@Bach, would you consider adding Frankenberg to the name of the video? What's so wonderful in Bach's chamber music is that all performers are equal in importance.
Obviously the guy who wrote this is a genius: Imagine you knew nothing about Bach, his life, his music or the history of musical appreciation: it would be immediately intuitively clear that the author of this sonata was a genius. Such are the works of Bach: Genius hearing it the first time around, and genius after uncountable hearings and intellectual knowing quite a lot about his oeuvre and life. You cannot kill a Bach piece!
Mucho más que genio. Bach es un prodigio. Creo que aquí aplican apropiadamente la opinión de los filósofos atenienses a quien Pablo cito, al decir: “Porque también somos linaje de él (es decir, de Dios)’ (Hechos 17:28)
Wonderful description of JS Bach, but you can definitely kill hid music. Listen to Karl Richter or Glenn Gould, and you will understand how they killed his music.
Well let us not forget the interpreters because without them your assessment would not even be possible! Perhaps these interpreters have done a particularly good job.
Wunderschöne und detaillierte Aufführung dieser kompakten doch perfekt komponierten Gambensonate im veränderlichen Tempo mit mildem doch gut phrasiertem Ton der genialen Gambe und zurückgehaltenem doch schimmerndem Klang des ebenso genialen Cembalos. Der zweite Satz klingt echt lebhaft und auch beweglich. Im Kontrast klingt der dritte Satz besondes schön und echt lyrisch. Endlich kommt der letzte Satz voller Bewegung und inspiration. Der intime und perfekt entsprechende Dialog zwischen den beiden Virtuosen ist wahrhaft beeindruckend. Einfach wunderbar!
There is nothing to fault here; musically the sonata is beautifully conveyed by the cembalo and gamba musicians. Strangely I never knew what I was missing from these works although this is another perfect composition. It may be entirely a case of sound: that the cembalo isn’t tenuous enough to satisfy the want of a higher register in the music.
Thank for Netherland Bach Society to share excellent musical concents. It is marvelous and incredible sound. It will be my best favorite concent. Really Bach is brilliant genius itself.
You are right. We chose for the shorter title to make it easier to find. This does not quite right to the way Bach structured the music and the role of the harpsichord.
Lovely! I have her Dialogues CD (Marin Marais book 1) it's just incredible! This performance and Jean Rondeau Goldberg Variations....I clicked on them immediately - my 2 favourites so far! Thank you NBS and the musicians.
Gran trabajo de la Sociedad Bach de Holanda, yo soy un amante de la viola de gamba, y he de decir que vuestras grabaciones en vivo son excelentes, y ejecutadas con pulcritud y elegancia. Gracias. ♥♥♥💯
@@dariocaporuscio8701 She explains in another video that there is only one other such gold-guilded tail piece, and that one is on a gamba in a museum. That's a very early gamba and the tail piece, which has a portrait of Forqueray, was likely added when the instrument was refurbished at some point.
@@dariocaporuscio8701 By affecting the musician's mood, feelings etc upon seeing the instrument, which has a knock on influence and effect on the music created or performed. Same goes for the location where music is made.
Interestingly, I always found this sonata boring, but listening to you both for the first time I found it really interesting. you have done a very cool job! Thank you!
Incredible what a harmony! You can hear a Baroque recorder or traverso mixing with the other 2 instruments in the first part. That is only possible with these beautiful , characteristic instruments.
As soon as I saw the bell tower in the opening shot, I thought “this looks just like my hometown!” I am originally from Herrnhut/Germany, the origin of the Moravian Church (Broedergemeente in Dutch). The plain white interior is also very typical. What a nice surprise!
An inspirational performance! There are two sections of the Allegro moderato that are relentless for the left hand. A Hanon warmup helps. It's even more challenging for the gamba! I also enjoy playing this on the piano because of the dynamics which allows me to dialogue with the gamba. Bob van Asperen recorded this in 1990 on chamber organ with the great Anner Bylsma on violoncello piccolo.
Harpsichord > organ > piano is my preference when doing keyboard on this sonata. Dynamics is nice with piano, but I love the crispness and clean embelishments with organ/harpsichord.
Very marvelous. Sincerly contragutalations in all the points. Very dynamique. I’m an ancien strudent of J. Hantaï, i see the challenge. Probable on of the Very best interprétation…
En boyau je pense, j'ai vu une séquence ou un spécialiste donnait un cours pour les débutants quant aux différences de sonorité, sur cette chaîne( violons baroques)
A vrai dire, il aurait mieux valu enregistrer cette pièce assez " mathématique" plutot émotionnelle, dans une des fort jolies salles du musee( Amsterdam?) Avec son bois, ses tableaux, des ors vieillis, que dans cet endroit blanc glacé, ou l'énergie musicale se disperse dès le SON ÉMIS ❗. C 'est la seule fois où j'ai constaté cet effet, quoique frôlé déjà avec les musiciens et chanteurs groupés par familles musicales, pour l'immense Art de la Fugue❗💥 La viole de gambe est somptueuse, je préfère de loin ceci au violoncelle, aucune comparaison ! MERCI à vous tous❤❤❤❤
Would love to donate to the cause but the donation process specifically the second page will not show English no matter what I tried... Nevertheless, I'm over joyed to hear yet another piece from you, wonderful.
This Sonata also exists in a version for two flutes and continuo (BWV 1039). Researchers suspect that neither version is the original, but that they are rather arrangements of an earlier trio sonata by Bach himself, which has not survived. So yes, three part certainly
TOO many ads? no I am not paying for AD BLOCKER while Im seeking free music. Understand to be paid must advert. UA-cam has the funds to get some of these with no ads. Great othewrise.
Amazing music and musicians! However. I completely didn't understand the approach to recording. The balance (micing? room?) between instruments end up fighting instead of "conversation". Sonata written by Bach is for Viola? It was hard for me to understand what Viola is 'trying say''. And It's not because of performance of course We can also notice that dynamic got lost somewhere- it' all came out forte from the 1st to the last note. Yes, harpsichord dynamic is limited, but levels I think ruined the performance. Sorry for being bad guy here..
This one of six sonatas written for the Viola da Gamba (Viola of the Leg) a member of the fretted Viol family and forerunner of the Violoncello. Do not confuse this instrument with the much smaller Viola da Brachia (of the arm). The keyboard part is fully written out.
Великолепное исполнение, где идеально сплелись высокий технический уровень виолончелистки и аккомпаниатора , соразмерность культуры и эмоциональной подачи гениального таорения великого Баха!
0:15 Adagio
4:41 Allegro ma non tanto
8:27 Andante
11:04 Allegro moderato
@Bach, would you consider adding Frankenberg to the name of the video? What's so wonderful in Bach's chamber music is that all performers are equal in importance.
Beauty will save the world.
That's why I do not despair.
And thank also to the two amazing servants of this beauty.
Thank you from my heart.
thank you for this island of peace and beauty in a world that sometimes seems insane.
Obviously the guy who wrote this is a genius: Imagine you knew nothing about Bach, his life, his music or the history of musical appreciation: it would be immediately intuitively clear that the author of this sonata was a genius. Such are the works of Bach: Genius hearing it the first time around, and genius after uncountable hearings and intellectual knowing quite a lot about his oeuvre and life. You cannot kill a Bach piece!
Mucho más que genio. Bach es un prodigio. Creo que aquí aplican apropiadamente la opinión de los filósofos atenienses a quien Pablo cito, al decir: “Porque también somos linaje de él (es decir, de Dios)’ (Hechos 17:28)
Earth’s pre eminent arranger of sounds.
Wonderful description of JS Bach, but you can definitely kill hid music. Listen to Karl Richter or Glenn Gould, and you will understand how they killed his music.
Mozart and Beethoven were very close to God and Bach...was God himself.
Well let us not forget the interpreters because without them your assessment would not even be possible! Perhaps these interpreters have done a particularly good job.
Smooth and harmonious Baroque performance... Beautiful church...Stunning instruments. Bravo to you both.
An original instrument rather than a replica! A double treat with such a wonderful performance on that instrument.
Do we know the maker?
@@paulscott111 They're listed in the video description:
Viola da gamba: Antoine Despont, 1617
Harpsichord: Bruce Kennedy, 1989 after Michael Mietke
I like the 300 year ago Baroque aesthetic full in this video
Wunderschöne und detaillierte Aufführung dieser kompakten doch perfekt komponierten Gambensonate im veränderlichen Tempo mit mildem doch gut phrasiertem Ton der genialen Gambe und zurückgehaltenem doch schimmerndem Klang des ebenso genialen Cembalos. Der zweite Satz klingt echt lebhaft und auch beweglich. Im Kontrast klingt der dritte Satz besondes schön und echt lyrisch. Endlich kommt der letzte Satz voller Bewegung und inspiration. Der intime und perfekt entsprechende Dialog zwischen den beiden Virtuosen ist wahrhaft beeindruckend. Einfach wunderbar!
Beautiful. Viola da gamba and harpsichord combination its austonding
What a delicate, dramatic performance! Heel mooi gespeeld!
deep water.. crystal clear..
There is nothing to fault here; musically the sonata is beautifully conveyed by the cembalo and gamba musicians. Strangely I never knew what I was missing from these works although this is another perfect composition. It may be entirely a case of sound: that the cembalo isn’t tenuous enough to satisfy the want of a higher register in the music.
Quality work.
Such a good performance. Great balance, so it is a true trio sonata. Thanks.
fantastic performance
Fantastico
Most satisfying performance I’ve ever heard (and I play this myself). Bravo to both musicians 😍😍😍
BACH, Beautiful, Ascended, Canonically, Humanity❤❤❤❤❤❤❤❤❤❤❤
Thank for Netherland Bach Society to
share excellent
musical concents.
It is marvelous
and incredible sound.
It will be my best favorite concent. Really
Bach is brilliant
genius itself.
I can't wait for you to do BWV 1029. The sound of viola da gamba is amazing! 😍
Magnifique! Quelle belle ambiance! Merci.
It is Christmas today. And this is the Christmas gift supreme!
What rich, precise yet moving interpretation. With beautiful instruments 😍. And, as always, NBS sound mix and film direction are top notch.
Quelle harmonie!! Quelle douceur!! J'en suis profondement emu.
Wat een ongelofelijke studie en doorzettingsvermogen zijn nodig om de muziek zo eenvoudig te laten klinken...
Geweldig, wat knap! En mooi!
Absolutely wonderful performed love the beautiful sound so much🍃Many thanks to you both❤
Bravo and so beautiful. Thank you.
I am performing and recording this work on the doublebass. This performance is my inspiration.
This is the best ever. Wonderful offering to the humankind and Bach!
That andante... *Chef's kiss*
A superb performance of this beautiful work, both tender and joyous!
So beautiful ❤
Beautiful sound! So delicate and pure …. Just to die for.
Bach is always pure❤
This Bach guy really has a great career ahead of him.
Beautiful
Folks it is not just a gamba sonata it is and I quote the master himself: "Sonata a Cembalo e Viola da Gamba"
You are right. We chose for the shorter title to make it easier to find. This does not quite right to the way Bach structured the music and the role of the harpsichord.
So beautiful. Thank you.
Послушал дважды. Превосходное исполнение! Музыка барокко, инструменты барокко, мышление барокко. Вы большие молодцы!
Beautifully done!
🥰🎶🎹🎻🙌
Um bálsamo precioso! 💕
Gracias Bach.
Good day. It's very peaceful music from Bach' soul. I'm glad by it.
.
241123
A really beautiful performance. Thanks for your work.
Som lindo! Celestial! Parabéns aos dois intérpretes! O som da viola gamba é divinal!
Another stellar performance in this series.
It is impossible for these melodies to be anything other than heavenly melodies and composed by an angel, glory to Bach
Bach himself always gave glory to G-d.
Lovely! I have her Dialogues CD (Marin Marais book 1) it's just incredible! This performance and Jean Rondeau Goldberg Variations....I clicked on them immediately - my 2 favourites so far! Thank you NBS and the musicians.
Fantastic, thank you so much. Cheers from the Philippines.
BAM!!!...Beautiful
Wonderful
Oh, my! Stunning!! ♥️🙏🏻
This is the best performance I saw on this chanel, just amazing! Bravo
Gran trabajo de la Sociedad Bach de Holanda, yo soy un amante de la viola de gamba, y he de decir que vuestras grabaciones en vivo son excelentes, y ejecutadas con pulcritud y elegancia. Gracias. ♥♥♥💯
Just the right musicality and the perfect balance. Bravo !!
Prachtig gespeeld en opgenomen.
Great interpretation!
Very nice. And she's playing her gamba with the special tail piece.
Why is it special? You mean just for how it looks or does it give a particular sound to the instrument?
@@dariocaporuscio8701 How an instrument looks and feels is very important to a musician. This contributes a lot to the sound and performance.
@@EgoShredder how does the look affect the sound
@@dariocaporuscio8701 She explains in another video that there is only one other such gold-guilded tail piece, and that one is on a gamba in a museum. That's a very early gamba and the tail piece, which has a portrait of Forqueray, was likely added when the instrument was refurbished at some point.
@@dariocaporuscio8701 By affecting the musician's mood, feelings etc upon seeing the instrument, which has a knock on influence and effect on the music created or performed. Same goes for the location where music is made.
Bach was at the top of his game when he wrote this stuff. Wonderful interpretation.
Excelente versión, adoro está música!
Magnifique
Interestingly, I always found this sonata boring, but listening to you both for the first time I found it really interesting.
you have done a very cool job! Thank you!
SUPERB MASTERPIECE, humble thanks to both, most grateful.
Beautiful sound and beautiful harpsichord!
Incredible what a harmony! You can hear a Baroque recorder or traverso mixing with the other 2 instruments in the first part. That is only possible with these beautiful , characteristic instruments.
Dank je wel Mieneke en Emmanuel, ik wacht op nr.1029 ❤
Danke
Great!
Oh that's hard to surpass very refined and agreable.
As soon as I saw the bell tower in the opening shot, I thought “this looks just like my hometown!” I am originally from Herrnhut/Germany, the origin of the Moravian Church (Broedergemeente in Dutch). The plain white interior is also very typical. What a nice surprise!
Wow- the end of the 1st mov.!!😮
An inspirational performance! There are two sections of the Allegro moderato that are relentless for the left hand. A Hanon warmup helps. It's even more challenging for the gamba! I also enjoy playing this on the piano because of the dynamics which allows me to dialogue with the gamba. Bob van Asperen recorded this in 1990 on chamber organ with the great Anner Bylsma on violoncello piccolo.
Harpsichord > organ > piano is my preference when doing keyboard on this sonata. Dynamics is nice with piano, but I love the crispness and clean embelishments with organ/harpsichord.
Perfectly gorgeous!!!!! I adored every note!
Very marvelous. Sincerly contragutalations in all the points. Very dynamique. I’m an ancien strudent of J. Hantaï, i see the challenge. Probable on of the Very best interprétation…
Finally we have these 3 coming
Bravi.
Pura delicia... Gracias, Bach. 🥰
Fab balance…and the tremendous venue…
My cellist daughter and I always say how much we want to meet this queen. How???
Check out our concert calendar at www.bachvereniging.nl/en/concerts
magnificant
I know this (and have played it) as a trio sonata for two flutes and B.C.
Yes there is also a version for two flutes: ua-cam.com/video/gmBjWblFjIw/v-deo.html
@@bach Thanks - it's nice to hear it again.
BWV 1039 - sounds better with recorders.
What an amazing performance using period-accurate instruments. I wonder if the viola da gamba strings are gut strings or metal strings. Well done!
ua-cam.com/video/5_SOIMHYeu4/v-deo.html
En boyau je pense, j'ai vu une séquence ou un spécialiste donnait un cours pour les débutants quant aux différences de sonorité, sur cette chaîne( violons baroques)
Viola da gamba strings are made in Guts, However the deepers ones are mostly guts arount a smaller metal string !
One word: Bach!
🤩
Hermosa versión! Para cuando BWV1029?
It is not planned yet, but it will definitely come some day
❤🙏
Dieses Spiel ist super schön!Wer ist denn die Gambistin und wer der Cembalist?
See the video description.
A vrai dire, il aurait mieux valu enregistrer cette pièce assez " mathématique" plutot émotionnelle, dans une des fort jolies salles du musee( Amsterdam?) Avec son bois, ses tableaux, des ors vieillis, que dans cet endroit blanc glacé, ou l'énergie musicale se disperse dès le SON ÉMIS ❗.
C 'est la seule fois où j'ai constaté cet effet, quoique frôlé déjà avec les musiciens et chanteurs groupés par familles musicales, pour l'immense Art de la Fugue❗💥
La viole de gambe est somptueuse, je préfère de loin ceci au violoncelle, aucune comparaison !
MERCI à vous tous❤❤❤❤
Bruce Kennedy's magnificent Mietke harpsichord is the ideal instrument for this music.
Would love to donate to the cause but the donation process specifically the second page will not show English no matter what I tried... Nevertheless, I'm over joyed to hear yet another piece from you, wonderful.
Great to hear that you love our project. Your contribution would be more than welcome. If you need help, please mail us at allofbach@bachvereniging.nl
🤘🤓🤘
😊
Trying to understand this music, would it be accurate to say that it’s like a three-part invention with the viola da gamba taking the middle voice?
This Sonata also exists in a version for two flutes and continuo (BWV 1039). Researchers suspect that neither version is the original, but that they are rather arrangements of an earlier trio sonata by Bach himself, which has not survived. So yes, three part certainly
Be still andjust listen, no more
L'andante va dritto allo stomaco e poi...sale..lascia senza fiato.
🙌🏾👏🏾🙌🏾👏🏾🙌🏾👏🏾🙌🏾👏🏾🙌🏾👏🏾🙌🏾👏🏾🙌🏾👏🏾
TOO many ads? no I am not paying for AD BLOCKER while Im seeking free music. Understand to be paid must advert. UA-cam has the funds to get some of these with no ads. Great othewrise.
there are many ad blockers that are completely free that can be used on computers. usually they come as browser extensions
Amazing music and musicians!
However.
I completely didn't understand the approach to recording.
The balance (micing? room?) between instruments end up fighting instead of "conversation".
Sonata written by Bach is for Viola?
It was hard for me to understand what Viola is 'trying say''.
And It's not because of performance of course
We can also notice that dynamic got lost somewhere- it' all came out forte from the 1st to the last note.
Yes, harpsichord dynamic is limited, but levels I think ruined the performance.
Sorry for being bad guy here..
This one of six sonatas written for the Viola da Gamba (Viola of the Leg) a member of the fretted Viol family and forerunner of the Violoncello.
Do not confuse this instrument with the much smaller Viola da Brachia (of the arm).
The keyboard part is fully written out.
Allow me to object to the phrasing ‘gilt cast-iron’. It is a mixed metaphor and rather an odd description of polyphony at that.
Who thought that whitewashing the whole room was a good idea.
Me
양재언니
니나 잘해~
Великолепное исполнение, где идеально сплелись высокий технический уровень виолончелистки и аккомпаниатора , соразмерность культуры и эмоциональной подачи гениального таорения великого Баха!
No se dice violonchelista, se dice violagambista.
@@MijailCioranВельден - исполнительница, а не исполнитель. И первоначальное образование гамбисты получают, как виолончелисты.