Great demo, Daniel! (No surprise there whatsoever) I loved my first Gray Meanie ARP 2600, in 1971, and my Last Model ARP 2600, from 1980, (which I still have). In *many* ways, that most folks aren't aware of, the "full family" of the *four* primary models of the ARP 2600 consist of four nontrivially different instruments. It appears that Behringer did a very good job of retaining the authenticity of the original ARP 2600 physical models, while adding some *extremely* useful, nice, and handy new technology, circuitry, and features in their three ARP 2600 reimaginations. So, my only question now is, "How and where in the heck am I going to place and mount the Behringer 2600 Analog Synth in my studio furniture configuration?".
A complete 2600 clone exists for $600. Think about that. Incredible. edit: This is, by far, the best look at Behringer's 2600 that I've seen. Excellent job Daniel Fisher.
Fun Fact: Ben Burtt used an ARP 2600 to create various sounds in the original Star Wars films as well as Raiders of the Lost Ark. sounds include: R2-D2 The Winds of Tatooine (very similar to 9:17) The Tractor Beam Ambience The X-Wing Laser Cannon The Ghosts inside Ark of the Covenant (later reused and slightly modified for Return of the Jedi) Etc.
Finally a demo that shows the synths full range and features and will finally silence the critics who said it sounds nothing like original. It sounds just as it should just someone playing it for once that knows what they are doing. Bravo
Anyone who uses “analog synth” and “should sound like” in the same sentence is either splitting hairs or doesn’t know what they are talking about. Analog synths are so incredibly configurable that “should sound like” makes little or no sense. A little tweak of a filter or envelope and you have a new sound. Given similar components, and a bare minimum of quality, you should be able to get very similar sounds from virtually any synth. Dissing the Behringer 2600 seems to me like sour grapes coming from people who paid a great deal of money for something very similar and want to hang on to their bragging rights.
When I studied electronic music composition with analog synthesis way back in college, I never dreamed that it would have such a massive amount of interest decades later. I've always liked analog synths - great to see new instruments like this being built. This is a very powerful synth!
@@dddayesq5061 I wonder. I mean, everyone said analog synths were dead back when you could buy an analog synth for $200 used. But I can't see people wanting old Romplers. Not that the SY85 was merely a rompler, because it was more than that, but still.
@@dddayesq5061behringir is reaping benefits of being the sole producer of analog chipsets. They will milk the nostalgia train as long as they can. But I would say that winds are changing slowly and more digital synths are being introduced lately (hydrasynth, korgs trilogy of mini synths, arturias mini freak etc). Seems like not being analog is not a no-no anymore:)
I think all are welcome,DCOs can sound amazing, and a thin, boring sampled tone can sound great mixed with a purely analog oscillator. Modeling synths are still brilliant, even the ones not sought after. My Novation Bass Station is not ready for the trash heap. It is plasticky and limited and it is quite vast sonically considering all. I think that throwing away a working synth is like the equivalent of burning a book, up to a point. Put a child’s keyboard through a chain of 3 nice guitar pedals and then soak that in. 🎹
Behringer is definitely opening many doors for starting musicians... I've seen many videos of their synths what you get for the price is unprecedented ...
The 3 Arpeggiations reminded me of the original Terminator movie when the machines were hunting the humans in the post nuclear war wasteland. Badass stuff there my friend.
Certainly the best demo so far of the 2600's completely analogue organic side as a sound scape machine and shows how you can go from one sound something very different in a smooth non quantised way and its a bargain price, try to make this from eurorack modules and it will be double or triple the price with a huge amount of patch wiring.
GREAT demo! Borrowed an original in the 90s and recorded a LOT of interesting tracks/damage with it. This one seems event better... AND with MIDI. Soooooo tempted....
I didn't realize how amazing this bad boy was. Sort of wish it did have a "patch" preset ability. I guess u just snap a picture and use that for reference. I want mega tactile synths in my next setup. This screams hands in, screw you daw! Love it!
Your demos are the best.i really enjoy every one of them.The Sounds you create on these Synthesizer are amazing. It cleary shows thats it is more about theknowlegde of the operating principle than the devices itself.
Thanks Daniel, Your demo is light years ahead of any others that I've heard thus far. I've been able to live without many of the synths that I was initially keen on buying, but I'm not sure I can leave this one out of my collection after this.
This one is a real GAS inducing one. Such a unique and legendary piece. Nothing like it. I would use it just for fx and weird noises, or some crazy leads.
My goonass-it’s awesome! I can’t imagine any well-rounded synthesist not having a 2600 or this remarkable clone, which is very much better than the original (especially with the newer, faster op amps and the stereo routing). Just amazing-thanks Dan!
Daniel, you are a treasure trove of endless synthesis. Your synthesis is always high quality and mind boggling. You cause my pockets to empty ha ha ha ha. :D
It’s video walkthroughs like this that are the main reason I buy all my gear from you guys! Thanks for doing this one too-I love it! This is my next order (well, the blue meanie, anyway) 😁👍☎️
Insane! These are about £550 in the UK. That's like someone making a Lamborghini Miura replica, with better brakes, a reliable engine, and putting a £10 RRP on it.
I have a question. In a semi-modular, I understand the idea of using modulation sources in a semi-modular (just like in Eurorack). But what about the VCO inputs to the filter? If you don't route a VCO to the filter, it's going there anyway. What's different when you use a patch cable to do the same thing? I'm guessing that it's not the same thing. But how?
Hi barnabascee1889. There's nothing different if you use a patch cable to make a connection that's already "normalled" that way. But... you could send something entirely different to that Filter input (even an audio source from a different synth). Or, you could patch the oscillator to an outboard effect pedal and then bring it back to the Filter input. There are so many possibilities... but that's the whole point of modular. -_Daniel_
Curious to see a head-to-head vs. the Korg mini 2600 with the built in spring reverb to see if there’s something there that justifies being 3x the Behringer cost.
Might as well invest on the Blue Marvin or Grey Meanie range of the 2600 for a 100 bucks more. Exactly the same except different colours and a real spring reverd.
@@EvilDragon666 I too prefer the orange on black with various colours of leds, but to each to their own. I really don't mind if it's not an 100% accurate replica of the 2600 or if it doesn't have a real spring reverb, it's still a semimodular beefcake for the price!
Does anyone know if the patch points in the Behringer 2600 are voltage compatible with those in other Behringer synths like the Neutron, Model D, Kobol Expander, or K2?
I really enjoyed that demo Daniel. Your demos are always great. I've been tempted by this synth for a long time. I keep thinking of Herbie Hancock and Sextant...the water sounds he got out of the synth........it's very whacky and a great sci fi noise machine
my favorite part of a real 2600 is smacking it on the side to invoke the spring reverb - don't think digital will cut it. can't wait for the Behringer octave cat
Hi logiclust. Behringer is also releasing a blue panel and gray panel version of the 2600: www.sweetwater.com/store/search.php?s=behringer+2600 These two *will have* an actual spring reverb for you to smack. Thanks for watching! -_Daniel_
In some far flung corner of the galaxy (a.k.a a basement office in a public radio broadcasting building ), I imagine Stephen Hill is watching this review and drooling over your jams. He may just ask you to perform on "Hearts of Space". :D
Ahh exactly what I wanted to see! Professor Daniel givings us a lesson! Wondering if you guys are going to carry the Blue Marvin and the Grey Meanie versions!!! Please!!!
Inspiring Daniel! You sure know your way around that synth, not to mention the keystep, beat buddy and delay. I got my 2600 a few weeks ago. I’m integrating it with Reason 11 and using a Kenton Pro Solo MK III to translate CCs to control voltages. With the Pro Solo I also get another ADSR envelope, another clock and another LFO thrown into the bargain. Top this off with a Touché SE and, after viewing this video I think I have a skill level to aspire to (been a synth hobbyist since Roland released the SH 1000).
OMG--- wow.. I am getting an idea that combining this with my supernova II digital synth I could just midi in to this all the midi values I can work with,.. I am thinking that with the max 8 programming midi interface I could oscillate everything in the parameters too,.. but only if it sounds good of course,.. I worked with an Arp 2600 in 1984 and 1986 in college electronic music class,.. just a few time though but enough to use the sequencer things. ,..
According to Behringer’s marketing video, the limited editions use better quality components. No idea what that means. And it kind of infers the regular version uses inferior components which I don’t think they were wanting to infer at all. Hasn’t put me off ordering my own regular version, it sounds amazing in this video
Hi marzzz1. The Behringer marketing text has caused more than a little confusion, but the "better components" text was also used in some black/orange 2600 marketing. That means that the "better components" comment used for all three Behringer 2600 versions is in comparison to the ARP 2600. Thus, the Grey Meanie and Blue Marvin versions are different only in their panel color, LED colors, and digital vs. spring reverb. Hope this helps. -_Daniel_
This was on Bob Keeble’s FB “An update…I did have input into the Blue Marvin version, in terms of sound quality but not the use of the spring reverb. Filter cap type and value tolerance does affect the sound, so using 1% PPS caps will sound better than 10% ceramic. You will hear the differences in the resonance response.” So hopefully that finally clears things up. Except...does that also include the Grey Meanie? Oh no! It begins again!
Seems like the type of synth I'd get, spending hours having fun making nonsense tones and sounds, and never actually applying it to any actual songs. Great demo by the way
@@djkurtstudio nope...releasing music is the peak but i like fucking around so much I'd be happy if that's all it amounted to...endless fun with things I can't afford stops me stealing cars... keep rockin the knobs KurtO!!!!!
No, for one they both have different filters. Secondly as said by Dan you can use the Odyssey as the midi controler, giving you the 2 powerfull fat oscillators of the Odyssey and the 3 fat oscillators of the 2600 on each key press:). Plus if you wanted to you could run the audio of the 2600 through the Odyssey which would allow you to use the Odyssey's effects section on the 2600 sound, along with the sequencer. Lots of other possibilities including CV options when using the 2 together. Plus....it's all gunna match visually:)...look sick!!
My question as well. Was planning on getting this, but got an Behringer Odyssey, and love it. Not finding too much difference between their sounds. Though it *appears* as if the 2600 may have more modulation options. Despite different filters, and an extra oscillator on the 2600... I just find so much similarities in the sound. If anyone can correct me or tell me I'm wrong, or send me to demos characterizing the differences... please do.
Thanks for checking out the Behringer 2600 Analog Synth with us! Don't forget to like, comment, and subscribe for more!
Great demo, Daniel! (No surprise there whatsoever) I loved my first Gray Meanie ARP 2600, in 1971, and my Last Model ARP 2600, from 1980, (which I still have). In *many* ways, that most folks aren't aware of, the "full family" of the *four* primary models of the ARP 2600 consist of four nontrivially different instruments. It appears that Behringer did a very good job of retaining the authenticity of the original ARP 2600 physical models, while adding some *extremely* useful, nice, and handy new technology, circuitry, and features in their three ARP 2600 reimaginations.
So, my only question now is, "How and where in the heck am I going to place and mount the Behringer 2600 Analog Synth in my studio furniture configuration?".
what is the decay that you are using
A complete 2600 clone exists for $600. Think about that. Incredible. edit: This is, by far, the best look at Behringer's 2600 that I've seen. Excellent job Daniel Fisher.
Fun Fact:
Ben Burtt used an ARP 2600 to create various sounds in the original Star Wars films as well as Raiders of the Lost Ark.
sounds include:
R2-D2
The Winds of Tatooine (very similar to 9:17)
The Tractor Beam Ambience
The X-Wing Laser Cannon
The Ghosts inside Ark of the Covenant
(later reused and slightly modified for Return of the Jedi)
Etc.
Have to say, that demo was just insane! 👏🏻👏🏻
Finally a demo that shows the synths full range and features and will finally silence the critics who said it sounds nothing like original. It sounds just as it should just someone playing it for once that knows what they are doing. Bravo
Anyone who uses “analog synth” and “should sound like” in the same sentence is either splitting hairs or doesn’t know what they are talking about. Analog synths are so incredibly configurable that “should sound like” makes little or no sense. A little tweak of a filter or envelope and you have a new sound. Given similar components, and a bare minimum of quality, you should be able to get very similar sounds from virtually any synth. Dissing the Behringer 2600 seems to me like sour grapes coming from people who paid a great deal of money for something very similar and want to hang on to their bragging rights.
@@Mike__G so true
It's pretty amazingly musical what you do with this 2600, Daniel. Loved watching it.
What a marvelous demonstration, Daniel! Always wanted a 2600, and you completely sold me. All a matter of raising the funds now.
When I studied electronic music composition with analog synthesis way back in college, I never dreamed that it would have such a massive amount of interest decades later. I've always liked analog synths - great to see new instruments like this being built. This is a very powerful synth!
@@dddayesq5061 I wonder. I mean, everyone said analog synths were dead back when you could buy an analog synth for $200 used. But I can't see people wanting old Romplers. Not that the SY85 was merely a rompler, because it was more than that, but still.
@@dddayesq5061behringir is reaping benefits of being the sole producer of analog chipsets. They will milk the nostalgia train as long as they can. But I would say that winds are changing slowly and more digital synths are being introduced lately (hydrasynth, korgs trilogy of mini synths, arturias mini freak etc). Seems like not being analog is not a no-no anymore:)
@@artephank yep digital is everywhere, has always been and, I expect, will always be.
I think all are welcome,DCOs can sound amazing, and a thin, boring sampled tone can sound great mixed with a purely analog oscillator. Modeling synths are still brilliant, even the ones not sought after.
My Novation Bass Station is not ready for the trash heap. It is plasticky and limited and it is quite vast sonically considering all. I think that throwing away a working synth is like the equivalent of burning a book, up to a point. Put a child’s keyboard through a chain of 3 nice guitar pedals and then soak that in. 🎹
Incredible demo Daniel. You really know how to bring out a great sample of the huge range of sounds the 2600 is capable of
As usual excellent and inspiring video! Thank you 💫
wow, this demo blew me away. captivating!
That BeatBuddy jam was epic!😎
Daniel Fisher. Occupation - Best job in the world!
Behringer is definitely opening many doors for starting musicians... I've seen many videos of their synths what you get for the price is unprecedented ...
I disagree. Hardware is difficult to make recorded music with compared to freeDAWs
@@decapitateallcops3214 Disagree with what?
@@decapitateallcops3214 no, it is not hard.
The 3 Arpeggiations reminded me of the original Terminator movie when the machines were hunting the humans in the post nuclear war wasteland. Badass stuff there my friend.
The 3 Arpeggiations was cosmic beauty bro.
Certainly the best demo so far of the 2600's completely analogue organic side as a sound scape machine and shows how you can go from one sound something very different in a smooth non quantised way and its a bargain price, try to make this from eurorack modules and it will be double or triple the price with a huge amount of patch wiring.
Holy shit, curious droid comment on a synth video!
Curious Droid is into synths? Awesome!
Daniel doing a synth demo is bad news for my pocket :-)
Yeah, I just bought the MonoPoly yesterday, why am I watching this?!
HAHAHA!
👍🏻😁
GREAT demo! Borrowed an original in the 90s and recorded a LOT of interesting tracks/damage with it. This one seems event better... AND with MIDI. Soooooo tempted....
Just got the Blue Marvin. Yay!!!
Excellent presentation!
I'm hooked! Your demo is very clear.
10:00 The Who's Tommy movie... when the train leaves in Overture :D
Respect to Behringer and limitless admiration to Daniel Fisher.
I didn't realize how amazing this bad boy was. Sort of wish it did have a "patch" preset ability. I guess u just snap a picture and use that for reference. I want mega tactile synths in my next setup. This screams hands in, screw you daw! Love it!
It is just lovely to see 2 such beautiful machines make so amazing sounds toghetter. Pure magic.
Couldn't agree more!
Your demos are the best.i really enjoy every one of them.The Sounds you create on these Synthesizer are amazing. It cleary shows thats it is more about theknowlegde of the operating principle than the devices itself.
Thanks Daniel, Your demo is light years ahead of any others that I've heard thus far. I've been able to live without many of the synths that I was initially keen on buying, but I'm not sure I can leave this one out of my collection after this.
This one is a real GAS inducing one. Such a unique and legendary piece. Nothing like it. I would use it just for fx and weird noises, or some crazy leads.
straight up, this is the best demo of a piece of gear I have ever seen.
Wow! Reminds me of playing with a Moog for hours back in the 70’s. Endless creations.
Best demo so far, showing a little of what one can do with this sweet beast... 👍🏻
Excellent demo, Daniel Fisher. The climax toward the end is outstanding - very versatile. That should sell a boatload.
My goonass-it’s awesome! I can’t imagine any well-rounded synthesist not having a 2600 or this remarkable clone, which is very much better than the original (especially with the newer, faster op amps and the stereo routing). Just amazing-thanks Dan!
Best explanation of a 2600 I have ever seen.
Wow! Thank you, Kevin! -_Daniel_
Best demo I've seen, by far.
Daniel Fisher is a national treasure.
Wow, some great jams to be found here
Daniel, you are a treasure trove of endless synthesis. Your synthesis is always high quality and mind boggling. You cause my pockets to empty ha ha ha ha. :D
Thank you Mr. Daniel Fisher for this wonderful presentation !
I’ve had mine since before Christmas. It’s an amazing bit of kit. Endless fun.
The Arp2600 has been my all time fave synth of all for the past two yrs,and I think I might have to get the grey meanie at some point🗽🛸
It felt like I was flying in space! Very soothing!
Hi Ave Mcree. You are flying in space. It's just that your spaceship is very, very, very big. Thanks for watching! -_Daniel_
best demo on UA-cam
It’s video walkthroughs like this that are the main reason I buy all my gear from you guys! Thanks for doing this one too-I love it! This is my next order (well, the blue meanie, anyway) 😁👍☎️
Excellent demo!
Thank you, Daniel, for showing me why I need a BARP 2600.
Insane!
These are about £550 in the UK. That's like someone making a Lamborghini Miura replica, with better brakes, a reliable engine, and putting a £10 RRP on it.
Thankuuuu for my B2600 that I bought in 2020
This so much reminds me of playing with my first synthesizer a Roland SH-09 back in 1982
The Sweetwater reviews outperform by and large those of SOS Bratwurst and is always a pleasure to view
@sweetwater, You're getting some really cool Rush "Tom Sawyer" vibes at around 15:48 or so :D.
I preordered with Nick my sweetwater agent. Aug, I should have my dream synth. Thankuu Lord
As always, Daniel does it best. Kudos!
Best synth channel on YT
Love the early 80s sci-fi sounds!
8:30 that noise sounds just great.
That's my favorite part! Really nice! :D
Agreed!
Yes and its good sounding filter too.
Sounds like there is delay effect added too.
Yeah ,really impressive it is able to produce realistic sound of the wind or océan
The central piece of equipment of my studio gear.
that was an amazing jam at the end!!
Thank you! I wanted to hear someone use it.
Thanks Daniel Fisher for your always inspirational and great reviews. Simply amazing.
GREAT! Thank you! Greetings from Slovakia!
20 minute mark is mind blowing !
I have a question. In a semi-modular, I understand the idea of using modulation sources in a semi-modular (just like in Eurorack). But what about the VCO inputs to the filter? If you don't route a VCO to the filter, it's going there anyway. What's different when you use a patch cable to do the same thing? I'm guessing that it's not the same thing. But how?
Hi barnabascee1889. There's nothing different if you use a patch cable to make a connection that's already "normalled" that way. But... you could send something entirely different to that Filter input (even an audio source from a different synth). Or, you could patch the oscillator to an outboard effect pedal and then bring it back to the Filter input. There are so many possibilities... but that's the whole point of modular. -_Daniel_
I am mesmerized by this video. Awesome product.
Very nice demonstration of what this synth can do!
Station to Station intro. Dope.
Wow, what a great demo!
Ultimate drone machine.
Curious to see a head-to-head vs. the Korg mini 2600 with the built in spring reverb to see if there’s something there that justifies being 3x the Behringer cost.
That's one helluva spring there.
Might as well invest on the Blue Marvin or Grey Meanie range of the 2600 for a 100 bucks more. Exactly the same except different colours and a real spring reverd.
@@Gyrbae TBH I like the color coded LEDs of the black-orange one, and I don't care for the spring reverb...
@@EvilDragon666 I too prefer the orange on black with various colours of leds, but to each to their own. I really don't mind if it's not an 100% accurate replica of the 2600 or if it doesn't have a real spring reverb, it's still a semimodular beefcake for the price!
You make anything sound great Daniel!!! Amazing... thanks for sharing!
wow! fantastic demo!
Glad you like it!
Does anyone know if the patch points in the Behringer 2600 are voltage compatible with those in other Behringer synths like the Neutron, Model D, Kobol Expander, or K2?
awesome demo!
I really enjoyed that demo Daniel. Your demos are always great. I've been tempted by this synth for a long time. I keep thinking of Herbie Hancock and Sextant...the water sounds he got out of the synth........it's very whacky and a great sci fi noise machine
9:25 Wish You Were Here Pt...... 5??? :)
I will say, you guys definitely do seem to do a pretty good job of demoing units
Some old school Dr Who type sounds, awesome!
I'm currently building up a Behringer System 100 modular, not ready yet... but will be soon!
my favorite part of a real 2600 is smacking it on the side to invoke the spring reverb - don't think digital will cut it. can't wait for the Behringer octave cat
Hi logiclust. Behringer is also releasing a blue panel and gray panel version of the 2600:
www.sweetwater.com/store/search.php?s=behringer+2600
These two *will have* an actual spring reverb for you to smack. Thanks for watching! -_Daniel_
I'm so excited about this!
In some far flung corner of the galaxy (a.k.a a basement office in a public radio broadcasting building ), I imagine Stephen Hill is watching this review and drooling over your jams. He may just ask you to perform on "Hearts of Space". :D
I want 10 of them. Good job on the video!
Great demo Daniel - as usual! 👍
Fabulous demo showcasing some of the synthesis capabilities and sounds. Really enjoyed this one. 👍🏼🌈👍🏼
Daniel Fisher is a musical genius.
It's twew! It's twew! -_Daniel_
Ahh exactly what I wanted to see! Professor Daniel givings us a lesson! Wondering if you guys are going to carry the Blue Marvin and the Grey Meanie versions!!! Please!!!
They are. Contact your sales representative and tell them you want on ze list.
Great demo. Really creative sounds. Thanks.
Sounds Amazing !
Fantastic demo, thank you!
Inspiring Daniel! You sure know your way around that synth, not to mention the keystep, beat buddy and delay. I got my 2600 a few weeks ago. I’m integrating it with Reason 11 and using a Kenton Pro Solo MK III to translate CCs to control voltages. With the Pro Solo I also get another ADSR envelope, another clock and another LFO thrown into the bargain. Top this off with a Touché SE and, after viewing this video I think I have a skill level to aspire to (been a synth hobbyist since Roland released the SH 1000).
Hi Mike. The Touché SE will be very handy for the 2600. Thanks for the awesome comments! -_Daniel_
I’m so glad Behringer came out with the individual 2600 oscillators, prime numbers is unlucky! Lol
OMG--- wow.. I am getting an idea that combining this with my supernova II digital synth I could just midi in to this all the midi values I can work with,.. I am thinking that with the max 8 programming midi interface I could oscillate everything in the parameters too,.. but only if it sounds good of course,.. I worked with an Arp 2600 in 1984 and 1986 in college electronic music class,.. just a few time though but enough to use the sequencer things. ,..
Aside from the face color and the spring reverb, are there any other differences between the basic black/orange vs the Grey Meanie and Blue Marvin?
According to Behringer’s marketing video, the limited editions use better quality components. No idea what that means. And it kind of infers the regular version uses inferior components which I don’t think they were wanting to infer at all. Hasn’t put me off ordering my own regular version, it sounds amazing in this video
Hi marzzz1. The Behringer marketing text has caused more than a little confusion, but the "better components" text was also used in some black/orange 2600 marketing. That means that the "better components" comment used for all three Behringer 2600 versions is in comparison to the ARP 2600. Thus, the Grey Meanie and Blue Marvin versions are different only in their panel color, LED colors, and digital vs. spring reverb. Hope this helps. -_Daniel_
This was on Bob Keeble’s FB
“An update…I did have input into the Blue Marvin version, in terms of sound quality but not the use of the spring reverb. Filter cap type and value tolerance does affect the sound, so using 1% PPS caps will sound better than 10% ceramic. You will hear the differences in the resonance response.”
So hopefully that finally clears things up. Except...does that also include the Grey Meanie? Oh no! It begins again!
The Xmas version supposedly has ceramic caps.
Well, I ended up with the black/orange (courtesy Ted Hunter), and it is brilliant. Don't feel like I need the spring reverb.
Great journey into synthesis!
I gots to get me one of these!
I just got one of these and this is the best demo I've seen so far. You know your stuff!
Seems like the type of synth I'd get, spending hours having fun making nonsense tones and sounds, and never actually applying it to any actual songs. Great demo by the way
+1 here dude...it's my crack...
@@desiolle2874 So it's not just me!
@@djkurtstudio nope...releasing music is the peak but i like fucking around so much I'd be happy if that's all it amounted to...endless fun with things I can't afford stops me stealing cars...
keep rockin the knobs KurtO!!!!!
As a Behringer Odyssey owner does 2600 make owning Odyssey obsolete?
No as a matter of fact you can use the odyssey as the midi controller.
No, for one they both have different filters.
Secondly as said by Dan you can use the Odyssey as the midi controler, giving you the 2 powerfull fat oscillators of the Odyssey and the 3 fat oscillators of the 2600 on each key press:).
Plus if you wanted to you could run the audio of the 2600 through the Odyssey which would allow you to use the Odyssey's effects section on the 2600 sound, along with the sequencer.
Lots of other possibilities including CV options when using the 2 together.
Plus....it's all gunna match visually:)...look sick!!
This doesn't at all compare to Daniel's review of the Korg reissue, so I would say no.
My question as well. Was planning on getting this, but got an Behringer Odyssey, and love it. Not finding too much difference between their sounds. Though it *appears* as if the 2600 may have more modulation options. Despite different filters, and an extra oscillator on the 2600... I just find so much similarities in the sound. If anyone can correct me or tell me I'm wrong, or send me to demos characterizing the differences... please do.
@@lashtal it's a different VCF
Is in Absolute il clone super
Great demo again 👏🏻👏🏻
What a effect device He using by the side ?
Hi marcusmichel. Near the end of the video @24:02, I'm using the Source Audio Nemesis Delay. Thanks for watching!
-_Daniel_