హలో చైతన్ హాయ్ యూట్యూబ్ లో మిమ్మల్ని చూడగానే చాలా సంతోషం అనిపించింది పూర్వాశ్రమంలో లక్ష్మీ సుబ్రహ్మణ్యం అమ్మ గారి దగ్గర మనమంతా సంగీతం నేర్చుకున్న రోజులు గుర్తొచ్చాయి చాలా సంతోషం నా పేరు జ్యోతి అండి అప్పుడు అందరి కంటే పెద్దదాన్ని నేనే గుర్తొచ్చి ఉంటాను అనుకుంటున్నాను మీ వీడియోలు చూసి ఇంకా ఇంప్రూవ్ చేసుకుంటాను సంగీతం థాంక్యూ థాంక్యూ వెరీ మచ్
గమకాల విషయంలో చక్కని కొండగుర్తులు సూచించారు. ప్రాథమిక జ్ఞానం ఉన్నవాడు సులభంగా గుర్తుంచు కుంటాడు. మీరు చిన్న వయస్సులో ఉన్నా పెడ్డవిషయాన్ని సులువుగా,అర్థమయ్యేలా చెప్పారు. మంచి విషయం మీ ద్వారా తెలుసుకున్నాం. మీకు మిక్కిలి ధన్యవాదాలు.
This video is very much useful to music learners. You really explained in a very simplified way with all possible examples about Gamakas. Thank you a lot Sir🙏
Iam not a musician but very much interested in listening to music.Today I enjoyed your explanation of gamakas, where to give ossilation and where not to give ossilation to the swaras. Except SA and PA all other swaras can be given a slight ossilation or andolanam or Gamakam. Thanks sir for enlighting so many confused music learners regarding the gamakas. Sanjeevi .P.
చాలా చాలా బాగా చెప్పారు. ఇంత చక్కగా వివరించి చెప్పినవారు ఇంతవరకూ నాకు అనుభవంలో లేరండి. మీరు వీణ పై కూడా సంగీతం నేర్చుకున్నారా? మీకు, మీ గురువు గారికి మరియు మీ తల్లి తండ్రుల కూ నా నమస్కారములు. 🙏🙂
Easy way of explanation.. no where found this clear about gamakam. How to understand about gamakam in each raga.. Thankyou so much sir.. if it’s possible pls explain about how to sing gamakas practically, you said 3 types.. pls make a video in detail.🙏
Sir I have little confusion on thodi alapana from kalyani menon garu in the movie morningvraga.ua-cam.com/video/C7pFrp_iwu0/v-deo.html, here she gave big gamaka to ri1. Request you to clarify my confusion.thx
It's not big gamakam sir. It's a small gamaka. If the gamaka sung for long time it doesn't mean it's a big gamaka. Ri has kampitha gamaka in thodi. It's a small gamaka. Small means the width of the gamaka is small. Width of the gamaka is not same as singing for long time.sorry for my late reply. I didn't notice your comment
Sir I request you please add English subtitles sir. I am from neighboring state karnataka and my telugu not so good but I am too interested in your explanations sir Request you to add english subtitles for this video sir very grateful for your content
More and more energy to you daruri Garu for making look all this so simple with your beautiful techniques and we'll explanation. I again say there are very few Telugu videos on carnatic music that too advance level.more power to u
ఒకప్పుడు మనం ఒకరి దగ్గర సంగీతం నేర్చుకొని వీరు మా గురువు అని చెప్పుకునే వాళ్ళం...కానీ లైవ్ గా గురువు లు భవిష్యత్తు లో చెప్పే పాఠాలు అన్ని ఇలా ముందు యూ ట్యూబ్ లో పాఠాలు చెప్పే మీ లాంటి గురువుల వల్ల మేము మీ అందరినీ మా యూట్యూబ్ గురువు లు గా చెప్పుకోక తప్పదు.మీ లాంటి వాళ్ళ వళ్ళ ఎంతో ముందుకు వెళ్లగలము.కలను దాచి మరియు అమ్ముకునే ఇలాంటి రోజుల్లో మీరు ఇలా ఇంత డెప్త్ విషయాలు ఫ్రీ గా చెప్పడం అనేది గొప్ప వాళ్ళకీ మాత్రమే సాధ్యం...మీకు సాష్టాంగ పాదాభి వందనాలు మై డియర్ యూట్యూబ్ గురువు గారు...
Very nice explanations andi. Thank you. May God bless you with long life and a great teaching career. It will be great if you can explain Gamakams in Geethams and Varnams.
Simply superb. All the concepts explained by you will be very helpful in getting the subject and very much interesting. Please let the beginners know about the syllabus for Diploma in Carnatic music.
Congratulations Sir on simplifying the gamakams concept ! These will be very useful to students . Towards the end of the video at 17 mins and later you have mentioned that all swarams except S and P will get a gamakam..please give some examples of audava ragams like Madhyamavathy where in the phrase rmpn,,,,n gets the small gamakam where M can be flat at times . Of course i agree M can get the bigger oscillation too and r2 is flat here . While R2 by itself for a longer duration can oscillate as a small gamakam. That you did mention ..in rmpns R 2 does not get the bigger oscillation ..so the first rule of YES for r2 d2 gamakam has to be read with the rider that r2 being close to S prakruthi note is not given the big oscillation ...this happens esp as G is absent in the ragam...i presume . So the first rule is true for mostly ragams which have all the notes ....right ? In the absence of G we have to pull in the rider that r2 is close to S so no big oscillation . Hope what I have said is right ...and goes by the limited knowledge i have acquired.. Gamakams have been put in a nutshell in this episode and thankyou !
RULE 1)R1 D1 NO R2 D2 YES RULE 2) WHEN TWO GAMAKA SWARAS ARE NEAR BY LOWER ONE BECOME PLAIN AND UPPER ONE GETS GAMAKAM EXAMPLE. IN R2 AND G1 COMBINATION BOTH ARE GAMAKA SWARAS .SO AS PER RULE R 2 BECOMES COMPLETELY PLAIN AND G1 GETS GAMAKA. SAME APPLIES FROM R2 AND M1 IN THE ABSENCE OF G LIKE MADHYAMAVATHI RAGA. R2 AND M1 BOTH ARE GAMAKA SWARAS SO IN THE PHRASES LIKE RMP, SRMP, RMPN AND EVEN IN AROHANA WE GIVE GAMAKA FOR M NOT BUT R. IN WE OBSERVE FURTHER, R2 AND M1 ARE NOT NEIGBOUR SWARAS LIKE R2 AND G1. THATS WHY R2 IS NOT COMPLETELY PLAIN HERE. IN SOME PHRASES,R ALSO GETS KAMPITHA GAMAKA WHICH IS MAIN RAGA CHAYA FOR MADHYAMAVATHI. THIS KAMPITHAM FOR R COMES ONLY WHEN WE NEED TO SUSTAIN AT R FOR LONG TIME. D2 N1 IS ALSO SAME AS R2 G1. WE CAN APPLY SAME GAMAKA RULE FOR D2 N1 COMBINATION .IF WE UNDERSTAND R2 D1 THEN SAME UNDERSTANDING FOR D2 N1. RULE 3) ONLY KAMPITHA GAMAKAS ARE POSSIBLE FOR THE NEIGHBOUR SWARAS OF PRAKUTHI SWARAS LIKE S AND P. NEIGHBOUR SWARAS OF S ARE N2 AND R1 NEIGHBOUR SWARAS OF P ARE M2 AND D1. SO THESE FROM SWARAS N2 R1 M2 AND D1 GET ONLY KAMPITHA GAMAKAS. IN OUR ARGUEMNT U SAID R2 IS NEAR TO S THUS GETS KAMPITHA IS WRONG. BECAUSE R2 IS NOT NEIGHBOUR OF S. R1 IS NEIGHBOUR OF S. KAMPITHA GAMAKAS ARE POSSIBLE FOR ALLL THE SWARAS EXCEPT S AND P. ACCORDING TO THE RAGA AND ACCORDING TO THE SITUATION WE USE THESE KAMPITHA GAMAKAS FOR THOSE SWARASTHANAS. LIKE IM MADHYAMAVATHI WE GIVE LONG KAMPITHA GAMAKAM FOR R WHICH IS THE SAMPRADAYA OF MADHYAMAVATHI RAGA. EVERY RAGA HAS ITS OWN RULES TO SING THE GAMAKAS. WE MUST REMEMBER THOSE RULES AND EXPLORE THAT RAGAM. THANK U. THIS EXPLAINATION IS SUFFICEINT I THINK. IF U HAVE FURTHER DOUBTS, please msg me to my fb id daruri krishna chaitanya or mail id krishnachai115@gmail.com
హలో చైతన్ హాయ్ యూట్యూబ్ లో మిమ్మల్ని చూడగానే చాలా సంతోషం అనిపించింది పూర్వాశ్రమంలో లక్ష్మీ సుబ్రహ్మణ్యం అమ్మ గారి దగ్గర మనమంతా సంగీతం నేర్చుకున్న రోజులు గుర్తొచ్చాయి చాలా సంతోషం నా పేరు జ్యోతి అండి అప్పుడు అందరి కంటే పెద్దదాన్ని నేనే గుర్తొచ్చి ఉంటాను అనుకుంటున్నాను మీ వీడియోలు చూసి ఇంకా ఇంప్రూవ్ చేసుకుంటాను సంగీతం థాంక్యూ థాంక్యూ వెరీ మచ్
Baagunnara. Kalisi nerchukunnam kada ela marchipothaanu.
చాలా బాగా అర్థం అయ్యేలా గమకాల గురించి వివరించారు.
ధన్యవాదాలు మీకు
గమకస్వరాల గురించి ఇంతకంటే సులభంగా ఇంకెవ్వరూ చెప్పలేరనిపించింది గురువుగారు.. ప్రణామపూర్వక ధన్యవాదాలు...
thank u andi
Nenu mundu pettina comment 3 nimishala tharvatha ettanu. Ee message almost video chivariki peditthunnanu. Maaku 70 samvastharalu. Meeru chala chinnavaru vayasu paranga choosthe. Kaani Mee Sangeetha gnanaiki sathakoti namaskaramulu. Alage Mee simplicity, Mee Vijaya vidheyathalu choosi mucchatapadi meeru padilalalapatu challaga vundalani Naa devanalu. Mee Sangeetham eppatiki vundalani aa devidiki na prarthana.
I like to learn music from you. Learning carnatic flute from 3 years
గమకాల విషయంలో చక్కని కొండగుర్తులు సూచించారు. ప్రాథమిక జ్ఞానం ఉన్నవాడు సులభంగా గుర్తుంచు కుంటాడు. మీరు చిన్న వయస్సులో ఉన్నా పెడ్డవిషయాన్ని సులువుగా,అర్థమయ్యేలా చెప్పారు. మంచి విషయం మీ ద్వారా తెలుసుకున్నాం. మీకు మిక్కిలి ధన్యవాదాలు.
Thankyou sir
Very well explained and made easy to understand.
Thanks and welcome
CHala manchi topic theeskunnaaru. thank you.
This was mind blowing! thank ou for the excellent tricks for remembering!
thanks andi
Superj❤
Extraordinary explanation. Probably, no one explained ever so simply. You are great Sir. May God give more strength to you serve in music field. 🙏🙏🙏
Thanks for your great comment. I will try my best in future also.
extraordinary sir
Chala baga cheptunnaru brother 👌👌🌹🌹🌹🌹
Chala bagavuvaramga chepparu lenthy asalu kadu🙏🙏
thank u andi
Very much simplified to get get rid off confusion dramatically and instantly.
First time I've heard someone teach this aspect.
చాలా బాగా చెప్తున్నారు సార్. ధన్యవాదాలు
Simplified and elaborate description and exemplary.
చాలా చక్కగా వివరించారు మీ సంగీత ప్రవాహం ఇలాగే కొనసాగించండి అందరికి శుభం ధన్యవాదములు 🙏
Thanks for your blessings andi
Sir,Namaste, I request you,Please do the lesson on 15 types of Gamakas with Raaga examples and supporting Notes also.Thank you Sir.
If u find pls. Post
Awesome very informative video Guruvugaru🙏
welcome andi
Very many thanks for your good information . This is a great job. 🎉
You are most welcome
This video is very much useful to music learners. You really explained in a very simplified way with all possible examples about Gamakas. Thank you a lot Sir🙏
Excellent music sir. Beautiful voice. Its God's gift for u. May God bless u sir.
Thanks sir. Chaala baagundi
Chala baaga chepyaru guruvu garu🙏
Hello Chaitanya garu gamakalu gurichi Chala baga chepparandi very nice.
Iam not a musician but very much interested in listening to music.Today I enjoyed your explanation of gamakas, where to give ossilation and where not to give ossilation to the swaras. Except SA and PA all other swaras can be given a slight ossilation or andolanam or Gamakam. Thanks sir for enlighting so many confused music learners regarding the gamakas.
Sanjeevi .P.
Thank u. for your comment
Enta Baga explain chesaru sir tq
చాలా ఉపయోగకరమైన వీడియో
dwadasa swara sthanalalo Gamakala application chala suluvuga understand ayela cheppanu. Chala suluvuga gurthunchu kunela cheppanu. Chala bagundi. Sangitham neechu kuntunna vidhyardhulaku baga uoayogisthundi. Chala suluvuga understand ayela cheppanu. Bagundi. Fhanyavadalu guruvugaru. Untanu Mee Nistala Chandrasekharam, Puttaparthi .
Bagachapparu sir
నమస్కారం గురువు గారు గమకాల గురించి చక్కగా సులభమైన రీతిలో తెలియజేశారు మీకు కళాఅభి వందనాలు 🙏👌👍🏻
thanks andi
Thank you so much sir, was struggling with this and was very confused
Great research and explanation
Thank you!
చాలా చాలా బాగా చెప్పారు.
ఇంత చక్కగా వివరించి చెప్పినవారు ఇంతవరకూ నాకు అనుభవంలో లేరండి. మీరు వీణ పై కూడా సంగీతం నేర్చుకున్నారా? మీకు, మీ గురువు గారికి మరియు మీ తల్లి తండ్రుల కూ నా నమస్కారములు. 🙏🙂
dhanyavaadalu
Namasthey guruvu garu
Thnku somuch andi e video chesinanduku ..e video kosam chala search chesamu...chinna request andi oka board midha explain cheyandi guruvu garu maku enka easy ga ardam chesukuntamu..thnku andi ..chala chakkaga explain chesaru ,🙏
చాలా బాగా చెప్పారు సార్ చాలా బాగా అర్థమైంది😊
thanks andi
Thnku thnku somuch andi guruvugaaru.. dhanyavaadaalu
Very nicely explaining all the videos 👌👌👌👏👏👏
Chala suluvga vivarincharu happy
Excellent. Very well explained..
very useful to the learners
Thank you sir useful video
Namaskaram Sir. I thoroughly enjoyed this video. Very beautifully explained. Thank you very much sir.
thank u andi
Your video best useful to us we want more videos from you sir
I will try my best
Think.you
Very very helpful. Kindly do more videos.
Thank you, I will
Very useful. Thank you
Thank you sir you chose a best topic
👏👏👏
Thankyou sir
Namasthe sir.very useful lesson sir to us.tqqq..
Wonderful and simplified explanation. Thank you for sharing this knowledge 🙏🙏🙏 Please try to post such videos which are helpful for beginners
Chakkaga vivarincharu guruvu garu🙏
Nice ji
Your explanation was simply superb Sir. The raga phrases what u sung in between really helped in understanding the concept. Thank you so much
Thanks and welcome madam
Easy way of explanation.. no where found this clear about gamakam. How to understand about gamakam in each raga.. Thankyou so much sir.. if it’s possible pls explain about how to sing gamakas practically, you said 3 types.. pls make a video in detail.🙏
Sir your explanation is very nice
Chala baga chepparu
Meeru bagundali
This is the best explanation I have seen till now on gamakas. Thanks a lot sir for your efforts and sharing. We are Great full to you.
You are most welcome sir
Sir I have little confusion on thodi alapana from kalyani menon garu in the movie morningvraga.ua-cam.com/video/C7pFrp_iwu0/v-deo.html, here she gave big gamaka to ri1. Request you to clarify my confusion.thx
Sir could you clarify my conflict of understanding? Sri gurubhyonamaha
It's not big gamakam sir. It's a small gamaka. If the gamaka sung for long time it doesn't mean it's a big gamaka. Ri has kampitha gamaka in thodi. It's a small gamaka. Small means the width of the gamaka is small. Width of the gamaka is not same as singing for long time.sorry for my late reply. I didn't notice your comment
@@carnaticchaitanya5733 Thank you for your prompt response sir. I got some understanding now.
Very very thank y
Most welcome
sir wonderfully explained...!!!
Thanks for liking
Sir I request you please add English subtitles sir. I am from neighboring state karnataka and my telugu not so good but I am too interested in your explanations sir
Request you to add english subtitles for this video sir very grateful for your content
You are very talented young teacher.Gamakas are explained clearly in a superb manner. My best wishes to you.
Many many thanks
Baga chepparu sir
Very well explained.
Thank you very much sir
It was most helpful
More and more energy to you daruri Garu for making look all this so simple with your beautiful techniques and we'll explanation.
I again say there are very few Telugu videos on carnatic music that too advance level.more power to u
Thank u madam for your great encouragement
Very nice mitrama. Very helpful
ఒకప్పుడు మనం ఒకరి దగ్గర సంగీతం నేర్చుకొని వీరు మా గురువు అని చెప్పుకునే వాళ్ళం...కానీ లైవ్ గా గురువు లు భవిష్యత్తు లో చెప్పే పాఠాలు అన్ని ఇలా ముందు యూ ట్యూబ్ లో పాఠాలు చెప్పే మీ లాంటి గురువుల వల్ల మేము మీ అందరినీ మా యూట్యూబ్ గురువు లు గా చెప్పుకోక తప్పదు.మీ లాంటి వాళ్ళ వళ్ళ ఎంతో ముందుకు వెళ్లగలము.కలను దాచి మరియు అమ్ముకునే ఇలాంటి రోజుల్లో మీరు ఇలా ఇంత డెప్త్ విషయాలు ఫ్రీ గా చెప్పడం అనేది గొప్ప వాళ్ళకీ మాత్రమే సాధ్యం...మీకు సాష్టాంగ పాదాభి వందనాలు మై డియర్ యూట్యూబ్ గురువు గారు...
Excellent. Tq
Intha baga gamakala gurinchi vishleshan iccharu. Chala chala thanks. Kani,...... ee vivaranatho saha visual support undivinte gnapakam pettukovatam mariyu notes theesukovatam maaku sulabhamayyedhi. Please future videos kosaram naa salaha gamanichalani prarthana!
Thank you so much sir 🙏🙏🙏
Most welcome
Danyavadamulu🙏 gruvgaru
welcome andi
Very nice explanations andi. Thank you. May God bless you with long life and a great teaching career. It will be great if you can explain Gamakams in Geethams and Varnams.
Thank you so much 🙂
Nice 🙏guruvegaru description box lo clear ga rasi pettandi guruvegaru
గురువుగారు నమస్కారములు.వయసు చిన్న పాండిత్యం మిన్న
thanks andi
SUPER ❤
Yes, you are the only one I could find to simplify learning gamakas so easy. I was searching for so long. Thanks 🙏🏽
Super explain Sir Tq
Nice Tutorial Thanks Sir.
Nice technics on gamakas sir
Excellent sir🙏🙏🙏🙏
So nice
Swarasthanalu pannendu matrame. Raga prastara prakaranamlo padaharu cheppabadinaa oka sthayi yandu unde swara sthanalu pannede. Miru cheppevidhanam bagundi konasaginchandi swasthi.
Excellent explanation sir 👏👏👏🙏
Thanks and welcome
Sir meeru new videos upload cheyyandi please 🙏🙏🙏
Thank you sir
Super class very imp notes
We want require more videos about carnatic music
గమకముల గురించి తెలిపినందుకు గురువుగారికి ధన్యవాదములు.
Nice explanation
Thanks and welcome
Excellent Explanation sir... Kindly to do for shodasha also
👌
🙏🙏
🙏💐
Simply superb.
All the concepts explained by you will be very helpful in getting the subject and very much interesting.
Please let the beginners know about the syllabus for Diploma in Carnatic music.
Thank u sir. Sure will send syllabus. Please keep your mail id here
Excellent
Thank you so much 😀
Sir tq for making this video, very useful information. Will u plz make a video on sruthi
Congratulations Sir on simplifying the gamakams concept ! These will be very useful to students .
Towards the end of the video at 17 mins and later you have mentioned that all swarams except S and P will get a gamakam..please give some examples of audava ragams like Madhyamavathy where in the phrase rmpn,,,,n gets the small gamakam where M can be flat at times .
Of course i agree M can get the bigger oscillation too and r2 is flat here . While R2 by itself for a longer duration can oscillate as a small gamakam. That you did mention ..in rmpns R 2 does not get the bigger oscillation ..so the first rule of YES for r2 d2 gamakam has to be read with the rider that r2 being close to S prakruthi note is not given the big oscillation ...this happens esp as G is absent in the ragam...i presume .
So the first rule is true for mostly ragams which have all the notes ....right ? In the absence of G we have to pull in the rider that r2 is close to S so no big oscillation .
Hope what I have said is right ...and goes by the limited knowledge i have acquired..
Gamakams have been put in a nutshell in this episode and thankyou !
RULE 1)R1 D1 NO
R2 D2 YES
RULE 2) WHEN TWO GAMAKA SWARAS ARE NEAR BY LOWER ONE BECOME PLAIN AND UPPER ONE GETS GAMAKAM
EXAMPLE. IN R2 AND G1 COMBINATION BOTH ARE GAMAKA SWARAS .SO AS PER RULE R 2 BECOMES COMPLETELY PLAIN AND G1 GETS GAMAKA. SAME APPLIES FROM R2 AND M1 IN THE ABSENCE OF G LIKE MADHYAMAVATHI RAGA. R2 AND M1 BOTH ARE GAMAKA SWARAS SO IN THE PHRASES LIKE RMP, SRMP, RMPN AND EVEN IN AROHANA WE GIVE GAMAKA FOR M NOT BUT R. IN WE OBSERVE FURTHER, R2 AND M1 ARE NOT NEIGBOUR SWARAS LIKE R2 AND G1. THATS WHY R2 IS NOT COMPLETELY PLAIN HERE.
IN SOME PHRASES,R ALSO GETS KAMPITHA GAMAKA WHICH IS MAIN RAGA CHAYA FOR MADHYAMAVATHI. THIS KAMPITHAM FOR R COMES ONLY WHEN WE NEED TO SUSTAIN AT R FOR LONG TIME.
D2 N1 IS ALSO SAME AS R2 G1. WE CAN APPLY SAME GAMAKA RULE FOR D2 N1 COMBINATION .IF WE UNDERSTAND R2 D1 THEN SAME UNDERSTANDING FOR D2 N1.
RULE 3) ONLY KAMPITHA GAMAKAS ARE POSSIBLE FOR THE NEIGHBOUR SWARAS OF PRAKUTHI SWARAS LIKE S AND P.
NEIGHBOUR SWARAS OF S ARE N2 AND R1
NEIGHBOUR SWARAS OF P ARE M2 AND D1.
SO THESE FROM SWARAS N2 R1 M2 AND D1 GET ONLY KAMPITHA GAMAKAS.
IN OUR ARGUEMNT U SAID R2 IS NEAR TO S THUS GETS KAMPITHA IS WRONG. BECAUSE R2 IS NOT NEIGHBOUR OF S. R1 IS NEIGHBOUR OF S.
KAMPITHA GAMAKAS ARE POSSIBLE FOR ALLL THE SWARAS EXCEPT S AND P.
ACCORDING TO THE RAGA AND ACCORDING TO THE SITUATION WE USE THESE KAMPITHA GAMAKAS FOR THOSE SWARASTHANAS. LIKE IM MADHYAMAVATHI WE GIVE LONG KAMPITHA GAMAKAM FOR R WHICH IS THE SAMPRADAYA OF MADHYAMAVATHI RAGA. EVERY RAGA HAS ITS OWN RULES TO SING THE GAMAKAS. WE MUST REMEMBER THOSE RULES AND EXPLORE THAT RAGAM.
THANK U. THIS EXPLAINATION IS SUFFICEINT I THINK. IF U HAVE FURTHER DOUBTS,
please msg me to my fb id daruri krishna chaitanya
or mail id krishnachai115@gmail.com
@@carnaticchaitanya5733 Thankyou Sir for the very detailed point by point explanation.
Good class sir
Thanks and welcome
thana sir ardham kakapote ma prarabhdham anukuntam meeru chala jagrattag cheptunnaru avvRu ela chepparandi adi garenti