I am in a place where there are no Indian peoples near me and the few there are, I do not know personally and cannot just walk up and ask: "Mujhse Dosti Karoge!?" no matter how much I want too... hehehe; my culture is really ... a smorgasbord of influences... and I freakin love this channel and Carnatic music! I love that I can consume this content from very skilled Carnatic voice coaches! I try this in my car and room alone, but I feel beautiful when I try it :)
i have been waiting for this concept after bought courses on vox guru..finally got it...thank u madam ji...saraswathi godess blessings will always be with u...
Everyday I do riyaz 3 to 4 hours and my voice was doing good... Today I was on the stage singing but suddenly my voice become husky and stucked .. I was not able to sing high... And even low was also sounding too bad.. A lot hard work to sing better it happened to me today in the church...😭... നന്ദി മാം, ദയവായി മറുപടി നൽകുക.. ദൈവം നിങ്ങളെ എൻ്റെ നല്ല ഗുരുവിനെ അനുഗ്രഹിക്കട്ടെ
@Voxguru can you please make a video on your live classes journey for a beginner and for one who has reached Varnams already but you get them up to speed with raga introductions?
Thank you so much for this video! I had a belief that the gamakas found in the arohana and avarohana of a raga are what sets the rules for raga's use in all situations. However, you stated at the end that a composition may have additional gamakas. So, are the gamakas that are found in the arohana and avarohana mandatory whenever those swaras are present for every raga? Or can a new gamaka be added to a specific swara in a raga that is different from what is found in the arohana and avarohana?
There are many ways of singing Arohanam and Avarohanam itself. What we sang here is the standard version. But in various compositions we come across other types of Gamakas based on the sequence of notes. Sometimes even for simple ascent and descent we could use more complex Gamakas. That’s the reason we learn several compositions to explore more possibilities of Gamakas. Infact Gamakas of Arohanam and avarohanam is not something pre defined or fixed in music theory. It has been derived only based on analysing various compositions and finding certain standard usages.
Such a great teacher ❤ you giving very clear explanation which is really helpful for me and many music learners like me. God bless you 🙏
I am in a place where there are no Indian peoples near me and the few there are, I do not know personally and cannot just walk up and ask: "Mujhse Dosti Karoge!?" no matter how much I want too... hehehe; my culture is really ... a smorgasbord of influences... and I freakin love this channel and Carnatic music! I love that I can consume this content from very skilled Carnatic voice coaches! I try this in my car and room alone, but I feel beautiful when I try it :)
i have been waiting for this concept after bought courses on vox guru..finally got it...thank u madam ji...saraswathi godess blessings will always be with u...
Excellent explanation. Looking forward to other ragas.
4:59 Gamakas of the Arohanam
6:51 Gamakas of the Avarohanam
So good.
What a beautiful, informative and clear video by you, explained so beautifully.. Thankyou for being such an amazing teacher 🙏❤️
Exlent explanation thankyuo.
Too good, thank you
Thank you soo much❤
You're the best music teacher 😌
Mam please make more videos like this ❤..
I love this video ❤
Well explanation thankful
Super super super lovely tips master
Augustine violinist from Malaysia
Good one! Will try it today! Thank you very much.
Always found the tutorial very interesting and understandable manner where a lot of for music lovers to adopt 🎉🎉🎉🎉
Everyday I do riyaz 3 to 4 hours and my voice was doing good... Today I was on the stage singing but suddenly my voice become husky and stucked .. I was not able to sing high... And even low was also sounding too bad.. A lot hard work to sing better it happened to me today in the church...😭... നന്ദി മാം, ദയവായി മറുപടി നൽകുക.. ദൈവം നിങ്ങളെ എൻ്റെ നല്ല ഗുരുവിനെ അനുഗ്രഹിക്കട്ടെ
Very informative video tq🙏🙏🙏
Thank you 🙏so much for your explanation 🎉
Well explained Madam
🙏🙏🙏🙏🙏🙏🙏🙏🙏
Great presentation ji
My favorite ragam ❤
Mind blowing... thank you
Thank you so much 😊
You are amazing, thank you so much
This is amazing! Exactly what I was looking for
Verynice medam
Thank you for this very interesting course.
Cheers from Paris !
🕉️ नमो भगवते वासुदेवाय नमः 🙏
🙏🙏veryyyyy usefull madam.
Very interesting 🙏🙏🙏
Super
Thank you sooo much Sweet Ma'am 😊❤😊
Very nice madam....if possible pls do for us daily one Raaga like this way of presentation....madam....
🙏🙏🙏
Very Nice Mme 🙏
Please publish gamkas of all 72 melkrantha
Madam , please make detailed video on anu-swarms and its applications, Pranams
Superb!!!
Mam, please do make a video based on the difference between NOTES, SCALES, PITCH & OCTAVE...
I am your regular viewer.
Please help me.❤
🙏👌💯
Never knew that mayamalavagowlai could be so challenging
@Voxguru can you please make a video on your live classes journey for a beginner and for one who has reached Varnams already but you get them up to speed with raga introductions?
Superb Madam
Mam pls put a video on how to identify the scale of a bollywood song... Like Ghar more pardesiya... Plsss
I guess it's already available. Funny scale of a song needs experience not only knowledge.
Can you teach the gamakas of Mohanam?
Sweet heart
🙏🙏🌹🌹🌹
Mam how to start any song with raaga make a video on this topic please mam
Thank you so much for this video! I had a belief that the gamakas found in the arohana and avarohana of a raga are what sets the rules for raga's use in all situations. However, you stated at the end that a composition may have additional gamakas. So, are the gamakas that are found in the arohana and avarohana mandatory whenever those swaras are present for every raga? Or can a new gamaka be added to a specific swara in a raga that is different from what is found in the arohana and avarohana?
There are many ways of singing Arohanam and Avarohanam itself. What we sang here is the standard version. But in various compositions we come across other types of Gamakas based on the sequence of notes. Sometimes even for simple ascent and descent we could use more complex Gamakas. That’s the reason we learn several compositions to explore more possibilities of Gamakas. Infact Gamakas of Arohanam and avarohanam is not something pre defined or fixed in music theory. It has been derived only based on analysing various compositions and finding certain standard usages.
@@VoxGuru Wow! That's so interesting. Thanks so much for the answer.
Hi new subscriber
🙏🕉️🍀🪷🌷