The Most asked question! How to build THIS from triads! - BLUES SOLO ETUDE
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- Опубліковано 31 тра 2024
- Steve's question & request! Thank you Steve! Now this is lesson on that subject (Jazz Blues Soloing)
Let's learn R 3 7 voicings, Triads over Blues & Jazz Blues Chord Progressions and soloing ideas.
0:00 Intro
1:00 3 Steps: R 3 7, Triads, Phrasing (Blues and Jazz)
2:15 R 3 7
5:45 Triads
9:00 Phrase (Blues) and importance of theory
13:15 2 5 1 Phrase
15:00 Tomo remembers he is teaching
17:00 Patience - learn chords/ear training
19:30 Keep asking questions!
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Thanks for answering my question Tomo. I am working on triads every day and in time I will learn this art which you have mastered. Thanks so much, love and peace Brother ❤️
You're very welcome! Thank you for your request!
Jazz Blues is very much fun. The blending to two styles into one that compliments both is intricate and allows you to appreciate both at the same time for what they do for music. Cheers Tomo
Yes! Totally! Thank you so much!
@@TomoFujitaMusic For sure!
Tomo sensie, arigato for this lesson.
You're welcome!
"I'm no singer... so."
B.S. you knowledge of musical notes makes you a better singer than most lol!
Thank you!
Excellent Lesson! Thanks!
Thank you so much!
Thanks for showing how to build so much from triads.
You're very welcome! Thank you!
Very useful exercises. Many thanks and greetings from Cologne. 🖐
You're very welcome! Thank you!
That is one swinging metronome!
Thanks again for sharing your knowledge!
Thank you so much!
Swinging Metronome... AIN'T IT JUST AIN'T IT 😜 lols
Playing these triad chord changes are a lot of fun and educational, thanks to how you explain things. Challenging myself to play a simple walking bass between chords, like connect the dots game. Thank you for being a great teacher to all of us!
So happy to hear that! Good job! All detail lessons are at my Guitar Wisdom. Thank you!
Tomo every time he teach guitar:
"So here's this..."
proceed to make an epic 3 min solo and forgets about teaching*
Guitar is so much fun! Forget everything! Great medicine!
I'm only 4 1/2 minutes into the video and spent the last hour getting down the Jazz Blues chord progression. I slowed down the video to half speed and walked thru it with you till i got down pretty good. Pretty cool stuff man. Thanks for what you do to help out fellow guitarists like me! :D
Good job! Thank you so much!
You're very welcome!
Mahalo for the most excellent lesson!!!
Thank you!
So approachable for the average guitar guy trying to make sense of theory. tremendous video. Just subscribed to guitar wisdom. thanks Tomo!
So happy to hear that! Thank you so much!
宝の山のようなBlues12bars フレーズです。この動画ひとつでゲット出来るものは大きいです♪
どうもありがとうございます！Guitar Wisdom のsubscribers さんへ
作りました。
I love the the using the diminished and chromatic notes connecting the major and minor blues scale. Great video. I wish more guitar players knew about diminished chords. I don’t know why most in the beginning aren’t taught how useful they are. They’re a must know .
Thank you so much!
Your playstyle is great btw its inspiring
Thank you so much!
I Love Tomo Fujita Music 🎵
Thank you so much!
Thank you Mr.Fujita.
Great jazz blues approach!.
👍😎
Thank you!
I appreciate you, Tomo! I always learn so much. Cheers.
Thank you so much!
What a golden lesson that was Tomo.. Thank you so much xxx😊
So happy to hear that! Thank you so much!
this was the perfect video to showcase why your focus on the triads is so strong in your teaching - especially when explaining the ab major 7 as the 9 .
this was the realization that got me hooked on your teachings - 1) a way to learn the fretboard that wasnt "well just learn all notes = frets combinations" because that seemed impossible and unmusical (inversions so much better) and 2) how different triads are interconnected in the extensions of chords.
I am currently studying the dom 7th chords (4 strings from top to bottom) all over the neck using the 12 bar blues to teach my righthand and ear to connect 1 4 5. I recently learned about Dmitri Tymoczko and got his book (i am a mathematician so musical structure is very dear to my heart from an intellectual side) and in a video he mentioned after the dominant 7 the next nice harmonic chord is the dom9 (and i wondered what about 11 and 13?)
So my question:
1) what about 5-note chords on guitar (6-note seems almost unthinkable)? How to approach this harmonically and in practice ?
2) how to combine the harmonic rythm guitar playing with melodic fills (i dont know if this would be considered classical)
My goal is to use the guitar as my composition instrument as free as a pianist would.
Love your videos tomo, sorry for the long text, your guitar wisdom is amazing and you have saved my guitar journey from obscure noodling
Thanks so much! Learn the fretboard but no memorization!
Don't write any shapes on little note book! I love triads! So simple!
Only 3 kinds (inversions) If you want to learn like this, please join my Guitar Wisdom so you can focus much deeper depth.
Your questions... you need to know a few more things to get there!
@@TomoFujitaMusic i joined your guitar wisdom and currently adding the dom7th to my vocabulary and relate the diatonic 7 chords in each inversion. working my way towards level 2 test ;)
@@TomoFujitaMusic i will keep practicing, just would love to see your take on these concepts and how you approach them. will start the standards soon and learn sight reading :) thanks for all your material anyway! have a great day
@@MCGZ_ Thanks so much for subscribing my Guitar Wisdom! Good job! Keep going!
Good Morning
Good morning! Have a great day!
@@TomoFujitaMusic You as well Master Tomo. We generally always have a good day.
Worry is an emotion that does noting.
Concern is an action to fix.
Stressed spelled backwards is Desserts.
@@Jack.Waters Great to hear! I would like work very hard within good balance in life. I am working on!
@@TomoFujitaMusic I greatly enjoy our philosophical interactions here especially tied with music. I also hope that even just one other person has a better day for it. ~❤️🕯🙏
@@Jack.Waters You're very deep thinker! Thank you so much!
The bends sound so country i like it 👍👍 just needs a telecaster
Thank you!
Thank you for this excellent lesson Master Tomo. These videos are helping my playing tremendously. Thank you sir. Since it’s a study in sevenths wouldn’t the scale be mixolidian, or are there several scales that could be used ? Thank you 💯🎸
You're very welcome! Mixolydian is R 2 3 4 5 6 b7! There are Major 7th, minor 7th and Dom 7th.
That’s my favorite guitar I’ve seen him play so far. What somg is this ?
Thank you! Jazz Blues
Can I start a go fund me,, too upgrade my amplifier and how to go about it 😎..... I jest.... I love this video..
Thank you!
Great idea. I will go fund you if you go fund me…circular Gear Acquisition Syndrome economy????
I want to learn the chords part!
Sure! I have so many chord lessons! Thank you!
Hmm... 11:16 I cant get it. 2 5 what? haha. Hey thanks for these kind of things, I like it. Sometimes I like to think harmonic minor is major scale with sharp 5. Jazz blues is hard... turnaround to 2 or turnaround to 1.... Any jams you done at Namm recorded?
That's V7 (Augmented) to IV chord! Old jazz then... 60s Jazz! M3 5 b7 b9 Charlie Parker phrases! Old jazz from 50s, 60s. Thank you! I teach all these on my Guitar Wisdom.
that part you say BB king riff... sounds like do nothing til you hear from me
Thank you!
🥰
Thank you!
When playing jazzier solos wouldn't it be advantageous to use 7th chord inversions as opposed to triads? A little harder to do but I love the colors of those 7ths. Why do you emphasize triads over 7th chords?
GREAT question! How about triads plus 7th note or more.... more choices! I love to share more foundation so that you can gain more things later. Thank you so much! Did you watch this?
I Wish All My Students Knew THESE Before They Came To Berklee
ua-cam.com/video/xlRy7WwZg7c/v-deo.html
Yes, I have seen that video. You are very big on those fundamentals, which I understand. I have been working on my triads without looking at the fingerboard. I have always relied on patterns and shapes for scales e
and on my eyes when locating chords. I am already finding that I don't really need to look and I get a feel for the physical relationship of the chords rather than a logical or visual approach. It's surprising how quickly I can move up and down the triad inversions hitting the correct fret even when skipping from root form to second inversion or in reverse.
I have also recognized that I move on to more complexity much too quickly. I find repeating simple exercises gets boring pretty quickly and I can't see how I will use them in making music so I quickly move on to seventh chords, scales and modes and more complex altered chords and I never really own any of it.
I will have more questions about how you move into improvisation once I spend some more time on the fundamentals. Since I have always relied on memorizing and practicing patterns for scales and arpeggios, I find it very difficult to improvise over chord changes. The constant changes in patterns makes creating melodies almost impossble. It's all I can do to visualize the next scale or arpeggio.
I want to know how you think about improvising over changes? Are you thinking theory about the changes or just following a melodic instinct. I seem to hear both in your playing at different times. And how much comes from getting familiar with the body of work from each musical genre? I have found that advanced players have difficulty communicating about how you go from learning theory and fundamentals and get to creating.
Big questions, I know but maybe they will give you ideas for videos. @@TomoFujitaMusic
I did not understand what the explanation for this progression was. What are the chord degrees and why would you use them like this? It's not a simple diatonic progression, with all this dominant seven and diminished business going on. I would enjoy more explanation if possible ^^
This is simply Jazz Blues! Thumbnail got the chord progression!
More detail lessons are at my Guitar Wisdom! Thank you!
TOMO!!! When is a tango coming? ;)
Great one! Very soon!
@@TomoFujitaMusic ua-cam.com/video/9fWDumyQVnw/v-deo.html
Goyeneche en Japon! Balada para un loco.
The lyrics are translated into Japanese.
@@TomoFujitaMusic ua-cam.com/video/MepPfI7ebMY/v-deo.html Piazzolla- Libertango
master, is that you the ''Tomo'' that Marty Friedman is talking about in this Rick Beato recent interview?
Yes! Marty I are good friends! We spent over two hours at his tour bus!
@@TomoFujitaMusic wow! that's so cool! as soon as he said ' my good friend Tomo' and 'his special hability to teach' I thought 'that must be sensei Tomo Fujita''. I'm happy to know you guys are friends. marty is such a nice soul as well. Obrigado, from brazil, master!
@@wellington66440 I am so thankful that he really enjoys my teaching. Thank you!
Can someone explain what he meant by if you play minor 3rd above major 7?
Play a Major 7th arpeggio, minor 3rd above minor 7th chord, then
notes are b3 5 b7 9 now! Simple jazz approach! Jazz guys knows this!
@@TomoFujitaMusic ah I see, thank you so much! Just an extra question, does you say 9 to distinguish how to play the notes? For example instead of playing in the order of 2 b3 5 b7, we play b3 5 7 9. Sorry I'm not too familiar with all these theories.
@@inourcingdisk2104 You're very welcome! I didn't decide that order! Everyone who plays jazz... they do! You are thinking too much! Just learn that and feel those notes. C Major 7th Arpeggio is R M3 5 M7 but if you think that Root as b3 (for A minor 7th chord)... Don't worry! Jazz!
Just wish it was slowed down a wee bit................
You can slow down with UA-cam!
Firstttt
2nd! Good job!
you are the Best, as you have said learning patterns and shapes is easy, but you go nowhere. You're then only a pattern player. I'm one of them
Thank you so much! Don't worry! That's a typical guitar learning patten! Learn things from visual shapes. So easy to teach & learn but it will stay same forever because skipped all important foundation. You will become TikTok guitar players! Learn triads!
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