Stella By Starlight - jazz jam piano song you NEED to know. JPC 114
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- Опубліковано 20 сер 2024
- Tutorial on jazz chords. Rootless voicings.
rootless voicings :goo.gl/aJrxPd
more rootless voicings for Stella: goo.gl/cDVyZs
box voicings : goo.gl/j9rj7K
This lesson is an entire class on harmony and voicing. Top notch
This video is markedly better than previous videos of all net teachers. Please keep up this paradigm. Your teaching is greatly appreciated. Some of us are seriously unpacking every word you say. Please remember that there is no such thing as too slow. It is easy to skip forward. This is an excellent demo of how you apply box voicing. Please post more videos of the same type. Thank you.
This video changed the way I view all the songs I have learned. Thank you for this slow, comprehensive and methodical demonstration.
Your singing is wonderful sir
I'm glad that finally someone recognizes that
What a great way to practice this elusive song! A must-have in repertoire. Thanks so much! 💜🎵
I really appreciate your relaxed teaching style! And, nothing like learning from "the real deal." Also love the fact that you play a piano that is so well in-tune! It's amazing how many acoustic pianos on UA-cam (played by good players) are horribly out of tune. It's just a pleasure to listen to you play..... (and on that piano) Thank you Tony.
@ThePianoMan1953... Well said. He´s so modest about his ability.
For the avoid note (16:18), one thing that works for me is to play a fourth (tetra) chord starting of the 5th of the scale over the root. I don't like to only describe the math. So here's the example(s):
For the Bbmaj chord, the (basic) voicing is Bb(2) in the root, and F-Bb-Eb on top. Then let your right hand (5th finger) follow the melody down. This works (even better) for the Fmaj: F(3) in the root, and C(4)-F-Bb
If you also double the melody in the left hand, the voice leading is nice (on the F chord) because the melody leads you right into the E-7b5. Doesn't work as smoothly on the Bbma7 chord though ;-).
The doubled voicing (for the F chord) would be F(3)-Bb(3) in the left hand and C(4)-F-Bb in the right and then let both Bbs follow the melody down into the E-7b5 voicing.
Sorry for being so "geeky" about it. A little tricky to describe in words. But try it - it actually works nicely.
For the curious, my goofy () notation is talking about the octave. Middle C = C(4). So go down one octave then you get C(3). Every note in the same octave has the same () number. So Bb(2) is the Bb one octave below the one next to middle C (because it's in the octave of the C two octaves down from middle C - C(2).
Love this, Tony. So many ways-from simple to complex-so little time. Inspirational. Thanks! 💪😎 🎹🎶🎵🎶
Fantastique so clear and rich
Meravigliosa, and beautifully instructive... as always! Many thanks, Maestro Tony! 😊 P.S.: I do love the beautiful melodic quality of your improvisations too (a quality that is not so common).
You the man!
I know it's wrong but I'm stealing your crazy left hand solo. So there.
Very instructive. Cool chords. Will watch again.
Awesome, thank you!
Super!!! Thanks for sharing.
Chet Baker lives again a little in your voice Tony. Thanks again!
Wonderful insights and harmonic techniques with my favorite song! Bravo!
real music by a true man. Thanks
Love the format of this lesson, Tony. Thanks for everything. All the best in the new year to you and yours.
Nice job man thank you for going through each style
Um dos vídeos mais importantes de Tony Winston! Parabéns Tony!
Excelente !!!! Muchas gracias !!!!
Your voice is like Sting. Without vibrato.
Thank you for lesson
Excellent very nice.. Tnx for this...
Most welcome 😊
Maybe but get it also like slow timing .
You make it look easy. Thanks
Really you are super good. You made my day!
Buenísimo cantado !!!!
Awesome stuff Tony!! Much thanks!!
I hear a little Chet Baker and Tony Bennett in your voice. Lovely!
David Flynn thanks!!
Thanks
This is excellent.Thank you for upload.
so good all the time tony great stuff
what a good voice! thanks!
One of my favourite standard, I'm working on it and your tutorial helps me actually a lot, even dough for me the chords changes are very difficult to memorize, I am continuing learning that tune because it's very charming and ethereal, thanks a lot!.
Awesome stuff 🙏
Thanks for putting in so much work on this. As an instructor, I really appreciate the way you go from simple and complex and also display the chords on the screen along with your voicings. Also, I love how you show both one and two hand voicing variations. Great job. What are you using for video editing on this? Looks great.
Robert Peters thanks Robert. I use Sony Vegas pro...not the expensive one , it cost about 40 bucks. Very easy and intuitive.
I do love the video ! Inspiration !
Excellent!!!! Master
Thanks, excellent Master!!!
Alberto Quiroga Qué te gustaría ver en un video? gracias
Again Kudos on your video camera angle so the ear musicians can see your hands
Cool,Tony!!!!!!!............
ขอบคุณมากครับ.คุณ tony winson..ผมดูแล้วเข้าใจอะไรบางอย่าง...thanks....
спасибо Tony!!!!!
very, very good!
Great canal ! 🎼🎵👏🎹
Thanks!
Hey Tony, thanks for this, man.
Your relaxed and methodical teaching method makes a daunting subject a little less . . . terrifying.
Somebody mentioned how nice it is that your piano is in tune.
I totally agree. How many Bill Evans sessions were recorded with an out of tune piano? It drives me insane and I never understood why he would put anything to tape before insisting that the piano was tuned.
Can you show us how to solo like you did in the beginning? Thanks
Hey...Tony...porque você muda a letra da música?
Would LOVE to see what You do with the song Laura....
Lori Nelson I did some video on that. Give me a day or two to clean it up and I'll post it
I have a different set of lyrics for this song. Can you please post those lyrics. Thanks.
Is there a way to know which notes or collection of notes will sound right when improvising?
Diminished shit, LMAO!!
Would really love to emulate your style and techniques. As a newby do you produce midi files of your tutorials I could use with Synthesia?
You really should give credit to Ted Howe for learning and showing this system. If you don't, you're an ingrate.
I do give him credit from
time to time and if I don't, who gives a fuck, besides you?
I'm a student of Ted'and he isn't thrilled about what you do but if people are helped by what you do, then fine.
Ted Howe doesn’t own rootless voicings
Boxology he calls it
Hi can I mix two different techincs during an execution, box voicing with arpeggio on LH for the theme and rootles for solo ? thanks
What’s that Jamie aebersold book you own along with Bach and Chopin. Saw on that pile on your piano in one of your videos, but can’t remember which and can’t find on all the stuff I’ve saved from you. Thanks, Bruce
Bruce Jeric I'm not sure. I have about 40 books by him and the ones I like the best , volumes 2, 3 ,16, 34.....but they are ALL good.
Hi! Where is the open Voicings sheet?
i don't know!
time to make a new video!
drive.google.com/file/d/1u6d2VyySQ5RF2D5qFMeH4yy0H66G2vvc/view?usp=sharing
Hey tony do you do private lessons on skype?