EGG - Daily painting by dutch artist Jos van Riswick
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- Опубліковано 15 кві 2009
- New quick classic realist still life sketch in oils... More info on materials / full tutorials in the description below:
Another time lapse movie featuring the entire process of painting. You can get a number of movies
as full tutorial here: oilpaintingdemos.blogspot.com. This includes all video material of the
painting in question.
Go to josvanriswick.com for a price list of available still life paintings and other info.
'Social' networks: / josvanr === / josvanriswick
Here are some materials I use. If you want to support me, consider purchasing them via these links.
The paints I use are 'Old Holland' from Dutch factory 'Scheveningen'. These have a very high pigment load and are very thick. This way you can add your medium of choice, without thinning the paint too much. I usually get 225ml tubes which saves about 30%. The tubes last a long time, on average I use about 1 225ml tube a year for each color. The set I use, in the actual order I have them on my palette:
Titanium white: 40ml: amzn.to/34lTQkH 225ml: amzn.to/3c9EjqR
Scheveningen yellow lemon: 40ml: amzn.to/2JVWMuE 225ml: amzn.to/2xYFWc2
Cadmium yellow deep: 40ml: amzn.to/3c3rpud 225ml: amzn.to/3aXmlaS
Scheveningen orange: 40ml: amzn.to/2UWmR3e 225ml: amzn.to/2Rmxwlp
Scheveningen red medium: 40ml: amzn.to/3aWu1dx 225ml: amzn.to/2xkaQvk
Alizarin crimson: 40ml: amzn.to/2V9kNne 225ml: amzn.to/3eaIrZi
Dioxazine mauve: 40ml: amzn.to/2JUxmxz 225ml: amzn.to/3eeIhQX
Ultramarine blue deep: 40ml: amzn.to/2RrAwgv 225ml: amzn.to/39SutYV
Transparent oxide red: 40ml: amzn.to/2Rkf5ht 225ml: amzn.to/39WSKwS
Scheveningen green deep: 40ml: amzn.to/39Rrsb3 225ml: amzn.to/2wwSPK8
Sap green lake extra: 40ml: amzn.to/2xk9ctE 225ml: amzn.to/2Vdv0zj
Ivory black 40ml: amzn.to/2JVYcFu 225ml: amzn.to/2UURoye
Occasionally I use a small amount of this very saturated blue/green, but I don't keep it on my palette: Scheveningen blue: 40ml: amzn.to/2ViAPLA 225ml: amzn.to/2RrCFZB
My standard medium that I've been using lately, consists of equal parts venetian turpentine and linseed oil:
Talens venetian turpentine amzn.to/3aVTBz3
W&N Stand oil amzn.to/3aUR5JC
W&N Linseed oil amzn.to/34pUpKn
Some brushes I use: cheap hog bristles for initial lay in, similar to these: amzn.to/2VxdYfL, long script liner brushes for details, eg. these Da Vinci ones: amzn.to/3a5Q0xb (size 10 or so). Other favorite brushes of mine are Rosemarys bristles, and Talens Van Gogh round ox hair brushes. - Фільми й анімація
I don't understand how an egg can be so beautiful... It attracts the emotions of my soul...
You never cease to amaze me, how something that seems so simple but it´s so complex to achieve ends being a huge art in a small size.
It thrilled me to catch a glimpse of your hands! You have very expresive fingers, it almost always shows just the brush.
Thank you so much for continuing to share your work with us. It´s a free class I appreciate very much. You are really generous.
You are a good teacher, josvanr. Your videos are powerful little tools, so much information compressed into each one. Thanks for giving so much of your time.
Excellent tonal control. Nice egg!
A superb example of oil painting. Bravo!
Great video; I watched this about 3 years ago when I just started oil painting. I've been improving since then, and this has made me realize how skillful indeed is your painting ability- the more I watch the more I learn! Thanks.
That is so great! The shading and everything is beautiful, it really looks 3D! Wow!
oh my god ! its fabulous painting!!!
Thanks for the contribution to our minds... I take this video as a gift that keeps paying dividends.
I LOVE YOU for posting this !!!
Thank you, Im a painter from America who was forced to teach myself the old master techniques, what with America being so dominated by modernism. Nerdrum was a big influence on encouraging me to pursue the classical technique. ironically I am of Norwegian decent and I attended the oldest Norwegian founded college in America. Luckily I was able to instigate a little coup, assuring a instructor with a more classical background was hired the next year after I left.
Excellent video, looking forward to viewing the rest and visiting your website! Good stuff! That egg looks like it is about to roll right off the board! Fab job!
That is just remarkable.
this artist ' amazing ' greetings from Egypt
Excellent! Now I'm inspired!
Beautiful piece - it's a little gem. Subscribed...
thnx!
Looked so 3d towards the end of the video. Amazing.
Great talent!!!
MDF is loaded with formaldehyde which leaches even through acrylic medium and discolours the painting (SID = Surface induced discolouration). To prevent discolouration, you have to cover the mdf with a barrier such as Gak 100.
oh my god, i think you are possibly a genious, i shall aspire to be like you one day :D awesome videos
Excellent work.
Wow ur work is truly beautiful. Think il pick up painting again..it's been a while but you have inspired me!! keep it up!!
Adorei! Excelente técnica.
Well, both of you are wonderful, in your own ways.
Bravo .excellent
Great Job!!
its so good i could almost eat it! but really nice job. i like your technique and the way you did your shading was superb.
cool, I love painting on mdf. it's good to see that other people do it too. i was worried maybe it wasn't a good substrate for some reason not apparent to me.
Geweldig! Ik zou willen dat ik zo zou kunnen schilderen! Dit doet me denken aan een verhaaltje wat mijn schilderleraar eens vertelde toen we glas moesten naschilderen... Hij moest van zijn leraar elke dag naar het ei wat hij op een vensterbank had neergelegd kijken en elke dag een tekening ervan maken op verschillende tijden. Zo leer je pas naar objecten te kijken! Maar hoe dan ook... geweldige schildering!! :D
Thanks alot. Ur videos help me to improve my technique :)
I am definitely going to paint an egg today
Amazing. Looks like I can just pick it up
excellent! i wish i could paint like this with oil paint
@jazzmanzoot there doesn't necessarily need to be two light directions to get light on different sides of the object... most light, especially like in this painting, is reflected light from surfaces near the object, such as the material the egg was sitting on, or even objects near it if there were more in the still life. Just about everything obtains some form of reflected light.
yes in white objects the most difficult thing is to get the nuances of color right. For the tones a good tip is: identify the lightest and darkest part in the setup, and put some color notes there. Then fill in the rest....
@alyradia no it was painted wet-into-wet, single session. Most important thing to get a convincing realism is to get the colors and values as close as possible to the ones you see in the subject..
So THAT's how you get your fine edges :)
Very good to know. Oh by the way you've been one main influence why I have now chosen to paint still lives, as a way of getting some extra cash.
I like how you make these small paintings from rather small still life setups. I made 2 already, sold one, and find it a very pleasing way to work :)
Magnificent
Do you know what is the difference between gac 100 and an acrylic medium or an acrylic varnish (I use the latter to size the panel)
awesome.
it isn't actually a painting I'm just waving my brush around in front of an egg
Hey, whats that clear stuff you put down in the beginning?
Martin Jasiak: It's oil painting medium (liquin maybe?). It makes the paint go down and spread more easily onto the surface. Go to his website. He gives more information about commonly asked questions in his FAQ section.
Hi, nice to hear! Yes this is 'alla prima' or maybe wet into wet. I paint this in one session of 2-3 hours, without drying. It works best with 'artist quality' paint. With student quality paint you may run into trouble as it is not opaque enough. (ie your detail problem)
Wow!
EXCELENTE tu trabajo josvanr pero sería muy bueno si enseñaras paso a paso y decir que colores usas ,realmente lo haces bien ¡¡FELICIDADESSSS¡¡¡
yes all the time. But usually there is some of the medium in the brush. As a rule I clean the brush, then dip into medium and wipe off again on a clean rag...
.. i dont know if u guys know.. leonardo de Vinci started with painting eggs as well.. egg is like a sphere shape, it has smooth surface and pale color so u can easily see the changing in light and shade....and it might be that egg has a human head shape as well...which can be a practice for the artists...sorry i am not really good with English..
Your eye and the confidence and speed with which you paint is masterful. I'm very curious though, as to where exactly your camera is. It don't move enough to be hanging around your neck.. but nor could it be mounted on a tripod above your shoulder. Please reveal the magician's secret!
a beauty
Let's see... eggs represents the blossoming of new life, fertility, etc. White implies simplicity and purity/innocence. The point is, if you can't make connections from it, then you are looking at it from a one sided, biased way. Just because it's simple and relatively unambitious doesn't make it purposeless.
@KatKrazy373 while acrylics can create amazingly realistic or photo-realistic pieces, which I've seen a lot of, they still don't manage to come to life the way the work would if it were done in oil instead. Oil has a way about it, that allows light to pass through it's pigments in a way that acrylic just can't because it's plastic. That ability brings the breath of life to most oil pieces if done properly.
thnx... No not a real mahl stick. I do have an aluminium rod that I use ocassionally, but only for larger paintings.........
I agree with you
I'm not entirely shure what I used but most can be done using titanium white, transparent oxide red and ultramarine blue dark (in different proportions for light and dark parts). Maybe I used a bit of cadmium yellow dark in the light parts...
yup.. if you have 2 lights of different colors illuminating the subject, you can see the color changing slighty as you move across the surface with your eye...
@josvanr Cheers Bud. I go it now. (I think ! LOL)
Beautifully painted, by the way. I live in awe of your talent.
Perhaps one day I`ll match it. LOL
Thank you again.
Charles UK
Thank you. Your egg has a nice glow at the end. Have you painted organic eggs too? With light hues of blue, yellow and pink? They are so beautiful.
This looks eggcelent!...I'll get my coat.
Why are you making yokes at a time like this?
Mutt1961 because the world is collapsing right now and we all want to have this fuck in the last minute?
bolderiks
I think this one got past you, bolderiks. The comment I responded to said "this looks _egg_cellent." I responded with "why are you making _y_okes..." Some silly humor about the eggs painting is all. ;)
bedankt!
@gardenofarcane hi, yes I use an acrylic varnish for 'primer'. As it sinks into the mdf, the surface is rough enough for the paint to grab. No I paint larger paintings too (google for jos van riswick still life). I've tried landscape but have never produced one that I really liked....
@mudassatgold hi. Transparent oxide red is actually just a muted (unsaturated) orange. So it gives a mixture an orange cast. I don't have a specific application for it. The way I work is just: I try a mixture on the canvas, then compare it to the subject in real life, and then adjust the color. If I see the painting eg looks to cool/blue in a certain spot, I add some transparent oxide red to the mixture. (Ultramarine blue is just about the complementary color of orange)...
thanks jos for tell me the colours i understand completly
you used here transparent oxide red .
you also mentened the same colour in your golden wrapping video can you tell me please what the result of this colour n where you use it
thanks for comenting me and give me informaiton thanks
@jazzmanzoot Most shapes have a reflection on the edge of the shadow. It is caused by the "reflection" of light off of the surface the object is placed on.
@kazukim761 only oils... Most important thing is to learnt to see, but if you want to make things easier for yourself buy 'old holland' paint..
thnx.. Hmm no different advice than for still life: use artist quality paint and a slow medium. (see also my tutorials ! ;-) Wat I do in portraits is begin with large areas /forms first. And remember the face is nearly symmetric.... I'll try to post a full portrait tutorial soon.....
What oil medium is he using ????
Beautiful, very difficult. Glass, water,chrome and skin, but ovals are painful.
hi
its about 2 hours. I do usually take them to a show when I need one (and when they turn out well enough!)
Yes, I'd like to have a camera on my palette, but I have to figure out sometime how to connect 2 webcams to my linux pc...
What ground are you using? At the start it looked like particle board. Masonite?
@jazzmanzoot hi hmm from 2 angles?.. because of the shape of the shadow you mean.. I think the egg was near a big window, so you get this effect of a very dark shadow in the middle and lighter shadows at the edges. But it also could very well be that I put a curtain such that there were 2 openings, I dont remember....
Are you related to or the same as Danny van Ryswyk? Both of you are admirable painters.
GREAT TECHNIQUE, DOWN TO SIMPLICITY TO ACHIEVE GREATNESS
@mudassatgold hi, I dont remember exactly but on my palette I have: titanium white, lemon yellow, cad. yel. dark, scheveningen red, aliz. crimson, dioxazine purple, ultramarine blue dark, transparent oxide red, viridian. With these you can mix just about all colors. If I have to guess I used white, transparent oxide red and ultramarine blue mostly, because everything is just about neutral. I probablly added small amounts of other colors, where I see deviations from the neutral...
this is superb
can u tell us the colours which you use in this painting
thanx for posting such a nice paitning demo
have you any book or dvd
thanks once again
@josvanr Thanks for clarifying,
Should have guessed !
Charles UK
Most of the time its hog hair (brand elco) but for the line of shadow under the egg I used a softer brush. It was either a nr 4 ox hair (vincent) or a nr 2 langnickel 5590 (cant remember which one)
good job mister
Beautiful! I cased all the comments and learned that you used stand oil and liquin for preparation to paint into. Have you ever tried maroger or roberson's medium.
@mudassatgold hi, I'm a bit confused, mixed up the threads, what did you want to know? I'll be happy to answer.
I think strictly speaking it means that you lay in the paint and don't touch it again. In wet into wet you can go back into it with wet paint. But I always confuse the 2....
Thank you for your answer; I have been using watercolours for only a couple of years and I am self taught. I love doing Portraits, But honestly now when I see how lifel like oil paint is I know want to try this wonderful medium too. Any advice for Portrait painting for a debutant .
@kokoroxnoxsekirei hi, this one was on mdf board, prepared with 2 layers of acrylic varnish.....
@OptickNerve I'm rubbing on some medium. ('oiling out') to paint into...
@gardenofarcane this one was MDF board.... For medium, in this one I used equal parts stand oil and liquin if I remember correctly...
ah yes, this is ze secrete recipe of ze grande masterez. But if you don't tell anyone else: a mix of equal parts stand oil and liquin (and maybe a bit of mineral spirits that is still on the brush, making it more fluid). Important is the panel: it is mdf board sealed with a coat of acrylic varnish. This results in a rather absorbing ground, giving a canvas-like feel when painting...
I find the light quite blue yes when I'm using only those. So now I use 3 of 5000 and one of 3500K The 2 colors also give interesting shifts in color, especially in white surfaces. But I think it's only a preference, I can't give a rational argument why 5000 would be too cool
Thank you I will be going shopping today so I will pick up some basics to start. So can you tell me please what colours I need for a portrait and canvas and medium , ? and how do I transfer my drawing (you will be fed up of me) lol
But as I s
muy interesante video
can you do another vid of the egg explaining your process. I know this sounds sumb but i have problems painting things thay are white. Particulary the shadows and half tones.
On average how long would a painting like this takes you?
ok. im amazed. i just started a new still in this way because of you! i need help though.. really badly. I have everything blocked in and basically there but i need to do details and i dont know how to get there... because what if it dries? am i supposed to wait for it to dry? is this called alla prima? and also how long does it take u to finish something like this? thanks!
thnx ! It's 'the end' in many languages...
@josvanr I disagree with that; acrylics can make just as realistic if not more realistic art than oils; it depends on who's hand is painting them. All the same I think your work is wonderful :)
hi, thnx.. its oil paint! ('old holland' brand)
I love the background noise.
Is this using glazes? I really want to be able to achieve this level of realism.
so alla prima means wet into wet then? excuss me as i am new to this.
By the way your work is fantastic, thankyou
nice value study
15 seconds into the vid, is that mineral spirits or linseed oil you used to prepare the negative space around the egg?
nice it felt like the egg was really outside of the paintig
hello, it was painted in a single session.....