Malavi has a peculiar voice and now with God's grace she is siting as a judge with Vishaka hari which shows how successful malavi is in her career. God bless ❤
Ms Malavi is the winner in the true sense that she faced the toughest questions of the judges and managed to give her best . This programme is just to let us know that the selections are made after toughest tests
Karanatic music is such a amusic, no such highly complicated, rhythmic and systamatic music arised in any of the world other than India, How it devolped. Marvelous
I'm so glad still Carnatic music is exciting. On the spot the judges are telling the singers to sing in different ragas. Hats off to you and your channel. God bless
An IDEAl Role Model Program with specific motiv to assist and guide candidates in Traditional Gurukulam style and educate viewers the NUANCES of music. A boon to the young generation. Thatha
There is no doubt that the judges are highly talented professionals. However, the male judges appear to show unnecessary arrogance and rudeness to the equally talented contestants. The female judge was a necessary 'God sent', calming force to the contestants. The body language of the male judges. notably one of them on stage was very disrespectful to the audience.The standard of singing is mind blowing.
I agree. Its a very typical failing in our classical music world,its more about showing how you can diminsh a young person and somewhat crush his spirits. As though the same is a necessary process towards building mature singers.
Any day and any time to hear live. What a great performance organized and performed by children . We do not know when this type of arrangements we see and listern .
Namaskaram Jai Sri Krishna Thank you so much of your beautifully sharing the excellent vocal concert of the Carnatic Musical Vocal exponent Vidhushi Ms Sriranjani Santhanagopalan
These are excellent musical renditions which comes after hard effort and dedication and lot of practices by the participants.. For lay persons, it's just listen and enjoy.. practitioners and judges are the one who understand finer details and differences..and decide the winner..
Carnatic music has its root in 2000 yrs old Tamil pan. In the Silapadigaaram, we notice that details on the music are short, indicative and brief in nature, scattered over the text. Therefore how do we understand the music? Many centuries later - between the 9th and 12th centuries - two commentaries on the Silapadigaaram, the Arumpada urai and Adiyaarkkunallaar, used the material in the epic along with other texts on music like the Pancha Marabu (most others are not available now) and created a theory based on their interpretation of the same. Therefore we need to clearly understand that there are two parts to this material; first details in the Silapadigaaram and second the commentaries. The huge time lag between the original and the commentaries is an issue since we cannot be sure about how the changes in the music and practices of the times of the commentators influenced their perspective. About six chapters in the Silapadigaaram contain substantial information on music. Out of these the Arangetru Kaadhai and the Aaychiyar kuravai are very important. In the Silapadigaaram there is a clear indication that there were two traditions of music. The older tradition is the Thondrupodumarai and the newer Vamburumarabu. While talking about the Thondrupadumurai the commentators mention the Naarperum pann (the four major panns). This is when four types of lands are associated with a specific pann (a melodic source), and an instrument, Yazh (a form of harp), Parai (skin instrument) and deity. We also find Mullai, another type of land also with similar associations (see box). Notes (svaras) are known as Narambu. Narambu are the gut strings used in the Yazh. Each string of the Yazh was tuned to one note therefore this association of Narambu to note. In the Aaychiyar Kuravai, Ilango Adigal describes a dance by seven girls in a circular formation. This is a metaphor for the seven Narambu (svaras). The seven nerambu are known as Kural (Sa), Thutham (Ri), Kaikkilai (ga), Uzhai (ma), Ili (pa), Villari (da), Tharam (ni). This circular formation is known as a Vattapalai. Commentators place these seven notes in a circle that has twelve places. These twelve places are associated with the twelve zodiacs. The commentators derive this association due to some indications in the Silapadigaaram. The commentators have specified the zodiac in which each Narambu is positioned. Therefore you have seven notes positioned in seven zodiacs out of the twelve. The position of the Kural (sa) is fixed in the Thondrupadumurai at the zodiac Libra (thula), which lies to the left side of the circle. The maatrai (sruti) interval difference between each of these notes is not given in the Silapadigaaram but in the commentary. This circle of notes is the basis of evolving the Naarperum pann. Through a process known as Ilikramam, the note positions for the Naarperum pann are derived by a verse of association between the notes given in the commentaries. The association is one of every fifth note or every eight position in the circle. In the chapter Arangetru kaadhai that appears in the story before the Aaychiyar Koothu, there is a mention of the newer tradition Vamburumarabu. A process of changes in the interval between the Narambu (svaras), later called Alagu maatram by commentators, is applied, and the position of kural ( sa) is moved to the right side of the circle in Taurus (rishabha). Through this process we derive new positions for all the notes in the Circle Vattapalai for Vamburumarabu. From this by a process of Kural thiribu, seven palai-s (scales) are derived. I am not going into the technical details. When this same process of kural thiribu is applied to the Paalai yazh in the older system, we get seven palai-s. They are Cembalai, Padumalaipalai, Sevvazhi, Arumpalai, Kodipalai, Vilaripalai, Merchempalai. They are the same seven in the newer tradition but in a different sequence as the position of kural (sa) has been moved. Varied interpretation Among modern scholars there have been varied interpretations to the methods mentioned. Aabraham Pandithar has used the position of the notes in both the older and newer system in two circles and derived the Naarperum pann. Vipulanandar does not agree with the intervals between the notes suggested and works on the same interval difference as the Natya Sastra. Dr S. Ramanathan, has, in the process of Alagu maatram in Vamburumarabu, differed with the other scholars. He has also gone on to give the complete structure for the Mullaitheembaani even though the Silapadigaaram only indicates four notes; he has inferred its structure and given it a five-note form. Another scholar V.P.Kamakshisundaram has a very different interpretation to both the process of finding the Naarperum pann and the Kural thiribu method for the Palai-s. The original text of the Silapadhigaaram only uses the word pani and this is interpreted as thalam. Interestingly the commentators talk about five types of pani starting with the chachatputa, which in fact is also one of the five thalas mentioned in the Sangita Ratnakara. The musical forms known as “Uru” are mentioned in the sixth chapter Kadalaadu Kaadhai. The two forms mentioned are Maayonpaani and Naalvagaipaani. The commentators talk about many other forms and they have many sub-classes. The word Pani here has a connotation of musical form. Instruments found in the Silapadigaaram include melodic instruments like the Kuzhal (flute), Yazh (a form of harp) and Veena. Percussion instruments include the Thannumai, Muzhavu, Murasu, Aamandrika. There is no doubt that the music of the times was a thriving tradition but it is the later commentators, and not Ilango Adigal, who have elaborated on the musical details in the text. Some scholars of the 20th century have tried to equate the palai-s of the Silapadhigaaram to modern ragas. The original commentators of the Silapadigaaram have not made this association between raga and palai. The concept of the modern raga is determined because we have a fixed tonic system. We cannot be sure that the music of the Silapadigaaram was fixed tonic, though the importance to the first note Kural (sa) is clear. Secondly we do find that at a very basic level the palai-s giving each note in the decreasing order the first position is similar to the moorchanas in the Natya Sastra. Therefore it would be similar to trying to equate each moorchana in the sadja grama of the Natya Sastra to ragas. Scholars are still debating about whether there is any connection between the Natya Sastra and the music of the Silapadigaaram. Both these were musical traditions that belonged to a different era and the best we can do is to celebrate them without trying to derive any contemporary relevance. The panns that come in later in the Tevarams may have been using the same names but history does indicate that there may have been many changes that could lead us to believe that the nature of pann had changed. T.M. Krishna is a Carnatic Vocalist based in Chennai (This story was amended on January 11, 2011)
I think the way young talent is presenting its hard work, all of the should be lavishly awarded . Non should be left out after first ,second or third. Actually the famous Mrs. Kmilini Dutt was quite against differential rewarding and she was correct.
Manoj Sharma jallikettu is thousands years traditional festival conducted by brave farmers. Music is practice only some elite peoples they are looters. But I am very interested in music.
தங்களிடம் பெற்ற பரிசுகள் அடியேன் வாழ்வின் பொக்கிஷம் அய்யா .அடியேன் சேனலை தங்கள் பொற்பாதங்களில் சமர்பிக்கிறேன் அய்யா.தங்கள் இசையால் என்றென்றும் எங்கள் இதயங்களில்
ஆயிரம் கைகள் மறைத்தாலும் இவளது வளர்ச்சியை தடுக்க முடியாது.திரையுலகில் ஒரே ஓர் சிவாஜி. இவரைப்போல திறமையில் உருவாகிறாள் இசையலகில் ஒரேஒரு ஸ்ரீ.ரஞ்சனி. நெய்வேலியின்தவம் இவள்.வாழ்க வளர்க!
It is the first, but I find the contestants should be left to complete, instead of interrupting while they are singing. My point is to encourage future generations to be interested in Carnatic and not to be put off. There must be a better way of assessing and not interrupt and make the contestant lose concentration and flow. Just a thought .
Namaskarangal ungaludaia ragamalika tv patri enaku theriyadu I am too much like for this concept always music is really satisfaction of my life thanks giving sir
இவுங்க எல்லாம் பாடி நாம் சீட் நுனிக்கு வந்து பல முறை துள்ளி இருக்கிறோம். ஆனால் ஒரு குழந்தையை (செல்வி மாளவி நாராயணன்) பாட விட்டு திரு சந்தானம் ஐயா (எங்க மாவட்டத்துக்காரர்) அவர்கள் தனை மரந்து துள்ளியது அழகு. அதுவே குழந்தைகளுக்குமான ஆசீர்வாதம்.
Great lyrics, keerthans by ever great persons came from Telugu... Its shame on Telugu land that we couldn't sustain the pride. I too responsible for this. singers in this program are blessed to show their talend infront of all time great Mangalampalli garu..
When Sriranji dad cant judge her, because she is his daughter and a contestant, how can this guy can judge or question other participants, he might put other contestants in tough situation by asking difficult questions, look at his face when other contestants competing, his face sigh is not good at all. he should stay away from judging the entire competition.
Everyone in this competition are just gems!! Amazing voices and a devotional attention that learns extremely quickly. What is exactly the Pallavi that Abhilash sings in Shanmukhapriya Ragam? I understand that it is Shanmukha Deva Manniye, but cannot seem to find the whole composition on UA-cam. If any of you know, you would be giving this seeker of music such a treasure!
South is south. This is tougher, more demanding and Better than that Shabana Azmi unnecessarily invited by Govt of India to compere music contest of all India.
There should be one way that people identify Tamizh nadu with these competetions and Not Jalli Katt tears trickle down my eyes when i see this.Vaah re Chhora and Chhoree. Kamaal kar thiyaa. Pirmadima irrukirruthu. Aschriyam.
I.t is amazing to to know there are so many ragasnames,tenms,swaras etc in Carnatic musi. Besides countless creations which are real wealth of our country. of
It is a pallavi in which the words were put together by us. The words 'muralidhara' and 'shreedhara' occur together in Sri. Deekshitar's balagopala in the madhyamakala after anupallavi Regards, Malavi Hari ( 'us ' indicates my sister and self)
Please send more programmes like this to my Mail ID. This is my request. There are two fruits MANGO and PAPAYA bt I choose PAPAYA bcoz Mango may be very tasty. For me PAPAYA is CARNATIC MUSIC. Commented by VIJAYA.
Music is not just singing a song well. There is so much behind the song that makes the song sung well. That's the grammar which is an ocean. So I never say he/she sang well, I say yeah I liked it or didn't. Murthi
interrupting upsets the flow of thought...it upsets a person's mental makeup and ...if that is a competition...I suppose every one is a winner...I cannot see a looser here..Maybe listeners are the losers..all the artistes deserve to win..that is it ...
This is Malavi s parents. We are so happy that there are so many who could appreciate her performance. That is the true reward.
Could you share the video links of her concerts if she has performed any. We would love to hear more of her performance.
😅😅😅😅😅
Malavi has a peculiar voice and now with God's grace she is siting as a judge with Vishaka hari which shows how successful malavi is in her career. God bless ❤
Ms Malavi is the winner in the true sense that she faced the toughest questions of the judges and managed to give her best .
This programme is just to let us know that the selections are made after toughest tests
Q
అద్భుతం, ఆహ్లాదకరం. మాళవీ గారూ మీ స్వరం , గాంభీర్యం, తేనెల కలకండ. మిగతా వారు కూడా చాలా బాగా పాడారు.
Most underated singing talent show. But sadly this dont reach most people.
Yes, it's really right.
Karanatic music is such a amusic, no such highly complicated, rhythmic and systamatic music arised in any of the world other than India,
How it devolped. Marvelous
Malavi rocked. What a gambeeram in voice at this age! She is the winner - atleast deserves to be. Look at the grammar.
Vivek V M0
I'm so glad still Carnatic music is exciting. On the spot the judges are telling the singers to sing in different ragas. Hats off to you and your channel. God bless
I like that Malavi Narayanan voice. Sad she didn't win any title in the final round.
Karnatic vocal teaching by vidhya
Awesome job by everyone, wow fantastic, caranatic music in good hands.. Hope they are still singing, especially young Abhilash.. God bless🙏🙏
Great music and great singing . Language barrier does not hinder me from enjoying the song.
Proud of you young lady, good on you! speaking out when you don’t understand what the question is being asked! Bravo!
Ranjani is really a very good singer. She has show great understanding of classical music. GOD bless her!
Jai Melkote
Y
1
Jai Melkote
Veni Thothathri ..
An IDEAl Role Model Program with specific motiv to assist and guide candidates in Traditional Gurukulam style and educate viewers the NUANCES of music. A boon to the young generation. Thatha
There is no doubt that the judges are highly talented professionals. However, the male judges appear to show unnecessary arrogance and rudeness to the equally talented contestants. The female judge was a necessary 'God sent', calming force to the contestants. The body language of the male judges. notably one of them on stage was very disrespectful to the audience.The standard of singing is mind blowing.
I agree.
Its a very typical failing in our classical music world,its more about showing how you can diminsh a young person and somewhat crush his spirits.
As though the same is a necessary process towards building mature singers.
I disagree. The toughness is what sharpens the contestants' skills and brings out the best in them.
I have appreciated plus points of the whole program, but , I do endoss the negative comments about the judges, because I also noted them. Thatha.
Any day and any time to hear live. What a great performance organized and performed by children . We do not know when this type of arrangements we see and listern .
What ever I missed watching -blessed now to watch. Thanks. C.S.Rajan
F
@@gayathridivakar6781 ஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒஒ
Namaskaram Jai Sri Krishna Thank you so much of your beautifully sharing the excellent vocal concert of the Carnatic Musical Vocal exponent Vidhushi Ms Sriranjani Santhanagopalan
Great teachers i ever seen
.. love their support . Love carnatic music
These are excellent musical renditions which comes after hard effort and dedication and lot of practices by the participants..
For lay persons, it's just listen and enjoy.. practitioners and judges are the one who understand finer details and differences..and decide the winner..
Carnatic music has its root in 2000 yrs old Tamil pan. In the Silapadigaaram, we notice that details on the music are short, indicative and brief in nature, scattered over the text. Therefore how do we understand the music? Many centuries later - between the 9th and 12th centuries - two commentaries on the Silapadigaaram, the Arumpada urai and Adiyaarkkunallaar, used the material in the epic along with other texts on music like the Pancha Marabu (most others are not available now) and created a theory based on their interpretation of the same. Therefore we need to clearly understand that there are two parts to this material; first details in the Silapadigaaram and second the commentaries. The huge time lag between the original and the commentaries is an issue since we cannot be sure about how the changes in the music and practices of the times of the commentators influenced their perspective.
About six chapters in the Silapadigaaram contain substantial information on music. Out of these the Arangetru Kaadhai and the Aaychiyar kuravai are very important. In the Silapadigaaram there is a clear indication that there were two traditions of music. The older tradition is the Thondrupodumarai and the newer Vamburumarabu.
While talking about the Thondrupadumurai the commentators mention the Naarperum pann (the four major panns). This is when four types of lands are associated with a specific pann (a melodic source), and an instrument, Yazh (a form of harp), Parai (skin instrument) and deity. We also find Mullai, another type of land also with similar associations (see box).
Notes (svaras) are known as Narambu. Narambu are the gut strings used in the Yazh. Each string of the Yazh was tuned to one note therefore this association of Narambu to note. In the Aaychiyar Kuravai, Ilango Adigal describes a dance by seven girls in a circular formation. This is a metaphor for the seven Narambu (svaras). The seven nerambu are known as Kural (Sa), Thutham (Ri), Kaikkilai (ga), Uzhai (ma), Ili (pa), Villari (da), Tharam (ni). This circular formation is known as a Vattapalai. Commentators place these seven notes in a circle that has twelve places. These twelve places are associated with the twelve zodiacs. The commentators derive this association due to some indications in the Silapadigaaram. The commentators have specified the zodiac in which each Narambu is positioned. Therefore you have seven notes positioned in seven zodiacs out of the twelve. The position of the Kural (sa) is fixed in the Thondrupadumurai at the zodiac Libra (thula), which lies to the left side of the circle. The maatrai (sruti) interval difference between each of these notes is not given in the Silapadigaaram but in the commentary. This circle of notes is the basis of evolving the Naarperum pann. Through a process known as Ilikramam, the note positions for the Naarperum pann are derived by a verse of association between the notes given in the commentaries. The association is one of every fifth note or every eight position in the circle.
In the chapter Arangetru kaadhai that appears in the story before the Aaychiyar Koothu, there is a mention of the newer tradition Vamburumarabu. A process of changes in the interval between the Narambu (svaras), later called Alagu maatram by commentators, is applied, and the position of kural ( sa) is moved to the right side of the circle in Taurus (rishabha). Through this process we derive new positions for all the notes in the Circle Vattapalai for Vamburumarabu. From this by a process of Kural thiribu, seven palai-s (scales) are derived. I am not going into the technical details. When this same process of kural thiribu is applied to the Paalai yazh in the older system, we get seven palai-s. They are Cembalai, Padumalaipalai, Sevvazhi, Arumpalai, Kodipalai, Vilaripalai, Merchempalai. They are the same seven in the newer tradition but in a different sequence as the position of kural (sa) has been moved.
Varied interpretation
Among modern scholars there have been varied interpretations to the methods mentioned. Aabraham Pandithar has used the position of the notes in both the older and newer system in two circles and derived the Naarperum pann. Vipulanandar does not agree with the intervals between the notes suggested and works on the same interval difference as the Natya Sastra. Dr S. Ramanathan, has, in the process of Alagu maatram in Vamburumarabu, differed with the other scholars. He has also gone on to give the complete structure for the Mullaitheembaani even though the Silapadigaaram only indicates four notes; he has inferred its structure and given it a five-note form. Another scholar V.P.Kamakshisundaram has a very different interpretation to both the process of finding the Naarperum pann and the Kural thiribu method for the Palai-s.
The original text of the Silapadhigaaram only uses the word pani and this is interpreted as thalam. Interestingly the commentators talk about five types of pani starting with the chachatputa, which in fact is also one of the five thalas mentioned in the Sangita Ratnakara.
The musical forms known as “Uru” are mentioned in the sixth chapter Kadalaadu Kaadhai. The two forms mentioned are Maayonpaani and Naalvagaipaani. The commentators talk about many other forms and they have many sub-classes. The word Pani here has a connotation of musical form.
Instruments found in the Silapadigaaram include melodic instruments like the Kuzhal (flute), Yazh (a form of harp) and Veena. Percussion instruments include the Thannumai, Muzhavu, Murasu, Aamandrika.
There is no doubt that the music of the times was a thriving tradition but it is the later commentators, and not Ilango Adigal, who have elaborated on the musical details in the text. Some scholars of the 20th century have tried to equate the palai-s of the Silapadhigaaram to modern ragas. The original commentators of the Silapadigaaram have not made this association between raga and palai. The concept of the modern raga is determined because we have a fixed tonic system. We cannot be sure that the music of the Silapadigaaram was fixed tonic, though the importance to the first note Kural (sa) is clear. Secondly we do find that at a very basic level the palai-s giving each note in the decreasing order the first position is similar to the moorchanas in the Natya Sastra. Therefore it would be similar to trying to equate each moorchana in the sadja grama of the Natya Sastra to ragas. Scholars are still debating about whether there is any connection between the Natya Sastra and the music of the Silapadigaaram. Both these were musical traditions that belonged to a different era and the best we can do is to celebrate them without trying to derive any contemporary relevance. The panns that come in later in the Tevarams may have been using the same names but history does indicate that there may have been many changes that could lead us to believe that the nature of pann had changed.
T.M. Krishna is a Carnatic Vocalist based in Chennai
(This story was amended on January 11, 2011)
Malavika has done a fabulous job. I wonder why she is not there when it comes to prizes. She is awesome.
Malavika.. ur voice s just amazing...is she stil performing or not in this field??
She teaches, but does not perform
I think the way young talent is presenting its hard work, all of the should be lavishly awarded . Non should be left out after first ,second or third. Actually the famous Mrs. Kmilini Dutt was quite against differential rewarding and she was correct.
Manoj Sharma
Manoj Sharma ànna
Prema Shankar
Manoj Sharma jallikettu is thousands years traditional festival conducted by brave farmers. Music is practice only some elite peoples they are looters. But I am very interested in music.
தங்களிடம் பெற்ற பரிசுகள் அடியேன் வாழ்வின் பொக்கிஷம் அய்யா .அடியேன் சேனலை தங்கள் பொற்பாதங்களில் சமர்பிக்கிறேன் அய்யா.தங்கள் இசையால் என்றென்றும் எங்கள் இதயங்களில்
ஆயிரம் கைகள் மறைத்தாலும் இவளது வளர்ச்சியை தடுக்க முடியாது.திரையுலகில் ஒரே ஓர் சிவாஜி. இவரைப்போல திறமையில் உருவாகிறாள் இசையலகில் ஒரேஒரு ஸ்ரீ.ரஞ்சனி. நெய்வேலியின்தவம் இவள்.வாழ்க வளர்க!
It is the first, but I find the contestants should be left to complete, instead of interrupting while they are singing. My point is to encourage future generations to be interested in Carnatic and not to be put off. There must be a better way of assessing and not interrupt and make the contestant lose concentration and flow. Just a thought .
how come Malavi did not bagged any prize? She is awesome.
Eshwara what a program where all legends at one place 🙏
Greatest opportunity 2 sing in front of so many legends
Namaskarangal ungaludaia ragamalika tv patri enaku theriyadu I am too much like for this concept always music is really satisfaction of my life thanks giving sir
Malavi...excellent voice!!
Santhana Gopal Krishnan sir vunga kala sarasvathiki nandri nandri nandri
இவுங்க எல்லாம் பாடி நாம் சீட் நுனிக்கு வந்து பல முறை துள்ளி இருக்கிறோம். ஆனால் ஒரு குழந்தையை (செல்வி மாளவி நாராயணன்) பாட விட்டு திரு சந்தானம் ஐயா (எங்க மாவட்டத்துக்காரர்) அவர்கள் தனை மரந்து துள்ளியது அழகு. அதுவே குழந்தைகளுக்குமான ஆசீர்வாதம்.
Malvika got good voice texture,Gaambheeryam... Rest to be improved, don't get confused..
Great lyrics, keerthans by ever great persons came from Telugu... Its shame on Telugu land that we couldn't sustain the pride. I too responsible for this. singers in this program are blessed to show their talend infront of all time great Mangalampalli garu..
When Sriranji dad cant judge her, because she is his daughter and a contestant, how can this guy can judge or question other participants, he might put other contestants in tough situation by asking difficult questions, look at his face when other contestants competing, his face sigh is not good at all. he should stay away from judging the entire competition.
I agree
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Me too completely agree....
Wonderful performance by Malavi. Keep it up. Best wishes.
ALL THE PARTICIPANTS DESERVE FIRST PRIZE FOR THEIR OUTSTANDING PERFORMANCE.
V tough competition. But v glad to see that Carnatic music is getting its place.
singing of Sreerenjini is just awsome.
Excellent provide this kind of programmes frequently.
N hi
Raghavendra N.Rao Is
Raghavendra N.Rao Up
TV b--
very nice program all body makes to peaceful and controlled mind and spirit .Jai hind
T S BABU(ARMY)
Everyone in this competition are just gems!! Amazing voices and a devotional attention that learns extremely quickly. What is exactly the Pallavi that Abhilash sings in Shanmukhapriya Ragam? I understand that it is Shanmukha Deva Manniye, but cannot seem to find the whole composition on UA-cam. If any of you know, you would be giving this seeker of music such a treasure!
Bombaynothadt eebnithae
Shanmukha deiva maniye gnana nan maniye gurumaniye
South is south. This is tougher, more demanding and Better than that Shabana Azmi unnecessarily invited by Govt of India to compere music contest of all India.
Wow 😍😍 what a beautiful program !!
music is best medicine to anybody to everybody.
BABA IYER MANI s
Soundarya lahari by Bombay sisters
Sounday
Soundarya lahari by Bob
Mbbay
ua-cam.com/video/oTyydhFwluY/v-deo.html
looks n singing, both are very beautiful.
May i know where such a fantastic Carnatic Music competition is going on regularly? Please let me know.......I would love to attend at the earliest!!!
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I wish I could understand the language, enjoyed this performance tremendously.
Tanye
no Michel
No one in India knows the language .. 😁😁
I too don't know the language but enjoyed the sonorous singing.
@@Imran52Feb music has no language..that's the beauty..
@@bharathitata8074 I fully agree with you. Carnatic music is as enchanting as the Hindustani Music.
This is my favourite programme. Music is like OXYGEN for me. More than singing, I INHALE and ABSORB music.
Carnatic music is very great. Cine songs are always secondary. BY VIJAYA
There should be one way that people identify Tamizh nadu with these competetions and Not Jalli Katt
tears trickle down my eyes when i see this.Vaah re Chhora and Chhoree. Kamaal kar thiyaa.
Pirmadima irrukirruthu. Aschriyam.
Manoj Sharma d d
Manoj Sharma
Manoj Sharma Brahmins doesn't play jallikattu
Pathetic comment man! Get out of the ghetto mentality
Manoj Sharma a
Thanks
When is the next program
Where is this competition will be held? Is this program going on still?
Lock down timepass :-) excellent program
Heard ms.malavi is taking classes. How to contact her?
youngsters, are becoming, more n more, genius, in singing.
BABA IYER MANI
clear and vibrant.... amazing voice
I.t is amazing to to know there are so many ragasnames,tenms,swaras etc in Carnatic musi. Besides countless creations which are real wealth of our country. of
Good concert women are equal to men in all spheres of life I am proud to say that Our பெரியார் s wish for the emancipation if women role
Fantastic!!!
very good song lam very happy
thank you sister
Can you please let me know in which Keerthana the lines of
Muraleedharan gireedhara sreedharaa placed.
It is a pallavi in which the words were put together by us.
The words 'muralidhara' and 'shreedhara' occur together in Sri. Deekshitar's balagopala in the madhyamakala after anupallavi
Regards,
Malavi Hari
( 'us ' indicates my sister and self)
Beautiful performance by Malavika.
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సంగీతం చాలా బాగుంది. గాయనికి అభినందనలు
No nothing about Carnatic music. Aana antha blue saree girl voice enna gambeeram. Appa I like her singing.
Please send more programmes like this to my Mail ID. This is my request. There are two fruits MANGO and PAPAYA bt I choose PAPAYA bcoz Mango may be very tasty. For me PAPAYA is CARNATIC MUSIC. Commented by VIJAYA.
most beautiful concert!
Does this show still exist?
fantastic programme
Wow very nice voice and brilliant minds.... super nagyaam
Whymalavi didn't get prize.she is a very deserving candidate 🙏
👍💐💐
This music education is more great&heard to learn then, normal ssc education
Very beautiful so good thanksu very much all
Beyond words to express. Superb
it is ananda BHairavi and NOT ananda Bairavi. signed kalavardhani's alathoor vijayakumar.
Excellent singing in Karnatik music
What a wonderful rendering
Wow Karnataka shastriya Sangeetha.......
Great performance of all
very sweet singing. may god bless to get to the top
Greatest mind peace
GOD given talent .
VIjialutchmi Govender
Keep going
You will get there
Wonderful job
I really wonder whether young genius of Carnatic generous of tnad can beat us settled tamils wonderful completion at chicago
..
Wonderful !!!
Excellent program !
விதை ஒன்று போட மரம் ஒன்று விளையுமா ! ! ! நெய்வேலி அண்ணாவின் வாரிசு ! ! ! பெயர் காத்த பிள்ளை .
Wonderful Congratulations
Not for normal people... It's highly technical 🏃🏃🏃
True🤣🤣🤣🤣😂😂😂😂
Beautiful competition
Music is not just singing a song well. There is so much behind the song that makes the song sung well. That's the grammar which is an ocean. So I never say he/she sang well, I say yeah I liked it or didn't. Murthi
I like it really top voices
IRAQI TAEKWONDO AMBASSADORS cd
interrupting upsets the flow of thought...it upsets a person's mental makeup and ...if that is a competition...I suppose every one is a winner...I cannot see a looser here..Maybe listeners are the losers..all the artistes deserve to win..that is it ...
Malavika is the best singer
Excellent,God bless you.
Voice songs beautiful madam happy nice
IT"S GREAT VOICE chy.SRI RANJANI.
sri ranjini wl become best carnatic singer