Like a steam train starting and just powering up is Charlie’s drums at the start. . I could listen to just that and nothing else . . Simply FRIGGIN AWESOME ! 😎👍🏻
I still think this is the Stones greatest track. It's like Chuck Berry storming the Bastille. CW's swaggering cannons perfectly fit Mick's paean to stupid youthful blood-lust/energy "I'll shout and scream I'll kill the king I'll rail at all his serrrr-vunts!" (don't know why Mick rejected it later. It's the song I keep coming back to...and you're absolutely right about Charlie's locomotive)
I don't understand how someone can create a song from all this. It's various instruments doing their own thing, often not doing much at all, but it comes together to make an incredible song.
I believe this was recorded on an early 8-track machine. I would love to get a hold of the original masters and separate-out Brian's parts. The Klein's own them, so that isn't likely to ever happen.
First time I have managed to hear the sitar on this track. I know that Brian have been credited with playing both sitar and tanpura. But the tanpura is so much more prominent so I thought that people were mistaken. But here it is in all its glory.
@@HJsCorn909 In some of the footage of the BB sessions you see Keith playing an acoustic with a capo on the 2nd fret. That makes sense for both Sympathy for the Devil, which is in E major, and Street Fighting Man, which is easier to play in Open E.
Beggars Banquet/Single 1968
Drums and Percussion 0:04-3:15
Bass 3:17-6:28
Guitars, Sitar, Tambura, Piano and Shehnai 6:30-9:43
Vocals 9:47-12:05
Just wonderful. So many hidden facets.
Always was my favorite song by the Stones and still is HJ! Thanks for the tracks breakdown and RIP CHARLIE.
That song just sounds so massive. Like you are falling into a cloud of sound
Watts is a fucking metronome!!! I'm a drummer and I practice to HIM!!!
Like a steam train starting and just powering up is Charlie’s drums at the start. . I could listen to just that and nothing else . . Simply FRIGGIN AWESOME ! 😎👍🏻
I still think this is the Stones greatest track. It's like Chuck Berry storming the Bastille. CW's swaggering cannons perfectly fit Mick's paean to stupid youthful blood-lust/energy "I'll shout and scream I'll kill the king I'll rail at all his serrrr-vunts!" (don't know why Mick rejected it later. It's the song I keep coming back to...and you're absolutely right about Charlie's locomotive)
I don't understand how someone can create a song from all this. It's various instruments doing their own thing, often not doing much at all, but it comes together to make an incredible song.
The complex "ART" of simplicity is a fine art indeed. less is more. it's all about the groove.
5:40 Keef's bass was very influential for bass in heavy metal
Brian Jones +. ✅✅✅
Yes !
I believe this was recorded on an early 8-track machine. I would love to get a hold of the original masters and separate-out Brian's parts. The Klein's own them, so that isn't likely to ever happen.
He played two notes per coda. You are not missing anything
Within drum technique. My favourite song. Killer fade-out/.
THIS SONG IS ONE OF MY FAVORITES I LOVE YOU THANK YOU SO MUCH
First time I have managed to hear the sitar on this track. I know that Brian have been credited with playing both sitar and tanpura. But the tanpura is so much more prominent so I thought that people were mistaken. But here it is in all its glory.
Keith's bass is evil.
Agreed ! Bill on Altamont version is just as brilliant !
Brian Jones…….’.’.🙏🏿❤️🔥☠️
Très bonne déconstruction. De la chanson des stones. Très bon souvenir
Great,HJ! Thanks!!
ohhh..i like this kinda stuff!
Yes man.
Brian Jones parts made this song great
Is that a young Dave Mason in he photos..?
Yea
I find this fascinating. Have you done this on other tracks?
There's a playlist on my channel
How does Keith have his guitar in the left channel tuned?
Open D
@@HJsCorn909 really? Is he playing a Hummingbird or 12-string guitar? I tried it myself in open D but I wasn't getting the same notes he was.
@@HJsCorn909 In some of the footage of the BB sessions you see Keith playing an acoustic with a capo on the 2nd fret. That makes sense for both Sympathy for the Devil, which is in E major, and Street Fighting Man, which is easier to play in Open E.
5:40 Keef's bass was very influential for bass in heavy metal
Less is more after the mix…