What a voice! It's almost impossible to state who is the best Dalila of all time because each artist brings something special to the role, but Borodina is definitely among the best. I love this rendition.
I am in bliss. I am in heaven. Such beauty. Even more than the next aria of Delila's which seems to be the most famous in the opera. This aria of hers as she is by herself is horribly underrated.
Que voulez-vous, en Russie il ne reste qu"une dizaine de bons professeurs de francais. La cantatrice en a eu de tres mauvais. Dommage, sa voix merite une prononciation sans faille.
Pourquoi toutes les chanteuses prononcent elles la liaison "t" au lieu de "z" pour : "viens aider...". Il y a un "S" à "viens" et non pas un "T" ! Et j'en ai écouté un bon paquet , elles font toutes la même erreur ! Alors comment se fait-il qu'il n'y ai personne dans leur entourage musical pour leur dire ! c'est fou !
Bella voce. Peccato che non si senta nulla, perché manca completamente la proiezione, a parte nel SIb acuto. Tecnica russa...bah. Ascoltatevi la Verret e vi rifarete le orecchie.
Actually Verrett is inferior to Borodina in this role, mostly because she never managed to join the lower and middle parts of her voices, and she regularly uses strange and audible transitions from one to the other. Having sung taxing soprano and mezzo roles throughout her career might be the reason of her disjointed middle, because the balance of the transition shifts when you change fach. She is a great Delilah and I enjoy listening to her in this role, but Borodina is absolutely the golden standard in this.
Borodina has a gorgeous voice, but her technique is tipically russian. It means that basically her sings (beautifully) to herself, but the voice does not have any projection. The orchestra covers her voice all the time, only the high SIb reaches the place that all the singing should have in space.
That might be the case, I have never heard her live. I am only judging from what I have heard online. But I doubt the 'russian technique' encompasses "basically singing beautifully to myself as the orchestra covers me". There have been a multitude of Russian singers in recent times, both mezzos and sopranos who have no trouble with the French or Italian repertoire, despite their training or technique.
Very beautiful voice colour, but NO style ! That's typical Russian technique, from the end of the 19th century. She sounds like Amneris singing in Gibberish. No feeling for the French language or words.
What a voice! It's almost impossible to state who is the best Dalila of all time because each artist brings something special to the role, but Borodina is definitely among the best. I love this rendition.
Agreed
ua-cam.com/video/zsdzIjRA58g/v-deo.html&start_radio=1 For me Elena Obrazcova, Attractive, soft, and seductively feminine.
For me it is Obratzova
@@pureffm Obratzova is one of my favorite singers. She was also a very beautiful woman.
Such capricious colour enveloped into that beautifully dark timbre. One of the greatest Dalilas ever.
Perfect!
I agree with you.
Meravigliosa e bellissimo tono alto!
😊🎉
Marivilhosa, belíssimo timbre tanto em notas altas como nas mais graves.
Inesquecível!.
I am in bliss. I am in heaven. Such beauty. Even more than the next aria of Delila's which seems to be the most famous in the opera. This aria of hers as she is by herself is horribly underrated.
Borodina Hermosa , esta aria la escuché cuando tenia 13 años, me encanta, y esta es la mejor versión de dalila, bella bella
Never heard of Olga but what a Voice!!
La meilleure Dalila de tous les temps.
Bravissima!
БРАВИССИМО! СУПЕР, ВОСХИЩЕНИЕ!
splendide unique unrivalled sublime MERCI MARIA
Una magnifica Dalila!!
Borodina es la mejor Dalila
Brillant
Wonderful pearl of sound, an appreciative sound. I wonder how it pours out in a theatre? ☺️ sound here
La "grande" Maria Callas👏👏👏🌺🌺🌹💮⚘⚘⚘
Сен-Санс "Самсон и Далила" 2я ария: "Самсона в эту ночь ожидаю!" Ольга Бородина!
It is a truly wonderful performance. Shame the final few bars have been 'snipped'.
Her looks remind me of a young Irina Arkhipova, but Borodina's voice is more beautiful.
Amour viens aider ma fablaisse saint sense Anna net record
Magnifique voix! mais j'entend toujours "verse le POISSON dans son sein" au lieu de devoir dire "POISON" .... là, ça change tout!! LOL :D
😁
🤣 every time I hear this aria I think the same
Exactement. Poisson.
Je me demande si ça ne vient pas de sa pose de voix très dans le masque. Bizarre.
mezzosopran
Verse le poisson))
Que voulez-vous, en Russie il ne reste qu"une dizaine de bons professeurs de francais. La cantatrice en a eu de tres mauvais. Dommage, sa voix merite une prononciation sans faille.
@@maxgor-rus8838 mais je pensais qu'il y avait des professeurs de langue dans le théâtre où elle chantait.
Pourquoi toutes les chanteuses prononcent elles la liaison "t" au lieu de "z" pour : "viens aider...". Il y a un "S" à "viens" et non pas un "T" ! Et j'en ai écouté un bon paquet , elles font toutes la même erreur ! Alors comment se fait-il qu'il n'y ai personne dans leur entourage musical pour leur dire ! c'est fou !
Euh, j'entends vienZaider, avec un S. Par contre j'entends verse le poiSSON dans son sein...
I think it is obligated with vocal pronunciation.
lughshe ghem Obraszova no opjati ghe grubie nisi. dalila eto ne Bariton a krasivaja molodja ghenshina
Ну хотя бы прикрытые низы, а не вульгарные образцовские открытые.
Troppo lento! Perde d'incività e di pathos. Poco mi convince anche scenicamente.Mirka Bonomi
+Mirka Bonomi su su non diciamo eresie...
Bella voce. Peccato che non si senta nulla, perché manca completamente la proiezione, a parte nel SIb acuto. Tecnica russa...bah. Ascoltatevi la Verret e vi rifarete le orecchie.
marina cantele von gutherz la Verret è spesso crescente e ha una voce molto più sopranile. Che non è proiettata la voce dove lo sente?
Actually Verrett is inferior to Borodina in this role, mostly because she never managed to join the lower and middle parts of her voices, and she regularly uses strange and audible transitions from one to the other. Having sung taxing soprano and mezzo roles throughout her career might be the reason of her disjointed middle, because the balance of the transition shifts when you change fach. She is a great Delilah and I enjoy listening to her in this role, but Borodina is absolutely the golden standard in this.
Borodina has a gorgeous voice, but her technique is tipically russian. It means that basically her sings (beautifully) to herself, but the voice does not have any projection. The orchestra covers her voice all the time, only the high SIb reaches the place that all the singing should have in space.
That might be the case, I have never heard her live. I am only judging from what I have heard online.
But I doubt the 'russian technique' encompasses "basically singing beautifully to myself as the orchestra covers me". There have been a multitude of Russian singers in recent times, both mezzos and sopranos who have no trouble with the French or Italian repertoire, despite their training or technique.
This is absolutely true. But generally those are singers who includes belcanto technique, harmonizing with their own. Like Netrebko .
Very beautiful voice colour, but NO style ! That's typical Russian technique, from the end of the 19th century. She sounds like Amneris singing in Gibberish. No feeling for the French language or words.