మహాభారతంపై..గరికిపాటి అద్భుత ప్రసంగం!!| Dr Garikapati Narasimha Rao | Kopparapua Kavulu

#paripoornananda #brahmanandam #garikipatinarasimharao #kopparapukavulu #rojaselvamani
మహాభారతంపై..గరికిపాటి అద్భుత ప్రసంగం!!| Dr Garikapati Narasimha Rao | Kopparapua Kavulu
MAHABHARATHA SATABDHI UTSAVALU
The Mahābhārata Sanskrit: महाभारतम्, Mahābhāratam, pronounced [mɐɦaːˈbʱaːrɐt̪ɐm]) is one of the two major Sanskrit epics of ancient India, the other being the Rāmāyaṇa.[5] It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors.
It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or puruṣārtha (12.161). Among the principal works and stories in the Mahābhārata are the Bhagavad Gita, the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the Rāmāyaṇa, often considered as works in their own right.
Garikipati Narasimha Rao is an Indian Telugu Avadhani (literary performer) from Andhra Pradesh, India. Avadhanis are respected for their abilities to spin out verses conforming to Telugu grammar on literally any subject that audience may throw at them, as a challenge. In 1996 he performed Avadhanam with 1116 Pruchchakas or Pricchakas for 21 days in Kakinada. He also delivers lectures on personality development based on Dharmic culture and way of life. He regularly appears on Telugu TV channels like SVBC, Bhakti TV, and ABN Andhra Jyothi giving discourses on Ancient Hindu texts like Bhagavadgita Balavikaasam, Ramayana, and Mahabharata. In 2022, he was awarded India's fourth-highest civilian award Padma Shri by the government of India. Garikipati Narasimha Rao Latest video
Sri Kopparapu Kavula Kalaapeethamu is an unique UA-cam Channel, dedicated to promote Telugu Culture, Language and Hertage.
The first half of the twentieth century was truly a golden age for Telugu literature, after a similar such phase during Sri Krishnadevaraya’s reign. The period between 1950 and 1980 saw great literary output across various genres too, but the early twentieth century saw the revival of ‘avadhanam’ - a great literary form in Telugu.
Kopparapu Sodara Kavulu - ‘the poet-brothers of Kopparam’ - were two of the foremost exponents of this form. Their talent and achievements have been described as manavatita or beyond human capacity, in the era of many janta-kavulu (pairs of poets). The prominent pairs at the time were the great Tirupati-Venkata Kavulu, Venkata-Ramakrishna Kavulu, Venkata-Parvateeswara Kavulu and Pingali-Katuri Kavulu.
Krishna and Arjuna at Kurukshetra, 18th-19th-century painting.
Traditionally, the authorship of the Mahābhārata is attributed to Vyāsa. There have been many attempts to unravel its historical growth and compositional layers. The bulk of the Mahābhārata was probably compiled between the 3rd century BCE and the 3rd century CE, with the oldest preserved parts not much older than around 400 BCEThe original events related by the epic probably fall between the 9th and 8th centuries BCE.The text probably reached its final form by the early Gupta period (c. 4th century CE).
The Mahābhārata is the longest epic poem known and has been described as "the longest poem ever written". Its longest version consists of over 100,000 śloka or over 200,000 individual verse lines (each shloka is a couplet), and long prose passages. At about 1.8 million words in total, the Mahābhārata is roughly ten times the length of the Iliad and the Odyssey combined, or about four times the length of the Rāmāyaṇa. W. J. Johnson has compared the importance of the Mahābhārata in the context of world civilization to that of the Bible, the Quran, the works of Homer, Greek drama, or the works of William Shakespeare.Within the Indian tradition it is sometimes called the fifth Veda.
Sri Kopparapu Kavula Kalaapeethamu is an unique UA-cam Channel, dedicated to promote Telugu Culture, Language and Hertage.
The first half of the twentieth century was truly a golden age for Telugu literature, after a similar such phase during Sri Krishnadevaraya’s reign. The period between 1950 and 1980 saw great literary output across various genres too, but the early twentieth century saw the revival of ‘avadhanam’ - a great literary form in Telugu.
Kopparapu Sodara Kavulu - ‘the poet-brothers of Kopparam’ - were two of the foremost exponents of this form. Their talent and achievements have been described as manavatita or beyond human capacity, in the era of many janta-kavulu (pairs of poets). The prominent pairs at the time were the great Tirupati-Venkata Kavulu, Venkata-Ramakrishna Kavulu, Venkata-Parvateeswara Kavulu and Pingali-Katuri Kavulu.