WHY PREMIERE RUINS YOUR COLOR GRADE... THERE IS A FIX!
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- Опубліковано 30 вер 2024
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Colors will still change a bit once you upload them to youtube for example and everyones screens look different so youre screwed anyways 😂 BUT oh man im so glad I found this out
noti
Thank god! This is a huge help! Thanks Matti
I found this fix 5 months ago, and i am so happy after that!
What are the color wheels in your premiere window on the left?!
Matti, We gotta link up. Remember me from #hiremematti? Ya, I want in on the shooting/editing situation. Im your guy.
5:52, content relevant to title begins.
Thanks a lot for saving my precious time.
where's the qt gamma file, mannn
this guy talking like 5 minutes for nothing
Fr it’s annoying as hell
You made it, he quit, you made him quit congrats
Wtf, 5 minutes of unboxing stuff that has nothing to do with the video
and then the tip is to download a lut to fix your footage? :/
lmao what did you expect. From the title we all knew it was an ad for his presets of sorts. Lately this type of video from Matti has increased in number so yea
Yup more clickbait spam trying to sell you something
Yeah I gotta admit I've just unsubbed because of the 90% fluff, 10% content ratio in Matti's channel these days. I don't mean to be rude, but I'm just not interested in his kids, or his exercise routine. Submit personal Vlogs by all means, but title them appropriately and separate that stuff from the reviews, tips etc.
algorithm requires at least 10min of content
@@bennygee6879 likewise.
"IT'S THE BEAGLE DROOOOOOOONE!!!!!!!!"
Haha 😆 wanna come fly it with me???
:( wish I could come work & hang out with you 2 legends!
@@mattih + @daniel schiffer DRONE FIGHT. It's the next big thing. To the death.
7 minutes to get to the point..... that Matt Johnson did back in June 10th of 2019.
Thankyou
Could have just fast forward lol ?
Meanwhile, Davinci Resolve Users: "Choose your colourspace to Export to..."
It's on the list when I have time to learn and move properly. Have been doing some basic grading etc to learn, but to move and be up to speed on that system will take time >.
It doesn't solve the problem entirely, unfortunately. Let's say you have a project that is the default Rec.709 color space and choose to export the video as sRGB thinking that's fix it...then your color profile matrix embedded in the video metadata will be 1-13-1 or something other than 1-1-1. UA-cam will convert the video to 1-1-1 defeating the purpose all together. There is more you have to setup in Resolve to make sure it works right and then choose color space Rec.709 on export if your footage is destined for web. It's a huge pain in the ass. There really needs to be tighter standards around all this.
@@BigFlavorFilms Of course it doesnt fix ist, i was being sarcastic. But it works much better. First thing starting with the monitor. Mine Supports switching between Colour spaces and i have calibrated every single one of them. That is the start, Not starting by displaying Rec709 in P3 and wondering what happens next :)
Be it Premiere, Resolve, or FCPX, I'm going to use a broadcast monitor to make sure what I see IS what I get. Then, I will post it online.
@@missioncreekstyle3814 We also use broadcast color calibrated monitors with a clean hardware feed from Resolve to them. Problem still exists. Looks great on the monitor then washed out on UA-cam or Quicktime.
Thumbs down for taking 8 minutes to get to subject of the video in the title.
At 5:52 he GETS TO THE POINT!!! (MOST of the way through the video.) Put your personality-driven stuff for your fans at the end bro. Also, you could just not.
Oh man, this has be an issue for so long! Thank you! There were times where I'd intentionally oversaturate or add more contrast to compensate for the look after the final export. Nice tip.
I use to do that allll the time too
We all did that until the PPro Team fashioned that LUT for us. Sorry it took this long to propagate!
Is it me or is there no link for that LUT? 😅
It’s gone
7:33 for the magic (:
wtf go to the Point
QT LUT Doesn’t help. Shadows looks darker and everything is more contrasted
I researshed a a lot on this matter. I agree that the QT-gamma lut is not good. It doesn't make the correct compensation. I have added 5% color and 3%-5% contrast to compensate for the issue. But that still not 100% correct.
@@PhilipRung are you doing the grade with the Color Management turned on? If not, make sure that is turned on first. The player, and exports should look identical whether viewed in VLC or Quicktime.
@@foundrydogworks5396 Thanks, I'm going to try it out!
@@foundrydogworks5396 For anyone reading this, here is the Link to the Color Management page by Adobe: helpx.adobe.com/premiere-pro/using/color-management.html
Philip Rung I spent a lot of time with this issue a year ago and I never got it to work with a P3 Mac display. The LUT made it look nice for me - but introduced other issues other people watching the UA-cam videos. In the end I bought a Rec.709 monitor. Has anyone actually gotten this to work on a native Mac display with Premiere?
This “fix” is useless without the information that explains it - where is the link to the Adobe source? Doesn’t QuickTime player still change the gamma?
The link is in the description, I believe. And yes, the advice from pros is to NOT use QuickTime to QC your video exports any longer for just such an issue. VLC is mentioned most often for both macOS and Windows computers.
@@missioncreekstyle3814 Thanks for the tip. How do you share your work with clients? Guess you're not sending them the mpg4 so they can't open in Quicktime? Maybe just the link to the upload on UA-cam or Vimeo?
I wouldn't put a LUT on the export, since you're altering the look for all displays when in fact the problem is caused by the display settings on newer mac's (using P3 displays (introduced in 2016?)). I'm on a 2015 MBP and tbh I immediately reacted to the skin tones being oversaturated.
To solve it without altering the look for everyone not on a P3 display try changing display profile to Rec.709 which is the same as PrPro.
Alternatively, preview videos in VLC which will read PrPro metadata and display correct colors, this might not be as elegant though.
Will's Cutting Room Yes I ended up with this soliton (buying an entirely new Rec.709 display) but of course that wouldn’t work ergonomically with an iMac 🖥 Using VLC definitely works - for the editor but not for the audience since UA-cam on Chrome on Mac looked much like the QuickTime version, not the VLC version in my test.
@@ctoLarssonTECH Well, buying a new monitor is a solution, maybe not as cost-effective though haha... This video offers a great TLDR solution/explanation that will make PrPro/QT/Chrome/VLC all match up without any LUT (i.e. not altering the look for everyone else too) ua-cam.com/video/YwjLuUR51gE/v-deo.html
The issue with using a LUT as a solution is that the problem still exists. You're essentially adding a grade with more contrast and saturation, you might as well add the LUT in Lumetri to actually see what it does! Since QT/Chrome will display it with less contrast you end up with an image that looks like what you get in PrPro, but only on your display (and anyone else using a mac with P3 display). Basically anyone else, who isn't using a similar Mac end up getting an oversaturated and too contrasty video...
What you see in PrPro is what mostly everyone not using a Mac P3 display will see, but of course you can't control that. I edit videos on a daily basis for clients, and if they have feedback on the colors we ask if they have access to a calibrated monitor (no one does), and then invite them to our office since that is the only way we both can see the exact same colors, not really a feasible solution for YT...
@@wilhelm_jonsson can u clarify what u mean by “change display profile,” as in where are these settings?
ShelbyWorks check the youtube link in my previous comment, he shows where to change it in the settings
You don't have the issue on a non-P3 display. I have an old MacBook Pro. No trouble.
I don’t think you saw our comments on the last video - that issue is only present dependent on which viewer you watch on. That LUT is adjusting it for QuickTime specifically
Should look fine on VLC, eh?
THIS WAS THE HINT I NEEDED! IT WAS THE SCREEN I WAS USING FOR MY PREVIEW MONITOR. I put the preview monitor on a better screen and now it looks the same as the exports. I cannot believe this took me so long to figure out. Thank you. You have no idea what a pain this has been.
With the color, you might be making a different mistake Matti! The big problem is QUICKTIME - If you preview files in quicktime, the colors are ALL different from how they look naturally in other programs! I was having the same issue and it was driving me nuts. Turned out it was quicktime - Once I opened the export in VLC, colors were back to normal!
Thanks for the tip. How do you share your work with clients? Guess you're not sending them the mpg4 so they can't open in Quicktime? Maybe just the link to the upload on UA-cam or Vimeo?
The real problem is wrong metadata tags. In resolve you can tag metadata to the colorspace you graded for. Then EVERY player can display it properly. But in Premiere Colormanagament metadata Tags are not there.
This is true, but not entirely accurate. Different programmes have different settings when it comes to reading the gamma of your video. VLC and Premiere Pro read gamma similarly to each other and are set to Broadcast-video gamma standards - so, videos look the same colour-wiser between these 2 playforms. Quicktime, Final Cut, and web browsers like Safari and Chrome use another setting (Gamma 1.96). So yes, the colours will look different inside Quicktime, but you'll also find that how they look in Quicktime, is generally how they will look if you open them in Final Cut Pro X, or upload them to the internet.
So it's not that one platform is more accurate than the other: it's more about where you plan to watch your final video :)
@@michaeldawson1584 We really need a plan. I don't exactly get now, which plattform needs which settings. Does someone know any list, which platform or player needs which settings? Or could someone just do it? It would be such a help, gosh. 🤯
@@michaeldawson1584 The best / most useful answer so far I found on this topic! Thanks Michael!
I literally discovered this 4 months ago and its a game changer. It's NOT perfect - but its far better.
If you want perfect, you can do what we old geezers do, purchase a broadcast monitor that is in 709 colorspace. I haven't trusted the NLE UI ever. Going on 30 years now. Sorry the true fix is going to cost you $3Gs. LOL. NLE used to be much more expensive, though. My "Avid Killer" FCP/Targa 2K Pro system cost me at least $15-20K BITD. And some Avids were going for $100K! All that said, you still need a dang broadcast monitor. Check out the Flanders line.
"You can actually fix it."
Cool. But ADOBE should fix it, especially if people (even experts like yourself) have been dealing with this for years. For what Adobe charges, it's not a lot to ask IMO.
If General Preferences > Display Color Management won't fix it, and the LUT isn't the fix you're looking for, then let the Product Manager know here: adobe-video.uservoice.com/forums/911233-premiere-pro/suggestions/33841903-proper-color-management-for-p3-displays He'll be notified and will read your message. Hope that helps.
Jokes on you!! My premiere crashed before I could export the vid 😂
Give your system and media details. Maybe the community can assist? Unless you're just joking.
3 years running and this video STILL SAVED my color grade.. Thanks Matti!!!
thanks but please dont hid the answer in a huge vlog
Here I am oversaturing in premiere to compensate, I'll have to give this a go!
Same!!! I’ve been doing that for so long and hated it
I'm learning Premiere, we use it allot! And Photoshop and Illustrator!
Same! Literally every export. "Don't worry it's not actually going to look like this after I export..."
@@mattih It's crazy the hoops you have to jump through, all because of the stupid P3 Monitor in any Mac with a built in screen. Worst. Decision. Ever. Apple.
@@visualventures QuickTime is a horrible preview application these days. Try VLC so you don't have to tap dance in front of your clients.
LMAOOO THAT CROCODILE DUNDEE MEME !
This is amazing timing, I've been having hell with my latest video. Looked so good in premier pro then nothing like it upon export. I was literally just thinking how come Matti or Peter have never covered this. It's such a fundamental thing to get right and I'm so glad there's a solution. THANK YOU!
For the Windows users in the audience, there's a different fix if you have Nvidia - go into your nvidia control panel and change the legal range to full.
Can't find where it is . Could toy explain with more details? Please
@@King_Krait ))) I don't have "Adjust Video Color Setting " .Very strange .
@@CardboardExpert you may need to update your Nvidia drivers then
@@danfox2575 I am trying now )
@@King_Krait I have laptop with Nvidia Ge force 1050ti. So as I figure it out the Intel Graphic card takes over the Nvidia card and disables some futures in Nvidia control panel,so I need disable it in bios I assume ))If it's possible ))))
[Mac Users] File > Project Settings > Color > Viewer Gamma > Change in the dropdown to "1.96 (Quick Time)"
I actually ran into other problems with that LUT when I tried it a year ago. Then it looked weird on other displays instead, like PC and the TV. I also got clipping. I had a chat with an Adobe guy in some forum about it, which ended with him shouting in all caps IT’S APPLE’S FAULT 😂😂😂 Then I gave up. Will have to try again.
Exactly, using a LUT only solves it for newer mac's and creates new issues for everyone else. Changing the display profile on mac's with P3 displays will solve it
Haha yep it’s always gonna be a battle. But I would rather the colours come out closer to how i intended in the first place.
Matti Haapoja yes looks like a huge improvement on your screen. Will definitely try it out again! Thanks! This issue drove me nuts too and made me get another physical screen 📺 😅
@@mattih Davinci Resolve allows you to do that ;)
Will's Cutting Room Will, what do you change it to? Do you do any additional modifications?
i dont see lut to download in description????help
I just wish when it comes to a final upload, it wouldn’t change the quality. I work hard for that HD 😂
Export in 4k ;) it’s the biggest secret to making your HD look better online
😀😀😀😀😀😀
Matti Haapoja Lossless upscale right? I wish Davinci could do that.
Matti Haapoja Thanks man, gonna keep that in mind for next time. 🙏
@@mattih how?? Please make a video :)
It's at 5:52 ! The rest of 11 minutes and 25 seconds is the uploader making a living ! And there is no link to download the file in the comment, just sales materials no one interested in !
I've been struggling with this for a while myself. Which is weird because I feel like this is a relatively new issue, past several years. This is actually a color pipeline issue and it's not just in Premiere. Davinci Resolve is the same. Matti, you're right, the default color space is Rec.709 or broadcast standard. This issue is far more prevalent when using Quicktime or when uploading to most web video platforms like UA-cam as they use the HD 1-1-1 color profile, which is Rec.709, and interpret them in their own way. Problem is most screens, besides non HDR TVs are sRGB not Rec.709. Resolve even has a new Rec.709 color settings to help address this called Rec.709-A. Man, it's a whole thing. If Resolve is setup correctly, and I'm sure Premiere too, you can confidently grade footage that will look as intended in UA-cam and other online platforms.
In Resolve, I colour grade for an sRGB output colour space and set the 'color space' tag and 'gamma tag' to Rec709. Do that the export looks the same when playing on the local PC as it does when colour grading in Resolve and with the tags set, UA-cam then presents it looking exactly the same also. If the tags were not set, then UA-cam would make it look somewhat darker due to applying some changes to it.
The problem is you kill alot of time doing other stuff before you get to the main reason why you made the video. And man come on you can't show us color thru another recorded screen we can't even see the difference. Use screen recording please but then again you love ur face too much (talking headshots) l. Bro just get serious
I’ve been doing this fix for years. It’s sooooo annoying
Wow, I actually know something the Matti didn't lol! I have also been using this for ages as I could not stand the gamma shift. It also does this in Resolve too.
Another option is to export in ProRes, as it doesn’t seem to have the same issue. The file size is much larger however
sounds like it.
I have to ask Matti, did you try viewing it on different media players on your computer? Because I had this where I colour graded my videos, then tried to view them in VLC, but they just looked so different and I didn't understand why, but when I viewed them on any other player, or on a different device, it turned out the colour grade worked fine, it was just VLC for some reason.
VLC has the same color profile as Premiere, Quicktime has a more equal color profile to for example UA-cam. VLC is "correct" by that means, if you're comparing it to your Premiere footage. But it will be "wrong" for web etc.... It's a tricky one.
@@adriansphoto but that's the weird thing, VLC is the only one that looks different to me? The same files look how I intended them too after uploading them online
This is just embarrassing. Not a solution. Glad I switched to resolve a while ago
@Jack Ieronimo yes i am getting this problem with resolve..did u find any solution?
@Jack Ieronimo yeah i know haha. I just messed up with a project actually. Tried everything to keep colorgrading the same but like you said i have to colorgrade everything again because ive used wrong settings to export..
One small tip..you can use adjustment layer on top and re-adjust the colorgrading. It worked on my last project but i quess will not work in all clips when you change colorspace,you will still have to go in and re-adjust some clips individually
@@JohnAmaro_Official I would recommend a broadcast monitor for an easy solution. For years, you could get away with not having one. If you have a Mac, it's become necessary again.
@@missioncreekstyle3814 i am working on eizo cg279x actually and i am working on a pc:) but i also own a macbook pro sometimes to double check everything.. but on resolve unfortunately colors never match 100%
Just go straight to 07:17. This guy talks forever. Also, no link provided for the QT LUT.
I have the same issue. What I did was was used software encoding at export, colours then came out like in Premiere. Weird
Wassup my boi 😍😘
:)
nice
the unintentional Crocodile Dundee quote
I used to run into this all the time with Resolve as well (on a Mac), although they fixed it with color space settings in the latest version. Honestly the only thing to me that gives me the exact same look once uploaded to UA-cam as in the editor on a mac is Final Cut.
Thanks for the video - always enjoy your uploads!
Awesome 🙌🏻
Hello Brian or Bradford!
@@CamTalksTech Brian here - hello! 👋🏻
Worship Tutorials here?? Amen!
"Cheapest version of a screencap".
Probably filming on a 3k+ setup 🤣
A 3k set up can built over time tho! :)
Matti, thank you so much for this! This has been such an infuriating thing about premiere and i simply gave up trying to fix it on my own... Also, this came at a great time because i just got my color correction right using your old color correction videos 👍. First time i filmed in clog and darn - things look so nice!
Cheers ja iso kiitos 👊
So good 🙌🏻
Hey Matti you need me ................... but am far away in Africa, Nigeria ...
This problem is pretty much a Mac issue, move over to PC guys ;)
Used to happen all the time thanks to that stupid P3 display that Apple decided to use, Premiere just doesn't play well with it so exports look completely different to what you see in Premiere, even with the LUT it's not exact and still has some colour shifts
TLDR; Apple Macs suck for colour shifts.
David Shutt Media Yep, I had a funny interaction with an Adobe guy in a forum a year or so ago about this issue, this LUT etc. It ended with him shouting “IT’S APPLE’S FAULT!” in caps lock 😆😆😆😆😆 then I gave up and went out and bought a rec.709 display. Did you ever solve it on a native Mac 🖥 💻 display?
@@ctoLarssonTECH I didnt no, I had no ends of problem with Macs and Premiere pro, took me 2 months to realise all my customers were getting crap washed out videos, luckily my new company uses PC much better! And I've swapped to resolve for the main bulk of editing which has been a dream in comparison
Love that fridge....
A typical Matti video: Teases you with what the video is actually about, then doesn't actually get to it until halfway through the video.
The answer is at 7:22, if you want to bypass the gear flexing.
Thanks for restoring our friendship man -- damn cameras always getting in the way
link for export file? too much link below
I had this issue but then selected 'Render at Maximum Depth" and 'Use Maximum Render Quality' and I've never had it again.
Yup always export with maximum render quality !
How new is your Mac, Justin? My 2011 never had this issue either. My 2019 5K 27" does, and it's infuriating. It is an issue found only on the newer (~2016-current) Apple wide color gamut displays.
@@zachsteinbach My personal 2010 Mac Pro (with many internal upgrades) and even my iMac Pro at work. I haven't had the issue on either permitting I hit those two check boxes when exporting.
This never worked for me, I have to use the lut like matti
Justin Vandergaast Got it. I’ve always checked those boxes too and, again, didn’t have the problem on the older Mac either. Definitely have it now and I’ve tried everything imaginable.
Are you fucking kidding me?!?! All this time and frustration, and it was a LUT that fixes this?!?! FML
Hahaha 😂 yep
I heard you mentioned you want to visit the Faroe Islands?! I've been there and want to go back soooooo bad! Wanna join up together and create some awesome content? :D I can guide you around :p
where is the link for the gamma compensation lut?? cant find it
It’s a QT issue. Open the vid in VLC and I’ll look the same as in Pr.
But that doesn’t solve the issue of when you upload it to UA-cam or somewhere else it doesn’t get interpreted like in VLC
@@mattih It does - If I output and look at the grade in QT it is flat / VLC is perfect. UA-cam is always like VLC. I am sure it is a QT viewing issue.
Nigel Danson true man!
Matti Haapoja i also worked with this QT lut. It helps you out with QT. Only.
@@mattih erm. yes it does, its been a thing like forever that qt messes with gamma,
Compare Canon R5, R6 and Sony A7S 3 in photography
5:52 - You're welcome
Video starts at 5:55
So you're not moving FCPX?? I guess FCPX works much faster than Premiere right??
Have you seen the video that was edited in fcpx lol eos r5 review i think
Everything was orange
FINALLY THANK YOU! This has been driving me crazy!
I think the title you were looking for was “Why FCPX is better” 😉
and where is qt gamma compensation file?
Resolve does the same thing. You have to twirl down the advanced tab on the export codec and switch to full from auto. This allows levels that are out of gamut to flow through on export vs being forced into broadcast safe. As a test maybe export something that is graded in spec on the waveform and vector scope and see if it alters it. If it looks ok you could probably just drop a broadcast safe effect on before export. Just a hunch.
How do I get to this...Thnx
Major oof. Quicktime does more things to your colors than anything else. If you were open your video with VCL player or something like that, You would see your color grade match. Quicktime absolutely sucks.
quicktime and also lav decoder in mpc-hc changes things. vlc is fine. and on youtube looks the same as vlc (at least on chrome), so i guess it doesn't really matter if you deliver to youtube
Thank you, this happens to me with all my exports!
WTF I thought this was about colour grading.
hahaha this is so relateable! I have asked the "WHY" several times to myself! Thank you for fixing the problem for all of us 😂
So I started using the QT Gamma LUT. Colors are better, but the export now seems darker than the project file. So weird. Anyone experiencing this?
I am facing this issue what to do
me toooooooo
Matti - I'm LITERALLY freaking out - THANK YOU!!! I thought I was crazy and have been struggling with this for so long, always pumping the contrast or saturation and just crossing my fingers on the export. So helpful. Thank you so much dude, this is invaluable.
I was able to get this problem under control recently by downloading the hd709 profile and setting my Mac screen to that. Before that my colors were washed out on export.
Did you few your exports on different browsers after changing your screen? Did they look the same/different?
@@lukesteichen6794 before the biggest issue was quicktime and browsers were washed out but VLC looked fine. Now after the change QT and VLC look very very close. Didn't check browser comparison
Thanks a lot for unboxing the mask. It turned out even better than we expected.
Hope you like it and for all the commenters that code is working for everybody and will work for ever.
#beyourself #wearamask
For those interested the code is matti2020 and the company is called mycomfortmask
you can have your own face customized on a mask.
I'm one of the founders btw.
Greetz and thx
Filip
Where can I find the QT Gamma Compensation LUT? I must be overlooking it if no one else is having trouble finding it..
I haven't been this early for a video since the dinosaurs went extinct
5:52 if you want to see how to fix what the title says LOL
THIS WILL SAVE ME FROM SO MANY HEADACHES :D
Haha seriously!
This has been a problem for SO LONG on Premiere with wide color gamut P3 Apple displays that it drives me NUTS that they haven't figured it out! Yes it's a Quicktime issue. Only real fix for us Mac users seems to be using an external monitor that's not P3 as even changing the display profile to HD-709 no longer works for me. I haven't tried this, although I had to resort to using my iPad as a grading display as it's closer (but not quite there) what gets exported. All in all, Premiere on Mac just suffers from so many problems I find it unusable despite all the bells and whistles, especially with FCP X and Resolve as non-subscription/free options.
Hey why did you use that lut to export ? What does that do to the footage if u don’t add? Didn’t give that information
This LUT isn’t a complete solution. It works okay when editing footage you’re grading yourself, but if you include photos, videos from other people, screencast recordings, etc, the LUT will darken that content as well. Additionally, everything is inconsistent outside of Premiere. Look at your UA-cam video in Chrome and Firefox, and you’ll see a big difference. Wish there was a magic bullet, but this stuff has been going on for years.
skip to 7:21. you're welcome
so you already became a father for the second time?? If yes than I would love to send you huge Congrants man!! Have fun! I have to little monsters at my house :D
Premiere seems to lack so much basic functionality. Such a vital lut should be included in the program. Unreal
It’s more a QuickTime thing. I used to get the same when exporting from resolve. Now they fixed too with a QuickTime Gamma fix just like premiere has done with that fix there. If you open it in VLC you will see it ok without the fix
Useful Information starts at 7:15
nice, but this video should be only 10 seconds, instead you be the typical narcistic younoober poluting hard disk space
Hi, I need your help. It work in my end. I don't have that Gamma LUT. Where can I find that? THank you
Thank you, thank you, thank you, I've been struggle as well with same issue in Premiere.
All the best!
7:18 You're welcome.
I THOUGHT I WAS THE ONLY ONE THIS HAPPENED TO! I am forever in your debt, just kind of wish you made this a long long time ago lol
Lumetri doesn't work at all. The timeline version looks NOTHING like the exported version, which comes out with massive color splotches etc. The settings you mentioned in this video do not exist in Premiere Pro in 2023 on the PC version (idk if there's a difference between PC and MAC versions).
Get to the point 🤦♂️
UGHHH..the only thing I get sent to open are BILLS!! Dang it Matti! :-)
Dude, you need to review some of that stuff those folks sent you. I know that Brous Blades knife is a high-dollar piece compared to most you see for sale. Looks pretty sick.
The fix is called: Use Final Cut Pro X. ☺️
The problem isn’t in premiere. It’s just QuickTime player applies its color adjustments.. which is strange, but if you playback in any other player, you won’t have the color issues
This has driven me insane for so long and I've never been able to figure out how to fix it! You have done the Lord's work. lol.
No, that's a wrong interpretation.
Apple's Quicktime Player displays video in Apple's own color space.
This is a problem with Quicktime Player.
Only Apple has a different gamma setting. Other software, such as Avid, Adobe and VLC, use the same color space.
export from avid - fine!
export from davinci - fine!
export from final cut - fine!
export from Ae - ummm....
export from Pr - OMG even worse xD
Premiere is not problem! is Quicktime!!!! Quicktime mess with the gamma value... Same problem on windows quicktime..... Use a better video player and You will see your colors right!
Most of the video is a waste of time, this should fix this! ;)
Edit > Preferences > Color > (turn on) Display Color Management.
When your ready to export check 7:52
Tip: Turning on Display Color Management will slightly mess up any color grading you have already done. Usually it only messes up saturation and exposure.
For those who would like to see all steps check 7:17