You would go to raves and just wait for Mampi to come on. He has such a presence that you know your safe in his hands when he steps up to the decks; a feeling of "yeah... he's got this"
Such a great interview and Swift is genuinely a top man he's to clean hearted for the industry and wish him all the best with his future endeavours. He has our support. Looking forward to listening to part 3!! Thanks again to the ROAR team!!
It's amazed me bruv. ...the tune of all tunes in my eyes the one was made in a hour 🙌 not even lying all my mates know when I die it's my funeral tune 😂
@@factnotifaction8019 "The One" was a sick tune and was it "Sonic" on the flip side which was released on the Charge Label in 1997 or 1998 my memories getting bad lol. Such special tracks. So many great tracks you can play hours and hours of Swift tunes alone. Someone's gotta do a Swift tunes set. He made scores of bangers even under the alias The Kraft. I remember locking into Rinse FM hearing a Reckless Crew set and calling up and asking who's this tune by I've gotta get it. It was "The Trend" by The Kraft (aka Mampi Swift. I rushed to Black Market to find it. That's the kind of thing his tunes did to you. Usually producers made one good tune and the flip was whack but what I love about Swift was both sides always banging. Such a legend. One of my favourite producers.
@@factnotifaction8019 Yeah it's you're right 1997 and the flip is "The Journey" not "Sonic". My mind is playing games I have so many Charge label tunes. Sonic was released in 1999 with "A touch of J" on the flip. I also just remember that sick tune called "One The Beat" by Swift on the Suburban Base label that was practically the theme tune to Kool Skool '96 at The Powerhouse. The guys has made catalogues of classics it actually nuts.
It's good to hear all the info behind making the tracks. It makes sense why a few of the dubs I own that you made go into the runout with no ending, because they were made to mix in for a few minutes. I own one with Orchestra tune written on with Jaws as the flipside, is that track made by you, and did you make a track called Nook as well? It has the same drums in it as Hi Tek. Thanks
Mampi swift on the hysteria packs around 96 97 98...ah man.. Whenever I hear it now I'm transported to that time in my head.. Total freedom.. Its magic. Thank you Mampi. Your tapes were the ones
Very excited at the idea of an interview with Jack Smooth! I wish so much he'd release digitally cos I love vinyl but I'm impatient as fuck these days. Anything else under the sun I want to listen to in full quality I can have playing before I've typed the name of it but I'm told he's trying to keep the vinyl alive which I admire but I think he underestimates how many of the younger generations would love his stuff but unfortunately may not get to hear it if he doesn't make it available online. Just saying!
@@philipezra8671 and of course being at Innersense listening to you playing absolutely slamming sets ! These podcasts are absolutely fantastic bro, totally genuine and really enlightening. I watched a live Instagram with Blame last week. Very similar and candid. Basically two complete LEGENDS!! 👌🏻👍🏻👊🏻👊🏻
So glad the one was mentioned as it's a track that will always be playable by anyone at anytime. Hearing that for the first time was an experience beyond words and a track I loved to move to. Mampi will always be known to me as the one. His mixing skills was unbelievable and a dj that always made the heart race seeing him on the flyer and in the dance. So glad he's back , being open and true and continuing to perform and grow as a dj and individual.
Great Show. Mampi swift is an absolute LEGEND and has influenced me in my dj skills. Great to see the LEGEND back and healthy considering what this guy has gone through. Peace and Love
Tom, i do love the line you've used a few times now which basically covers how quickly the music changed in the early years and how there is so much more to discover and create with those styles ;-) keep sowing those seeds sir ;-)
@@1LOFT1 Sorry dude I dont mean fond of you as a person. I mean he isnt fond of the music you play. He deffo has never said he has a problem with you personally. He just said he isnt fond of the speedcore you play
@@1LOFT1 Loved your sets for inter-dance. Poole art centre was a stand out night.Banging jungle techno/techno sets. I was a bit confused by the 300 bpm comment i have to be honest..
@@T-Cuts-Mined Thank you kindly....them were the days. As for the 300 bpm comment...i did go on to play stuff that was that fast...and even faster but that as like many genres was just a part of the journey that i've been on and maybe some folk think that i still like or play it. I have since discovered that it's not nor has it been a personal attack on myself just a dislike for the extreme music that i used to play in the past which is fine by me.
This is great, ref what does Andy C do if he needs a toilet break mid set. He’s got two disaster recovery plans in place, he wears a disposable adult diaper and also brings a spare truckers cap to catch any overflow.
...and 100% would want see a 6 hour Mampi Swift set. Especially with a big enough 98-2008 section full of double drops with all the classics - accompanied by Foxy, IC3, Fearless, Shabba, Skibba, Det, Eks, Fatman D & Co - venue would be bouncing!
Until watching this interview, I never knew he hated the name Mampi Swift & how his name was changed. I can see why he kept it though as people preferred it & became more well known.
Completely agree with how Pendulum were possibly one of the biggest changes to D&B, Their production completely changed everything and got everyone re-inventing themselves
Great interview! Remember swift on kool...(and re Mark was wicked DJ on rush!) good times. Can’t say house is dead though mampi!! Neil Pearce, saison, maw, Richard earnshaw and DJ spen to name a few, have taken house to another level over the decades. When I got mad into hardcore/jungle in early 90s I assumed house had nothing left to offer after attending shit clubs playing shit house music, then heard the stuff paul trouble was playing and some of my DJ mates, and my eyes were opened again!! Keep up the good work raw
Re: Jungle Techno discussion. Ron Wells mentioned in an interview that Phantasy asked him to remove the 4/4 kick-drums from the tracks he was engineering for him. Phantasy felt the scene was moving away from the 4/4 sound, and it was time to move on. (Although, it's fair to say Ron was involved with many more artists than just Phantasy at the time). Great interview as always - thanks Swift for the humble and open answers!
Saying that, the 4/4 came back a year or so later, first with breaks and then alone, on a happier tip, and became the most popular rave sound (albeit before dying).
@@ROARUKPods I think by the late 90s the 4/4 happy hardcore sound was crowded out by the success of Trance, Hard House and arguably the John B style d&b also catered for the hands in the air crew (despite not being 4/4). There were so many scenes and genres, but not the critical mass of great producers needed to sustain all of them for long...
@@yt_klartbeat jungle techno also had more to do with detroit techno and the two colins, which hhc never did, hence the track Jack Smooth made in '92 called a trip to knowledge (Dale and Faver's purist techno club night.) the 4-4 in hhc probably owed more to German hardtrance, which also had similar choir stabs that you don't get in either hard acid or pure techno. Easygroove was of course playing the continental gabber which must have had an influence on some of the hhc producers, but also mixing it up with the acid dale/faver played, E.G: Spectral Emotions - closer (Thomas P. Heckmann) on Labworks Germany.
great hard acid orientated mix from easygroove with a bit of breakbeat at the end. Def one of the most underrated of '93 soundcloud.com/magpie303/easygroove-studio-techno-vibe-obsession-xclusiv-live-double-techno-mixes-1993
a good guest to get on might be warlock, he went down the techno root when the scene split in '93-94, the third unacknowledged split. Although think Uncle Dugs covered all bases.
@@paul-soundaffected It was a very long time ago now but i think it was a mixture of the music getting too dark and had lost it's funkiness/groove...everyone was playing the same sort of stuff and the emerging sound of European techno had that funk & groove that i liked. There's a lot more to it than that but it would take ages to tell the story.
You would go to raves and just wait for Mampi to come on. He has such a presence that you know your safe in his hands when he steps up to the decks; a feeling of "yeah... he's got this"
Such a great interview and Swift is genuinely a top man he's to clean hearted for the industry and wish him all the best with his future endeavours. He has our support. Looking forward to listening to part 3!! Thanks again to the ROAR team!!
It's amazed me bruv. ...the tune of all tunes in my eyes the one was made in a hour 🙌 not even lying all my mates know when I die it's my funeral tune 😂
@@factnotifaction8019 "The One" was a sick tune and was it "Sonic" on the flip side which was released on the Charge Label in 1997 or 1998 my memories getting bad lol. Such special tracks. So many great tracks you can play hours and hours of Swift tunes alone. Someone's gotta do a Swift tunes set. He made scores of bangers even under the alias The Kraft. I remember locking into Rinse FM hearing a Reckless Crew set and calling up and asking who's this tune by I've gotta get it. It was "The Trend" by The Kraft (aka Mampi Swift. I rushed to Black Market to find it. That's the kind of thing his tunes did to you. Usually producers made one good tune and the flip was whack but what I love about Swift was both sides always banging. Such a legend. One of my favourite producers.
@@TakeMeBackPirateRadio mate Ive had a mampi afternoon lol..music brings memories. big up mampi
@@TakeMeBackPirateRadio oh n it's 97 I think.sure it was same year as warhead.might be wrong though.i normally am 🤭
@@factnotifaction8019 Yeah it's you're right 1997 and the flip is "The Journey" not "Sonic". My mind is playing games I have so many Charge label tunes. Sonic was released in 1999 with "A touch of J" on the flip. I also just remember that sick tune called "One The Beat" by Swift on the Suburban Base label that was practically the theme tune to Kool Skool '96 at The Powerhouse. The guys has made catalogues of classics it actually nuts.
In the mid 90’s me and my mates were aspiring young DJ’s and we rated Swifts mixing probably better than anyone on radio
Same here
Is there really a more likeable guy than Mampi?
I could listen to him talk for days.
Legend in the game
Exactly what I was thinking. What a top bloke.
@@ROARUKPods not a legend a governor
Thank you guys.
Tom is literally the best!
😍
Great interview guys
Renk 🙏
It's good to hear all the info behind making the tracks. It makes sense why a few of the dubs I own that you made go into the runout with no ending, because they were made to mix in for a few minutes.
I own one with Orchestra tune written on with Jaws as the flipside, is that track made by you, and did you make a track called Nook as well? It has the same drums in it as Hi Tek. Thanks
Tom on point yet again. Really gets the best out of the guests. I love the blend of questions and humor. Swift comes across really well. Nice guy!
Another fantastic interview. Roll on part 3!
Mampi swift on the hysteria packs around 96 97 98...ah man.. Whenever I hear it now I'm transported to that time in my head.. Total freedom.. Its magic. Thank you Mampi. Your tapes were the ones
Very excited at the idea of an interview with Jack Smooth! I wish so much he'd release digitally cos I love vinyl but I'm impatient as fuck these days. Anything else under the sun I want to listen to in full quality I can have playing before I've typed the name of it but I'm told he's trying to keep the vinyl alive which I admire but I think he underestimates how many of the younger generations would love his stuff but unfortunately may not get to hear it if he doesn't make it available online. Just saying!
First time I heard NHS & took a snowball was inside the Lazerdrome…
Both UTTERLY INSANE 👌🏻👌🏻👌🏻
Great place that👊
Loved going there
Love this 🙌❤️🙌❤️ what a spot
Snowball 😬🤪😵🥴😮🤗🥱😖😖😖😖😴
@@philipezra8671 and of course being at Innersense listening to you playing absolutely slamming sets !
These podcasts are absolutely fantastic bro, totally genuine and really enlightening. I watched a live Instagram with Blame last week. Very similar and candid. Basically two complete LEGENDS!! 👌🏻👍🏻👊🏻👊🏻
Possibly the best dnb DJ at mixing in my opinion. Respect mampi swift 👊
So glad the one was mentioned as it's a track that will always be playable by anyone at anytime. Hearing that for the first time was an experience beyond words and a track I loved to move to. Mampi will always be known to me as the one. His mixing skills was unbelievable and a dj that always made the heart race seeing him on the flyer and in the dance. So glad he's back , being open and true and continuing to perform and grow as a dj and individual.
Another great in section of the interview. Much appreciated.
Ow yes! Been waiting for this!
Thank you
Great work and great guest! Mampi is one of the best DJs AND Producers ever!!! 🙌🏻
Great Show. Mampi swift is an absolute LEGEND and has influenced me in my dj skills. Great to see the LEGEND back and healthy considering what this guy has gone through. Peace and Love
What a inspiration for up and coming djs a top man
Proper level headed fella, all the best to you Mampi Swift
Tom, i do love the line you've used a few times now which basically covers how quickly the music changed in the early years and how there is so much more to discover and create with those styles ;-) keep sowing those seeds sir ;-)
the best DnB mixer on the planet , mampi swift no1
I know Tom isnt fond of Loftgroover but in the last decade he has been heavily doing Hard D&B so nothing above 185bpm. Go check him out online
Mate...that dude has a problem with me but he doesn't know the first thing about me!
@@1LOFT1 Sorry dude I dont mean fond of you as a person. I mean he isnt fond of the music you play. He deffo has never said he has a problem with you personally. He just said he isnt fond of the speedcore you play
@@1LOFT1 Loved your sets for inter-dance. Poole art centre was a stand out night.Banging jungle techno/techno sets. I was a bit confused by the 300 bpm comment i have to be honest..
@@T-Cuts-Mined Thank you kindly....them were the days. As for the 300 bpm comment...i did go on to play stuff that was that fast...and even faster but that as like many genres was just a part of the journey that i've been on and maybe some folk think that i still like or play it.
I have since discovered that it's not nor has it been a personal attack on myself just a dislike for the extreme music that i used to play in the past which is fine by me.
This is great, ref what does Andy C do if he needs a toilet break mid set.
He’s got two disaster recovery plans in place, he wears a disposable adult diaper and also brings a spare truckers cap to catch any overflow.
😂
Respect really enjoying this one!
A great producer because he has his own sound. Be well rave on
Brilliant
...and 100% would want see a 6 hour Mampi Swift set. Especially with a big enough 98-2008 section full of double drops with all the classics - accompanied by Foxy, IC3, Fearless, Shabba, Skibba, Det, Eks, Fatman D & Co - venue would be bouncing!
Would be sick!
I'll be honest, I hadn't heard of Mampi Swift!! My ignorance. I really enjoyed this interview and a very clued up and nice guy. Full respect to Mampi
I remember him from the the tape dnb helter skelter drum n bass pack
Swift definitely drop the all night set 🙏
Literally been waiting for this alert on my phone since the first podcast. 👊🏻👊🏻🔥🔥
Part 3 is even better still!
@@ROARUKPods Awesome!! 👊🏻👌🏻🔥
Grew up with Phil. Had many a mix up round his house.
Until watching this interview, I never knew he hated the name Mampi Swift & how his name was changed. I can see why he kept it though as people preferred it & became more well known.
"Sometimes you can't do it in 8 minutes" 🤣🤣🤣 one of the best quotes so far
Mampi Swift & DJ Fresh - Play Me, one pf my fave tunes from that era
Completely agree with how Pendulum were possibly one of the biggest changes to D&B, Their production completely changed everything and got everyone re-inventing themselves
When you listen to old skool DnB now it's obviously pre-Pendulum or post-Pendulum!
Great interview! Remember swift on kool...(and re Mark was wicked DJ on rush!) good times. Can’t say house is dead though mampi!! Neil Pearce, saison, maw, Richard earnshaw and DJ spen to name a few, have taken house to another level over the decades. When I got mad into hardcore/jungle in early 90s I assumed house had nothing left to offer after attending shit clubs playing shit house music, then heard the stuff paul trouble was playing and some of my DJ mates, and my eyes were opened again!! Keep up the good work raw
Seems like Andy C & Mampi drove each other. Both absolute legends
you have to get dr s gachet on..good guy and has a story to tell...good channel
We did message but never heard back. ….
Re: Jungle Techno discussion. Ron Wells mentioned in an interview that Phantasy asked him to remove the 4/4 kick-drums from the tracks he was engineering for him. Phantasy felt the scene was moving away from the 4/4 sound, and it was time to move on. (Although, it's fair to say Ron was involved with many more artists than just Phantasy at the time).
Great interview as always - thanks Swift for the humble and open answers!
Saying that, the 4/4 came back a year or so later, first with breaks and then alone, on a happier tip, and became the most popular rave sound (albeit before dying).
@@ROARUKPods I think by the late 90s the 4/4 happy hardcore sound was crowded out by the success of Trance, Hard House and arguably the John B style d&b also catered for the hands in the air crew (despite not being 4/4).
There were so many scenes and genres, but not the critical mass of great producers needed to sustain all of them for long...
@@yt_klartbeat jungle techno also had more to do with detroit techno and the two colins, which hhc never did, hence the track Jack Smooth made in '92 called a trip to knowledge (Dale and Faver's purist techno club night.) the 4-4 in hhc probably owed more to German hardtrance, which also had similar choir stabs that you don't get in either hard acid or pure techno. Easygroove was of course playing the continental gabber which must have had an influence on some of the hhc producers, but also mixing it up with the acid dale/faver played, E.G: Spectral Emotions - closer (Thomas P. Heckmann) on Labworks Germany.
great hard acid orientated mix from easygroove with a bit of breakbeat at the end. Def one of the most underrated of '93 soundcloud.com/magpie303/easygroove-studio-techno-vibe-obsession-xclusiv-live-double-techno-mixes-1993
a good guest to get on might be warlock, he went down the techno root when the scene split in '93-94, the third unacknowledged split. Although think Uncle Dugs covered all bases.
Just had to check you weren’t one half of Swift and Zinc 🤣
'sounds like a double mampi mix' 👌
I'll be honest i thought mampi was the other half of swift and zinc for ages
You should interview mc sharkey
Lol how he says pendulum🤣🤣
Who is loftgroover?! Come on Tom, if you are listening to this, you will know who he is.
The techno dread!
We know who Loftgroover is. 😅
@@ROARUKPods I don't think you do!!
@@1LOFT1 Not personally, but we know who you are Mr T! In fact, we were just listening to your latest DnB set on Twitch.
Jungle Tekno
Not lately, lofty has been playing more dnb lately
Hi Paul...yep...i was playing DnB long before speedcore!!
@@1LOFT1 how come the change?
@@paul-soundaffected It was a very long time ago now but i think it was a mixture of the music getting too dark and had lost it's funkiness/groove...everyone was playing the same sort of stuff and the emerging sound of European techno had that funk & groove that i liked. There's a lot more to it than that but it would take ages to tell the story.
@@1LOFT1 i think we need a roar interview with you sir, I'd love to hear your story,as would alot of others
@@paul-soundaffected It would require at least 5 parts LOOOOOOL
Have a good weekend sir!
Red Bull you sure bro 😂😂