ever. His interpretations reign supreme above almost all else in my mind. His passion is genuine, his approach to music professional, and his relaxed technique and control make for a sublime yet compelling performance every single time.
I cannot overstate how much I respect and admire the great Claudio Arrau León, not just as a pianist, but as a musician. ❤
Amen. He shapes each and every phrase masterfully. And that ain't easy given the strong contrasts among all the thematic elements in this piece. Arrau ties them together seamlessly, without apparent effort, as he shapes the phrase.
Magistrales los “glissando” en minuto 24:35. Sólo cuando ejecutaba esta pieza, probaba el piano para ve si respondía, si no, la cambiaba . El llegaba y tocaba. Que sencillez y humildad. Arrau, Grande. Saludos desde 🇲🇽 México.
Arrau’s dynamic range is extraordinary. This performance is absolutely the essence of Beethoven, the result of the artist’s life-long absorption in the music. Arrau was a master of just about every kind of pedaling and touch imaginable. He and the instrument are one. I thought of someone describing the “drops of effervescence” that fell from Emanuel Bach’s face as he played. Thank you for posting this.
I fully *AGREE*
With You : Antoni!
UA-cam, if you are going to put adds in the middle of a monument of classical music, please have the courtesy to do so in between movements.
adblock
Agree
Yes yes. Is it not the most rude thing ever?? I just wrote the same thing with a couple of expletive abbreviations.
They put 2 adds back to back just as Arrau was finishing the very complex and exciting first movement of the
Appasionata what utter cheek!! Way to block an eragasm!!
adblock idiot
absolutely right!
Con 39 años, debo decir que estos "descubrimientos" me hacen confiar en la humanidad. Transmite tanto el maestro Arrau, escuchándolo entendí a Beethoven
I can feel the sadness in the music the way Arrau plays it. Perhaps it is the way Beethoven was expressing his loving- tender friendship with his friend and patron Waldstein. So far I don’t grasp that feeling when I hear other pianists interpret it
Tuve la suerte de ver al maestro Claudio Arrau en concierto en vivo. En la ciudad de Ovalle. Magnífico era solo cerrar los ojos y disfrutar, este concierto fue gratuito.
He tenido la gran suerte de ver grandisimos pianistas desde 1969 Rubinstein y desde entonces he visto muchos y muy buenos, en mi opinión Arrau es sin duda uno de los mejores pianistas del siglo XX! Muchas gracias por compartir en UA-cam a estos enormes artistas! 🌹🌹🌹🌹🌹🌹
❤
I believe the first time I burst into tears when listening to music was when I was about eight, and my father played me a scratchy recording of Brahms' 4th Symphony. Now I'm 66, and I just watched this, and it happened for the second time.
This is the best interpretation of all, in my opinion! Once a Master always a Master!
have you checked out Daniel Barenboims interpretation?
One of my first records of Beethoven's sonatas was Arrau's interpretation of the Waldstein, breath taking.
I love Arrau's restraint of tempo in the first movement. Too many pianists rush this exquisite movement.
Schnabel plays it faster, and he was a pupil of Leschetizky, who was a student of Czerny, who was taught by Beethoven himself. I'll roll with the faster tempo.
Nobody is checking out the harmonical richness of the first movement, only Arrau is aware of this.
To all the pianists who are able to play in concerts, they all heard the horror stories of how to muck up this sonata. So in fear, the inferior ones would try to rush through the movements hoping the audience would not notice.
This is one of the hardest sonata to perform, even Arrau has to take some short cuts.
Exactly my feeling. Agree!
I agree.
A los que critican o duden de esta interpretación, sólo recordar que se trata del recital por su octogésimo cumpleaños. Ni la mitad de los pianistas podrían tocar la mitad de bien a la mitad de años. Claudio Arrau fue un grande.
YO LO VI TOCAR A ESA EDAD EN BUENOS AIRES...MARAVILLOSO PIANISTA..Y ES MUY CIERTO, MUY DIFICIL TOCAR A ESA EDAD EN QUE LOS DEDOS SE ENDURECEN POR EL PASO DE LA EDAD..PERO HAY VARIOS, RUBINSTEIN, HOROVITZ, RACHMANINOFF---SON SUPERDOTADOS--
Se cumplieron 150 años de la muerte de beethoven, no se si si eres tonto de verdad o sólo estás payaseando
Bueno este recital si era por la celebración de los 150 años de Beethoven y fue en la ciudad alemana de Bonn....Arrau tenía en ese entones 74 años... Luego en su celebración de sus 80 años en el año 1983 ( él nació en 1903 )..fue realizado en el Avery Fisher Hall de New York, y el año 84 volvió a Chile después de 17 años de ausencia .
Javier Rodríguez NO , aquí tenía 74 , y hubo problemas en esta oportunidad.
Igualmente, un genio
Cuando dices que hubo problemas en esta oportunidad ¿ a que te refieres , podrías argumentar ? @@maomozart
Tenía apenas 12 años de edad, cuando mi padre hablaba con placer sobre el gran Claudio Arrau. Chillanejo de nacimiento, llevó por los mejores escenarios doctos del mundo, la música de las grandes celebridades. Hombre sencillo, profesional 100%, entrenaba a diario horas y horas. Infatigable. Mi país, Chile, aún está en deuda con su magnificencia y prodigiosidad. Suele suceder con los grandes hombres de la Historia Universal; rara vez son profetas en su tierra. A Chile lo trajeron, en el final de su vida. Naturalmente fue ovacionado hasta más no poder. Ví una presentación por TV, en el teatro Municipal de Santiago, que data de 1984, similar a este video . Hoy en día artistas efímeros como los caribeños que utilizan la tecnología digital para cubrir sus notables deficiencias artísticas, tienen millones de visualizaciones y sus canciones antivalóricas, bizarras y de ribetes anárquicos, dejan mucho que desear. Vivimos la involución de la cultura. Y mi esperanza es que este ciclo amargo de decadencia, se complete, para que vuelva el virtuosismo de las Bellas Artes a renacer en gloria y majestad, otra vez.
Ojalá
De los grandes Claudio Arrau. Conoces a R. Serkin?
@@joseluisfernandezdiaz3580 Me temo que no estimado.
Pues te recomiendo que lo busques Rudolf Serkin
@@joseluisfernandezdiaz3580 Oui et entre les deux, mon coeur balance , plutôt non ! j'ai autant d'affection pour chacun d'eux, ce qui transparait hormis leur jeu, c'est leur respect devant la musique et leur humanité.
My father, Hans Joseph Sonntag, studied under the same teacher as Claudio Arrau - Martin Krause
Really???
really
I hope future generations truly appreciate this music and how special it is.
His and Gilels' interpretation are simply the best, just outstanding. I love the tone of both pianists - such a deep, expressive sound. Arrau's lines in movement 1 are more expressive than any I've heard, just straight from the heart.
This is without doubt the best version of the Waldstein Sonata and also the best recording sound ever heard until now.
Best version but not the best recording sound ! Good but , it does not do justice to the marvelous sound that Arrau took from piano !!!
@@marcosviniciosribeirocompo1137 d
@@久保時男 d
@@marcosviniciosribeirocompo1137agreed- the audio quality/echo doesn’t quite do this performance justice
Un prodigioso de la música, Don Claudio, cien años después nunca nadie interpretó mejor que el las grandes creaciones de todos los tiempos
I'm obsessed with the Waldstein lately and had not heard this before. Claudio Arrau is amazing and hearing the piece contemplated, not rushed through, so lovingly played is fantastic!!
sameeee
blessing friend
I've listened to Arrau's Waldstein on vinyl for years now. I consider this my "reference standard" performance for this composition.
A masterpiece played by a master!
I love Aurrau and his attitude to the ideas of compomists.
What you have say is really unique, Mr. Aurrau. I just wanted to say "Thank you!" I guess he really understood what his music means to people listening his playing. Rest in Peace, good old master.
How arrogant of some listeners to dispute the greatness of this utmost wonderful pianist! At this stage in his career, he should also be entitled to interpret some parts of ANY composition ~ JUST THE WAY HE CHOOSES ~ !!!
Thank you for the pleasure of listening to this great master of the piano! KfC
KfC? .. Kentucky fried chicken?
brooo lo mejor del siglo
¡No hay palabra alguna para poder conceptuar debidamente a este gran maestro del piano y sus ejecuciones!...
Wonderful performance by the aging maestro! It has been said that Arrau is typically at his best in live concerts, and that he sometime "overthinks" pieces when he's in the recording studio, leading to odd hesitancies and mannered delivery. Perhaps we have evidence of that here, for this a Waldstein brimming with passion and deeply expressive sensitivity. A true legacy performance, musically profound in every way.
Wertvoll
Studied almost all the Beethoven sonatas...and performed the Appassionaata and the Waldstein...plus Opus 109. And all of the 5 concerti. When I was younger had a few lessons with Claudio Arrau...he was a fantastic musician!
What really? This man?
Yes....I was a little girl...Francisco Pinto
You are one lucky lady Dianne Chilgren
I wish I were you Dianne Chilgren
Dianne
You should write and tell us all about Claudio
Gran Pianista, Don Claudio Arrau, como lo dijo su Maestro el Alemán Martin Krause, éste niño ha de ser mi Obra Maestra y así Fue.
0
si !!! un gran pianista!!!!
,(
Sí.
كلوديو اراوو هو عازف البيانو الاعظم الذي نفذ وتوصل لاذاننا تلك المشاعر العظيمة التي أودعها بيتهوفن في سوناتاته.
نحن مدينون له بالكثير من التقدير والشكر.
Beethoven fue un genio, que logro ser interpretado magistralmente por Arrau. Escuchar cualquiera de sus 32 sonatas especialmente con este pianista, es realmente transportarse hacia lo divino.
W❤W!
Harmonic richness, slow tempo and emphasized left hand rhythm reached a sonic goal of fullness and warmness, sobering and impressive in this piece of work, well done grandmaster Arrau!
Indeed Jimmy!
Nuestro gran maestro Claudio Arrau me emociona con sus interpretaciones, el es puro sentimiento hecho musica. Un refugio para el corazon de su audiencia.
Es una grata sorpresa escuchar por primera vez a Claudio Arrau
I like how for Arrau the music is labored. He seems to be working very hard to deliver his greatest performances.
He used a lot of arm weights, that is the reason why the sound is so brilliant and singing.
I keep revisiting this interpretation...and I believe this is the best ...its simple,slow and effortlessly artistic.......very very beautiful from the master Arrau!!...
I agree with you, I can't get enough of this interpretation.
Bharat Raghavan Agreed. I can get lost in the music for days. When I want a faster tempo I listen to Pollini's 1974 recording which also has moments of sheer brilliance.
Mark Swanson just listened to it ....I was under the impression that usually a faster tempo can become rushed...but pollini manages to keep it fluid...worth listening thanks!
Bharat Raghavan There are a few nuances in Pollini's performance (e.g. 1:46 and 8:06) that don't come across the same when played slower. Arrau plays it fast when it needs to be played fast, particularly the 3rd movement, but the more expressive interpretation is what makes it an other-worldly experience. Cheers!
Bharat Raghavan So true, it's like as though it's whistling out the door in sections.
The Olympian power and Dionysiac ecstasy of the section from 22:36 to the end never fail to make me weep. One wonders if the aristocratic audiences at the sonata's premier performance had any comprehension of the glories they were hearing.
yea it's lit mate
You are to be congratulated for so cheaply bought a nobility, peasant.
I wonder if pieces like this can be fully appreciated upon first listen. It’s a different experience to hear something the first time than to hear it any other. Knowing which parts you’re looking forward to etc
I love this moderate tempo. Far too many play it too fast. Arrau is fabulous.
Una obra de arte para toda la humanidad claudio arrau maestro !!! ❤
El mejor pianista que ha dado America latina! Lejos !
¡ Qué maravillosa manera de interpretar a Beethoven, es impresionante su sensibilidad, su entrega !
no matter what literature this man took on, he faithfully conveyed the intent of the composer. This is the PRIMARY mission of every performer.To many times performers use a composer to further their own professional adgenda!!
Impresionante ejecución musical. Que manera de interpretar a Beethoven, su especialidad y de memoria lo hace más sorprendente aún. Inolvidable Claudio Arrau.
La musica non è nelle note, ma tra una nota e l'altra. Questo grandissimo pianista è unico!
Enorme pianista, enorme músico. Gracias Arrau por tanta belleza !!!
Beethoven -> Czerny -> Liszt -> Krause -> Arrau = ♫ ♪ ♫ ♪ ♫ ♪
+MrJohann1900 I wonder how strong the links were between Beethoven-Czerny and Czerny-Liszt? I think Czerny and Beethoven had very different approaches to the piano. From what I know, Czerny's style is more closely related to Mozart/Hummel, and Czerny didn't have a much impact on Liszt. So I'm not sure how much these links really matter.
+TwelfthRoot2 Liszt was a student of Czerny. He must have had a considerable impact.
true, but Liszt was pretty much an accomplished piano wonder already by the time Czerny took care of him. still, pupils and masters... anyway, Arrau took a lot of Beethoven from the hands of Schnabel.
Bodi99991 he was an influential teacher, that's all
And it continues... Arrau -> Bronstein -> Me :D
Lo escuche innumerables veces y me sigue encantando, a cada vez hay una nota que distingue de otras. Excepcionales; Ludwig van Bethoven y Claudio Arrau. Gratitud a estas dos grandes personalidades.
I've never heard it taken at this tempo. So gorgeous to hear every note. Art does not to be rushed. Thanks Claudio.
Mistr Tähti se lascar
Mistr Tähti It has the effect of making time stand still.
Listen to Lucas Jussen. Almost the same tempo. Different acoustics with different sound but in the end the two are similar.
So true! However, also keep in mind that Beethoven liked faster tempos and stuff. Therefore, there's nothing wrong playing it fast as far as composer's intention goes (beethoven, power, etc.). Nevertheless, art is art and should be interpreted however one pleases.
Beethoven liked faster tempos, but I also think he believed that his grandiose octaves would be more pronounced than they actually are at those speeds
아라우오
당신의 묘지에 꽃한송이를 바치러 당신의 고국에 가고싶군요.
존경합니다.
An incredibly beautiful, insightful and convincing performance of a huge work from the piano literature from a man who is 74 years old. Thank you for this terrific footage, it was a pleasure to listen to and to watch.
davidhertzberg is
Ravishingly beautiful!
80 years old
@@patriciabravoriscal6264I think you are confusing this Bonn 1977 performance with the 80.th birthday recital performance from New York 1983 . They are both on you tube.
Así lo pensó Beethoven. Mandato cumplido cabalmente por el mejor interprete del siglo XX.
Alvaro Fernández Ferlissi ya se la escucharon a kempff ?
Y horowitz?
Pollini es el mejor interprete de B.
Beethoven hubiera elegido a Arrau, todos lo saben
@@davidrobles6858 si, y la del maestro Arrau es mucho mejor
Having watched many of UA-cam's videos of Beethoven, I've finally found the Beethoven I hear in my head when reading the sheet music. Bravo Claudio Arrau!
lol
Bravo Claudio Arrauo
Cok mukemmel big is Beethoven in yaptiniz, butun eserler e yaptiginiz interprétation l'ère Can verdiniz, sizi kutlar, ve tesekkur ederim.
Uno de los más grandes músicos de todos los tiempo. Gracias Claudio por tanta belleza !!!
2023 y no me canso de ver este vídeo casi diariamente...lo que es bueno,es bueno... Beethoven no podría haberlo hecho mejor jaja...Magistral.
When I hear this magical piece, to me it almost seems like it transforms the piano into a living thing that sings this beautiful song to the audience.
For me, this one is it. The most beautiful piece ever written for piano.
22:37 starts the most beautiful piano run I've ever heard. This piece celebrates the major scale, and It's melodically perfect, as far as I can tell. Beethoven was such an incredible genius
Che grandissimo artista. Pianista meraviglioso. Viva il Chile per averci donato questo musicista immenso. Un abbraccio a tutti i cileni dall' Italia❤
Arrau, su verdadero apellido era Arraud (francés) salió de Chile a los cinco años de edad. Partió financiado por el gobierno de Chile que durante toda su formación hasta los 25 años de edad, pagó su manutención y la de su señora madre, pues un niño tan pequeño no podía vivir solo allá. Tuvo un profesor alemán de piano, Krause, que lo quería tanto que hasta le daba cursos gratis porque a veces necesitaba más cursos que los que pagaba el gobierno de Chile. Leí en algún lado que ese profesor además fue como un padre para el niño Arrau, porque padre no tenía. Nunca se ha hablado de ese padre. Vivió desde entonces en Alemania, hablaba mejor al alemán que la lengua española. Se crió y se formó en Alemania. Nunca vivió en Chile. Venía a veces. Muy de tarde en tarde, pues trabajaba mucho como concertista en el extranjero y era de primera fila, de los más cotizados. Siempre que vino a Chile daba cursos gratuitos en el Conservatorio Nacional de la Universidad de Chile. Yo fui alumna en esos cursos magistrales a los cuales asistían todos los profesores de piano y sus mejores alumnos. En su enseñanza lo que destacaba era la lectura prolija de la partitura. Esa prolijidad debía ser trasladada al gesto pianístico. Decía que había que practicar hasta que la música se hiciera carne en nosotros. El mismo practicaba más de seis horas por día, y se sacaba una camisa empapada en sudor para ponerse otra limpia y seca y seguir praticando. El maestro era muy sencillo, y recordaba a Chile con amor, pues era su madre lo que recordaba. Por eso pidió ser enterrado allá en Chile.
El mejor pianista que ha tenido nuestro país, un ejemplo que la música no ha perdido rumbo y que los herederos de estos maestros, tenemos una carrera muy gigante que recorrer, dura y ardua, pero posible. Nunca me dejaré de maravillar con las interpretaciones de Arrau en Beethoven
te falto decir que era el mejor de Chillan no mas
@@vicheromarmajas Jajajaja, también
es el mejor pianista del siglo 20
La interpretación del maestro Arrau , el tiempo ,la cadencia , la pasión , la entrega , el alma puesta en cada nota del piano , sientes cada nota musical , te cuenta una historia , simplemente el mejor intérprete del genial Bethoveen !!
0:00 1st movement
12:29 2nd movement
15:54 3rd movement
No one will just listen to one of these movements, everyone will listen from start to the end. I have no clue why these time tags must be provided.
10:12 "Fuck, I forgot what's next!"
Arrau perhaps at his very best...
I particularly admired and enjoyed the way he starts the finale, almost as a whispered sub-conscious thought (but still singing) gradually coming to consciousness and then becoming a statement which is in turns stated, argued, questioned, pondered, re-iterated, illuminated and finally absorbed. Utterly masterly on Arrau's part as well as Beethoven's.
How did he play the octave glissandi in the last movement? I thought you were not supposed to be able to play these on modern pianos (such as the one here), so most performers play scales with both hands. Here, Arrau plays them as written, but how did he do it?!
According to András Schiff in his lecture on this sonata, those glissandi can be done on a modern piano -- just not on every one of them. That's one of the reasons he takes his own instrument with him on concerts when possible.
He can play those octaves in glissando with absolutely relaxation of arms and hand wrist, otherwise is not possible.
I know this is an old comment, but octave glissandi on a modern grand piano are not possible without a certain amount of firmness in the fingers, and some toughening of the skin. Absolute relaxation is a dangerous term to use when talking about piano.
Arau simply meets Beethoven......Bravo and Happy 250 Birthday Ludwig van Beethoven!!!!
Peace be with US....
Lil jazzy's Music Appreciation - just for the record Beethoven was German not dutch, so the correct name is Ludwig Von Beethoven, van is dutch.
Esto es magia, esto es un piano, el que te puede hablar sin hablar, el que te puede tocar sin tener brazos. Algo magico...
Precisión quirúrgica....Emoción apoteosica!
ORGULLO
Una de las maravillas del internet fue la posibilidad de descargar la integral de las Sonatas de Beethoven, interpretadas por el Gran Maestro Claudio Arrau, bajo el sello de Phillips, en formato de compresión sin pérdida. Desde era un jovenzuelo soñe con este conjunto. El señor Arrau es uno de los más grandes pianistas que he admirado, y su versión de Las Sonatas es la definitiva. Nadie como él posee el vigor ni la sutileza necesaria para destacar cada minúsculo detalle de las obras de Bethoveen, quien, en elgunas circunstancias suele ser un toro embravecido difífil de domar (en las palabras de Sviatoslav Richter) con pasajes impetuosos y apasionados; arrebatos musicales que estremecen por su poderosa carga emotiva; y algunas otras, con pasajes tan sutiles y delicados, que la caída de un pétalo sobre la tecla puede ser una abominación horrenda si esta no encaja con el conjunto general de la obra.
One of the best sonatas of Beethoven played by a great pianist
Esto es una herejía. Cómo van a poner propagandas en medio de la interpretación. Ya no hay respeto, por eso el mundo está como está.
Relaxed arms, movement optimized, minimal but effective, Bravo
So so so beautiful - I like this tempo best
I turned to this after giving up on Pollini's over-fast and "virtuosic" account of the first movement. What a relief to come to this where even the repeated notes of the opening motif sing and where each changing flicker of light and shade is fully savoured without mannerism. A glorious performance of a glorious sonata. As far as I am aware, Sviatoslav Richter did not play it - or have I missed something? (I also find him a great Beethoven pianist).
Excelente música,
Excelente interpretación
del maestro pianista.
I love watching Claudia Arrau play his hands are beautiful incredible real stage presence!
I love the tempo he chooses for the first movement. A lot of young players these days play it too fast.
Totally agree, you can understand it more and it's more expressive
He has given me a huge boost in confidence in how I play Beethoven
I agree with it, love the first movement...
RayOXO que razon tienes.¡Arrau interpretando a Beethoven es "patrimonio de la Humanidad".¡Beethoven le aplaudiria!
This is a great interpretation of Waldstein piano sonata from a greater pianist.This sonata was dedicated to Waldstein who was so important patron of Beethoven alongwith Breuning Stefan both friends in his emerging genius and creativity during his childhood at Bonn house when the parents of Beethoven died
Lamentablemente poco valorado por mis compatriotas en chillan hay una porquería de calle que lleva su nombre. No tienen idea quien fue don Claudio
Arrau is by all means tops for Beethoven
en la expresión de su rostro al tocar su piano , demuestra la pasión y el sentimiento que aplicaba al hacer su arte.
Music especially classical music leaves a lot of room for interpretation for the performers and the audience as well. As a well-respected pianist like Arrau was, he was entitled to perform this piece however he liked. It is the matter of taste if you like it or not. Criticizing him for which tempo he chose to perform is silly and frankly ridiculous. I'm sorry to put this so bluntly but none of you in this comment section are even remotely qualified to criticize him let along tell him how to play this beautiful piece of music.
Claudio Arrau Master
Beethoven Forever
What a master he was!
"From the heart - may it go back to the heart" ..Ludwig van Beethoven
The passion arrau displays.... The gamut of feelings and emotions....magnifique!!
YO TAMBIEN COMO CHILENA SIENTO UN ORGULLO ENORME QUE HAYAMOS TENIDO A UNO DE LOS GRANDES PIANISTAS DEL MUNDO.. ES CIERTO QUE EN CHILE LO DISFRUTAMOS POCO EN PERSONA, PERO SU LEGADO QUEDARÁ POR SIEMPRE Y EL HECHO DE SER NUESTRO GRAN EMBAJADOR DE LA MUSICA EN EL MUNDO
Si entiendo bien, estâ orgullosa que los chilenos no lo hayan valorado... Y "su llegada" que aporta?
Como se puede uno vestir con ropa ajena si encuentra que nadie aprecia esa ropa...
Arrau era un hombre del mundo, del universo oso decir, un mûsico y por lo tanto un partidario de la cultura universal.
Y quiere Ud. recuperarlo aun cuando pocos lo aprecian en Chile salvo para golpearse el pecho y hacer muestra de orgullo que no tiene lugar de ser.
Yo no ando por las calles golpeandome el pecho y clamando mi verguenza de haber sido compatriota de Pinochet. De una no me da verguenza porque comprendo que "de todo hay en lq villa del senor", de dos yo trato de no ser orgulloso, Arrau tampoco.
Cada día escucho al maestro Claudio Arrau, y cada vez me gusta más, lo conocí personalmente en Curicó, en casa de una sobrina Patricia, que era mi conpañera de Preparatoria. año 1950
Oh que suerte tuvo ud!!!
이렇게 아름다운 연주를 들을 수 있어서 행복하네요.
Saw him play les Adieux, Appasionata, Liszt B minor and Dante Sonata in one concert. When he walked onto the stage, there was a rustle of concern in the audience - he looked tired and infirm. Within 30 seconds, there was rapt silence - he held us spellbound for 2 hours. Unique experience.
Hola buenas tardes doctora 😷
L
What a testimony of yours. The 30 most unforgettable seconds lived
Fantastic! Also impressive speed and accuracy of octaves in the right hand and left hand from 24:36 to 24:44.
ive never seen anyone execute the octave glissando with such mastery!
yep, and with NO pedal. he is grand.
Bendiciones, ....
Chile està orgulloso de usted
Gracias🇨🇱🇨🇱🔔🔔💜💜⚘⚘
Splendid interpretation from a Master Claudio Arrau, a pleasure to listen , thank you.
Qué idea tan luminosa, Emilio!!! Gracias. Acabo de deleitarme de lo lindo con la Waldstein en manos de Arrau
SIN PALABRAS.
Such a variety of emotions in this piece of great music, I know this video is ten years old but is still beautifully played👍👍👍🎹🎹🎹🎵🎶🎵🎶🎵🎶🎵🎶
Superb. Not too fast in first movement, he avoids the trap to overplay, keeping an introvert mood. Arau is the pianist of the bass notes.
Inolvidable Maestro Arrau.
.
Hello everybody, Im chilean like Arrau, he was a great pianist, the greatest of Chile. It is a shame that knows more Alexis Sánchez than Arrau in my country.
Greetings.
Internationally there are so many who know and appreciate Arrau! I had the great privilege to study with his student and collaborator German Diez in New York, and on one occasion (in Princeton, where I was a graduate student at the time) met Arrau himself after a Concert. Diez communicated to me Arrau's conception of Beethoven and it will remain with me Always. I am a Professor of History, 63 by now, but still play the piano and never forget what I learned.
But Alexis Sanchez just started playing the piano - I think he'll give Daniil Trifonov a real run for his money... just you wait! Go Arsenal - go Chile!
17:03
Oh! Beethoven!
(our beloved Ludwig van)
is a Force of Nature!
If you want perfection there are many pianists today that play without any mistakes, but where's the soul? The real artists always make bold moves with a certain amount of possibility of a mistake, but that's the beauty of it, you must always try to represent what you hear in your head.. and if you fail, well, it's humane. But certainly not trying to hide by playing it the easier way, or by cheating!
this is it... not less.. not more
I don't really think this is slow. I think most people play it very fast. Listen to Arrau, everything is important here. He brings out every inflection and mark that Beethoven suggests. Its easy to get away playing this piece very quickly and lose sight of the little things. Beethoven was incredibly critical of details, as well as creating effects in his music. Listen, you'll here things in this performance you've never heard before.
Well said.