Ophelia Painting | World's Greatest Paintings | S01 E09

Поділитися
Вставка
  • Опубліковано 7 лют 2025
  • Andrew takes a close look at a John Everett Millais painting entitled "Ophelia," and he shares details about the Pre-Raphaelite Brotherhood of which Millais was one of the founders that challenged the artistic establishment at that time.
    Welcome to the World's Most UA-cam Channel, where we bring your full-length documentaries and gripping stories from the dramatic to the terrifying, with some of the most cutting-edge designs.
    Immerse yourself in the fascinating world of the most incredible hotels, the wildest holidays, the greatest paintings in the world and some of the most exciting thrillers.
    Subscribe to our channel: / @worldsmostchannel-v3e

КОМЕНТАРІ • 6

  • @jeanwillis7774
    @jeanwillis7774 17 днів тому

    Truly love the Pre-Raphaelite
    Brotherhood, great to see it here.. ♥️🇨🇦

  • @jeanwillis7774
    @jeanwillis7774 17 днів тому

    Millais was an extraordinary artist,I love hearing how it came about…♥️🇨🇦

  • @JayTee-i9z
    @JayTee-i9z 23 дні тому +1

    One of the jewles of the art world

  • @ericswain4177
    @ericswain4177 16 днів тому +1

    WHO says they are the World's Greatest Paintings ! yes, they may be moving or what have you in their own right yes BUT ! do not be brainwashed by the ELITESTS ! This is one of the sad things I find in the art world. NEVER be afraid to share your true LIKE or DISLIKE of an Artwork, be sure its is your viewpoint and not what you have been told, swayed, led to believe, or what the masses say, or is popular, etc... Yes Art is very judgemental get used to it the Critics do so should you. If the "Emperor has no close" then Say it. It is no more evident than in the Contemporary art market today, if good and bad Art were based on The Truth of the public Majority The art market world would be a radically different place I believe.

  • @michaeljohnangel6359
    @michaeljohnangel6359 16 днів тому +1

    Sigh. All the usual nonsense, incorrectly collating 21st-century prejudices with 19th-century aesthetics, and all expressed in tired clichè.