It's better referenced as quintuples in my opinion; I get trying to squeeze it into the x/16 structure (which seems somewhat popular these days), but the world opens up more by thinking in quints instead.
@@MusicianSpecies In your example you are adding a measure of 5/16 to the end of a different time signature. That measure of 5/16 is putting 5 equally spaced notes within the quarter note frame. Those 5 equally spaced notes could also be thought of as a quintuple in 1/4 note space. This is a trick I have to use in DAW's that don't understand quintuples in order to represent the space.
@jeremymalli they are actual five 16th notes, as in 125% of the quarter note. They do not occupy the equal space of the quarter note found in the previous 4/4 bar, hence it's 5/16, not 5 16th quintuplets.
@@MusicianSpecies Yeah, I was thinking about this over dinner and realized I had only ever used 5/16 in the hacked manner (representing sequential quints) and had never used them in the correct manner. I realized that you're just tacking on the additional 5 16ths to the end of the major sequence. This would create a pretty wicked over the barline structure.
Love this chanel
@@Hi-ov5nj thank you
Well done, good job! Easy to grasp!
@@Tarai glad it makes sense
Oooh - this one was a bit heavy. I'll need to watch this a few more times to get my head around what's going on. Love this series so far!
@@Justin_the_Analog_IC_architect just getting started
It's better referenced as quintuples in my opinion; I get trying to squeeze it into the x/16 structure (which seems somewhat popular these days), but the world opens up more by thinking in quints instead.
@@jeremymalli tuplets (including quintuplets) are an entirely different thing. They occupy a different space.
@@MusicianSpecies In your example you are adding a measure of 5/16 to the end of a different time signature. That measure of 5/16 is putting 5 equally spaced notes within the quarter note frame. Those 5 equally spaced notes could also be thought of as a quintuple in 1/4 note space. This is a trick I have to use in DAW's that don't understand quintuples in order to represent the space.
@jeremymalli they are actual five 16th notes, as in 125% of the quarter note. They do not occupy the equal space of the quarter note found in the previous 4/4 bar, hence it's 5/16, not 5 16th quintuplets.
@@MusicianSpecies Yeah, I was thinking about this over dinner and realized I had only ever used 5/16 in the hacked manner (representing sequential quints) and had never used them in the correct manner. I realized that you're just tacking on the additional 5 16ths to the end of the major sequence. This would create a pretty wicked over the barline structure.