@terminalharmony You'll find KMFDM as one of the best, and longest lasting, industrial metal bands out there. Ministry, Nine Inch Nails, Rammstein, they all owe their success to KMFDM.
@babttb6123 KMFDM, Ministry, Skinny Puppy and others paved the way for Trent. So while he MAY not have actually been influenced by them directly (but he probably was) he definitely owes some of his success to them.
Except he was influenced by them, Trent is a shit rip-off artist. His music is trash compared to even the worst output from KMFDM; Ministry; Skinny Puppy, Front Line Assembly etc He's a loser
@moonflow23 actually KMFDM can owe some of it's American success to Ministry, since their American debut was touring with Ministry in 1990. And sound-wise I think you could say that Ministry influenced KMFDM a bit more towards that heavy thrash/industrial sound.
I know I'm digging up old crap with this, but: Ministry, KMFDM, Pigface, Front 242, Revolting Cocks, Coil, and a whole host of other industrial acts found their home in Chicago's WAX TRAX! label. It was a techno-industrial fan's wet dream and the label's Black Box collection is one of the coolest things you've never heard. Wax Trax! was practically a family, and all these artists encountered each other constantly and collaborated with regularity. To say that any of them owe anything to each other as far as their sound is simultaneously an understatement and a mis-characterization of what it was like to be on the Wax Trax! imprint. Trent was there, with Ministry's Al Jourgensen, recording the "1000 Homo DJ's" album, both of them using aliases because they were contractually obligated elsewhere. Everyone on the label would have frequent interface with Atkin's and Reiflin's revolving-door-membership supergroup Pigface and almost everyone appears somewhere on a RevCo record. Sadly, in 1992, Wax Trax was financially destitute and was purchased by TVT. While Wax Trax!'s founders retained temporary creative control over the label, the writing was on the wall, and as soon as Nash and Flesher were out of the picture (2001), TVT discovered, with glee, that neither of the founders was very good at writing contracts. Almost every artist who had been on the label up to that point had signed a contract that was VERY bad for the artist because it had been written so loosely. Under Nash and Flesher's reign, it hadn't been a problem because they were there to create and publish music and genuinely cared about the artist's well being. Unfortunately, TVT's founder, Steven Gottleib's focus was, and continued to be, profit above all else. Many artists, like Sister Machine Gun, found that TVT was more than willing to interpret those contracts in a way that robbed the artist of all proceeds and royalties. While many acts moved on and continued to produce music for TVT after their contracts expired, renegotiating their new contracts at a disadvantage to get access to their back royalties and pay, many were absorbed by the various octopus arms of either Warner or Universal and either got wrecked by their new parent company's constant focus on homogenizing and diluting the industrial sound or eventually escaped to form their own labels like Nothing Records or KMFDM, etc. Fortunately, TVT gasped it's last breath in 2009. Unfortunately, it's properties were purchased by "The Orchard", a subsidiary of Sony, so the artists under that label are probably still getting fucked out of their royalties and will continue to until Sony manages to somehow fuck this up as well. The point is: The Wax Trax! days were a more innocent time. Nobody "paved the way" for anyone. They carried each other like brothers.
The silhouette looks like the Scooby Doo cartoon character zombie. Not very impressive and menacing. Personally, I would have chosen a different picture, but thanks just the same to OneSicMF for uploading this awesome remix.
I saw the single this came from in a record store ONCE and only once. 20 years later I still regret not getting it.
Its easy to find.
I have it, the original...
I found this as a single at Walmart of all placeds back when it came out, I think 1994
White Zombie was the second best concert I have ever been to.
What was first?
@@scottgibson807 My question too!
still dope AF
So glad to have listened to it between 14 and 16 y-o
I love this remix !
mr. webster thanks for the definition!!! all ignorance has been washed away !!!! thanks to your deep waters of truth>>>>>>>>
nice 2 parts of my youth coming together =)
Damn, what a remix
@terminalharmony You'll find KMFDM as one of the best, and longest lasting, industrial metal bands out there. Ministry, Nine Inch Nails, Rammstein, they all owe their success to KMFDM.
Dennis Hyman 100% agree right there
Manson ,Zombie, orgy,
KMFDM just released a new album. 12 years after this comment. You weren't wrong.
I had to use this song to get my sink of dishes washed. *laughing*
Thanks
@babttb6123 KMFDM, Ministry, Skinny Puppy and others paved the way for Trent. So while he MAY not have actually been influenced by them directly (but he probably was) he definitely owes some of his success to them.
Except he was influenced by them, Trent is a shit rip-off artist. His music is trash compared to even the worst output from KMFDM; Ministry; Skinny Puppy, Front Line Assembly etc He's a loser
I could not have wrote a better song...reminds you...of 1965 thunderkiss...like a downedpowerline coma...get it
Hey man scooby doo zombie's are scary as hell. You pull their head off and BAM, they've got another one ready to bite you in the ass!
And thank you.
@moonflow23 actually KMFDM can owe some of it's American success to Ministry, since their American debut was touring with Ministry in 1990. And sound-wise I think you could say that Ministry influenced KMFDM a bit more towards that heavy thrash/industrial sound.
I know I'm digging up old crap with this, but:
Ministry, KMFDM, Pigface, Front 242, Revolting Cocks, Coil, and a whole host of other industrial acts found their home in Chicago's WAX TRAX! label. It was a techno-industrial fan's wet dream and the label's Black Box collection is one of the coolest things you've never heard.
Wax Trax! was practically a family, and all these artists encountered each other constantly and collaborated with regularity. To say that any of them owe anything to each other as far as their sound is simultaneously an understatement and a mis-characterization of what it was like to be on the Wax Trax! imprint. Trent was there, with Ministry's Al Jourgensen, recording the "1000 Homo DJ's" album, both of them using aliases because they were contractually obligated elsewhere. Everyone on the label would have frequent interface with Atkin's and Reiflin's revolving-door-membership supergroup Pigface and almost everyone appears somewhere on a RevCo record.
Sadly, in 1992, Wax Trax was financially destitute and was purchased by TVT. While Wax Trax!'s founders retained temporary creative control over the label, the writing was on the wall, and as soon as Nash and Flesher were out of the picture (2001), TVT discovered, with glee, that neither of the founders was very good at writing contracts.
Almost every artist who had been on the label up to that point had signed a contract that was VERY bad for the artist because it had been written so loosely. Under Nash and Flesher's reign, it hadn't been a problem because they were there to create and publish music and genuinely cared about the artist's well being.
Unfortunately, TVT's founder, Steven Gottleib's focus was, and continued to be, profit above all else. Many artists, like Sister Machine Gun, found that TVT was more than willing to interpret those contracts in a way that robbed the artist of all proceeds and royalties.
While many acts moved on and continued to produce music for TVT after their contracts expired, renegotiating their new contracts at a disadvantage to get access to their back royalties and pay, many were absorbed by the various octopus arms of either Warner or Universal and either got wrecked by their new parent company's constant focus on homogenizing and diluting the industrial sound or eventually escaped to form their own labels like Nothing Records or KMFDM, etc.
Fortunately, TVT gasped it's last breath in 2009. Unfortunately, it's properties were purchased by "The Orchard", a subsidiary of Sony, so the artists under that label are probably still getting fucked out of their royalties and will continue to until Sony manages to somehow fuck this up as well.
The point is: The Wax Trax! days were a more innocent time. Nobody "paved the way" for anyone. They carried each other like brothers.
ministry & kmfdm . tour. 2021 . but ptob already nee that
had this single
Always heard the Depeche Mode thing...but its funny to me cuz I love DM?!?!
Great
NICE
@DooderMcAltair You have a masters in translating german letters? that's hardcore man.
@DooderMcAltair Touche good sir
@markman2000 Ministry where around a lot longer I think , same time as Puppy and before those guys TG etc
9:54
Oooooo
.... Mitleid für die Mehrheit = No mercy for the Mayority in english
Now let's try Laibach's remix...
it would've been cool if the redid, Astro creep album too
@El123435 also ppl say no pitty for the majority
Creepy!
@fishslayer4 on there site they say that is not there name
View # 1, 666..............
KEIN MITLEID FÜR DIE MEHRHEIT
@markman2000 hahahah!
@fishslayer4 huh... and this whole time i thought it stood for kool mutha fuckas dance music. ah well lol.
@DooderMcAltair Wenn du auch nur ein Funken Deutsch könntest...leck mir den dunkelsten Platz an meinem Hintern!
@fishslayer4 Actually KMFDM=Kein Mehrheit Für Die Mitleid
I wish Rob Zombie had stuck more with making good music like this rather than making those lame movies
The silhouette looks like the Scooby Doo cartoon character zombie. Not very impressive and menacing. Personally, I would have chosen a different picture, but thanks just the same to OneSicMF for uploading this awesome remix.
kill mutha fuckin depeche mode= kmfdm
officially it's Kein Mitleid fur die Mehrheit. No pity for the masses. Or Keine Macht fur dich mehr = No more power for you
KMFDM saves this song, the original version is ass
Keep Madonna From Doing Music