This was composed by R K. at maturity, and the results made him very happy. He speaks of a brilliant piece of orchestral music. It was enthusiastically received from the very first moment.
Its a challenging part to be sure. The 4th movment is particularly difficult due to the manner in which RK messes about with meter in rather sneaky ways.
I. Alborada (A Major) II. Variazioni (F Major) III. Alborada (B-flat Major) IV. Scena e canto gitano (attaca) (centered on A Minor) V. Finale: Fandango asturiano (A Major)
Excellent performance. Thanks for score. Just now, reading score, listening to music, gives you insight into what a unique and original orchestrator RK was.
Tchaikovsky dió clases de orquestación a Rimsky- Korsakov. Al parecer el alumno opinaba que el maestro era excesivo. Desde luego, viendo los resultados, no hay comparación posible entre la simplona, aunque aparente, orquestación de Rimski y la extraordinariamente elaborada y compleja del gran maestro ruso, el mejor orquestador de su tiempo y, probablemente, de la historia.
Se establece la tonalidad de la mayor (tonalidad de jota), en acordes pujantes de 2 por 4. Algunas maderas adquieren por breve tiempo el papel solista. El segundo tema es un fandango en fa myur, interpretado por las trompas, seguidas por la cuerda. El corno y la trompa en diálogo preludian el tutti con el tema completo. Los violines primeros cantan en registro más agudo. El tercer movimiento está escrito en sí b Mayor aunque es una réplica del primero. En el cuarto y último movimiento se restablece el fa mayor. Distintos instrumentos en solo crean un ambiente de virtuosismo. Un tema genuinamente andaluz, se despliega por toda la orquesta, y es cortado por 5 notas rápidas e iguales. Al, final otra melodía de 5 notaS sirve de manteo, mofa y coda.
Andaluz es el cuarto movimiento. La primera y tercera es una alborada, no una jota y el segundo movimiento está inspirado en el folclore asturiano, no andaluz.
Fine performance by Maazel and the orchestra, except for the person playing the castinets. Either (s)he simply couldn't manage the tempo or had no sense of rhythm or couldn't count. The castinet part is important in this piece and was completely botched (frequently behind, late entrances, bad trills)! Surprised, given this was the Berlin Philharmonic.
You may be right, but try and spell CASTANETS properly. the very word, because of its shape, comes from Castagna that is the Mediterranean word for CHESTNUT. And having said that, OLE'
@@Ab-vw2sg Thank you for pointing this out. Very strange. I had an email exchange within the last year with some friends about a performance of the Schubert Erlkonig by a contemporary group. The performance involved castanets (the horse, of course), which I spelled correctly in those emails. I can't explain this lapse.
Ni Granados ni Turina... hubieran podido hacer algo tan espanich y menos una orquestacion como esta, Rimsky solo estuvo una semana en Gibraltar como oficial marina rusa y escribió este Capricho
Porque no sabemos apreciar lo nuestro solo la gente con cultura aprecia nuestra musica manuel de.falla es mas conocido en inglaterra que aqui a turina muchos sevillanos no saben quien es y es una pena porque orgia danzas fantasticas es para escucharla y esto ira a peor se.pierde la buena musica se desconoce y la historia la cambia cada uno a su.manera porque la ignora critican todo lo culto porque la burla del ignorante es para parecer el sabio y yo me pregunto para que internet que para mi es lo unico interesante que hay ahora si no lo usan bien lo usan para buscar tonterias y.modas absurdas no.para instruirse y para contar mentiras las fake news que dicen ahora es una herramienta desperdiciada en manos de tontos
so fun to play except my orchestra teacher thinks that we can play the very end even faster than in this recording, i love her but she's definitely delusional 😭
@@qualityvigilante599our all district high school honor orchestra had to play it this fast, for me and my cello buddies this was a fun challenge as we were the top cellist in the district. For others tho…. Maybe not so fun lol
I can’t help but smile when I hear the beginning… so joyful. One of my favorites by Rimsky-Korsakov.
This was composed by R K. at maturity, and the results made him very happy. He speaks of a brilliant piece of orchestral music. It was enthusiastically received from the very first moment.
Is there anything more joyous than this opening?
Nothing that comes to mind :)
Hard to know
I think this is comparable... Also from one of The Mighty Five, Glinka's Ruslan and Ludmila (Overture)
Some Mozart maybe? 😆
Touching grass
I'm playing this flute part on my own for an orchestra concert
I'm petrified
same bro...
Its a challenging part to be sure. The 4th movment is particularly difficult due to the manner in which RK messes about with meter in rather sneaky ways.
1st violin here 🤓bro that 4th movement ending kills me
How did it go?
Un bel brano da far conoscere tramite ascolto, se non da studiare (quantomeno nei conservatori e/o nelle scuole di musica)
Every clarinetest's nightmare. It's asked for at every clarinet audition
😅
I. Alborada (A Major)
II. Variazioni (F Major)
III. Alborada (B-flat Major)
IV. Scena e canto gitano (attaca) (centered on A Minor)
V. Finale: Fandango asturiano (A Major)
Thank you ! Rimsky Korsakov Master of Orchestration ! My favorite Composer ))
Now that's the right tempo for the Fandango.
Excellent performance. Thanks for score. Just now, reading score, listening to music, gives you insight into what a unique and original orchestrator RK was.
Beautifully engineered recording of a >very< good performance.
The ending is like driving an entire fleet of fighter jets into a brick wall at supersonic speed.
LOL, Should have a warning: Fasten your seatbelts
5:30 Excerpt 1
8:14 Excerpt 2
10:25 Excerpt 3
It's a fantastic interpretation, super for me.
That's the craziest Coda I have ever heard
Playing this in an orchestra competition today.
How did it go?
hope your clarinetist didn't fuck up
@ahmaddiyafam1884 iirc we got 1st place so he probably didn't lol
@@Cxste11xn nice!
Ausgezeichnet!
The end…😮😮😮😮😮😮 u know what i mean
Priceless.
Tchaikovsky dió clases de orquestación a Rimsky- Korsakov. Al parecer el alumno opinaba que el maestro era excesivo. Desde luego, viendo los resultados, no hay comparación posible entre la simplona, aunque aparente, orquestación de Rimski y la extraordinariamente elaborada y compleja del gran maestro ruso, el mejor orquestador de su tiempo y, probablemente, de la historia.
Clarinet starting at 6:44
Se establece la tonalidad de la mayor (tonalidad de jota), en acordes pujantes de 2 por 4. Algunas maderas adquieren por breve tiempo el papel solista. El segundo tema es un fandango en fa myur, interpretado por las trompas, seguidas por la cuerda. El corno y la trompa en diálogo preludian el tutti con el tema completo. Los violines primeros cantan en registro más agudo. El tercer movimiento está escrito en sí b Mayor aunque es una réplica del primero. En el cuarto y último movimiento se restablece el fa mayor. Distintos instrumentos en solo crean un ambiente de virtuosismo. Un tema genuinamente andaluz, se despliega por toda la orquesta, y es cortado por 5 notas rápidas e iguales. Al, final otra melodía de 5 notaS sirve de manteo, mofa y coda.
El último movimiento es una jota, y no andaluz,como dije. ❤ ❤ 😊
Andaluz es el cuarto movimiento. La primera y tercera es una alborada, no una jota y el segundo movimiento está inspirado en el folclore asturiano, no andaluz.
this symphony is POG👻
0:24-0:38 B
4:39-5:01 Tempo I
5:01-5:34 F
6:10-6:22 H
6:22-6:35 I
10:35-10:55 O
10:55-11:10P
Dude, i'm gonna play this soon. RIP flute
Brilliant Performance!
0:00 Neighborhood Animals 2003 Indonesian VCD
flute solo(2)
10:28 - 10:56
brilhante !
yes!
1. 6:11~6:21
2. 12:46~12:53
13:15
Neighborhood Animals
7:08 I almost thought the snare drum is fart.
Fine performance by Maazel and the orchestra, except for the person playing the castinets. Either (s)he simply couldn't manage the tempo or had no sense of rhythm or couldn't count. The castinet part is important in this piece and was completely botched (frequently behind, late entrances, bad trills)! Surprised, given this was the Berlin Philharmonic.
You may be right, but try and spell CASTANETS properly. the very word, because of its shape, comes from Castagna that is the Mediterranean word for CHESTNUT. And having said that, OLE'
@@Ab-vw2sg Thank you for pointing this out. Very strange. I had an email exchange within the last year with some friends about a performance of the Schubert Erlkonig by a contemporary group. The performance involved castanets (the horse, of course), which I spelled correctly in those emails. I can't explain this lapse.
@@donaldallen1771 @ab funniest exchange ever
11:09 all state
Ni Granados ni Turina... hubieran podido hacer algo tan espanich y menos una orquestacion como esta, Rimsky solo estuvo una semana en Gibraltar como oficial marina rusa y escribió este Capricho
Porque no sabemos apreciar lo nuestro solo la gente con cultura aprecia nuestra musica manuel de.falla es mas conocido en inglaterra que aqui a turina muchos sevillanos no saben quien es y es una pena porque orgia danzas fantasticas es para escucharla y esto ira a peor se.pierde la buena musica se desconoce y la historia la cambia cada uno a su.manera porque la ignora critican todo lo culto porque la burla del ignorante es para parecer el sabio y yo me pregunto para que internet que para mi es lo unico interesante que hay ahora si no lo usan bien lo usan para buscar tonterias y.modas absurdas no.para instruirse y para contar mentiras las fake news que dicen ahora es una herramienta desperdiciada en manos de tontos
2:30
8:56
10:05
8:12 flute solo
10:50 (p.433)
so fun to play except my orchestra teacher thinks that we can play the very end even faster than in this recording, i love her but she's definitely delusional 😭
Imagine double bass part
horn soli/solo in mvt 2 >>>
1:41 saving for later
7:25
8:05
9:40 IV
6:35 III
My notes:
1:55
9:40
Why didn't you label the violin solo also? Hahaha
8:12 flute
1:55
1:53 csyo cello
13:48 Coda
11:09
13:45 V
The clarinet has a strange sound.
Because this clarinet is A
I don't like this interpretation; it's too fast.
Way too fast!
Bob Neu wAY WAY too fast. They play the notes but most of the music gets thrown overboard. Disappointing.
you are just jealous you can't play it that fast..!
@@debwagner7505 gtfo, its beautiful.. your aesthetics are shit..!
@@qualityvigilante599our all district high school honor orchestra had to play it this fast, for me and my cello buddies this was a fun challenge as we were the top cellist in the district. For others tho…. Maybe not so fun lol
Awful
lol
L
Terrible taste
L
@@therealrealludwigvanbeethoven W reply to L comment
Teachers and Students: Example 14-15 from the Adler text (pp.562-566) begins at about 10:45.
13:58
13:43 all state
6:36
13:37
13:49
13:48
12:00
2:33
9:38
10:15