Ustad Vilayat Khan never used Tanpura to get the effects of drone. He himself created the sounds you hear by plucking on 'Chikari' and other strings to get the effect. So ascending & descending notes are played without any amplification then those drone notes is the natural sound of a sitar. If you have criticism on his playing then I feel that he had a fuller view of the raag that he was playing and he is the master of his instrument and I mean nobody can understand the raag better than him.
the music is really introspective, very much soul searching , reflective kind, those who will understand and enjoy its sweetness, will be blessed with an amazing peaceful perception!!
For me, one of the best things about this video is the wonderful selection of Indian miniature paintings that accompany the raga. Wish I could own just one! My only complaint is that the tamboura mic is adjusted much too loud. This should have been discovered before the recording was made.
Great rendering thanks for the upload !! very nice feeling of freedom and relaxation listening to the legend.. as of today why 33 people dislike .. because they do not understand Music ... sigh!!
Is there kedar in this? Or just bhankar?.. Love the unique notes which start with marwa (evening) and then change to a early morning mood... Very much a hindustani raag innovation
Thank you for the analytical introduction to a charming raga but be careful to use the term ma tivra and not ma komal inexistant in Hindustani theory. Kedar uses both Ma and Ma tivra Mawra Ma tivra only.
C'est vrai que la Tempura est trop forte, c'est dommage, et que l'on ne le voit pas jouer; cependant, j'adore l'album des miniatures qui se développent devant nos yeux
Ustad Vilayat Khan Saab played music for God and we as bystanders heard it.
Very well said...
Really vilayet khan sahib is unique and incomparable,no words are enough to praise him.
Ustad Vilayat Khan never used Tanpura to get the effects of drone. He himself created the sounds you hear by plucking on 'Chikari' and other strings to get the effect. So ascending & descending notes are played without any amplification then those drone notes is the natural sound of a sitar.
If you have criticism on his playing then I feel that he had a fuller view of the raag that he was playing and he is the master of his instrument and I mean nobody can understand the raag better than him.
I am ignorant regarding Indian music. It is nice to read the words of someone who is passionate about it.
Thanks ✌...
Is this the Brindavani scale(s)?
No words are enough to express the magical performance. It takes the mind and spirit to a level that can be best described as Heavenly.
the music is really introspective, very much soul searching , reflective kind, those who will understand and enjoy its sweetness, will be blessed with an amazing peaceful perception!!
I am hearing this Raga for the first time and have become enchanted.
You can listen to Bhankar by Mallikarjun Mansur too.
Tell me about raga type...sir?
beautiful , no words to express the beauty of his sitar
Beautiful rendition! Legendary sitarist!!! Priceless performance,
Ayub Aulia Sahab khudadad talent aur bakamal hain Vilayat khan sahab
Gods language... What a peaceful recital.
Unique most beautiful presentation.👍🙏👍
Bhankar rage , has been by a bhankar ustadji ,making it bhankar srutimadhur to the listener , millions millions of selam to ustadji
Really Royal in gait(chalan).Gift of God to India !
Salam Ustad ji.
Very melodious and unforgettable performance
Beautiful Divine Music.
God Bless the Maestro.
Thanks.
Mesmerizing, transcendental, takes mind off
rare collection, 2in1, great ustad.
Celestial voices emerge through his great patience and respect. His voice too, is a very special gift.
Thanks for sharing such rare video
Mind blowing rendition by the Great Maestro.
Salaams to the Artists
God Bless
Thanks please
Perfect and Complete.
The Great, inimitable Ustad!
Super performance by the great Master. Meditative and serene!!
very nice music and excellent visuals. thank you.
30:20 Tablas start
So beautiful...
I appreciate this artistry of sound, thank you for sharing.
So beautiful
Beautiful raag
Thank you!
For me, one of the best things about this video is the wonderful selection of Indian miniature paintings that accompany the raga. Wish I could own just one! My only complaint is that the tamboura mic is adjusted much too loud. This should have been discovered before the recording was made.
note to self: start from 35:00 - crazy tabla beats
Is this the Brindavani scale(s)?
Thank you for uploading this.
beautiful
अप्रतिम...
wonderfull.
Extremely well done!
Wonderful.
आत्मा की तृपति करने वाला यह सितार !!
Great rendering thanks for the upload !! very nice feeling of freedom and relaxation listening to the legend.. as of today why 33 people dislike .. because they do not understand Music ... sigh!!
Brilliant...
12:30 to 12:40 wow wow wow... so nice...!
God is great.
nice
Hi, thanks for putting up such a beautiful piece. I was just wondering, where did you find those exquisite paintings you used in the video?
AparnaAnanthuni Yes, can you please share the source of these beautiful images? Thank you and of course for posting the music.
lost in sonic realm
Good
My eldest Uncle was one of his students
Is there kedar in this? Or just bhankar?..
Love the unique notes which start with marwa (evening) and then change to a early morning mood... Very much a hindustani raag innovation
What year era is this from? the recording is remarkably clear.
A mother’s love revealed!?
Is this the Brindavani scale(s)?
Thank you for the analytical introduction to a charming raga
but be careful to use the term ma tivra and not ma komal inexistant in Hindustani theory. Kedar uses both Ma and Ma tivra Mawra Ma tivra only.
I was a Hindu in past lives
C'est vrai que la Tempura est trop forte, c'est dommage, et que l'on ne le voit pas jouer; cependant, j'adore l'album des miniatures qui se développent devant nos yeux
C’est point tempura - c’est Seoul Le sitar meme. C’est l’effect du “chickari”
What type r there in raga help me..........find?
what are the ascending and descent notes of this Raga?
Kedamaian petikan
Sounds so much like Bhatiyar in places... weird!