@@cdtj1265 uberhaupt nich, ich habe vom Sinn des stuckes gesprochen. Nicht von der execution. Bitte schohn, denken sie daruber nach, ich mag gerne Ernest Bour. Wenn mann Mozart verhunzt, weil zu schnell, zu viel énergie, kann mann ihn nicht verstehen. Wie Beethoven eigentlich. Lesen was Nietzsche uber Mozart vs Beethoven schreibt. Vortrefflich.
Wow, the audio quality is crystal-clear and allows us to hear Mozart’s beautiful orchestration in great detail! And well-nyanced performance as well, bravi tutti!
The sound engineers. God damn it! How do you folks do it? I can hear every single instrument! It's amazing to hear Mozart like this! Thank goodness that technology has it's positive sides. 💜
@ Alexandru Gheorghe: Well no, you and the 29 people who agree with you as of this writing can't hear every single instrument nor should you because the finest orchestras -- which this orchestra is -- play with perfect intonation. The perfect blending of instruments, just like with a well-trained Chorus that sings with perfect intonation. You should only hear "every single instrument" when one or more of the musicians are playing a solo. (Didn't mean to spoil your fun).
This may be the result of social distancing of players and instruments. While they play together as one orchestra as intended, the clarity appears improved. Maybe the pandemic will result in more separation of players and instruments. The sound is incredible.
This is always a debating point between audiophiles and music lovers. While music lovers like the blending, audiophiles likes the clarity and positioning of the instruments. As an audiophile, I like to pick up an instrument in a recording and follow it along. There are so much enjoyment in this approach. The music become a new piece every time I hear it. An instrument can be lost in the blended approach. Advancement of audio technology can bring out another side of music that was not know to those 250 years ago.
You know... these are pretty dark times right now. But instances like this show the good that humanity is capable of. Truly inspiring. Peace and health to you all!
Maestro Orozco takes his time between the first and second movements. Probably savoring in the beauty of the performance. The conductors hear the music too!
I've been really enjoying all the performances of this Orchestra under the baton of Conductor Andrés Orozco-Estrada. The Beethoven symphonies and now this Mozart Symphony. Such high quality performances and video and sound quality is amazing. I feel privileged. Well done, everyone!
Giving the downbeat to this group is like engaging the accelerator of a Mercedes … you can feather it or mash it to the floor, it doesn’t matter. Precision, fire, subtlety, passion; they have it all. And German audio production is the best in the world. My goodness!
OMG! I love so much the Andante that I have to listen twice at least. And such a spectacular sound achieved by the recording engineers. For all these reasons and for its wonderful musicians and conductor is why this is my favorite orchestra in Europe!!! Thank guys. A supernatural pleasure to listen and watch. HR FRANKFURT Sinfonie the best!!!
I have watched this video twice, about a year apart. I think maestro Orozco-Estrada has done amazing things this far in his career. His Mozart 40th is as good as you'll hear anywhere today. He ignores neither the technique nor the beauty of Mozart.
Man spürt bei dieser Aufführung den Ernst und die Hingabe des Orchesters und des Dirigenten an diesen besonderen Moment, in dem nach langer Pause, und, wie wir jetzt wissen, vor einer weiteren langen unfreiwilligen Unterbrechung, dieses Live-Konzert mit der g-Moll-Sinfonie im Zentrum der drei letzten Mozart-Sinfonien möglich war.
Der zweite Satz war sehr schön und besonders gefallen die Holzbläser im dritten Satz mir sehr gut. Insgesamt ist es wunderbar. Danke schön! Viele Grüße aus Montreal, Kanada.
Mais uma maravilha da orquestra HR de Frankfurt e Andrés Orozco-Estrada. Atualmente a orquestra que mais traz-me performances surpreendentes de excelência. Interpretação minuciosa, diferenciada. Uma preciosidade!!! Para ver e rever. BRAVO!!!👏👏👏👏👏👏👏
How very much I agree with you. I have missed live music here in London so badly, so hearing and seeing this very fine orchestra is such an uplift to my soul. I cannot thank the orchestra and conductor alike for the help and the joy they give me in these anxious times.
Wunderschöne und spannende Aufführung dieser perfekt komponierten Sinfonie mit gut phrasierten doch perfekt synchronisierten Tönen aller Instrumente. Der zweite Satz klingt besonders schön und auch lyrisch. Der letzte Satz klingt besonders spannend und auch inspirierend. Der geniale Maestro dirigiert das ausgezeichnete Orchester im relativ schnellen Tempo und mit möglichst effektiver Dynamik. Wunderbar und atemberaubend zugleich!
Überragend finde ich die beiden Naturhörner, z.B. im Zusammenspiel im 3. Satz. Kleiner Wermuthstropfen ist die temperamentvolle Beinarbeit von Maestro Andrés O-E. bei praktisch allen seinen Dirigaten, das Dirigentenpodium überträgt das Geräusch der Schuhe gnadenlos (über Kopfhörer), vor allem vor Forte-Einsätzen.
@@hansjuergenkohlhaas871 Perhaps these little noises are a good thing in that they make you feel like you are there in the concert hall - if only that were possible for all of us!
Ist nicht ein zu schnellen Tempo? Ist nicht zu viel Dynamik? hr-Sinfonieorchester klingt sehr gut, aber Maestro's hektischen Bewegungen, seine Aufregung? Was denkt ihr?
@@MM-111 Das Tempo ist zwar ziemlich schnell, aber nicht zu schnell. Was die Dynamik anbetrifft, alles gehöht zum Geschmack jedes Zuhörers. Mir ist die Dynamik nicht zu viel. Der Maestro manchmal scheint mit dem Orchester zu tanzen. Das kommt vielleicht aus seinen südamerikanischen Rhythmen.
The first time i heard Conductor Andres Orozco - Estrada when he conducted the pieces Tchaikovsky Violin concerto in D major with Hilary Hahn and I was very impressed.
One has to appreciate how Frankfurt Radio Symphony under Orozco-Estrada's tenure draws heavily on historical performance when interpreting Mozart and Beethoven. Even though only the valveless horns are truly historical, the sparing vibrato and the fast decay on the modern instruments still bring a lot of clarity to the phrases and the counterpoint - a sound likely more familiar to Mozart and Beethoven. Fascinating still that Orozco-Estrada and co. sound like a completely different orchestra when they play Brahms or Tchaikovsky.
I love the tempo. The first movement is labeled "molto allegro", and I've heard it described as a kind of "aria agitata", so tempos that are much slower than this don't make much sense to me; they can't convey the sense of urgency in the music. The audio quality is one of if not the best I've ever heard, and the conductor & orchestra perform with such passion and precision. Amazing recording of the greatest masterpiece of all time.
Probably my favorite orchestra currently performing ( I do love Paavo Jarvi's work, and the Oslo symphony does magnificent work too!) and every time I find they've done a song I love it's an immediate watch,
Joachim Sickenberger was? Geht der? Habe ihn erst neulich auf utube entdeckt mit bartoks music für Streicher, Percussion & Célesta, die mich vollkommen umgehauen hat, knackig , präzise, demystifizert, einfach wunderbar , und seitdem höre ich alles sprachlos, was Orozco macht mit dem HR Orchester .und jetzt sagst Du, bis bald? Oh weh! Wohne 1,5 h von FRA und wollte mir das baldmöglichst anhören - habe ich noch eine Chance?
I normally do not like Mozart pieces played fast, especially when it is fast and overly neurotic. Orozco-Estada's faster-than-average tempo maintains the purity, perhaps partially due to the use of period wind instrument, and feels right.
Not a fan of it either. And for me, all in all, it doesn't really work here. Two things, specifically: while the first and third movements work with the faster tempo, the second movement is completely dysfunctional because of it. It's neurotic and loses its depth. Also, since they play the allegro assai in the right tempo, that diminishes the drama of different speeds in case of the previous movements.
Love the lively tempo of the opening. I feel it lightens the dramatic angst of this most famous of Mozart’s symphonic first movements. So very unique in its profoundly simple concept. So fitting for his penultimate symphony. PWG
Magnifica interpretación de una de las más célebres sinfonías del compositor austriaco nacido en Salzburgo sin duda junto a Beethoven y Tchaikovsky los tres más importantes de la historia de la música clásica desde mi punto de vista.
@@victormiranda.123 Eso está claro, pero él hablaba de los tres más grandes, en ese caso serían Mozart, Bach y Beethoven. Claro que Tchaikovsky y otros compositores como Wagner, Liszt, Verdi, Chopin, Shubert, Bhrams (y muchos más) fueron enormes en la música y su obra es grandiosa también.
Leopold Koželuch: Symphony in G minor, 1787. , Mozrt No 40.1788. Similar to Mozart's Symphony No. 41 Scholars are certain Mozart studied Michael Haydn's Symphony No. 28 in C major, which also has a fugato in its finale and whose coda he very closely paraphrases for his own coda. Charles Sherman speculates that Mozart also studied Michael Haydn's Symphony No. 23 in D major because he "often requested his father Leopold to send him the latest fugue that Haydn had written." The Michael Haydn No. 39, written only a few weeks before Mozart's (Symphony No. 41), also has a fugato in the finale, the theme of which begins with two whole notes. Sherman has pointed out other similarities between the two almost perfectly contemporaneous works. The four-note motif is also the main theme of the contrapuntal finale of Michael's elder brother Joseph's Symphony No. 13 in D major (1764)
GAMBAGAMBAGAMBA!!!❤️❤️❤️❤️❤️ if to hear on the hall?!!! I would faint at once!🙈❤️ On earth there never gonna be such instrument ❤️❤️ GAMBAGAMBAGAMBA❤️❤️
Diese Präzision, diese Energie! Ein Vorbild für alle Orchester der Welt.
Überhaupt nicht, das ist nämlich nicht der Sinn des Stückes welches tragisch ist.
@@laurenth7187klar, man kennt's. Alle tragischen Stücke sind grundsätzlich energielos und unpräzise zu spielen.
@@cdtj1265 uberhaupt nich, ich habe vom Sinn des stuckes gesprochen. Nicht von der execution. Bitte schohn, denken sie daruber nach, ich mag gerne Ernest Bour. Wenn mann Mozart verhunzt, weil zu schnell, zu viel énergie, kann mann ihn nicht verstehen. Wie Beethoven eigentlich. Lesen was Nietzsche uber Mozart vs Beethoven schreibt. Vortrefflich.
Hahahahahah POV man will das in Frankfurt schön reden aber es geht nach hinten los !
@@Flix-cn7wp ratio
This conductor is a pleasure to watch: so expressive and sincere! It looks as if he's getting a good workout as well!
Wow, the audio quality is crystal-clear and allows us to hear Mozart’s beautiful orchestration in great detail! And well-nyanced performance as well, bravi tutti!
one of the best classic pieces: composed for eternity!
The sound engineers. God damn it! How do you folks do it? I can hear every single instrument! It's amazing to hear Mozart like this! Thank goodness that technology has it's positive sides. 💜
@ Alexandru Gheorghe: Well no, you and the 29 people who agree with you as of this writing can't hear every single instrument nor should you because the finest orchestras -- which this orchestra is -- play with perfect intonation. The perfect blending of instruments, just like with a well-trained Chorus that sings with perfect intonation. You should only hear "every single instrument" when one or more of the musicians are playing a solo. (Didn't mean to spoil your fun).
@@danmoran454 And that, my dearest, is exactly what the guy meant. He just wrote it in a simpler way. Best regards! xD
This may be the result of social distancing of players and instruments. While they play together as one orchestra as intended, the clarity appears improved. Maybe the pandemic will result in more separation of players and instruments. The sound is incredible.
Maravilhoso!!!
This is always a debating point between audiophiles and music lovers. While music lovers like the blending, audiophiles likes the clarity and positioning of the instruments. As an audiophile, I like to pick up an instrument in a recording and follow it along. There are so much enjoyment in this approach. The music become a new piece every time I hear it. An instrument can be lost in the blended approach. Advancement of audio technology can bring out another side of music that was not know to those 250 years ago.
00:00 I. Molto allegro
08:11 II. Andante
15:08 III. Menuetto. Allegretto - Trio - Menuetto
19:22 IV. Allegro assai
You know... these are pretty dark times right now. But instances like this show the good that humanity is capable of. Truly inspiring. Peace and health to you all!
This is just what I needed. Thank you so much. I cannot stress enough how good this orchestra is
It really is astonishing. Possibly the best orchestra worldwide currently.
@@cdtj1265 couldn't agree more. Check out their Dvorak New World Symphony.
@@zahravardin1283 oh yes. It feels like you're hearing that famous, quite over-performed work for the first time.
@@cdtj1265 exactly lol
@@cdtj1265 itzhak perlman is the concert master in that symphony haha
One of the better directors of all times.
Maestro Orozco takes his time between the first and second movements. Probably savoring in the beauty of the performance. The conductors hear the music too!
They hear it really well! The best seat in the house.
Stunning from the very first note to the last. BIG THANKS for sharing my favorite Mozart symphonic masterpiece.
Amazing how at 4:42 it sounds like a single violin 😭🙌🏽👏🏽👏🏽
(Famous cooking intro)
1st movement
0:26 begins | 7:28 ending
2nd movement
8:16 begins
3rd movement
15:15 begins
4th movement
19:26 begins
Andrés Orozco-Estrada makes the orchestra dance with his brilliant conducting. This is the best performance of this work. Thank you.
Interpretação fantástica. Diferenciada. Podes buscar no UA-cam outra a altura. Vai ser quase impossível encontrar. BRAVO!!!
Wahnsinn!!! Super!!! Bravissimo!!! Wolfi würde ihn freuen solche seine N 40 hören zu können!!!👏👏👏😘😘😘👍👍👍
I've been really enjoying all the performances of this Orchestra under the baton of Conductor Andrés Orozco-Estrada. The Beethoven symphonies and now this Mozart Symphony. Such high quality performances and video and sound quality is amazing. I feel privileged. Well done, everyone!
Giving the downbeat to this group is like engaging the accelerator of a Mercedes … you can feather it or mash it to the floor, it doesn’t matter. Precision, fire, subtlety, passion; they have it all. And German audio production is the best in the world. My goodness!
fortunately they don't have turbo-lag
OMG! I love so much the Andante that I have to listen twice at least. And such a spectacular sound achieved by the recording engineers.
For all these reasons and for its wonderful musicians and conductor is why this is my favorite orchestra in Europe!!! Thank guys. A supernatural pleasure to listen and watch.
HR FRANKFURT Sinfonie the best!!!
Wie wunderbar. Wenn ich das höre, weiß ich erneut, was ich will. Musik!
Ein dickes Bravo für diese, selten gehörte OboenFassung !
I have watched this video twice, about a year apart. I think maestro Orozco-Estrada has done amazing things this far in his career. His Mozart 40th is as good as you'll hear anywhere today. He ignores neither the technique nor the beauty of Mozart.
Göttlicher Mozart, wunderbar! Möge das ganze Orchester gesund bleiben!
It sounds like always in a spectacular way. Very clear, too pure. It can almost be discovered again. I am proud to be Andres Orozco's countryman ...
Indeed, you have every right to feel this. He is an outstanding conductor, and transmits his south American zest for life into the music. Bravo.
De quel país eres?
@@livb6945 Paisano de Andrés..Colombiano...
Magnífica versión de esta espléndida sinfonía. Bravos para el maestro Orozco y la orquesta
Obožavam ovu simfonoju uvek me razneži, MOĆNO
Man spürt bei dieser Aufführung den Ernst und die Hingabe des Orchesters und des Dirigenten an diesen besonderen Moment, in dem nach langer Pause, und, wie wir jetzt wissen, vor einer weiteren langen unfreiwilligen Unterbrechung, dieses Live-Konzert mit der g-Moll-Sinfonie im Zentrum der drei letzten Mozart-Sinfonien möglich war.
El estilo de dirección de Andrés es tan inspirador.. cada nota se siente, se dibuja, se ejecuta... Absoluta admiración y respeto.
金管楽器がブラスバンドのようにパオパオ鳴っているのがよく聴こえてびっくりしました。とても元気で軽快な音。
いつも素晴らしい演奏をありがとう。
I Love Mozart! !!!!!!MOZART FOREVER! !!!!!!!💖💖💖💖💖💖💖💖💖
Mein Lieblings Orchester Stück super nur Daumen hoch 😻👍
MAJORE MASTER PIECE !! !!
Der zweite Satz war sehr schön und besonders gefallen die Holzbläser im dritten Satz mir sehr gut. Insgesamt ist es wunderbar.
Danke schön! Viele Grüße aus Montreal, Kanada.
Mais uma maravilha da orquestra HR de Frankfurt e Andrés Orozco-Estrada. Atualmente a orquestra que mais traz-me performances surpreendentes de excelência. Interpretação minuciosa, diferenciada. Uma preciosidade!!! Para ver e rever. BRAVO!!!👏👏👏👏👏👏👏
Good to see an orchestra soldier on in the midst of this pandemic. Hope we can see packed halls sooner rather than later.
_Sorry, my YT channel explains Corona, what TPTB are not going to tell anyone, where it comes from!_
How very much I agree with you. I have missed live music here in London so badly, so hearing and seeing this very fine orchestra is such an uplift to my soul. I cannot thank the orchestra and conductor alike for the help and the joy they give me in these anxious times.
Lovely. Always good to hear Mozart so well played.
The beauty of this presentation is not lost in the reduction in orchestra size because of the pandemic.
WOW! Thank you!
1st: 0:25
2nd: 7:16
3rd: 15:13
4th: 19:26
Wunderschöne und spannende Aufführung dieser perfekt komponierten Sinfonie mit gut phrasierten doch perfekt synchronisierten Tönen aller Instrumente. Der zweite Satz klingt besonders schön und auch lyrisch. Der letzte Satz klingt besonders spannend und auch inspirierend. Der geniale Maestro dirigiert das ausgezeichnete Orchester im relativ schnellen Tempo und mit möglichst effektiver Dynamik. Wunderbar und atemberaubend zugleich!
Überragend finde ich die beiden Naturhörner, z.B. im Zusammenspiel im 3. Satz. Kleiner Wermuthstropfen ist die temperamentvolle Beinarbeit von Maestro Andrés O-E. bei praktisch allen seinen Dirigaten, das Dirigentenpodium überträgt das Geräusch der Schuhe gnadenlos (über Kopfhörer), vor allem vor Forte-Einsätzen.
@@hansjuergenkohlhaas871 Perhaps these little noises are a good thing in that they make you feel like you are there in the concert hall - if only that were possible for all of us!
@@hansjuergenkohlhaas871 Stimmt. Die beiden Naturhörner machen die ganze Aufführung etwas idyllisch doch zweifellos authentisch.
Ist nicht ein zu schnellen Tempo?
Ist nicht zu viel Dynamik?
hr-Sinfonieorchester klingt sehr gut, aber Maestro's hektischen Bewegungen, seine Aufregung?
Was denkt ihr?
@@MM-111 Das Tempo ist zwar ziemlich schnell, aber nicht zu schnell. Was die Dynamik anbetrifft, alles gehöht zum Geschmack jedes Zuhörers. Mir ist die Dynamik nicht zu viel. Der Maestro manchmal scheint mit dem Orchester zu tanzen. Das kommt vielleicht aus seinen südamerikanischen Rhythmen.
Crazy to revisit this time in 2020 when the players and audience were socially distanced. Bravo to this orchestra for keeping the music alive!
Well done. Great tempo. The conductor really cares about this music, which is a great feeling when you love Mozart like I do.
Love how the conductor claps in the end. Those guys are just amazing!
Orozco-Estrada ci ha abituati ormai ad ascoltare le sue mirabili interpretazioni di Mozart!
Awesome performance, please we need more, thank you!
Oh yes! Masterpiece performed by a master - orchestra and conductor, such a joy! Thanks for sharing. ❤️
World best music symphony my favorite only symphony orchestra world best Mozart
Such a wonderful recording of this beautiful Mozart symphony :) Bravo to the orchestra and conductor! :)
Grossartiger Dirigent, grossartiges Orchester 👍
Thank you so much! It's just beautiful! Allegro is my fav, can listen to it for ages!
The first time i heard Conductor Andres Orozco - Estrada when he conducted the pieces Tchaikovsky Violin concerto in D major with Hilary Hahn and I was very impressed.
This is my favorite piece of Mozart's symphony. It was a wonderful performance of the orchestra! Thank you so much.
Wolferl immer in meinem Herzen !!!!!!!!💪💪💪♥️♥️♥️👍👍👍👍sehr großes lob an das Orchester!!👍👍👍,kenn das von den Berliner Symphoniker
Hermosa interpretación de esta sinfonía que siempre me encantado.
There is no other masterpiece, as wonderful, as this one. That's for sure.
danke Maestro Orozco Estrada und Orchester.... vielen Dank
Great performance and superb audio as always. Thanks so much.
One has to appreciate how Frankfurt Radio Symphony under Orozco-Estrada's tenure draws heavily on historical performance when interpreting Mozart and Beethoven. Even though only the valveless horns are truly historical, the sparing vibrato and the fast decay on the modern instruments still bring a lot of clarity to the phrases and the counterpoint - a sound likely more familiar to Mozart and Beethoven. Fascinating still that Orozco-Estrada and co. sound like a completely different orchestra when they play Brahms or Tchaikovsky.
Tremenda Orquestación!!!!!! De una Gran Orquesta y muy buena Dirección del Maestro Orozco...
Wow! The audio quality is top notch. Nice rendition, great conductor. I love it!
ihr macht das mega toll danKe trausend dank das tut so gut. ich bin mir sicher, mOzart wäre sehr stolz und glucklich euch im team zu erleben!!!
For me, the section at approximately 5:45 ff is just sublime and brilliant and joyful. Mozart Forever!
Bravo, Maestro !!
Unglaublich schöne Aufnahme.
Супер, наслаждение!!!! Хочется сказать, не останавливайтесь, ещё, еще, еще!
I love the tempo. The first movement is labeled "molto allegro", and I've heard it described as a kind of "aria agitata", so tempos that are much slower than this don't make much sense to me; they can't convey the sense of urgency in the music.
The audio quality is one of if not the best I've ever heard, and the conductor & orchestra perform with such passion and precision. Amazing recording of the greatest masterpiece of all time.
Probably my favorite orchestra currently performing ( I do love Paavo Jarvi's work, and the Oslo symphony does magnificent work too!) and every time I find they've done a song I love it's an immediate watch,
5:41 Oh god, that line of the clarinet behind the storm of violins is IMPRESSIVE (I'm not sure if that's a clarinet), what a good sound quality.
Simplesmente perfeito, maravilhoso, empolgante!
Der progressive Rock des Mittelalters - kann mir wirklich bildlich vorstellen wie das anno dazumal so richtig gekracht hat.
To the sound engineers Bravo! The sound is crystal clear......❤
It's unbelieveable how good Mozart was..
This should be put on a album for sale!
Bravo! Nice sound and wonderful performance. Thanks.
Sehr schön !
Ja, Andres Orozco wird uns in Frankfurt fehlen. Thema you for the music und bis bald.
Joachim Sickenberger was? Geht der? Habe ihn erst neulich auf utube entdeckt mit bartoks music für Streicher, Percussion & Célesta, die mich vollkommen umgehauen hat, knackig , präzise, demystifizert, einfach wunderbar , und seitdem höre ich alles sprachlos, was Orozco macht mit dem HR Orchester .und jetzt sagst Du, bis bald? Oh weh! Wohne 1,5 h von FRA und wollte mir das baldmöglichst anhören - habe ich noch eine Chance?
Bravisimo!!!!!
Perfekt ljud och bild 😀 Och Mozart är ju sanslös 🥰
Magnificent 😀
Meraviglioso!!!
Happy Birthday Mozart!!
我11歲，在台灣嘉義國中聽樂團練這首，那時候的印象是這樣，而且超大的樂團，後來現場聽德國的樂團，依然震憾！但國內學校樂團就聽不下去了。
可見是不同時空主觀的感受！
現在聽2024/6，我覺得生活中的問題變小了！
Wow, incredible how well-balanced the natural horns sound against an orchestra full of modern instruments.
БРАААВО МАЭСТРО!!!👏👏👏
8:15 Andante
15:14 Alegretto
19:25 Alegro
I normally do not like Mozart pieces played fast, especially when it is fast and overly neurotic. Orozco-Estada's faster-than-average tempo maintains the purity, perhaps partially due to the use of period wind instrument, and feels right.
Not a fan of it either. And for me, all in all, it doesn't really work here. Two things, specifically: while the first and third movements work with the faster tempo, the second movement is completely dysfunctional because of it. It's neurotic and loses its depth. Also, since they play the allegro assai in the right tempo, that diminishes the drama of different speeds in case of the previous movements.
A truly great orchestra...!
I liebe es!
the perfect way to start the day
Peace y'all 😌 🙏
Wow,einfach nur wow
Vielen Dank!
Love the lively tempo of the opening. I feel it lightens the dramatic angst of this most famous of Mozart’s symphonic first movements. So very unique in its profoundly simple concept. So fitting for his penultimate symphony. PWG
Magnifica interpretación de una de las más célebres sinfonías del compositor austriaco nacido en Salzburgo sin duda junto a Beethoven y Tchaikovsky los tres más importantes de la historia de la música clásica desde mi punto de vista.
Creo que Bach estaría en lugar de Tchaikovsky
También mi punto de vista
@@jesusmanriquezsantana1590: Los cuatro son muy Célebres para Mi....
@@victormiranda.123 Eso está claro, pero él hablaba de los tres más grandes, en ese caso serían Mozart, Bach y Beethoven. Claro que Tchaikovsky y otros compositores como Wagner, Liszt, Verdi, Chopin, Shubert, Bhrams (y muchos más) fueron enormes en la música y su obra es grandiosa también.
So brillant!
Just amazing... performance, audio, video.... unbelievable quality ! Thanks a lots for sharing!
Einfach wundervoll
Leopold Koželuch: Symphony in G minor, 1787. , Mozrt No 40.1788. Similar to Mozart's Symphony No. 41 Scholars are certain Mozart studied Michael Haydn's Symphony No. 28 in C major, which also has a fugato in its finale and whose coda he very closely paraphrases for his own coda. Charles Sherman speculates that Mozart also studied Michael Haydn's Symphony No. 23 in D major because he "often requested his father Leopold to send him the latest fugue that Haydn had written." The Michael Haydn No. 39, written only a few weeks before Mozart's (Symphony No. 41), also has a fugato in the finale, the theme of which begins with two whole notes. Sherman has pointed out other similarities between the two almost perfectly contemporaneous works. The four-note motif is also the main theme of the contrapuntal finale of Michael's elder brother Joseph's Symphony No. 13 in D major (1764)
Watched it live!
S u p e r. Well done, you! 💪🏻🙌🏻✌🏻👌🏻👍🏻
Wunderbar! Sie hatten ein Glück!
Ian Welsman lucky you! Simply beautiful
I have never played this, i guess i can try do this to (: So beautiful, i hope someday i can watch and listen live (:
GAMBAGAMBAGAMBA!!!❤️❤️❤️❤️❤️ if to hear on the hall?!!! I would faint at once!🙈❤️ On earth there never gonna be such instrument ❤️❤️ GAMBAGAMBAGAMBA❤️❤️
THE BASS THERE IS THE STAR AMONG small planets! GAMBA sound reaches from the toes Up to heaven
Just marvellous! An excellent version and performance. Thank you very much!!! 🌹🌹🌹
Awesome performance!!