Who are you guys? For me that was a brilliant method to instruct us, well done. This song has always touched my soul and now I will be able to play it. Thank you
@@odie8182 You can fix it. Just click on the the three dots to the right of your comment then select EDIT. Then you can change anything. I do it all the time when I goof or misspell.
Bryan Arevalo - Honestly I don’t know and don’t think so. I believe my note choice and where to play them are correct. But there’s that out of place lower octave that comes in towards the end on the arpeggio. I think he just played a single note, but I hear that note an octave above the bass and octave below the melody, I wanted to have it represented. If you watch the And I Love Her sequence in Hard Days Night, George plays single notes
"And I love her" was credited to Lennon/McCartney BUT who wrote MOST of "And I love her" including the iconic intro and HOW did the song become a Cuban Bolero? GO HUNTING
As spot-on as this is, i have two small suggestions... when you play the rhythm guitar E chord, also add a C# note on the 2nd fret of the B-string with your pinky finger. And when you play the D chord at very end of the song, also add an F# note on the 4th fret of the D-string with your pinky finger. Lennon almost never played just a straight D chord; he almost always added that F# note with his pinky. A good example of that modified D chord with the added F# is on "This Boy." That modified D chord is a holdover from the banjo playing he learned from his mother. Thank you for your great videos; I appreciate them.
So, just to help others. *6th chords* are formed by adding 6th factor to the chord. In scale of E: E -w- F# -w- G# -h- A -w- B -w- *C#* -w- D# -h- E *C#* is the 6th which is played on 2nd fret B string in E6 chord. Similarly, F A C comprise F chord. 6th is D, which is played on 3rd fret of B string for F6 chord shown here. ✌️❤️
Ashutosh Pathak - Its a cool chord! Normally for fully fretted 6th chords, I leave out either the 5th or octave depending. So for F#6, 2x4342 or 24x342
Hey Ably House, would you know what guitar picks did John Lennon use? Also, what would be a good substitute today - material, shape and thickness wise?
@@chronicsnail6675 Yes, I think that is largely right on. 'Serious' composers would regard this direct push up a semi-tone as a cheats way out with no circuitous embracing of a new key by means of dominant sevenths and raised leading notes. Alternatively, a sudden shift up a semitone or tone is also a effective way of getting that sudden lift which can fit well with a song's lyric or simply provide vital interest at a point where a song needs it. Lennon did this to similar effect in 'Woman' off his last album. It IS effective in intensifying the final verse and chorus. The cleverness there was to go up for both the V and Ch instead of leaving the lift until the final second Chorus.
@@AblyHouse Thanks a ton for your comment and for uploading such videos. Inspired by you, I too am making all instruments cover and I'm also uploading isolated bongos, claves, bass, rhythms, leads etc. Once again. Thanks mate! Really appreciate it. Peace and Love.
Nice! The melodic genius of George Harrison: Riff, arpeggios and solo. Sir Paul mentioned George came up with all those parts. Sadly Macca never gave him writing credits.
dt81819 - I agree and believe this had a big part in their breakup. Lennon gets credit for Yesterday but all of George and Ringos parts go uncredited. Not to say you should get a credit for comping along, but for lead melodies and things that make the song, yes
Ably House Those accountability issues need to be extremely clear, from the beginning, before signing anything; if there’s no consensus, that will show later. Band dynamics is really a complex matter.
Kaden - I think of songs as a group project. If someone has a seed of an idea and the rest of the band help realize it, they should be credited for their help. As for Billy Preston, he was credited because his contributions helped finish the songs. George Martin was the producer of the most famous group on earth, he wasn’t going to push for getting credit on In My Life, although he definitely could have. I agree that arrangements mostly shouldn’t get songwriting credit. My point was that as the core members of The Beatles, George was left out on his own while John gets credit for Yesterday. You don’t think thats misleading?? Im not sure how anyone would think this is fair and yes, all of this massively contributed to the break up. The meetings they were having after Abbey Road were directed at giving George an equal footing on the albums to correct this
@@AblyHouse John gets a credit on 'Yesterday' because of their song-writing partnership and the subsequent contract John and Paul decided to sign - or were originally offered. George wasn't part of their original duo partnership so wasn't on board. When he started writing, he had to find out how to go about sorting out his own compositional and publishing rights -so Harrisongs was formed. Apart from the very early Harrison-McCartney song 'Cry For A Shadow', which went back to Hamburg days, there weren't any songs that required co-crediting outside the main MacLen partnership - apart from one. 'Flying' on Magical Mystery Tour which is a short instrumental that was credited to ALL four Beatles. IF we'd seen a situation where George got a co-writing credit on this tune, I'd argue Paul should have got a co-writing credit for 'Something' as well for the bassline. Paul's bass work (and harmony vocal) was so sublime in the period btw 1966-69 that he enhanced the work of the other two writers more than the other way round with a couple of exceptions. Bit that takes nothing away for George's writing of Something, HCTS and Taxman and WMYGGW - nor John's writing of Rain, LSD, SFF, All You Need Is Love and many, many other great songs during that period, incl Dear Prudence, Revolution, Glass Onion, Across The Universe, Dig A Pony, Don't Let Me Down and I Want You
George's guitar on this track is sublime
Who are you guys? For me that was a brilliant method to instruct us, well done. This song has always touched my soul and now I will be able to play it. Thank you
"And l love her" what a beautiful song by the Beatles and the guitar sounds are amazing! I could listen to this all day and night!
Yeah, I never stop listening to this song every day
@@glyzadayao7665 Me too
Thank you for this gift.
You’ve capture the exact tones. So good
Officially, the greatest video on UA-cam.
“Bright is the stars that shine, dark is the sky”
"Bright ARE......"
Cheril my fault
@@odie8182 You can fix it. Just click on the the three dots to the right of your comment then select EDIT. Then you can change anything. I do it all the time when I goof or misspell.
“I know this love of mine will never die”
“And I Love Her”
@@ralphiegamer4665 bu bu bu bummmm
2:31 - Lead
4:55 - Rhythm
Is that the exact notes that Harrison did on the solo because I know there are different ways to play it
Bryan Arevalo - Honestly I don’t know and don’t think so. I believe my note choice and where to play them are correct. But there’s that out of place lower octave that comes in towards the end on the arpeggio. I think he just played a single note, but I hear that note an octave above the bass and octave below the melody, I wanted to have it represented. If you watch the And I Love Her sequence in Hard Days Night, George plays single notes
He plays it here exactly like I've been playing it for years, and I always thought it was 100%. Could be wrong, though.
It has many version.. i use the different method but it still sound the same.. if its sounds right,then you doing it right
@@AblyHouse you are outstanding. Thanks for sharing.
I don't think it matters if it sounds the same
"And I love her" was credited to Lennon/McCartney BUT who wrote MOST of "And I love her" including the iconic intro and HOW did the song become a Cuban Bolero?
GO HUNTING
McCartney's song. Harrison came up with the four note riff.
@@willm623 I thought that was common Beatle knowledge...
guess not...
George came up with the most memorable fills... that song wouldn’t be much without George’s part!
Great cover guys 👍
Would you consider doing a don’t bother me cover?
Don't bother them, with your request.
Also, don't bother me. 🙃
✌️❤️
Ashutosh Pathak 😂
As spot-on as this is, i have two small suggestions... when you play the rhythm guitar E chord, also add a C# note on the 2nd fret of the B-string with your pinky finger. And when you play the D chord at very end of the song, also add an F# note on the 4th fret of the D-string with your pinky finger. Lennon almost never played just a straight D chord; he almost always added that F# note with his pinky. A good example of that modified D chord with the added F# is on "This Boy." That modified D chord is a holdover from the banjo playing he learned from his mother. Thank you for your great videos; I appreciate them.
You should cover "Like Dreamers Do."
One of my favorites, thanks Ably, wonderful
Genial duas guitarras tocando mesma música puxa fiquei emocionado
Thanks a ton, so not only have you given chord names, but also the shapes. I wanted to know how to play E6 n F6 - new chords for me. Thanks!
So, just to help others.
*6th chords* are formed by adding 6th factor to the chord.
In scale of E:
E -w- F# -w- G# -h- A -w- B -w- *C#* -w- D# -h- E
*C#* is the 6th which is played on 2nd fret B string in E6 chord.
Similarly, F A C comprise F chord.
6th is D, which is played on 3rd fret of B string for F6 chord shown here.
✌️❤️
Ashutosh Pathak - Its a cool chord! Normally for fully fretted 6th chords, I leave out either the 5th or octave depending. So for F#6, 2x4342 or 24x342
@@AblyHouse you guys are the best!
In the intro the chord is E6.
It says E or E6
Come Together instrumental! I really wanted to see you guys do it!
here is come together on guitar ua-cam.com/video/bOpbETDDC7Q/v-deo.html you will see on drum, bass and karaoke in the channel
ua-cam.com/video/VjUwBf373Ck/v-deo.html it exists
Hey Ably House, would you know what guitar picks did John Lennon use?
Also, what would be a good substitute today - material, shape and thickness wise?
Usually I think John would use a black Fender teardrop pick
Luke Hopkins yeah I just heard that that’s the kind of pick he used some time during the beatle era
I like how your guitar is dusty
Wow
Love the split screen showing different sections
The timing is perfect
And I Love Her - Singing None ua-cam.com/video/4u5DFqGSI_4/v-deo.html
Why did you use an acoustic guitar for the lead part?
Mañana me compro una guitarra para sacar esta canción esta bien padre.
0:32 enters Metallica "the day that never comes,"
Jolly good mate....cheers from Toronto...why in both Solos at 1:52 & the earlier one the Chords disappear on your Screen?
Beautiful song-Great job!
Where do you buy the j160 Gibson
Ebay , Reverb etc. It’s the only place to look for them since they don’t make them anymore. It’s where i got mine at.
Very beautiful ... 🎼🎶💕
Oh, E6 chord in intro!!! 😍👍🏼😄
Beautiful arrangement.
I love this song so much!
The key change is so clever and tasteful. Well put together.
It's pretty simple tbh
@@chronicsnail6675 The simplicity is what makes it elegant. IMHO
@@olddoggeleventy2718 yeah that's not an opinion it's a fact most good songs are simple in structure otherwise it gets to complicated and just cringe
@@chronicsnail6675 Yes, I think that is largely right on. 'Serious' composers would regard this direct push up a semi-tone as a cheats way out with no circuitous embracing of a new key by means of dominant sevenths and raised leading notes. Alternatively, a sudden shift up a semitone or tone is also a effective way of getting that sudden lift which can fit well with a song's lyric or simply provide vital interest at a point where a song needs it. Lennon did this to similar effect in 'Woman' off his last album. It IS effective in intensifying the final verse and chorus. The cleverness there was to go up for both the V and Ch instead of leaving the lift until the final second Chorus.
Haz un video de "like dreamers do"
Dear Ably house I can play every part of this song on guitar all because of you thanks so much
좋은 방식의 tutorial입니다. 제대로 배우겠네요.
Thank you fot you video.. 👍🏼❤👍🏼
What's the software I could use for a video like this one?
Just aftert 1:26 are you playing E6 or E ?
Ashutosh Pathak - John played E6 for their BBC performance and regular E for the studio recording. Its up to you! Im playing regular E
@@AblyHouse Thanks a ton for your comment and for uploading such videos.
Inspired by you, I too am making all instruments cover and I'm also uploading isolated bongos, claves, bass, rhythms, leads etc.
Once again. Thanks mate! Really appreciate it.
Peace and Love.
Ashutosh Pathak - No problem, sounds awesome!!
VERY NICE I WAS SINGING ALONG WHILE YOU GUY'S WERE PLAYING RIGHT ON KEY. AWESOME.
Yes!
Come together cover please
here come together ua-cam.com/video/bOpbETDDC7Q/v-deo.html
What do you think prompted George to use the Ramirez for some of his acoustic solos, as opposed to his J-160E Gibson?
Probably the strings being nylon
Great lesson thanks for your time and expertise!🙏🏻
❤❤❤❤
Как же это прекрасно! Даже часть этой песни невыразимо прекрасна.
@ablyhouse isolated :
Don't you think The Beatles play a C7 chord in the bridge, instead of a C chord just after 1:45 for instance?
Ashutosh Pathak - I chose C because thats what I thought I heard John playing. C7 would sound fine there, but I don’t think John used it
@@AblyHouse Alright, thanks for letting me know !
A levada da mão direita está errada
How do you your finger so skinny
Name of the lead guitar???
Tab of the solo?
acá lo tenemos amigo ua-cam.com/video/t7ECFeFHhf0/v-deo.html
@ muchas gracias por el dato
Awesome! Perfect!
E6th!
😯
Wow 😯 very good. 👍👍👍
Brilliant!
The Best
Love this
Well done
Nice
Nfe
Beautiful
FERA!
HELL YEAAAA
Nice! The melodic genius of George Harrison: Riff, arpeggios and solo. Sir Paul mentioned George came up with all those parts. Sadly Macca never gave him writing credits.
dt81819 - I agree and believe this had a big part in their breakup. Lennon gets credit for Yesterday but all of George and Ringos parts go uncredited. Not to say you should get a credit for comping along, but for lead melodies and things that make the song, yes
Ably House Those accountability issues need to be extremely clear, from the beginning, before signing anything; if there’s no consensus, that will show later.
Band dynamics is really a complex matter.
dt81819 I thought this was a Lennon tune (or mostly his at least)
Kaden - I think of songs as a group project. If someone has a seed of an idea and the rest of the band help realize it, they should be credited for their help. As for Billy Preston, he was credited because his contributions helped finish the songs. George Martin was the producer of the most famous group on earth, he wasn’t going to push for getting credit on In My Life, although he definitely could have. I agree that arrangements mostly shouldn’t get songwriting credit. My point was that as the core members of The Beatles, George was left out on his own while John gets credit for Yesterday. You don’t think thats misleading?? Im not sure how anyone would think this is fair and yes, all of this massively contributed to the break up. The meetings they were having after Abbey Road were directed at giving George an equal footing on the albums to correct this
@@AblyHouse John gets a credit on 'Yesterday' because of their song-writing partnership and the subsequent contract John and Paul decided to sign - or were originally offered. George wasn't part of their original duo partnership so wasn't on board. When he started writing, he had to find out how to go about sorting out his own compositional and publishing rights -so Harrisongs was formed. Apart from the very early Harrison-McCartney song 'Cry For A Shadow', which went back to Hamburg days, there weren't any songs that required co-crediting outside the main MacLen partnership - apart from one. 'Flying' on Magical Mystery Tour which is a short instrumental that was credited to ALL four Beatles. IF we'd seen a situation where George got a co-writing credit on this tune, I'd argue Paul should have got a co-writing credit for 'Something' as well for the bassline. Paul's bass work (and harmony vocal) was so sublime in the period btw 1966-69 that he enhanced the work of the other two writers more than the other way round with a couple of exceptions. Bit that takes nothing away for George's writing of Something, HCTS and Taxman and WMYGGW - nor John's writing of Rain, LSD, SFF, All You Need Is Love and many, many other great songs during that period, incl Dear Prudence, Revolution, Glass Onion, Across The Universe, Dig A Pony, Don't Let Me Down and I Want You
Nice! Thanks for sharing your talent!