Is every 8th note sound like "ta" or "ka" and every quarter note "dum" Correct me if I'm wrong Can i write something in 7/8 that is 12 123 12 like taka takata taka?
You can do this any way you want, as long you feel comfortable. I use dum or taa for the quarter notes, yes, but that's just my interpretation. Your 12 123 12 sentence works. I prefer using different words for the same groups that meet at the end and the beginning of the phrase, in this case the 12 at the end and the beginning.
@@nexyboye5111 Sure, you can do all of it. Some of it is redundant, and the main thing is what it does musically and what the tempo is. More useful on subdivisions. I'll get to that later on.
I see no redundancy, they can be divided further and be phase shifted of course, but how we percieve and group rhythm is just a matter of emphasis. Let's say for example you have 12-12345 with velocities [100, 70, 100, 90, 80, 70, 60], you should percieve five notes as a single group this way.
@@nexyboye5111 certainly a possible point of view. Musically speaking, it is a matter of so many variables, including tastes and what makes sense to the artist and the listener beyond the numbers. Try it, I'm glad the video triggers curiosity.
cool video, straight to the point. + i love the visuals too. great work, high quality stuff.
Thank you!
congrats on 100 subs!
Thank you! Let's put a K after it 😁
new subscriber here✋🏻
Welcome! Welcome! Welcome!
so great！
Thank you!
1:51 What song is playing there?
@@JayDayKay it's an original track I made for the video.
@@MusicianSpecies ah! well the tone is very nice
if i just wanted a metal groove, should i always use a high bpm count i dunno like 190bpm?
Not necessarily. You could have pretty gnarly stuff at120 or so. There's a place for any tempo in metal.
Is every 8th note sound like "ta" or "ka" and every quarter note "dum"
Correct me if I'm wrong
Can i write something in 7/8 that is 12 123 12 like taka takata taka?
You can do this any way you want, as long you feel comfortable. I use dum or taa for the quarter notes, yes, but that's just my interpretation. Your 12 123 12 sentence works. I prefer using different words for the same groups that meet at the end and the beginning of the phrase, in this case the 12 at the end and the beginning.
@MusicianSpecies you're the best tnx
how about 1234-123, 123-1234, 123-123-1, 123-1-123, 1-123-123, 12-12-1-12, 12-1-12-12, 1-12-12-12, 12345-12, 12-12345
@@nexyboye5111 Sure, you can do all of it. Some of it is redundant, and the main thing is what it does musically and what the tempo is. More useful on subdivisions. I'll get to that later on.
I see no redundancy, they can be divided further and be phase shifted of course, but how we percieve and group rhythm is just a matter of emphasis. Let's say for example you have 12-12345 with velocities [100, 70, 100, 90, 80, 70, 60], you should percieve five notes as a single group this way.
@@nexyboye5111 certainly a possible point of view. Musically speaking, it is a matter of so many variables, including tastes and what makes sense to the artist and the listener beyond the numbers. Try it, I'm glad the video triggers curiosity.