Wow, simply wow. I love Joel and Fosse's film adaptation, but this is hauntingly beautiful, and not only breathtaking but unnervingly more true to the character and message I think was originally meant, and has since then been diluted. How brave, and how talented those involved in this are and what a gift. ❤
Beautiful stage design makes me think the stage director was referencing the great silent German Expressionist films like Dr. Caligari and Metropolis - exact time period
Boston Conservatory at Berkleehas has done a very good job. They don't try to reach the masterpiece of Liza and Joel, they had the courage to invent the wheel again. and they have invented a new wheel. Das Boston Conservatory in Berkleehat sehr gute Arbeit geleistet. Sie versuchten nicht nur das Meisterwerk von Liza und Joel zu erreichen, sie hatten den Mut, das Rad neu zu erfinden. Ja, sie haben ein neues Rad erfunden.
This was OUTSTANDING!!! I loved the Fossesque choreography. As a former Fosse dancer in both Sweet Charity and Pippin, I thought It was brilliantly staged! Bob would've loved it.
you know... nothing about theatre? Every show has at least one official videography night. This was clearly a proshot set up in the exact seats I would give any archival videographer - top of the aisle in the back row; probably taking three seats, with room for the tripod and their bags/gear. The preshow announcement is the same every night and is addressing the audience, who is NOT allowed to take video themselves because everyone onstage has to have signed a consent form and been notified 24 hours beforehand when there is recording done, and all the design elements (wardrobe, makeup, sets, lighting, props, audio design, projections, &c.) are IP
@@etiennelagrene5765 EVERY SHOW in the entire USA? Or are you lying for attention to this hideous thing? Perhaps they should have REHEARSED this? WHO would steal these costumes and bad makeup?
Do wish directors would read the source material before putting on a production of Cabaret. There a couple of books and an autobiography by Christopher Isherwood. Most productions are heavily influenced by very Americanised film of the show.
It's so uninspiring to see how all these productions torture the same boring aesthetic for this piece. Proving, in no small way, that glitter can indeed cover shit, but not the smell.
Berlin in the 30's was very much ALL of this. It's based off a book detailing the true accounts of time spent there during that period. It's called "Good-bye to Berlin"
All I can say is....DAAAAAMN!!
I wish I could see this whole show. Love the production here.
Wow, simply wow. I love Joel and Fosse's film adaptation, but this is hauntingly beautiful, and not only breathtaking but unnervingly more true to the character and message I think was originally meant, and has since then been diluted. How brave, and how talented those involved in this are and what a gift. ❤
What a radically different opening to this show. Interesting directorial choice.
It was a different choice but it wasn’t a better opening.
Beautiful stage design makes me think the stage director was referencing the great silent German Expressionist films like Dr. Caligari and Metropolis - exact time period
i just watched the first bit of this clip with my mouth AGAPE this is so cool
Boston Conservatory at Berkleehas has done a very good job. They don't try to reach the masterpiece of Liza and Joel, they had the courage to invent the wheel again. and they have invented a new wheel. Das Boston Conservatory in Berkleehat sehr gute Arbeit geleistet. Sie versuchten nicht nur das Meisterwerk von Liza und Joel zu erreichen, sie hatten den Mut, das Rad neu zu erfinden. Ja, sie haben ein neues Rad erfunden.
Choreography on point.... Delivery of everything else. 🙃🙃🙃🙃
Wtf are you talking about this was excellent, especially The Girls
the heartbeat is absolutely GENIUS
Barbie, look up the meaning of "genius"...
what have you got against cabaret? YOUR USERNAME IS JEWISH JEFF CABARET IS LITERALL Y ABOUT HOW BAD THE NAZIS WERE @@JewishJeff839
Is there a reasonable way to watch the full show online?
I wish.
Show is so much better than the film
This was OUTSTANDING!!! I loved the Fossesque choreography. As a former Fosse dancer in both Sweet Charity and Pippin, I thought It was brilliantly staged! Bob would've loved it.
They said no photography and videography....
she’s literally texas... let victoria biro live her life ms gurl
This was filmed by the school, thx !!!
you know... nothing about theatre? Every show has at least one official videography night. This was clearly a proshot set up in the exact seats I would give any archival videographer - top of the aisle in the back row; probably taking three seats, with room for the tripod and their bags/gear. The preshow announcement is the same every night and is addressing the audience, who is NOT allowed to take video themselves because everyone onstage has to have signed a consent form and been notified 24 hours beforehand when there is recording done, and all the design elements (wardrobe, makeup, sets, lighting, props, audio design, projections, &c.) are IP
@@etiennelagrene5765 EVERY SHOW in the entire USA? Or are you lying for attention to this hideous thing? Perhaps they should have REHEARSED this? WHO would steal these costumes and bad makeup?
@@etiennelagrene5765 What?
The sound is bullshit 😢
Do wish directors would read the source material before putting on a production of Cabaret. There a couple of books and an autobiography by Christopher Isherwood. Most productions are heavily influenced by very Americanised film of the show.
Is this really art?
Yes, it is.
@@FabiolaRVela But it's a train wreck...
why would you comment this?
@@JewishJeff839
@@JewishJeff839like your life?
No, it's what the art-less imagine art is.
Tooo long
Honestly, completely unimaginative and generic
It's so uninspiring to see how all these productions torture the same boring aesthetic for this piece. Proving, in no small way, that glitter can indeed cover shit, but not the smell.
Well, it is set in pre-war Berlin. What were you expecting? MAGA hats?
Why is he speaking French?
bc it's set in berlin. he's speaking a variety of European languages
@@thechocolatefountain Dumb.
@@thechocolatefountain In Berlin, Germany? Have you READ a HISTORY book in your life?
@@JewishJeff839and have you seen the whole musical? No? Then stfu.
@@JewishJeff839and have you even seen the whole play? No? Then you have no say in this matter.
Where does it say that Cabaret is gay and drag?
Good grief. Have you ever seen it?
bruh cabaret is very queer coded since the beginning.
You didn't watch Cabaret, did you?
@@the_jolly_bunny Yes, I did. No drag queen show...
Berlin in the 30's was very much ALL of this. It's based off a book detailing the true accounts of time spent there during that period. It's called "Good-bye to Berlin"