@@Nic1963D I don't know when the quote is from, but it's theoretically sound (bebop enclosures, upper/lower neighbor, passing tones, etc). It makes sense because of tension and release, a bad note resolving to a good note is often better than the good note alone.
You take away that man’s bass and he is one of the most gracefully skilled, cool, kindhearted, wise, clear, elegant communicators on the planet. He could give clinics on just how to talk to people.
Feel = mostly rhythm here imo. If you don't think you have feel, learn and practice more rhythmic patterns and licks, and apply them in the key and tempo of what you're improving over. The rhythms you practice will surface a lot by muscle memory when you're playing by feel.
If you take meth once do it couple more times so your ok with beeing a junkie rather than admititing you maybe shouldn't have done it in the first place?
@@ominoseomimose watch video again The best part about the wrong note or mistake is when it shows you what is was moving towards and what it becomes You have to play the mistake and it isnt a mistake anymore
@@darsh7911 i am a Student of Philosophy and I take these things serious. I know it can be annoying. I just dont believe holding on to every descission all the time is helpful for anyone, sometimes we make mistakes and we're better of accepting them as such and move on in a different way. Truth about Life rarely is simple enough to be formulated in one sentance, there is a lesson about life in what Victor said, but it doesn't apply to every Situation is all im saying. Its not as potent as i feel that OP implies.
@@ctenmusiq1333 The credit goes to Victor. There is the difference, he takes his person back, uses his knowledge to make learning easier. He plays without "playing out" the students. It's all about the music for him. By the way, thank you for your praise. Stay healthy and never lose the joy of music!
Music is an exploration of life. If you're exploring music without exploring life? That might be the only way to actually, objectively, truly do it wrong.
Oh my god. Playing the "wrong" note and then recovering almost sounds better than just playing the right note to begin with...This is awesome! Thanks for sharing
That’s Anthony Wellington. A world class musician in his own right. If you have a chance to do a clinic or lessons with him he is very passionate about music and very inspiring. There are videos of him and Victor playing live together that are out of this world.
My guitar instructor from years ago taught me this technique. He always said no matter what just keep playing and have fun with it. Hit the wrong note, so what? Just slide to the right note. He said it was called “glitching”. I don’t know much about music theory, but I guess it works so well because “wrong” notes create tension, but sliding into a fitting note releases that tension, which feels good in our minds.
I've been studying chromatic approach notes, and it pretty much takes this concept to the next level! I still have a ways to go, but I can only imagine the amount of freedom one achieves through familiarity with the outside notes.
@@MetalizedButt yes, but just because he is a one of the greatest at Bass Guitar doesn’t mean he is an unparalleled music genius because that title extends thousands of things more than just playing a Bass Guitar
The more I listen to Victor, the more I feel like my eyes are opened to a whole new world of music. It makes me feel like I am now facing an endless realm of possibilities for my own music.
This man genuinely has a heart of gold. I sat with him years back during a meal at a music camp and all he talked about was LIFE. Not how to play the bass, not music theory but life in general. And you can hear the wisdom in his words when he speaks. Still one of my favourite bass players on earth.
I've seen this video a few years ago and it's one of the best music education videos I've ever seen. His demonstration of any "wrong note" never being more than a 1/2 step away from a "right note" was so simple but something I never thought about.
I feel that this is also true about everything you do in life. There are no real mistakes. You can always embrace the wrong notes and make them right with a slight nudge, instead of running from them far away in fear.
Ohh shit man, that was unexpectedly deep, came right outta the blue. That is very true and very profound now that I think about it. One can sort of mold their mistakes to make their life better. It must be all about one's attitude on failures - they can make a man or break a man. I don't know much about the term of alchemy but it feels like this is somewhere in that ballpark. Alchemy of life. Take all of the good and the bad of your life and try your best to learn from it all and make the next day even better. Who knows where you'll end up if you do that day after day after day? Seriously man, I thank you for the comment. It really made me think (in case it wasn't obvious :D)
I’d love to just hang out with Vic for a day and just listen to what he has to say. I’ve never been one to go out actively listening to his stuff, but every time he speaks or teaches he has wisdom to share every time.
Victor is so smooth as a teacher....yes, the ear can get used to dissonance....i have always thought flat second was the only "avoid" note...then I heard a trumpet ending his solo with a line (!) that sat a half step away from the key center . End of the line he pulled the tonality back into the root tone...slick..
음악 뿐만이 아니죠. 미술에서도 밥아저씨 왈, 잘못 그은 선은 실수가 아니라 행복한 우연일 뿐이라 그것을 그림으로 승화시킬때 자신의 색이 묻어난다고 했고, 어번 스케치를 하는 많은 분들이 우연찮게 나온 선이 사람냄새가 난다고 하는 것도 같은 이치겠죠. 완벽한 예술 기계가 아닌 서툰 사람이라서 만들 수 있는, 세상의 단 하나뿐인 우연의 산물이라 하면 참 아름답지 않나요? 도공이 완벽한 사기는 깨고 다시 만든다는 말이 옛말처럼 말입니다. 조매력 영상보다 알고리즘으로 여기까지 왔는데 또한번 우연이란 아름다움을 이웃집 분야에서도 보게 되니 사람이란 이런거다 하는 느낌이 들어서 좋네요.
I agree that this is important. Also when I play, I do something along the same lines where I'll jump about or sing things differently or wrongly. Make noises.. Try talking. Just letting my attention be on something else and exploring being able to still play with a lot less attention on what I'm doing than normal. I find it helps make me feel more comfortable with what I'm doing, if I've explored all the surrounding areas, and I don't just mean musical areas, but actual mental areas.
Was at a bar in Charleston and the keyboard player in the band was living in the chromatic scale, it took what would be well played (but not that interesting) covers of hits and turned it into something that I felt magnetized into listening to. It keeps you hanging on the next note. I stayed at that bar for a lot longer than I thought I would.
"The prefix "chroma" means colour. If you want to add colour to your playing, you add it by adding the chromatic scale to your playing". That summed up everything anyone needs to know! Amazing!
When I was 15 (now 41), I remember a trumpet improvisation session at a music school where I was this exact point. Here I am years later getting into Bass and Victor demonstrates it so perfectly.
Awesome. l have always told other musicians that whenever you make a mistake, just repeat it until it works. Cool to see Victor giving the same advice lol
I love anything victor says it took me years to develop my simple style on my own but everything I have taught myself victor says so I may as well listen lol great guy and the other guy who mentioned the chromatic scale that was deep
I taught much the same in a music theory class. Those "off notes" or notes outside the scale, can be made to add great interest by both repetition and used as passing notes. It can create tension that is released by sliding back into the scale. Phish made a career doing this for decades. These are not "wrong" notes, but notes outside of the traditional scale. The question is: what can you do with them? How can you make it interesting?
And this is the part that's frustrating. You don't really get to explore that too much until you're out of Academia. If you're "studying modal scales" it is hard to explain why you played a natural 4 when we're supposed to be in "Lydian" when everyone else around you is expecting you to play a sharp 4. Even if your musical statement is more interesting than it would have been before, you can still be considered "incorrect" or "failing" the task. And of course you should stick with that sharp 4 if you're being tested on your lydian scale chops but again that brings up my point that you don't really get to explore these unique colors in Academia for quite some time.
@@happythoughts700 Idk what music school looks like for you, but I wouldn't say most music students have time for "exploration" in their busy schedules unless you want to be that guy that lives in a practice room and trades developing their social skills for absolutely mastering their craft with 100% of their spare time.
재즈와 화성학이 재미있는 이유 한창 밴드하고 곡 쓰고 스테이지 공연뛰고 앨범 녹음하고 이러던 미쳐있던 시절 내 사부이자 가장 친한 지인이자 형이자 친구이자 내 인생에 많은 도움이 되었던 양반이 했던 얘기 "니가 틀려도 어차피 관객은 그게 틀린 건지 모른다. 연주자들도 마냥 틀렸다 생각치 않는다. 의도된건지, 정말 실수인지. 그냥 자신있게 해라. 이쁘게 만들어가면 된다" 나중에 프로세션분들과 인연이 닿았을때 이 얘기를 했더니 맞는 말이라고들 하시더라 참 음악은 재미있는 것 같음
Don't focus on error... just move to any side (applies to anything not only to music I believe); and that's why he's one of the greatest human being in this era. Thank you so much Mr. Wooten!!!
@@housemana That isn't what they're free doing. I would assume they're part of the Lo-fi community so they recognize where artists fall short in the lessons taught in this video. They're not saying they're the only ones that should hear it.
Sometimes the "mistake"is where you were meant to be all along. Or maybe you make a wrong turn, and you're not at your intended destination, but you found something interesting that you've never seen before.
My high school band director always said if you hit a wrong note, play it again. The first time is a mistake, the second time it was meant to be.
Repitition is what makes it sound right
@@aiueokaya Repetition legitimizes. Repetition legitimizes. Repetition legitimizes
@@jo_naash sad
@@grassdanishes4845 don't be
@@jo_naash No I am just saying that what you said is sad but true.
“If you hit a wrong note, it's the next note that you play that determines if it's good or bad" - Miles Davis
@@Nic1963D I don't know when the quote is from, but it's theoretically sound (bebop enclosures, upper/lower neighbor, passing tones, etc). It makes sense because of tension and release, a bad note resolving to a good note is often better than the good note alone.
@@Nic1963D That's subjective
@@Nic1963D What fucking difference
does it fucking make?
@@Nic1963D Yeah he was on drugs and he was right
That is brilliant. Wise words
You take away that man’s bass and he is one of the most gracefully skilled, cool, kindhearted, wise, clear, elegant communicators on the planet. He could give clinics on just how to talk to people.
Okay, but don't take away his bass. 😏
@@peter-subramanian for real
Has anyone ever seen him without a bass though?
And until at least recently, well into his 40's, he could do a backflip. The guy is simply amazing.
but he is teaching you how to talk to people, through music
Man knows his theory but he knows deep down it’s all about the feel
Truth. Theory only gets you so far.
Feel = mostly rhythm here imo. If you don't think you have feel, learn and practice more rhythmic patterns and licks, and apply them in the key and tempo of what you're improving over. The rhythms you practice will surface a lot by muscle memory when you're playing by feel.
Word
That's how people excuse not learning theory. There is no mystical entity called "feel" that can't be practiced and improved.
He understands music vocab, expression, and structure like a god!
This is a lesson about life...
If you take meth once do it couple more times so your ok with beeing a junkie rather than admititing you maybe shouldn't have done it in the first place?
@@ominoseomimose watch video again
The best part about the wrong note or mistake is when it shows you what is was moving towards and what it becomes
You have to play the mistake and it isnt a mistake anymore
@@ominoseomimose ☠☠☠
@@ominoseomimose why are you like this
@@darsh7911 i am a Student of Philosophy and I take these things serious. I know it can be annoying. I just dont believe holding on to every descission all the time is helpful for anyone, sometimes we make mistakes and we're better of accepting them as such and move on in a different way. Truth about Life rarely is simple enough to be formulated in one sentance, there is a lesson about life in what Victor said, but it doesn't apply to every Situation is all im saying. Its not as potent as i feel that OP implies.
This is not just musical advice. This is life advice.
YEEEeeessss! THAT's the crucial hint! Victor shows it, in his person, his behavior, not "only" in playing music.
@@Toddy9cent both your comments are the most underrated comments here. This guy just changed my life with this video. Cheers
@@ctenmusiq1333 The credit goes to Victor.
There is the difference, he takes his person back, uses his knowledge to make learning easier. He plays without "playing out" the students. It's all about the music for him.
By the way, thank you for your praise. Stay healthy and
never lose the
joy of music!
@@Toddy9cent Absolutely right. Appreciate it man. Wishing you the best music-filled journey :)
Music is an exploration of life. If you're exploring music without exploring life? That might be the only way to actually, objectively, truly do it wrong.
1:40 props to the man comping on the other bass... that timing was perfect
Oh my god. Playing the "wrong" note and then recovering almost sounds better than just playing the right note to begin with...This is awesome! Thanks for sharing
J A Z Z
@@davidthomas9960 but actually lmai
Am i the only one who didnt find this video pleasing to the ear? Like he stayed on off key notes too long
@@TheAmaterazzzu
Jazz is an acquired taste, you get used to it. 5 years ago I felt the same, but now it sounds really nice to my ears.
@@TheReal4th i actually really like jazz, but this demo didnt really do it for me
the rhythm bass the other guy is playing sounds so nice
Yeah lovely groove 👌
That’s Anthony Wellington. A world class musician in his own right. If you have a chance to do a clinic or lessons with him he is very passionate about music and very inspiring. There are videos of him and Victor playing live together that are out of this world.
My guitar instructor from years ago taught me this technique. He always said no matter what just keep playing and have fun with it. Hit the wrong note, so what? Just slide to the right note. He said it was called “glitching”.
I don’t know much about music theory, but I guess it works so well because “wrong” notes create tension, but sliding into a fitting note releases that tension, which feels good in our minds.
I've been studying chromatic approach notes, and it pretty much takes this concept to the next level! I still have a ways to go, but I can only imagine the amount of freedom one achieves through familiarity with the outside notes.
Yeah, this video kind of shows you the trick is sliding to the right note like you MEANT to do it and not like you screwed up
That's definitely right
That's jazz baybee! Yeah!
Hey, it's just a passing note.
The sixteen dislikes really wanted to see Vic show us one other thing
I laughed
It's from The Groove Workshop
😀
I read this just before hearing Victor say that lmaooo quality
Unparalleled musical genius. To my eyes Victor is on a different level.
Well obviously not unparalelled. Maybe in his field of base, but there isn't too much competition either. Very talented still.
@@specialperson335 What do you mean not too much competition?
@@MetalizedButt he means there are very few Bass Guitar players at Wooten’s level of understanding / musicality / ability / etc
@@vibratoryuniverse308 I got that, so I think unparalleled was a good choice of word by original poster👍🏻
@@MetalizedButt yes, but just because he is a one of the greatest at Bass Guitar doesn’t mean he is an unparalleled music genius because that title extends thousands of things more than just playing a Bass Guitar
Life Lesson: Don’t be afraid to make mistakes. You can always slide to the right choice.
The more I listen to Victor, the more I feel like my eyes are opened to a whole new world of music. It makes me feel like I am now facing an endless realm of possibilities for my own music.
This man genuinely has a heart of gold. I sat with him years back during a meal at a music camp and all he talked about was LIFE. Not how to play the bass, not music theory but life in general. And you can hear the wisdom in his words when he speaks. Still one of my favourite bass players on earth.
Zen bass player 🤙
How he just went ahead and did it. Just...chromatic, and he made it so good.
"I'm not tryin' to play right" is my mantra
Wow. That's all new for me, but very interesting.
If you haven't yet, make sure you read Victor Wooten's book The Music Lesson.
I just bought it. Arrives sometime between 28th of April to the 6th may
That room of basses is more than ill ever own of anything
You, Yourself is worth way more than all of the basses in this whole Universe!!!
just keep playing the wrong note and one day you might be doing that workshop xD
@@dushk0 lmao
Students: “We still don’t get it”
Teacher: “Exactly!”
Proof that even a "wrong" note sounds good with a good musical understanding behind it.
proof that there's no such thing as a wrong note just be fearless
I've seen this video a few years ago and it's one of the best music education videos I've ever seen. His demonstration of any "wrong note" never being more than a 1/2 step away from a "right note" was so simple but something I never thought about.
this is just proof that Victor can't make mistakes with music
알고리즘으로 들어왔는데 한국어 자막에 한국어 댓글이 없다는 것에 놀랐고 생각보다 영상이 재밌어서 놀랐고
강연자가 틀린음(실패,실수)을 대하는 자세를 보고 놀랐다.
음악에 대한 영상이지만 이 영상을 보고 실수를 대하는 자세도 중요하다는걸 느끼고 간다
취미로 기타 치기는 하는 데 기타 뿐만 아니라 인생에 힘이 되는 영상같아요. 마음이 편안해 지네요.
I feel that this is also true about everything you do in life.
There are no real mistakes. You can always embrace the wrong notes and make them right with a slight nudge, instead of running from them far away in fear.
Ohh shit man, that was unexpectedly deep, came right outta the blue. That is very true and very profound now that I think about it. One can sort of mold their mistakes to make their life better. It must be all about one's attitude on failures - they can make a man or break a man. I don't know much about the term of alchemy but it feels like this is somewhere in that ballpark. Alchemy of life. Take all of the good and the bad of your life and try your best to learn from it all and make the next day even better. Who knows where you'll end up if you do that day after day after day? Seriously man, I thank you for the comment. It really made me think (in case it wasn't obvious :D)
Aside from his incredible technical ability. His approach and philosophy to music is life changing
I once asked my music teacher if he’d noticed me playing any wrong notes and he said he never noticed me playing any right ones 🤪
Ouch
Damn
Oof
Ouchie
❄️🍨🍧🍦
All props to this golden Human. Bass is the mother of all instruments.
I’d love to just hang out with Vic for a day and just listen to what he has to say. I’ve never been one to go out actively listening to his stuff, but every time he speaks or teaches he has wisdom to share every time.
yes, i think too, his knowledge is not only in terms of bass playing.
아무것도 모르고 이영상 틀었을땐 듣자마자 음이 이상해서 뭐지 싶었는데.... 갑자기 이상한 음이 섹시해져 버림.. 지렸다
Man I am too good at playing the wrong notes, now I can be proud of myself
haha
Victor is so smooth as a teacher....yes, the ear can get used to dissonance....i have always thought flat second was the only "avoid" note...then I heard a trumpet ending his solo with a line (!) that sat a half step away from the key center . End of the line he pulled the tonality back into the root tone...slick..
"I wan't to show you 1 other thing". - awwww!
my favorite part about watching victor is how much he enjoys himself. music should be about fun & this man knows how to enjoy himself.
Hitting a wrong note with true confidence can often make it sound right.
음악 뿐만이 아니죠. 미술에서도 밥아저씨 왈, 잘못 그은 선은 실수가 아니라 행복한 우연일 뿐이라 그것을 그림으로 승화시킬때 자신의 색이 묻어난다고 했고, 어번 스케치를 하는 많은 분들이 우연찮게 나온 선이 사람냄새가 난다고 하는 것도 같은 이치겠죠. 완벽한 예술 기계가 아닌 서툰 사람이라서 만들 수 있는, 세상의 단 하나뿐인 우연의 산물이라 하면 참 아름답지 않나요? 도공이 완벽한 사기는 깨고 다시 만든다는 말이 옛말처럼 말입니다.
조매력 영상보다 알고리즘으로 여기까지 왔는데 또한번 우연이란 아름다움을 이웃집 분야에서도 보게 되니 사람이란 이런거다 하는 느낌이 들어서 좋네요.
귀한 수업 감사합니다. 내용에 놀랐고, 연주하실 때 표정을 보고서 많이 배웠습니다.
Makes me relax the way he talk and expresses himself
This Man is God! Basically, there are no wrong notes if you have the right attitude!🤩
lol 👏🏼
Wow, he is super relaxing as an instructor. I've listened to his music, but not enough talking apparently lol
베이스가 이렇게 황홀한 악기였다니..ㅠ 드럼과 짝을 이룰 때 없어선 안되지만 드럼을 보조 해주는 역할로만 알고 있었는데 너무 무궁무진한 연주가 가능하다니.. 멋져요ㅜ
베이스는 확장영역이 엄청난악기입니다 유일해요
I actually practice messing up on purpose just to see how I can recover👍👍
I agree that this is important. Also when I play, I do something along the same lines where I'll jump about or sing things differently or wrongly. Make noises.. Try talking. Just letting my attention be on something else and exploring being able to still play with a lot less attention on what I'm doing than normal. I find it helps make me feel more comfortable with what I'm doing, if I've explored all the surrounding areas, and I don't just mean musical areas, but actual mental areas.
Same here. And most of the time is where cool things happen and fresh
Same here, but i do it in life desitions. I correct later. Greetings from Chile!
I love stretching the boundaries this way. Even make it usual to leave spaces for unexpected discoveries later while recording.
Victor Wooten is the great music medicine man...with great fixes. Don't you just love him. ❣🎸🩺🌹
Was at a bar in Charleston and the keyboard player in the band was living in the chromatic scale, it took what would be well played (but not that interesting) covers of hits and turned it into something that I felt magnetized into listening to. It keeps you hanging on the next note. I stayed at that bar for a lot longer than I thought I would.
3:28 I love his expression and how much fun he’s having with it
My favorite musical philosopher.
“When I find a note that’s out I love it...because when I a right note it sounds so good”
This man is brilliant.
리듬과 뉘앙스 안깨지는게 중요하단 얘기
this guy is filled with passion
"The prefix "chroma" means colour. If you want to add colour to your playing, you add it by adding the chromatic scale to your playing". That summed up everything anyone needs to know! Amazing!
best "out playing" lesson ever. best lesson ever about anything. that and
"practice slowly if you want to play fast"
3:50 기타를 튕기는 것에서 실수가 발생하니까, 한번 더 주법으로 실수를 실수가 아니게 만드는 군요 대단합니다
순순히 풀버전 한글자막을 내놓으면 유혈사태는 일어나지 않을껍니다
"that's heavy. The scale (chroma=color) is telling you..."
Absolutely. Even just tye first 3 minutes are so dang important. It's a fundamental part of creating tension in jazz and the like.
LIVING LEGEND! Long live Victor Wooten!!!
저렇게 말하지만 정작 솔로 틀릴 때 마다 '아~!' 라고 탄식하는 습관이 있죠ㅋㅋㅋ
FUKKYSAN
I agree!
This is a brilliant approach. I tried it on the guitar. It works.
Truly a wonderful musician, teacher, and person:)
This is single most valuable thing on yt
He spoke of this in his the music lesson book
Wow those guys are philosophers on top of musicians...
When I was 15 (now 41), I remember a trumpet improvisation session at a music school where I was this exact point. Here I am years later getting into Bass and Victor demonstrates it so perfectly.
I love this man! Every time I watch one of his clinics, I feel like a better bassist at the end.
Vic keeps it real!
It’s like that Miles Davis Quote what matters is the note you play after
He's almost like guru lol I'm so impressed
아 뭐야 밑에는 한국사람들 많네
Wooten is a musical genius AND an awesome human being as well!
this stands not just for music its about making a new trend, how not to follow it but making one instead. So cool it gives me the chills
I've learned so much over the years from this guy. He really does know his groove
여러분이 찾는 한국인 여기있습니다.
아따 반갑소잉
와 제가 찾던 한국인 여기 있었네요^^ 감사합니다~
한글만 찾고있었다ㅏ...ㅋㅋㄱㄱㄱㅂㄱㄱㅋㄲㄱ
???:아,여기 있네 빵통조림!
자막있는데 한국인이없음 ㅋㅋㅋㅋ
Bass is a great way to learning comfortability in chromatic scales, so much is based in feel & this video shows that.
A goddamn sensei of the bass. Genius.
Awesome. l have always told other musicians that whenever you make a mistake, just repeat it until it works. Cool to see Victor giving the same advice lol
I heard Eric Clapton doing this decades ago… but Victor is so cool explaining how and why to really use this.
As we know, Eric Clapton was the first person ever to play a non diatonic note on purpose
Liberated.
Victor,
If ever you are where I am I would like to shake your hand and talk to you. Thank you.
... and thanks LORD
I love anything victor says it took me years to develop my simple style on my own but everything I have taught myself victor says so I may as well listen lol great guy and the other guy who mentioned the chromatic scale that was deep
Those dudes watching are all smiling, but I'd be scared to death to be holding a bass the moment this guy is finished playing.
This is as much about life as it is music.
Victor is phenomenal !
YES. THAT'S WHAT I WAS WAITING FOR. Bored of the scales without chromatic. WOW.
결국 아는음이 어딨는지를 알아야 맞게 갈 수 있기 때문에 스케일 공부를 열심히 해야한다는 사실은 변하지 않습니다
혹시 공부한다는 게 정확히 어떻게 공부하는 간지 알려 주실 수 있을까뇨?
Now i must use this on the piano.
Yes
So true I am so focused on sounding right that I don’t explore the wrong notes! Such a great lesson!
What a revelation. I feel at peace now. This is most definitely the way in music and in life :)
점점 빠져든다
I taught much the same in a music theory class. Those "off notes" or notes outside the scale, can be made to add great interest by both repetition and used as passing notes. It can create tension that is released by sliding back into the scale. Phish made a career doing this for decades. These are not "wrong" notes, but notes outside of the traditional scale. The question is: what can you do with them? How can you make it interesting?
And this is the part that's frustrating. You don't really get to explore that too much until you're out of Academia.
If you're "studying modal scales" it is hard to explain why you played a natural 4 when we're supposed to be in "Lydian" when everyone else around you is expecting you to play a sharp 4.
Even if your musical statement is more interesting than it would have been before, you can still be considered "incorrect" or "failing" the task.
And of course you should stick with that sharp 4 if you're being tested on your lydian scale chops but again that brings up my point that you don't really get to explore these unique colors in Academia for quite some time.
How do you not get to explore them? You still have plenty time to do so outside of tests etc. Lmao
@@happythoughts700
Idk what music school looks like for you, but I wouldn't say most music students have time for "exploration" in their busy schedules unless you want to be that guy that lives in a practice room and trades developing their social skills for absolutely mastering their craft with 100% of their spare time.
He makes it sound so easy!
재즈와 화성학이 재미있는 이유
한창 밴드하고 곡 쓰고 스테이지 공연뛰고 앨범 녹음하고
이러던 미쳐있던 시절 내 사부이자 가장 친한 지인이자 형이자 친구이자
내 인생에 많은 도움이 되었던 양반이 했던 얘기
"니가 틀려도 어차피 관객은 그게 틀린 건지 모른다. 연주자들도 마냥 틀렸다 생각치 않는다. 의도된건지, 정말 실수인지. 그냥 자신있게 해라. 이쁘게 만들어가면 된다"
나중에 프로세션분들과 인연이 닿았을때 이 얘기를 했더니 맞는 말이라고들 하시더라
참 음악은 재미있는 것 같음
Omg it's so coloful 😍
한국어 자막이 영상에 박혀있네
Had a session with Victor and he is an amazing person.Great player/teacher but most of all he is a humble human being
Don't focus on error... just move to any side (applies to anything not only to music I believe); and that's why he's one of the greatest human being in this era.
Thank you so much Mr. Wooten!!!
He is a beautiful spirit, knowledgeable and shares good concepts. Not getting too snobby regarding the modal or scale specifics. Very nice
So many starting Lo-fi artists could benefit from this workshop
acting like lo-fi artists are different than other artists? LOLO
@@housemana That isn't what they're free doing. I would assume they're part of the Lo-fi community so they recognize where artists fall short in the lessons taught in this video. They're not saying they're the only ones that should hear it.
The Master. Victor you make it look so easy
This lesson hit me in so many levels, These words are deep!!!
Maybe the mistakes we make take us to the right place in life.
Regardless of how perfect you are, mistakes happen in life. And life is about working around those mistakes.
Sometimes the "mistake"is where you were meant to be all along.
Or maybe you make a wrong turn, and you're not at your intended destination, but you found something interesting that you've never seen before.
we dont make mistakes, we just have happy accidents
What a great teacher
This video amazes me every time!