I am no expert but I hear a beautiful fullness in her voice, I've not noticed before. I'm surprised this performance hasn't had more views, there's sadly lots of people missing out !
Wow...I am speechless. This is one of the best interpretations I have heard or seen. Unique, original and magnifique. Thanks for sharing this wonderful interpretation so we the opera lovers can enjoy it .
you dont understand italian, so you dont know what shes singing! if you like her voice, o.k. but please do not say her performance is the best. hear other singers! i like her voice, she sounds nice. also boring, it must be faster, easyer. this is not her temper and her caracter too...
Well, I'd imagine being among the top MEZZOS today, she knows better her own voice than some people on you tube. Have you heard her in Carmen? I have, and live, and she most certainly sounded like a mezzo and had no issues with low register.
D'accord avec Ole Nielson, c'est sûrement la nouvelle Frederica Von Stade. C'est une magnifique Cenerentola mais aussi une merveilleuse Carmen !!!! J'adore !!
The only problem with this is that she is so gorgeous and so perfect that the suspension of belief that she could be a downtrodden servant is EVEN more impossible than usual
Gorgeous! As in her predecessor Frederica Von Stade! They are equally beautiful - but isn't that why men fall in love - no matter what station in life their object of desire has? Downtrodden does not factor into the equation.
She is the one that did followed rossini's articulations the best... Is even surprising to me that her Cenerentola is so perfect! She is not very often associated with this kind of repertoire.
Awesome singer ... !! She's so Perfect.. a great artist !! Even when she sing in that speed is so Perfect and with a good taste and technique !! DiDonato , Bartoli are great but Garanca is amazing !!! Brava...🎼🎶🎵👈
Well, the way people show their emotions is just SO different :) Anyway, the TECHNIQUE that she has - the way she ornaments, as if it were the most natural thing in the world !
Love Elina Garanca's singing in "Bel Canto" style Non piu mesta. I enjoy the voice singing legato style even when manipulating the difficult runs, Too much stacatto after a bit becomes affected, to my ears.
Love, love , love Garanca. I think she is the new Frederica Von Stade. Beautiful voice, beautiful singing! The tiniest quibble I have (and it is tiny in the extreme) is that Garanca, like 99.9% of mezzos have difficulty sustaining lower notes - they simply run out of breath - as they reach the end of the note there isn't much left. Be that as it may, Brava Garanca!!
She certainly has much in common in common with Von Stade with her beauty, her countenance and her legion of loyal fans but she is unique within herself. She is great.
The more I listen to Joyce DiDonato, the more I realise her to be a soprano with great vocal range, impressive low register and brilliant coloratura (I heard her in Maria Stuarda and La donna del lago, two extremely demanding soprano roles). I too prefer her to Garanca, although I liked Garanca very much as Cenerentola.
di donato is a real mezzo, sorry! callas was a soprano! and garanca is also a mezzo soparono, but not a coloratura. for this role real bad, nice voice. people have to understand the story and the emotion that a singer have to give into every aria etc. belcanto is the transportation of the feeling and how you sing it, that everyone is hypnoticed!
A la Sra.Bartoli...solo oirla. Es su tecnica lo se. A la Sra. Garanza es un placer oirla y verla..Todo fluye con una suavidad y naturalidad, que cautiva.
La version de Joyce Didonato es diferente, las voces no se pueden comparar. Garanca tiene un encanto particular... a mi me gustan las dos por igual, pero soy totalmente fanatica de Didonato.
Totally agree. I absolutely adore Garanca, she is fantastic. Other singers here are all fantastic too. As to the sets, it seems like the directors today declared war on the visual beauty. They can't even make a fairy tale look like a fairy tale, they want to "interpret" it whether we the audience want their interpretation or not.
YES! Then there is Rigoletto they plan to have at the Met this year set in Las Vegas. I just hope this Age of the Director is going to end in my lifetime... But yes, I do agree about classical modern stagings that respect the stories yet make them look great.
I can't believe some of the unpleasant, arbitrary, borderline racist comments I see here. People are entitled to not be a fan of Brownlee but he managed to have a beautiful international career and respect - hell, he was CHEERED by the toughest audience ever, La Scala, of all places. HE does stuff that I or other people CAN'T. At least respect that...especially if you can't even speak a correct Italian or French language even it saved your life.
@@grobanite4ever85 I do agree. The fort time I listened to him I realized his voice sometimes reminded me Pavarotti's. He is superb and a fine actor. I loved his Almaviva (Barbiere di Siviglia)
Her singing is lovely! She deserves her success, she is one of the best mezzosoprano today. Anyway my favorite Cinderella is Cecilia Bartoli, her agility is softer and she is found of Rossini. Elina's voice is heavier, even good as well
The parents of a friend of mine, hardcore opera lovers, went to see that Rigoletto-in-Vegas...he told me they litterally walked out after the second act!
I think the prince is too short fot her (they look funny :P) However, Elina is a great inspiration at least for me, just like teresa berganza, cecilia bartoli, olga borodina, ann hallenberg, frederica von stade... they are just awesome
Absolutely! I own a pretty big collection of opera DVD's but I prefer the ones that were filmed before 2004 (only exception this 2009 Cenerentola) because I think the productions have turned the wrong direction for example /watch?v=ai6kI1v3WKs
Non più mesta accanto al fuoco Starò sola a gorgheggiar, no Ah fu un lampo, un sogno, un gioco Il mio lungo palpitar Non più mesta accanto al fuoco Non più mesta accanto al fuoco Starò sola a gorgheggiar, no Ah fu un lampo, un sogno, un gioco Il mio lungo palpitar Non più mesta accanto al fuoco Non più mesta accanto al fuoco Starò sola a gorgheggiar Ah fu un lampo, un sogno, un gioco Il mio lungo palpitar Ah fu un lampo, un sogno, un gioco Ah fu un lampo, un sogno, un gioco Il mio lungo palpitar Ah fu un lampo, un sogno, un gioco Ah fu un lampo, un sogno, un gioco Il mio lungo palpitar Ah fu un gioco, ah fu un gioco Ah fu un gioco, ah fu un gioco Il mio lungo palpitar Il mio lungo palpitar Il sospirar Il sospirar Il sospirar
@66eigen She said she has finished with bel canto after this role. Now she is singing Carmen, but who knows, may be some time she will want to sing this role again?
Classical modern stagings are great because they use the technology we have today to make the original stories looks great without transforming the operas into monstrous and stupid stagings. For example I saw a production of La Bohéme were Musetta was "Marilyn Monroe" and there were giant brushes and pens all over the stage, it was horrible! Contrary to a Madama Butterfly were a boat (fake) passed behind the curtain before the duet "una nave da guerra...scuoti quella fronda di ciliegio"
Good questions. I'd imagine they stay because of singers. There were cases when the Met audience booed the productions, but it became less common - you are right about some being "converted" - there is a type of pseudo-intellectualism IMHO. I personally don't buy tickets for the worst Regie performances, but avoiding all bad productions is difficult if you want to hear best singers live.
You may be write about it, but not having supernatural elements doesn't mean the sets need to be dreary or plain silly. These days words "new production" at the Met feels me with fear and dread. When I read about some of the new productions, I am wondering if I should go for the tickets with great acoustics and no view at all. This is actually better than some of them.
I wrote a comment last evening on the Cecilia Bartoli performance, crying down her staccato coloratura, yes it is lever but it is also ugly, how lovely to hear this beautiful legato rendition.
garanca is breathtaking! but idk theres something about bartoli that just blows me away more than garanca or even joyce didonato and she's pretty amazing aswell
It most certainly is a competition. Did you not hear when Alagna walked off the La Scala stage in the middle of an opera? The patrons that sit in a certain section are virulent critics and have been given a name! "The gallery is typically crowded with the most critical opera aficionados, known as the loggionisti, who can be ecstatic or merciless towards singers' perceived successes or failures."
Nahh! Cecilia Bartoli se la pasa por la raja en su version de La Cenerentola, solo en la parte final Cecilia sale corriendo y sube de forma tan agil las escaleras del pastel que parece deportista. Ademas la voz de la cantante del video suena como engolada, o tragada
I absolutely agree with you, but in defense of this stage director... Rossini strictly said he wanted no supernatural elements. I still think they took this direction way too serious.
Well I hope we are going backwards!! At least they had great like Tetrazzini, Galli-Curcci, Melba etc who could at least sing and quite frankly if I want acting I go to the theatre, if I want want music I go to the OPERA!!!
Well… agree, I too hate the stupidity of these trendy directors, but I would say your comment about the audience is questionable, why do they stay? Why do they applaud? I got tired of walking out in the middle of a performance and putting money in the rubbish to help them create rubbish, so unless I know I will get what I expect, I don't even bother going to the opera any more. New audiences are either “converted” or a bunch of cowards that don’t have the courage to say: Enough is enough!
I am no expert but I hear a beautiful fullness in her voice, I've not noticed before. I'm surprised this performance hasn't had more views, there's sadly lots of people missing out !
I am speechless. The best mezzo in the world. This is absolutely fabulous.
Wow...I am speechless. This is one of the best interpretations I have heard or seen. Unique, original and magnifique. Thanks for sharing this wonderful interpretation so we the opera lovers can enjoy it .
you dont understand italian, so you dont know what shes singing! if you like her voice, o.k. but please do not say her performance is the best. hear other singers! i like her voice, she sounds nice. also boring, it must be faster, easyer. this is not her temper and her caracter too...
Well, I'd imagine being among the top MEZZOS today, she knows better her own voice than some people on you tube. Have you heard her in Carmen? I have, and live, and she most certainly sounded like a mezzo and had no issues with low register.
Una delle poche voci oggi che vale la pena ascoltare!
Como siempre Elina maravillosa. Fantástica actriz, con una insuperable voz y una depurada técnica. Gracias Elina.
She is really charming, and what a voice...she can sing anything ! Thank you for the post ;-)
Super, děkuji. Za zhlédnutí
D'accord avec Ole Nielson, c'est sûrement la nouvelle Frederica Von Stade. C'est une magnifique Cenerentola mais aussi une merveilleuse Carmen !!!! J'adore !!
The only problem with this is that she is so gorgeous and so perfect that the suspension of belief that she could be a downtrodden servant is EVEN more impossible than usual
Gorgeous! As in her predecessor Frederica Von Stade! They are equally beautiful - but isn't that why men fall in love - no matter what station in life their object of desire has? Downtrodden does not factor into the equation.
Or that she would be marrying a short black prince of Cinderellaland?
Roger Propes why not??
@@rogerpropes7129 Such a gross comment :(
@@v2krpl37dh Why? Did the fact that I noticed he was short and black make me racist??
She is the one that did followed rossini's articulations the best... Is even surprising to me that her Cenerentola is so perfect! She is not very often associated with this kind of repertoire.
Awesome singer ... !! She's so Perfect.. a great artist !! Even when she sing in that speed is so Perfect and with a good taste and technique !! DiDonato , Bartoli are great but Garanca is amazing !!! Brava...🎼🎶🎵👈
Well, the way people show their emotions is just SO different :) Anyway, the TECHNIQUE that she has - the way she ornaments, as if it were the most natural thing in the world !
bravo ! Elina magnifique !
Hermosa, Magnífica, incomparable e insuperable creo yo en mi modesta opinión. Con ella comencá a amar la ópera.
Love Elina Garanca's singing in "Bel Canto" style Non piu mesta. I enjoy the voice singing legato style even when manipulating the difficult runs, Too much stacatto after a bit becomes affected, to my ears.
Simply divine... as usual!
good golly Met Orchestra sounds amazing here
Bellissima e bravissima! Grandissima Elina! 💕💕💕💕💕💕
She is so beautiful!
A lovely, gentle and endearing interpretation.
Elina is the best !! BTW first time I see singer eat on stage XD And it is cake ! Interesting
And she could still sing after eating a piece!!!!
Grandiose Elina!!!!!!
This is lovely!
Love, love , love Garanca. I think she is the new Frederica Von Stade. Beautiful voice, beautiful singing! The tiniest quibble I have (and it is tiny in the extreme) is that Garanca, like 99.9% of mezzos have difficulty sustaining lower notes - they simply run out of breath - as they reach the end of the note there isn't much left. Be that as it may, Brava Garanca!!
She certainly has much in common in common with Von Stade with her beauty, her countenance and her legion of loyal fans but she is unique within herself. She is great.
Why do people always want to compare? It’s stupid
Flicka was my first operatic crush. Garanca is my second. Brava to both of them!
Garanca like many actual "mezzo" is a short soprano......not a real Mezzosoprano.
OMG!!! Too, Beautiful!!! Real Angelina
The more I listen to Joyce DiDonato, the more I realise her to be a soprano with great vocal range, impressive low register and brilliant coloratura (I heard her in Maria Stuarda and La donna del lago, two extremely demanding soprano roles). I too prefer her to Garanca, although I liked Garanca very much as Cenerentola.
di donato is a real mezzo, sorry! callas was a soprano! and garanca is also a mezzo soparono, but not a coloratura. for this role real bad, nice voice. people have to understand the story and the emotion that a singer have to give into every aria etc. belcanto is the transportation of the feeling and how you sing it, that everyone is hypnoticed!
outstanding, ravisssant, ....... toll
❤❤❤ ❤❤❤ ❤❤❤ ❤❤ greetings from Singapore
Décidemment , toujours la meilleur !!!
Brownlee is a very very fine tenor.. and he has sung with great reviews all over the world! I agree with you..
After she ate the cake, she was like, "Oh shoot, I have an aria to sing :O"
Bravissima!!!
A la Sra.Bartoli...solo oirla. Es su tecnica lo se.
A la Sra. Garanza es un placer oirla y verla..Todo fluye
con una suavidad y naturalidad, que cautiva.
Although I like Joyce DiDonato more, i have to say, that Elina Garanca really is a great mezzo!
Belíssima voz, presença cênica impecável.
Wow realmente está mujer me sorprende cada vez más que musical
How does no one else notice that there is a recording of Cecilia Bartoli doing this same aria at the Met....ON THE SAME CAKE!?!?!?!?!
This MET production was originally produced for Cecilia Bartoli.
Different years. Same production. Different casts. Bartoli. Didonato. Garanca. Florez. Brownlee. (The last two did not play Cinderella, though.)
@@Muttonchop_USA hahaha yes the last two didn't. It would have been funny though haha
Неймовірна техніка Фантастична віртуозність володіння голосом. Взірцеве виконання партії Попелюшки❤❤❤❤!
She's just perfect
she is awesome
Semplicemente UNICA
I love her!
La version de Joyce Didonato es diferente, las voces no se pueden comparar. Garanca tiene un encanto particular... a mi me gustan las dos por igual, pero soy totalmente fanatica de Didonato.
meravigliosa..
splendide Cerenentola !
Totally agree. I absolutely adore Garanca, she is fantastic. Other singers here are all fantastic too. As to the sets, it seems like the directors today declared war on the visual beauty. They can't even make a fairy tale look like a fairy tale, they want to "interpret" it whether we the audience want their interpretation or not.
bravo！
perfection.
Amazing
It's very cool
Muy Bello❤❤❤
YES! Then there is Rigoletto they plan to have at the Met this year set in Las Vegas. I just hope this Age of the Director is going to end in my lifetime... But yes, I do agree about classical modern stagings that respect the stories yet make them look great.
Grande Elina!!!!
I can't believe some of the unpleasant, arbitrary, borderline racist comments I see here. People are entitled to not be a fan of Brownlee but he managed to have a beautiful international career and respect - hell, he was CHEERED by the toughest audience ever, La Scala, of all places. HE does stuff that I or other people CAN'T. At least respect that...especially if you can't even speak a correct Italian or French language even it saved your life.
miwdiva I totally agree with you. I absolutely love Lawrence Brownlee. He has Luciano Pavarotti vibes and that is the reason why I love him.
@@grobanite4ever85 I do agree. The fort time I listened to him I realized his voice sometimes reminded me Pavarotti's. He is superb and a fine actor. I loved his Almaviva (Barbiere di Siviglia)
Her singing is lovely! She deserves her success, she is one of the best mezzosoprano today. Anyway my favorite Cinderella is Cecilia Bartoli, her agility is softer and she is found of Rossini. Elina's voice is heavier, even good as well
It very cool
A real mezzo -soprano voice!
but not a mezzo colorartura! i like her as carmen etc. but not in non piu mesta, sorry.
@@hashas86 Bartoli is so much better in coloratura roles.
She's not a mezzo
...Garanča!!
Only two things on this p;anet made by humans are near perfect. Music and Maths.What a pleasure just to listen and admire.
If people must not think about to get a food you will be right ...
love love love
The parents of a friend of mine, hardcore opera lovers, went to see that Rigoletto-in-Vegas...he told me they litterally walked out after the second act!
I think the prince is too short fot her (they look funny :P)
However, Elina is a great inspiration at least for me, just like teresa berganza, cecilia bartoli, olga borodina, ann hallenberg, frederica von stade... they are just awesome
Brava
Absolutely! I own a pretty big collection of opera DVD's but I prefer the ones that were filmed before 2004 (only exception this 2009 Cenerentola) because I think the productions have turned the wrong direction for example /watch?v=ai6kI1v3WKs
wow wow
@thenexjodan Just did. Very good. thank you.
Элина великолепна!
Listen to Conchita Supervia pls
I can barely believe that. Hopefully this situation will improve instead of going all trashy and bad...
Non più mesta accanto al fuoco
Starò sola a gorgheggiar, no
Ah fu un lampo, un sogno, un gioco
Il mio lungo palpitar
Non più mesta accanto al fuoco
Non più mesta accanto al fuoco
Starò sola a gorgheggiar, no
Ah fu un lampo, un sogno, un gioco
Il mio lungo palpitar
Non più mesta accanto al fuoco
Non più mesta accanto al fuoco
Starò sola a gorgheggiar
Ah fu un lampo, un sogno, un gioco
Il mio lungo palpitar
Ah fu un lampo, un sogno, un gioco
Ah fu un lampo, un sogno, un gioco
Il mio lungo palpitar
Ah fu un lampo, un sogno, un gioco
Ah fu un lampo, un sogno, un gioco
Il mio lungo palpitar
Ah fu un gioco, ah fu un gioco
Ah fu un gioco, ah fu un gioco
Il mio lungo palpitar
Il mio lungo palpitar
Il sospirar
Il sospirar
Il sospirar
@66eigen She said she has finished with bel canto after this role. Now she is singing Carmen, but who knows, may be some time she will want to sing this role again?
🐾🐾🐻🇫🇮 Moi.
Classical modern stagings are great because they use the technology we have today to make the original stories looks great without transforming the operas into monstrous and stupid stagings. For example I saw a production of La Bohéme were Musetta was "Marilyn Monroe" and there were giant brushes and pens all over the stage, it was horrible! Contrary to a Madama Butterfly were a boat (fake) passed behind the curtain before the duet "una nave da guerra...scuoti quella fronda di ciliegio"
prachtige stem
Pity that she is not going to sing this again!
Good questions. I'd imagine they stay because of singers. There were cases when the Met audience booed the productions, but it became less common - you are right about some being "converted" - there is a type of pseudo-intellectualism IMHO. I personally don't buy tickets for the worst Regie performances, but avoiding all bad productions is difficult if you want to hear best singers live.
You may be write about it, but not having supernatural elements doesn't mean the sets need to be dreary or plain silly. These days words "new production" at the Met feels me with fear and dread. When I read about some of the new productions, I am wondering if I should go for the tickets with great acoustics and no view at all. This is actually better than some of them.
I wrote a comment last evening on the Cecilia Bartoli performance, crying down her staccato coloratura, yes it is lever but it is also ugly, how lovely to hear this beautiful legato rendition.
I thought that at first, but then I focused on the size of his voice, not the size of his body.
garanca is breathtaking! but idk theres something about bartoli that just blows me away more than garanca or even joyce didonato and she's pretty amazing aswell
Me gusta pero nadie tiene la presicion de Bartoli para hacer este aria
Omg is that real cake?!?!?!?!?! How AWESOME is that?!?!?!?
Wonderful
***** It's fake. :|
No es una competencia! Elina lo tiene todo y en mi opinion es la mas bella "interpretacion"
It most certainly is a competition. Did you not hear when Alagna walked off the La Scala stage in the middle of an opera? The patrons that sit in a certain section are virulent critics and have been given a name! "The gallery is typically crowded with the most critical opera aficionados, known as the loggionisti, who can be ecstatic or merciless towards singers' perceived successes or failures."
Joyce DiDonato is great in this role. As well as Cecilia Bartoli.
Garanca : un chant stylé élégant et naturel ! Question de goût, mais je la préfère de loin à Bartoli à mon sens trop affectée !
Nahh! Cecilia Bartoli se la pasa por la raja en su version de La Cenerentola, solo en la parte final Cecilia sale corriendo y sube de forma tan agil las escaleras del pastel que parece deportista.
Ademas la voz de la cantante del video suena como engolada, o tragada
@InfernoDaBaka Listen to Joyce DiDonato's version, out of these three, in my opinion, DiDonato did it the best.
Что надо!
I absolutely agree with you, but in defense of this stage director... Rossini strictly said he wanted no supernatural elements. I still think they took this direction way too serious.
tiene 36 años.
Does anybody have the full version with garanca?
You can find it on VK.com.
Could you post or PM the link, please?
Well I hope we are going backwards!! At least they had great like Tetrazzini, Galli-Curcci, Melba etc who could at least sing and quite frankly if I want acting I go to the theatre, if I want want music I go to the OPERA!!!
4:27
Well… agree, I too hate the stupidity of these trendy directors, but I would say your comment about the audience is questionable, why do they stay? Why do they applaud? I got tired of walking out in the middle of a performance and putting money in the rubbish to help them create rubbish, so unless I know I will get what I expect, I don't even bother going to the opera any more. New audiences are either “converted” or a bunch of cowards that don’t have the courage to say: Enough is enough!
I would take Garanca over Bartoli any day. Her bel canto singing is outstanding.
Largement au dessus de Bartoli
Le problème avec Bartoli, c'est qu'elle en met toujours trop. La modération a bien meilleur goût!
Por qué parece que tiene 50 años?
muy sobria,sin comparacion con la bartoli que me resulta inosprtablemente afectada