Single/Sticky Fingers 1971 Drums and Percussion 0:04-3:49 Bass, Guitars, Piano and Saxophone 3:51-7:39 Vocals, Saxophone and Percussion Bleed 7:42-10:56
I've always wondered why the stones in the studio sounded night and day live,their engineer,producer Jimmy miller or even equipment they used was just so enhanced and wanted things so precise? I remember reading where keith used like 5 guitar parts on street fighting man maybe,and I'm thinkin you never gonna capture that sound live of that song
@@keeponrollin7922 Keith said if you want a juke box sound stay home. There is alot of layering with the Stones. Now Pink Floyd sounded exactly like there records. And sincerely I was sometimes thinking why am I here.
@tomslick2058 no doubt the layering,and hell mick even has autotune a few times on new angry song,but it works well,I heard another song on new album called get close,Elton John on Piano but was quickly pulled off youtube by UMG,but I think it's killer track,
At a conservative estimate I think I've heard the Stones live countless times mainly on dvd and record and a few times live and I'm pretty sure I've never heard Mick hit a bum note yet. Think about insane pressure and everyone waiting for you to fail and you don't, Even Keith too. I just watched Shine A light recently and he puts in a stellar You Got the Silver, Connection, Faraway Eyes and even harmony on As Tears Go by. I like to remind people Keith sang for the Queen at her Coronation. I reckon he's still not happy about that.
Bill has a unique style. Definitely a bottom type player. Think his bass is kept low volume wise not to bury any of the spectacular guitar going on. But it works.
That is correct unless Keith is playing bass. When Keith plays bass, it is right up front. On the early RS albums I could not make out what Bill was playing to save my life.
@@Cap683You are right about Keith's bass often being upfront but on the early Stones music if you listen to their stuff from 1963 starting with "Come On" and "I Wanna Be Your Man" up till 1969 with their album "Let It Bleed" you'll notice Bill's tasteful bass playing mixed quite loud in the mix with his best album by far being on "Aftermath" where he often added in that fuzz effect for several songs. That was when his bass sound was really upfront but it diminished starting from "Between the Buttons" which is one of my favourite albums songwise but even though Beggars Banquet and Let It Bleed had a lot of tasteful playing from his part on pretty much all the songs except where Keith played (his first notable song on bass was "Let's Spend The Night Together"), his bass was noticeably lower in the mix compared to their earlier years and by "Sticky Fingers" he was pretty much reduced to a secondary musician despite still being a good bass player with underrated fills and licks, but always low in the mix except for when Keith, Mick Taylor or Ronnie Wood would take on the bass instrument role.
Keith played the famous riff. Also I thought for the longest time Taylor's part was played on the SG but in doing some research, I found a photo of him playing a Telecaster during the sessions for the song (which you can see in the video and thumbnail).
Producer Jimmy Johnson said that Keith recorded that song on a "Black" SG. Taylor's SG was Cherry (Or Wine?) red. Keith DID tour with an Ebony Les Paul Custom that month. Cannot help but wonder of that's really the Guitar Keith used on this track. Anyone?
@@karllib The song is all Mick Jagger. the lyrics, chords and riff. It took Jagger hours to teach it to his bandmates in Sheffield, Ala. for the recording, according to author Stanly Boothe , who accompanied them on the tour to write his book. According to Boothe, Mick became somewhat frustrated with his bandmates in the song's early rehearsale/recording stages in Sheffield Ala (Muscle Shoals) telling them: "No, no, fellas., it's supposed to sound F%$#@% DIRTY!" Eventually Keith and the guys got the hang of it and yes, that's Keith playing Mick's iconic riff on the recording. I assume Taylor plays acoustic on this.
Keith does the main riff and the acoustic while Mick Taylor does the four twangy country-music notes and then with that same treble-light chord continues playing what's the "lead guitar" on the song... dah-dah-dah-dah---dah-dah-dah-dah-dah-dah, separate notes to keith's rhythm even though Keith's rhythm is of course the lead
That’s Keith on the signature rhythm guitar in one channel and the twangy guitar in the other channel (not Mick Taylor). Mick T’s tracking guitar is barely audible. That’s also Keith on the acoustic guitar.
I’m not wrong. Keith very often worked this way, replacing Mick T’s tracking guitar (if there was one) with one of his own. Listen to the string vibrato on the guitar we’re talking about. That very tight quick vibrato is signature Keith. Taylor’s tracking guitar is still in there, but it’s underneath everything.
No it’s not.First Taylor is credited on the original album liner notes.Second everyone from Taylor to Jim Dickinson says he is on it.The licks he is playing are very Taylorish.Listen to Street Fighting Man on Get Yer Ya’sOut.And listen to his guitar on the outtake where he plays the solo and not Bobby Keys.Even on the 1972 tour he plays similar licks.If you want to talk about songs that have Keith’s style, most people erroneously believe it’s Meith playing the riff on Bitch when it in fact is Taylor
Taylor is playing, but agree, it’s a secondary rhythm track that is mixed way down and sort of clones Keith’s riff but with more straight rhythm in the verses.
Ian Stewart was kept on the sidelines because of his looks. Wouldn’t that be considered a form of discrimination today? They were basically saying he was too ugly to be on stage with them.
@@dynjarren8355 no. Sounds typical Richard's I give you that. Mick was playing it backstage a year before. Sway and Don't Stop are other examples. Sure there's more.
@@HJsCorn909 you’re welcome. I’m glad you didn’t think I was being an a-hole about it either. I was genuinely trying to help. What you do here is awesome.
Single/Sticky Fingers 1971
Drums and Percussion 0:04-3:49
Bass, Guitars, Piano and Saxophone 3:51-7:39
Vocals, Saxophone and Percussion Bleed 7:42-10:56
I've always wondered why the stones in the studio sounded night and day live,their engineer,producer Jimmy miller or even equipment they used was just so enhanced and wanted things so precise? I remember reading where keith used like 5 guitar parts on street fighting man maybe,and I'm thinkin you never gonna capture that sound live of that song
❤
@@keeponrollin7922 Keith said if you want a juke box sound stay home. There is alot of layering with the Stones. Now Pink Floyd sounded exactly like there records. And sincerely I was sometimes thinking why am I here.
@tomslick2058 no doubt the layering,and hell mick even has autotune a few times on new angry song,but it works well,I heard another song on new album called get close,Elton John on Piano but was quickly pulled off youtube by UMG,but I think it's killer track,
@@tomslick2058ahah that's right
I can't believe this only has 70 Likes. I love this stuff!!! Many thanks!
The vocals are insanely good. The best rock n roll singer thst is here and been and gone.
At a conservative estimate I think I've heard the Stones live countless times mainly on dvd and record and a few times live and I'm pretty sure I've never heard Mick hit a bum note yet. Think about insane pressure and everyone waiting for you to fail and you don't, Even Keith too. I just watched Shine A light recently and he puts in a stellar You Got the Silver, Connection, Faraway Eyes and even harmony on As Tears Go by. I like to remind people Keith sang for the Queen at her Coronation. I reckon he's still not happy about that.
@@grimmertwin2148 who is doing the higher vocal on this...is this Keith? On the words Brown Sugar in particular it is really a high note!
Yea, that’s Keef
wow... what a pleasure! thanks so much for the chance to hear this....
What a great resource. Thank you.
Bill has a unique style. Definitely a bottom type player. Think his bass is kept low volume wise not to bury any of the spectacular guitar going on. But it works.
That is correct unless Keith is playing bass. When Keith plays bass, it is right up front. On the early RS albums I could not make out what Bill was playing to save my life.
@@Cap683You are right about Keith's bass often being upfront but on the early Stones music if you listen to their stuff from 1963 starting with "Come On" and "I Wanna Be Your Man" up till 1969 with their album "Let It Bleed" you'll notice Bill's tasteful bass playing mixed quite loud in the mix with his best album by far being on "Aftermath" where he often added in that fuzz effect for several songs. That was when his bass sound was really upfront but it diminished starting from "Between the Buttons" which is one of my favourite albums songwise but even though Beggars Banquet and Let It Bleed had a lot of tasteful playing from his part on pretty much all the songs except where Keith played (his first notable song on bass was "Let's Spend The Night Together"), his bass was noticeably lower in the mix compared to their earlier years and by "Sticky Fingers" he was pretty much reduced to a secondary musician despite still being a good bass player with underrated fills and licks, but always low in the mix except for when Keith, Mick Taylor or Ronnie Wood would take on the bass instrument role.
@@Cap683 Lol, that's what happens when you have the lead singer and guitarist. mixing everything.
Jagger actually wrote the whole song. Of course Taylor and Richards did a better job interpreting and embellishing the guitar.
I was a butcher cutting up meat,hey hey you got me rocking now
wow!
Ian Stewart on piano yes !!
Brilliant thanks
Excellent!
Damn Charley had that strutt.
Brown sugar , c'est de la bonne. Y à pas de problème, j'en suis sûr
Keyboard as cowbell@6:00
All this time I thought it was “Stinky Finger.”
No it was plural
@@HJsCorn909Nah he's confused with Down in the hole
It was Richards who played that famous riff and not Taylor? Also, I always thought it was played on a Gibson SG.
Keith played the famous riff. Also I thought for the longest time Taylor's part was played on the SG but in doing some research, I found a photo of him playing a Telecaster during the sessions for the song (which you can see in the video and thumbnail).
Producer Jimmy Johnson said that Keith recorded that song on a "Black" SG. Taylor's SG was Cherry (Or Wine?) red. Keith DID tour with an Ebony Les Paul Custom that month. Cannot help but wonder of that's really the Guitar Keith used on this track. Anyone?
@@HJsCorn909 Makes sense. There's footage of Taylor playing a Telecaster live in 1970 (and this was recorded in late 1969).
I'd thought mick originally came up with the riff
@@karllib The song is all Mick Jagger. the lyrics, chords and riff. It took Jagger hours to teach it to his bandmates in Sheffield, Ala. for the recording, according to author Stanly Boothe , who accompanied them on the tour to write his book. According to Boothe, Mick became somewhat frustrated with his bandmates in the song's early rehearsale/recording stages in Sheffield Ala (Muscle Shoals) telling them: "No, no, fellas., it's
supposed to sound F%$#@% DIRTY!" Eventually Keith and the guys got the hang of it and yes, that's Keith playing Mick's iconic riff on the recording. I assume Taylor plays acoustic on this.
Can you deconstruct happy
Sure
Could you isolate lovin cup?
Any EXILE songs would be much appreciated, actually
Keith does the main riff and the acoustic while Mick Taylor does the four twangy country-music notes and then with that same treble-light chord continues playing what's the "lead guitar" on the song... dah-dah-dah-dah---dah-dah-dah-dah-dah-dah, separate notes to keith's rhythm even though Keith's rhythm is of course the lead
That’s Keith on the signature rhythm guitar in one channel and the twangy guitar in the other channel (not Mick Taylor). Mick T’s tracking guitar is barely audible. That’s also Keith on the acoustic guitar.
Wrong .That is Taylor playing the other guitar.
I’m not wrong. Keith very often worked this way, replacing Mick T’s tracking guitar (if there was one) with one of his own. Listen to the string vibrato on the guitar we’re talking about. That very tight quick vibrato is signature Keith. Taylor’s tracking guitar is still in there, but it’s underneath everything.
No it’s not.First Taylor is credited on the original album liner notes.Second everyone from Taylor to Jim Dickinson says he is on it.The licks he is playing are very Taylorish.Listen to Street Fighting Man on Get Yer Ya’sOut.And listen to his guitar on the outtake where he plays the solo and not Bobby Keys.Even on the 1972 tour he plays similar licks.If you want to talk about songs that have Keith’s style, most people erroneously believe it’s Meith playing the riff on Bitch when it in fact is Taylor
Taylor is playing, but agree, it’s a secondary rhythm track that is mixed way down and sort of clones Keith’s riff but with more straight rhythm in the verses.
Very cool what did you use to do this ?
mvsep.com
Ian Stewart was kept on the sidelines because of his looks. Wouldn’t that be considered a form of discrimination today? They were basically saying he was too ugly to be on stage with them.
Bill Wyman wasn’t the best looking tbh
@@HJsCorn909 Wyman had the bass and amp they needed on stage.
@@HJsCorn909But he still looked like a Rolling Stone and fit in.
Great, the main guitar riff is Micks
Yea he wrote the words and the main riff
Yes. And always thought it was the opposite.
I coulda swore it was an original Richards riff!
@@dynjarren8355 no. Sounds typical Richard's I give you that. Mick was playing it backstage a year before. Sway and Don't Stop are other examples. Sure there's more.
Some zeppelin maybe?
I did a video for Communication Breakdown a while back
It’s Sticky Fingers. You keep calling it Sticky Finger.
I will add the 's' then. Thank you for reminding me lol
@@HJsCorn909 you’re welcome. I’m glad you didn’t think I was being an a-hole about it either. I was genuinely trying to help. What you do here is awesome.
Bravo🥁🥁🥁
is Mick Taylor playing Keith's telecaster on G tuning?
Yea
@@HJsCorn909very nice. never heard mick taylor playing open tunings