A Cinematic Sneaker Commercial
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- Опубліковано 29 сер 2021
- This was a commercial I was the cinematographer on
Director: Matt Sav
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Love your work man
Love your work man
dud e ur work is also jeffing insane
Te veo en todos lados xD
También en los videos de Jhay Cortez y Mora jaj @Gawx
Pd. Amazing work man! @Lewis
That cool toned ambient room fill light 👌🏽 love to see a breakdown
Breakdown needed!!
SOOOO FIRE!!! Please post lots of BTS and Talk about the Lighting and grading!
obviously we all want to know the LIGHTING! Amazing production design too!
The lighting in the interiors were insane!
Was that a Puma x Butter collab? Absolutely epic
dang! this the coolest ad
can't wait to watch this pretty soon.
insane stuff!!!
Good lord!! So good!
Yeah definitely interested in a breakdown. Awesome vid.
This feel very NOSTALGIC. Dope!!!!
Lighting and VFX breakdown please!
Amazing. Would love this as a music video.
yeeeeesssss! wow bro - so so well done
that was awesome good job!
This is the dopest shit ive seen in a while
room scene light breakdown, good content as always!
wow great work
Omgosh Lewis! This is one incredible work u produced ! I’m your new fan and just noticed u in a week!
Super dope
love love love your work
Massive fan! I'm currently building my own Lantern setup inspired by your video. Thanks for all the nuggets of gold!
So rad dude! You got the gene for making quality stuff.
can't wait to see the breakdown bro! great job!
that was bad ass
Big fan
so good
Great video bro! Very well executed! I really enjoyed the top down camera perspective and overall camera movement! I'd love to hear how you achieved those movements and also just a breakdown of that frickin tasty interior scene!! you're killing it mate! thanks for putting the time in to help educate the people!
This was actually pretty sick!! Nice cinematography
Wow this is epic.
Pure fire, great final track also.
This is SOOOOOO GOOOD!!
So badass. Excellent work.
This was awesome man
So good. So. Damn. Good. Yep you're a true artist with your cinematography. Adding you to my subscription list that has content so good I actually put on the bell notification
Incredible work man!! ❤️❤️❤️
Wow this is awesome!
NO WATYYY U SHOT THIS IVE BEEN TRYNA FIND OUT LOL
So good!! 🔥🔥
Yo, this looked amazing - can't wait for a breakdown of the wide shot when he's putting in the gaming cartridge. I always wonder about lighting setups on wider stuff
Pretty cool man!!
nice, amazing work.
This commercial is fire! What was the budget?
Btw I went on your website & looked a bit what you do, man your work is incredibly good!
I have a soft spot for the handmade neon guy documentary absolutely loved it.
Pleasing to watch such visuals 👏
Great work
🤯
Love it! Some insight into the lighting in the bedroom would be awesome. It looks really crafted but at the same time natural.
yo this was tight
this is sick
Dope bruh, I love Butter Goods.
Would love to know about the opening sequence - did you shoot it at the blue hour time of day or is it closer to a day for night, made blue in the grade? It’s lovely and consistent
sick videi bro. I love the komodo
insane
Cool work! Looking forward for the breakdown. Did you use old soviet anamorphic lenses?
man, your work is amazing! where do you look for inspiration and lighting references during the preproduction phase?
This is great! So much dynamic camera movements in the beginning - did you use a crane?
Amazing commercial! Your camera is immaculate on every frame! Been struggling with cinematic movement in relation to blocking and would love to get an insight onto your process regarding blocking on this commercial
Wow.. if you were selling T shirts, I would buy one right now. Definitely looking forward to the breakdown and how you lit the room.
Love it. What is the crop for this add? How often do you crop with anamorphic?
Incredible job! Do you keep a constant white balance in your interior and exterior shots? I often need to change it up to adjust for practical city lights, but have a hard time making the transition to interiors look seamless. Always something off about it. Yours worked so well!
Niiiice 🔥
Amazing ad , love your work , how did you light up the interior scene ? What lens and lights did you use ?
coldd
buttergoods !! always great !! how do u made the "top head" shots ( like the streets, the tree, and him going up at home ? )
Amazing man ! How did you make the scene where everything starts to shake and he goes into the tv ? Also, what kind of crane did for this shoot ? Thanks maestro !
Nice work! How do u got ur shadows lit? I heard about Komodo suffers in dark key and gets noisy.
amazing camera work! how did you do the storm effect?
I have a serious question. Is that from a gunshot on the bottom right of the TV? How is it still working? Also, what flavour chewing gum is the guy chewing? If I look back to the TV I assume it's cherry flavour.
Awesome work man! What does your pre production look like for an Ad like this?
Please tell me the name of the song in the end....it's dope!!
Simply spectacular as always Lewis - will you be doing a separate vid on how you directed this shoot?
Yeah I will be, but I was the DP, it was directed by my friend Matt Sav
Hey Lewis, Love your work and video's! I was wondering if you could show a lighting plot for this video? Thank you!
and the camera you used ? Thanks for the content
how did u do the ”suck into tv” thing? love it :)
WOW
This is so damn cool! Was this for Kickz? The music / sound design is also *chefkiss. Love ur work
Subscribes immediately *
I love your work so much! Would love to hear your thoughts on the making of this!
This reminds me I'm in my 30s
how to create this old school game vibe?
low 3d model and 3d space
Nossa ❤
the light on the wall in the background at 0:28 - did you put a light source outside and lit through the blinds? or did you simulate it?
Filming in EXT is so damn hard...
what song is the beginning?
What were you using for camera movement on the 1st close up of the shoes?
How did you do the animation?
Thumbnail shows Komodo and Atlas anamorphics, so did you just pre-frame with the scale in mind for post since those are x2 and Komodo is S35?
The squeeze of the anamorphic lenses don’t have anything to do with sensor size, but rather the aspect ratio of the sensor.
@@cineveriteproductions-1864 I should’ve specified the sensor size. You would have to frame the shot on Komodo knowing that a decent amount of your frame on each side is going to be gone. Otherwise you’d have a super thin anamorphic shot, you would have to scale up to a true anamorphic frame.
@@westwebb No worries - I think the Komodo has an anamorphic crop mode where it crops into a 4:3 aspect ratio. That way it previews in the correct aspect ratio as well as saves the crop in post. I could be wrong on that though, I don’t own a komodo
Song ID at the end??
How are you getting such nice craning movement? I assume it was a condor, but I'd love to hear more.
me as well!
Waking up this morning remembering the existence of a jib. 😂
Yo yo, wanted to know how shooting a commercial like this compares to shooting narrative films?
Damn, what was the budget on this? For live production and VFX
Task 12
Tell us everything about this video 🙃
Those noise looks like film grain! Could you make a tutorial?
haha fuck that was sick
Puma are best
This is farud anybudy don't play this