1 I took your same concept and tried to 3 and 4 sticking rudiments over quintuplets subdivision and i feel like i grew a third eye. 2 This is cool because I’ve played five stroke evenly but thought of it as a quintuplet and never as putting it in different subdivisions to make polyrhythm 3 please keep making more of this.
This video I expect won't be as popular as most, because it's kinda out there. So thank you for watching, commenting, and effectively helping UA-cam to put it in front of others who can get something from it.
I found this video very helpful, ua-cam.com/video/7cJVpF6cN7E/v-deo.html Whether you play the accented single of the 5 stroke roll first or last in the 5:4 polyrhythm, the 1st or 4th beat of 4/4 will coincide with the 1st or 5th accented note of the 5 stroke roll. To me this is the "native or root" form if you're a Western musician who thinks in 4/4 time.
Such advanced rhythmical concepts should ought to be written out during this video - I find it quite hard to follow without some notation. Also, if other forms of visual representation were to be included, that'd be helpful too, such as on-screen graphics. I do appreciate the structured explanation, though :)
Thank you for your input, I did however mention why I was making THIS video without notation in the beginning of the video. A while ago I did another video like this on the full kit with notation: ua-cam.com/video/aDBO54edyo4/v-deo.html
I'm aware that you mentioned that wouldn't use notation, but you didn't really give a clear reason as to why you wouldn't be. You just said that you're just going to explain with your hands like we're in the room together, jamming. Anyway, it was just my thought
🥁🙏Don Gabriel🙏🥁: siempre con material súper útil que, si uno lo trabaja en serio, de seguro se notará la mejora nuestra en algún aspecto a la hora de tocar. Siempre generoso con su conocimiento y con su particular manera de explicar, hace que NUNCA ME PIERDA sus clases. Ahora bien, sinceramente Maestro, ME PERDÍ desde el principio del video😁. Por ahora, creo comprender el concepto de fondo y logro "percibir" las cifras que usted demuestra mientras las toca. Así que, respondiendo a su pregunta, por ahora, le comento que se me hacen complicadas TODAS😉. Saludos desde Chile🇨🇱 MAESTRO🥁🙏.
Muchas gracias por tu reflexivo comentario. Este tema es algo que me resulta difícil de articular pero necesitaba intentarlo. Al final del libro llamado "STICKING PATTERNS", Gary Chaffee explica esto mejor. También hubo un libro de Fred Albright llamado "RHYTHMIC ANALYSIS" que cubre el tema. Este está agotado, pero una vez encontré una versión en PDF en línea. Lo buscaré de nuevo y te enviaré el enlace si lo encuentro. Gracias de nuevo.
@@DrumTipTuesday ¿Vé que usted es realmente distinto a otros Maestros de Bstería de UA-cam?. Lo digo de verdad sin querer halagarlo sólo por contar con su simpatía: ya con el hecho de haberme respondido y más aún con la información detalla que gentilmente le agregó, es mucho más que suficiente. Más que la calidad y utilidad de sus contenidos, éste gesto de su parte, para mí, es aún más motivador para sentarme a trabajar a conciencia en cada uno de sus "MARTES de Oro Puro". 🙏🎶🥁 MAESTRO🥁🎶🙏
Great lesson. Would you be kind enough as to do a video on essential drum books? Many people are aware of Stick Control and Master Studies but there are many lesser known books which seem to have been forgotten. Your demonstration was pretty badass as you sped up and slowed down with a constant quarter note pulse. One variation is to keep the the RllrrLrrll pattern at a constant tempo while speeding up and slowing down the quarter note pulse (with a bass drum for example). Again, great lesson.
Another way to think of 5 over 2 w. the 5 stroke roll is to play it as all singles & only play every other note. So, play 1 3 5 and count 1, 2, 1 then just double stroke on the 1 & 3 and then the accent on the last single lines up with the 1 of the 2 beat count.
Yes, you're right, one should ALSO learn songs. However, if your band wants to cover a song by Rush, Genesis, Frank Zappa, or any number of prog rock tunes you're gonna have to study a little.
@@DrumTipTuesday yes but they are still songs like Boh rhapsody is 3 songs cobbled together is is most prog just rock in its basic form which is country to the furthest evolved form of symphonic Rick like the who and queen did and it’s other incarnations in between songs songs songs and cadences that link them together
Hey Gabriel ! I hope you don't mind my Nickolas Cage jokes ! Hey buddy....l just LOVE the practice pad AND sticks you are using in this excellent video. Would you be so kind as to give me their names so I too can be the proud owner of them ? I'd really appreciate it my good man !
The sticks are the M-Dawg, a signature stick by Vic Firth. That drum pad is by Xymox. vicfirth.com/products/corpsmasterr-signature-snare-murray-gussek www.sticksandpads.com/collections/reserve-max-1
im here for the Drum lessons but the immaculate sweater game is a sweet Bonus.
...always a sweater. My studio is sub grade and always a little on the cold side, even for most of the Summer.
1 I took your same concept and tried to 3 and 4 sticking rudiments over quintuplets subdivision and i feel like i grew a third eye. 2 This is cool because I’ve played five stroke evenly but thought of it as a quintuplet and never as putting it in different subdivisions to make polyrhythm 3 please keep making more of this.
Thank you, I'll keep it up
Advanced stuff!! Appreciate it I look forward to exploring these concepts 🙏
Good, I'll make more.
5/4 def tricky, Great contribution man! ❤
This video I expect won't be as popular as most, because it's kinda out there. So thank you for watching, commenting, and effectively helping UA-cam to put it in front of others who can get something from it.
I found this video very helpful, ua-cam.com/video/7cJVpF6cN7E/v-deo.html Whether you play the accented single of the 5 stroke roll first or last in the 5:4 polyrhythm, the 1st or 4th beat of 4/4 will coincide with the 1st or 5th accented note of the 5 stroke roll. To me this is the "native or root" form if you're a Western musician who thinks in 4/4 time.
Such advanced rhythmical concepts should ought to be written out during this video - I find it quite hard to follow without some notation. Also, if other forms of visual representation were to be included, that'd be helpful too, such as on-screen graphics. I do appreciate the structured explanation, though :)
Thank you for your input, I did however mention why I was making THIS video without notation in the beginning of the video. A while ago I did another video like this on the full kit with notation: ua-cam.com/video/aDBO54edyo4/v-deo.html
I'm aware that you mentioned that wouldn't use notation, but you didn't really give a clear reason as to why you wouldn't be. You just said that you're just going to explain with your hands like we're in the room together, jamming. Anyway, it was just my thought
🥁🙏Don Gabriel🙏🥁: siempre con material súper útil que, si uno lo trabaja en serio, de seguro se notará la mejora nuestra en algún aspecto a la hora de tocar. Siempre generoso con su conocimiento y con su particular manera de explicar, hace que NUNCA ME PIERDA sus clases. Ahora bien, sinceramente Maestro, ME PERDÍ desde el principio del video😁. Por ahora, creo comprender el concepto de fondo y logro "percibir" las cifras que usted demuestra mientras las toca. Así que, respondiendo a su pregunta, por ahora, le comento que se me hacen complicadas TODAS😉. Saludos desde Chile🇨🇱 MAESTRO🥁🙏.
Muchas gracias por tu reflexivo comentario. Este tema es algo que me resulta difícil de articular pero necesitaba intentarlo. Al final del libro llamado "STICKING PATTERNS", Gary Chaffee explica esto mejor. También hubo un libro de Fred Albright llamado "RHYTHMIC ANALYSIS" que cubre el tema. Este está agotado, pero una vez encontré una versión en PDF en línea. Lo buscaré de nuevo y te enviaré el enlace si lo encuentro. Gracias de nuevo.
@@DrumTipTuesday ¿Vé que usted es realmente distinto a otros Maestros de Bstería de UA-cam?. Lo digo de verdad sin querer halagarlo sólo por contar con su simpatía: ya con el hecho de haberme respondido y más aún con la información detalla que gentilmente le agregó, es mucho más que suficiente. Más que la calidad y utilidad de sus contenidos, éste gesto de su parte, para mí, es aún más motivador para sentarme a trabajar a conciencia en cada uno de sus "MARTES de Oro Puro".
🙏🎶🥁 MAESTRO🥁🎶🙏
Great lesson. Would you be kind enough as to do a video on essential drum books? Many people are aware of Stick Control and Master Studies but there are many lesser known books which seem to have been forgotten.
Your demonstration was pretty badass as you sped up and slowed down with a constant quarter note pulse. One variation is to keep the the RllrrLrrll pattern at a constant tempo while speeding up and slowing down the quarter note pulse (with a bass drum for example). Again, great lesson.
Essential books? That is an idea for sure. Thank you
Brilliant😊 going to have to watch and learn it a few hundred times 5/2 is messing with me🎉
I’m glad you’re enjoying your time with some more advanced rhythmic concepts. This stuff is so fascinating to me, apparently I’m not slone
Another way to think of 5 over 2 w. the 5 stroke roll is to play it as all singles & only play every other note. So, play 1 3 5 and count 1, 2, 1 then just double stroke on the 1 & 3 and then the accent on the last single lines up with the 1 of the 2 beat count.
SICK!!!!!! Which one is the hardest for me?... ALL OF THEM 🤣🤣🤣
awesome lesson, and for my ratio would be 4:5, but i can manage.
That's the one, I'm glad you took the time to work it out.
Learn songs that’s what all good drummers do
Yes, you're right, one should ALSO learn songs. However, if your band wants to cover a song by Rush, Genesis, Frank Zappa, or any number of prog rock tunes you're gonna have to study a little.
@@DrumTipTuesday yes but they are still songs like Boh rhapsody is 3 songs cobbled together is is most prog just rock in its basic form which is country to the furthest evolved form of symphonic Rick like the who and queen did and it’s other incarnations in between songs songs songs and cadences that link them together
Hey Gabriel !
I hope you don't mind my Nickolas
Cage jokes !
Hey buddy....l just LOVE the practice
pad AND sticks you are using in this
excellent video. Would you be so
kind as to give me their names so
I too can be the proud owner of
them ? I'd really appreciate it my
good man !
The sticks are the M-Dawg, a signature stick by Vic Firth. That drum pad is by Xymox.
vicfirth.com/products/corpsmasterr-signature-snare-murray-gussek
www.sticksandpads.com/collections/reserve-max-1
@@DrumTipTuesday
Thanks buddy.
I REALLY appreciate it !👍😀
Certainly you are impersonating
Nickolas Cage. You've got to be !
lol