You are great!! I have heard the Eroica-Variations AND the piano concert nr.5 of Beethoven. I am living in Luzern, and not so mobile. Perhaps once you will play in KKL, who knows. 🏛 Majestic, heroic, yes. Victory of humanity. But wenn I'm very sad, c minor, f minor, I need consolation. Which key could give me this better as E flat major? Perhaps A flat major too? E flat major can also be tender, like Mozart. And you have consoled Jakub. For me that is also E flat major. Bach: I like you playing of the fugue very much. So optimistic!
Yulianna! I know, in this moment you are employed with Bach's wtc II, and your interpretation there from C major till E flat major (I think till the end), and such as the most of wtc I, is absolutely flawless!! 10:28 To prelude Eb wtc I : very convincing, and from the pedagogy site absolutly right, but I wish me the toccatapart less dramatic, the beginning of the choralpart less dreaming and more with construction, and from the starting of 16th notes also with more construction and not so much on detail. It doesn't have to be the late style from wtc II, but I would think about my suggestions. I am quite sure that for you is possible more than one interpretation.
You are great!! I have heard the Eroica-Variations AND the piano concert nr.5 of Beethoven. I am living in Luzern, and not so mobile. Perhaps once you will play in KKL, who knows. 🏛
Majestic, heroic, yes. Victory of humanity. But wenn I'm very sad, c minor, f minor, I need consolation. Which key could give me this better as E flat major? Perhaps A flat major too? E flat major can also be tender, like Mozart. And you have consoled Jakub. For me that is also E flat major.
Bach: I like you playing of the fugue very much. So optimistic!
Yulianna! I know, in this moment you are employed with Bach's wtc II, and your interpretation there from C major till E flat major (I think till the end), and such as the most of wtc I, is absolutely flawless!!
10:28 To prelude Eb wtc I : very convincing, and from the pedagogy site absolutly right, but I wish me the toccatapart less dramatic, the beginning of the choralpart less dreaming and more with construction, and from the starting of 16th notes also with more construction and not so much on detail. It doesn't have to be the late style from wtc II, but I would think about my suggestions. I am quite sure that for you is possible more than one interpretation.