That was awesome Simon, thanks! I'll watch this over several times. I just recently started playing a lot again recently and discovered black metal when I wasn't playing as much. Lots of good info here!
Great Lesson Mate, Reminded me of when Marty Friedman was jamming with Paul Gilbert, Paul said to Marty what key are you in, Marty said none, both approaches can work, you did some great examples of that.
In fact I'm very grateful for your teachings, they helped me a lot in so many ways who you don't even imagine. Finally I can show you some kind of support buying you course. I didn't realize you had a Patreon witch I will also subscribe.
Earlier, today, I was thinking about your Black Metal Scale Lesson, especially the Blues Scale and the Double Harmonic Scale, used in the Black Metal context.
I've been trying to bring in more of the "feel" approach, while improvising. I usually use the "theory" approach more, but it's always a bit of both. And I have plenty of holes in my theory (which I don't mind taking a lifetime to fill). Thanks, again, Simon! Great Lesson and Tips!
Really well explained Simon , theory is hard to forget when ya know it : ) Great lesson , you take the time to explain and simply , clever lesson mate !! I 'm thinking about giving a lesson on modes , but so many , you're chord lesson is really good , of course triads are usefull , biads too ( simple power chord LOL) Happy week : )
On the topic of theory, have you listened to the new e-minor song from watain, serimosa? A lesson on that would be amazing, that song has such a good atmosphere.
Thanks Simon, 'feel' is one thing, but the more you understand what you're working with, more you can explore and express.
That was awesome Simon, thanks! I'll watch this over several times. I just recently started playing a lot again recently and discovered black metal when I wasn't playing as much. Lots of good info here!
Great Lesson Mate, Reminded me of when Marty Friedman was jamming with Paul Gilbert, Paul said to Marty what key are you in, Marty said none, both approaches can work, you did some great examples of that.
Wonderful! Thank you
Your tone and tuning sound so good
This is what I'm needing right now... thanks Simon!
thank you for your effort.
Heeeey, my question got answered! That was fast :D Great video and very insightful. Thanks Simon!
Buyed! You helped me a lot and for free since I bought my first guitar 3 years ago. Aways a pleasure.
🙏👊
Thanks for sharing your knowledge. I Will teach it to my students 😁. Cheers from Indonesia
In fact I'm very grateful for your teachings, they helped me a lot in so many ways who you don't even imagine. Finally I can show you some kind of support buying you course. I didn't realize you had a Patreon witch I will also subscribe.
Thanks brother! Much appreciated
I always love your Theory Lessons, Simon! Thank you! Great stuff! I always appreciate D Minor/F Major!
Earlier, today, I was thinking about your Black Metal Scale Lesson, especially the Blues Scale and the Double Harmonic Scale, used in the Black Metal context.
I've been trying to bring in more of the "feel" approach, while improvising. I usually use the "theory" approach more, but it's always a bit of both. And I have plenty of holes in my theory (which I don't mind taking a lifetime to fill). Thanks, again, Simon! Great Lesson and Tips!
My pleasure mate!!
Amazing lesson Simon thank you \m/
Nice, clear explanation mate. Very similar to how I explain it to students.
The fifth degree of the scale is a dominant chord (flat 7th) and the seventh degree is half diimished
Really well explained Simon , theory is hard to forget when ya know it : )
Great lesson , you take the time to explain and simply , clever lesson mate !!
I 'm thinking about giving a lesson on modes , but so many , you're chord lesson is really good , of course triads are usefull , biads too ( simple power chord LOL) Happy week : )
Thanks for the comment mate!
Great video Simon, that was awesome man 😀🤘🎵🔥🔥🔥
Cheers matey!!
Great vid!
i always just go with my ear, but if i get stuck ill reference theory
D minor the saddest key learn that from spinal tap
Takes the saddness to 11: the highest volume of sadness.
How do you get that tone, it is so perfect
Belphegor's Blackest Ecstasy took good note of this video.
Nice!
This is just classic harmony :)
black metal harmony = modal mixture & chord interchanges
Legend.
what i dont understand is once you make your riffs loop, how do you connect riffs in cadence
On the topic of theory, have you listened to the new e-minor song from watain, serimosa? A lesson on that would be amazing, that song has such a good atmosphere.
Not yet. But I will now!
Thanks Simon...ImI...ImI
It would be hard to hear with all the dark screams of anguish and doom. 🤟😎
i have no clue with music theory but i juts watched the whole thing for the playing
Hey Simon can you make some Vinterland lessons
🤘🏻🤘🏻
4:16 so is D Minor “D-E-F” or D-F-A sorry…?
I understand nothing 😊
Nor do I!
քʀօʍօֆʍ 😊
Too much theory Sir.....just show it to us🤟🏻
sure I'll start learning basic music theories by playing BLACK METALLLLLLL