I use this technique quite often, I called as themes. I leave the house with a specific subject in my mind - b&w, architecture details, trees, classic cars, etc.
Craig, great content and great advice! I would also suggest pick subjects most people wouldn't think to shoot. If you shoot the same things everybody else shoots or do so without a novel approach to it, your photography is unlikely to stand out. I have a number of subjects which I keep shooting time and time again and I have found the more I shoot them the better I get at finding good photographic opportunities.
This is so true. I often go to photograph platypus at my local river, and I always have people telling me it’s the wrong time of day, the wrong season, the wrong weather etc. So often I’ll spot a platypus after one of these encounters because I know they’re there to be seen, while so many other people walk straight past them without realising.
Great video, thanks. On my recent vacations in Europe during riverboat cruises, I started photographing on signs on shops, pubs, alleyways . Ended up with a great collection . Also did doorways of old buildings along the Rhine at our various stops. Most had there construction dates in the doorway overhead , from the 400s, 1500s , 1600s & onward. Have a great collection of those , which I made a collage of framed prints. The subjects were nit preplanned, but once I got on a roll, there was never a lack of subjects.
Hi Craig, I really enjoyed the RED CAR THEORY and I will try the CHAIRS AND BENCHES PROJECT. It's one thing I haven't yet photographed, and on the way I will look out for Red Ferraris to photograph. Nice photos and Album, as always. Thanks Craig 😊
Superb ! While aware of effects and remotely aware of the theory, it never occurred to me to use it to my advantage. Thanks 🙏 Your are able to make every photo walk a series of „honey pots“
Slightly spooky I saw this today, after a longbeach walk where I decided my red car was abstract rocks on the ground. I walked the same route a few days ago with no goal and came home frustrated but today have 12 images I'm really happy with! This is a great theory for life in general but a great tip for photography.
"Your eye's (not yours Craig) are great cameras, just need to point them @ interesting subjects, then tell you're brain to put an xpro 2 in front of them! (other cameras are available) nice practical advice vid as usual." 😳
Hello, Craig. Very interesting video. I’ve just come back home from a photo walk after seeing it this morning.I counted 36 red cars today. Of course I photographed them all. When can I collect my money?
One could argue that those who want to take pictures, know what they want to depict and do not need crutches like red cars. If they don't know what to shoot, perhaps they should find another hobby? Just a playful thought from me.
I use this technique quite often, I called as themes. I leave the house with a specific subject in my mind - b&w, architecture details, trees, classic cars, etc.
Craig, great content and great advice! I would also suggest pick subjects most people wouldn't think to shoot. If you shoot the same things everybody else shoots or do so without a novel approach to it, your photography is unlikely to stand out. I have a number of subjects which I keep shooting time and time again and I have found the more I shoot them the better I get at finding good photographic opportunities.
This is so true. I often go to photograph platypus at my local river, and I always have people telling me it’s the wrong time of day, the wrong season, the wrong weather etc. So often I’ll spot a platypus after one of these encounters because I know they’re there to be seen, while so many other people walk straight past them without realising.
I've tried that in Lancashire, but I think those people are correct in this instance because I've never seen a single one.
thanks, Craig. Look with intent is great advice
Thanks for that, “open your eyes “ and “focus’ is what I took from this.😊
Yes and ALWAYS that way round!
I've been up the top of St John's beacon. Must have been in 1971 when I was in Liverpool for a friend's wedding.
I first went up in 1976. I just missed you!
Great video, thanks. On my recent vacations in Europe during riverboat cruises, I started photographing on signs on shops, pubs, alleyways . Ended up with a great collection . Also did doorways of old buildings along the Rhine at our various stops. Most had there construction dates in the doorway overhead , from the 400s, 1500s , 1600s & onward. Have a great collection of those , which I made a collage of framed prints. The subjects were nit preplanned, but once I got on a roll, there was never a lack of subjects.
Simply brilliant
Brilliant idea
Hi Craig, I really enjoyed the RED CAR THEORY and I will try the CHAIRS AND BENCHES PROJECT. It's one thing I haven't yet photographed, and on the way I will look out for Red Ferraris to photograph. Nice photos and Album, as always. Thanks Craig 😊
Don’t go photographing MY benches. I saw them first!
Nice one Craig 👏😊
Superb ! While aware of effects and remotely aware of the theory, it never occurred to me to use it to my advantage.
Thanks 🙏
Your are able to make every photo walk a series of „honey pots“
2 of my all time favourite shots are of benches
I am always looking for cranes, especially tower cranes. They are rarely permanent, they do their job and move on.
«Arc of a diver» … love your music taste :-)
Slightly spooky I saw this today, after a longbeach walk where I decided my red car was abstract rocks on the ground. I walked the same route a few days ago with no goal and came home frustrated but today have 12 images I'm really happy with! This is a great theory for life in general but a great tip for photography.
Picking a 'theme' always makes for a good day especially when you're determined to have a good day taking photographs 👍
Hi Craig, wise words, so true. No 'focus' often means no photos. By the way it's Kie not Kei. Cheers.
As always, sage advice. 🦉🦉🦉
Fantastic advice. I've instinctively gravitated towards this over the years, but never really formalized it this way. Thanks!
I saw a red car in the carpark during the intro images .. then realised that wasn't the point of the upload 🤦😂
Ahh, you spotted the bonus, hidden, 'wildcard'! Extra points to you!
I went out last week just looking for colorful signs, found 8-9 within an hour.
"Your eye's (not yours Craig) are great cameras, just need to point them @ interesting subjects, then tell you're brain to put an xpro 2 in front of them! (other cameras are available) nice practical advice vid as usual." 😳
I look for subjects and compositions all the time even if I Don't have my camera with me
After 60 years of photography it is automatic
Does it work with any other colour? Sorry, had to ask. On a serious note, this is an interesting concept and one that I fully intend to utilise.
Hello, Craig. Very interesting video. I’ve just come back home from a photo walk after seeing it this morning.I counted 36 red cars today. Of course I photographed them all. When can I collect my money?
Ahhh, didn’t you get the memo? We swapped it to blue cars. Sorry!
Why do I keep hearing the “Postman Pat” theme in my head?
Is there a Leica film camera on the shelf there?🤨
Well, yes…but this one you put sweets inside instead of film!
Do one on favourite album covers ❤
When the student is ready, the teacher appears.
The neighbours red car always is parked before my house, so I like to have a pension of at least 50 pounds a day ....
I’ll get it towed away, that’ll be cheaper!
I appreciate your british humor...
👏
One could argue that those who want to take pictures, know what they want to depict and do not need crutches like red cars. If they don't know what to shoot, perhaps they should find another hobby? Just a playful thought from me.