I don't have time to watch this. However, on first glance it is clear that the entire effort is centered around admiration for Morandi's stillife paintings. And in this case I see a giant chasm of abilities in arrangement, design, composition, paint handling, color sense, drawing ability, and any other factor which makes Morandi's works sensitive, charming, valuable, and artistically important by comparison.
Okay, so you won't take the time to hear him out but you _will_ spend the time to ream him out. Got it. By the way, where can we see your creative masterpieces? I'm SURE you must be an unsurpassed artistic genius, and not just another random miserable internet yobbo showing off and being uselessly nasty, right?
Awwwwww, I see you've got no videos to view. WHAT a surprise. C'mon, I want to see the unassailably glorious creative output that affords you the credibility to run your mouth against an artist who's out here taking the chance on showing his work. You're not a frustrated, angry, therapy-needing coward, taking out your issues on the internet are you?
@@EyeLean5280 Helloooo???!! In cased you missed the way art works, you understand it by SEEING it, not by listening to the artist jabber on. Well, I saw his paintings. That tells me everything. As to your other question, yes, my stuff can be seen in various museums and a lot of known collections, but I never sought to make this about me. I must tell you, your snide commentary style is not helping you.
Yes as a conceptual artist he is not bad but he is not good at painting yet. He needs at least another 5 years of daily practice to make it work, even conceptually. Magritte was also not a great painter but he had at least the level where he could make his concepts come alive. The only part of the video I liked was towards the end ( 3:58 ) when he realizes his 'self' is made up from his surroundings. Since he often used the skill of other people to create his art, he is obviously ready to see the liberating part of that. But you can also hide behind it. I wonder if he was subconsciously attracted to Morandi because he desires this poetic identity that is more than the sum of the parts.
I like that he's using modern objects in his still lifes. I notice, too, that removing the labels keeps it from being pop art. I do like pop art, but I kind of feel it's been explored pretty much to its fullest. I agree with him that this approach offers a more timeless feel.
He's a good sales person
I don't have time to watch this. However, on first glance it is clear that the entire effort is centered around admiration for Morandi's stillife paintings. And in this case I see a giant chasm of abilities in arrangement, design, composition, paint handling, color sense, drawing ability, and any other factor which makes Morandi's works sensitive, charming, valuable, and artistically important by comparison.
Okay, so you won't take the time to hear him out but you _will_ spend the time to ream him out. Got it.
By the way, where can we see your creative masterpieces? I'm SURE you must be an unsurpassed artistic genius, and not just another random miserable internet yobbo showing off and being uselessly nasty, right?
Awwwwww, I see you've got no videos to view. WHAT a surprise. C'mon, I want to see the unassailably glorious creative output that affords you the credibility to run your mouth against an artist who's out here taking the chance on showing his work. You're not a frustrated, angry, therapy-needing coward, taking out your issues on the internet are you?
@@EyeLean5280 Helloooo???!! In cased you missed the way art works, you understand it by SEEING it, not by listening to the artist jabber on. Well, I saw his paintings. That tells me everything. As to your other question, yes, my stuff can be seen in various museums and a lot of known collections, but I never sought to make this about me. I must tell you, your snide commentary style is not helping you.
Yes as a conceptual artist he is not bad but he is not good at painting yet. He needs at least another 5 years of daily practice to make it work, even conceptually. Magritte was also not a great painter but he had at least the level where he could make his concepts come alive. The only part of the video I liked was towards the end ( 3:58 ) when he realizes his 'self' is made up from his surroundings. Since he often used the skill of other people to create his art, he is obviously ready to see the liberating part of that. But you can also hide behind it. I wonder if he was subconsciously attracted to Morandi because he desires this poetic identity that is more than the sum of the parts.
Fantastic
Very, very interassing.
I like that he's using modern objects in his still lifes. I notice, too, that removing the labels keeps it from being pop art. I do like pop art, but I kind of feel it's been explored pretty much to its fullest. I agree with him that this approach offers a more timeless feel.
very thiebault