Keith is in a class of his own, even just taking No Moon At All as an example - a standard played like a Bach 2 part invention with lines improvised in the left in response to the right hand, and then a walking bass totally swinging with fantastic, heartfelt and bebop derived lines above that. It doesn't get any better.
Tim Bruer, my sentiments exactly. If ECM has a recording of this concert in the vaults they should be forced to release it! Jarrett’s versions here of Sophisticated Lady, No Moon at All, and Autumn Nocturne are beyond incredible
Incredible! Classic piano solo way by Keith Jarrett, it's possible and for the best! I will come back if this vidéo is still here. Thank you for this good surprise Mr TSOKJ
Olá Senhor Benjamin et merci pour votre message. Ce concert d'Antibes de 1991 fut en effet exceptionnel. Même s'il est toujours de ce monde mais malheureusement empêché par la maladie, Keith Jarrett aura été un pianiste phénoménal. Au passage, je suis allé visiter votre chaine : félicitations pour vos prestations musicales !
@@thesoundofcontemporarymusi3196 merci. En effet, je partage, ce géant m'a montré la voie: plonger directement au cœur (comme le disait Mozart) et être. Évidamment son exemple était trop haut pour moi mais avec cette méthode, que de joies à faire feu de tout bois sur ce long parcours pour comprendre l"harmonie. Plein de bonnes choses et à bientôt... dans la nature.
Keith Jarrett had a special artistic relationship with Juan-les-Pins Festival. I saw him many times in different places, including Paris. He was never better (except Japan) than in JLP. I remember one of his concerts in 1998 (I believe): it was magical !
Merci pour votre témoignage. Il existe tout de même d'autres excellents concerts de KJ donnés dans d'autres lieux. Celui-ci est exceptionnel, c'est vrai.
To consider this recording a master tape from ECM's vault is an affront to ECM. The compression of this recording is absolutely indiscussable. Anyone who thinks this is ECM standard has no idea of ECM's bench-marking sound quality.
@@hvanngil9575 Sorry my ears aren't as good as yours. And, personally, an "affront to ECM"? And, I do NOT know what you mean by the compression of this recording being "indiscussable". Everything is discussble. And, it is entirely possible that i have "no idea of ECM's bench-marking sound quality". Maybe i am thinking more about the music than the sound. I am pissed at Jarrett, I guess, more than ECM, since I am guessing that it is he who has the final word on what of his gets released and what doesn't, but I have been to a NUMBER of live solo piano concerts that were FAR better than the some of the ones Jarrett/ECM has chosen to release. Maybe Jarrett and I just don't agree on which Jarrett playing is the best since, though Jarrett is to me a genius, and my favorite musician in the world, there is actually stuff he has released that is.........inferior to what he is capable of.
@@hvanngil9575 I agree, ECM would, not only, ever release this, they would have never used soooo much compression. Eicher always strives for a naturalistic and completely dynamic rendering in most ECM recordings of this nature. However, haha..... I do think this a very good "bootleg" recording despite the terrible compression levels. At least, for me, I am able to really hear all the notes very clearly and am able to transcribe the notes easier than other bootlegs. I'm working on Sophisticated Lady. I've never heard him do a solo rendition....its marvelous! 🙂
Transcendent! Thank you!!! This is immediately one of my favorites. Keith is out exploring the cosmos in the improvisation on this one -- and the cosmos is exploring him. Is it even remotely possible to decompress this recording, to open up the sound, give it space and make it more natural? (I apologize for my naive question; I am certainly no sound engineer.)
A person could answer you. He certainly has the recording. Probably, he owns the rights. It's Manfred Eicher. In fact, compressed sound cannot be restored unless if you have the original. Thanks for your interest.
Amazing as usual... Thks very much... By the way I am looking for a concert still in Juan Les Pins may be one or 2 years after this one where he played only Standards (I should care again and every things happen to me etc...) Does it ring a bell to you?
C'est toujours un plaisir de recevoir des commentaires de musiciens... et parfois éminents ! Malheureusement, nous ne pourrons pas vous aider dans votre recherche... tout du moins, pour l'instant. It is always a pleasure to receive comments from musicians... and sometimes eminent ones ! Unfortunately, we can't help you in your search... at least not yet. Pol Kerfendal
Merci quand même... En fait pendant longtemps j'avais un son sur K7 via une élève mais c'était de très mauvaise qualité... Enfin pas assez pour ne pas se rendre compte de la qualité exceptionnelle du concert... Car si on le remet dans son contexte, de notre point de vue KJ n'avait à l'époque pas joué de standards en solo et en public...!
@@SergeForte Vous pourriez peut-être demander à Olivier Bruchez, auteur du site non officiel de KJ : KeithJarrett.org, c'est un grand spécialiste à qui nous devons beaucoup de bootleg du pianiste. A l'occasion, félicitations pour votre travail que j'ai pu apprécier sur votre chaine : KJ est une grande source d'inspiration pour de nombreux musiciens.
@@thesoundofcontemporarymusi3196 Merci du conseil je vais lui demander... Et merci pour votre gentil message...Quel dommage qu'il ne puisse plus jouer... Surtout pour les nouvelles générations qui ne pourront pas le voir en live... Et je ne sais pas comment il tient psychologiquement...
@@SergeForte La date exacte du concert que vous recherchez est le 22 juillet 1989 ou le 20 juillet 1991 : KJ était en solo à Antibes. Vous trouverez le renseignement dans le PDF en ligne P. 229 ou 246 (avec la liste des standards interprétés)... cela ne vous donne pas l'enregistrement mais c'est un début. www.keithjarrett.org/wp-content/uploads/2019-06-Keith-Jarrett-discography-Maurizio.pdf
![CWC 4th Listening Session with Speaker Prof. Dr. Ilia Delio OSF [ENGLISH]](/img/n.gif)
Keith is in a class of his own, even just taking No Moon At All as an example - a standard played like a Bach 2 part invention with lines improvised in the left in response to the right hand, and then a walking bass totally swinging with fantastic, heartfelt and bebop derived lines above that. It doesn't get any better.
The ecstatic jubilation of sirening swifts, whistling aloft, perfectly offsets Jarrett’s intro.
Happy birthday, master. You are dearly loved.
Beautiful improvisation! Thanks for sharing! :-)
Gracias Keith Jarrett !
Tim Bruer, my sentiments exactly. If ECM has a recording of this concert in the vaults they should be forced to release it! Jarrett’s versions here of Sophisticated Lady, No Moon at All, and Autumn Nocturne are beyond incredible
I agree with you. The entire performance merits being published. In my opinion, this is one of KJ's best concerts.
Incredible!
Classic piano solo way by Keith Jarrett, it's possible and for the best!
I will come back if this vidéo is still here. Thank you for this good surprise Mr TSOKJ
Olá Senhor Benjamin et merci pour votre message.
Ce concert d'Antibes de 1991 fut en effet exceptionnel.
Même s'il est toujours de ce monde mais malheureusement empêché par la maladie, Keith Jarrett aura été un pianiste phénoménal.
Au passage, je suis allé visiter votre chaine : félicitations pour vos prestations musicales !
@@thesoundofcontemporarymusi3196 merci.
En effet, je partage, ce géant m'a montré la voie: plonger directement au cœur (comme le disait Mozart) et être. Évidamment son exemple était trop haut pour moi mais avec cette méthode, que de joies à faire feu de tout bois sur ce long parcours pour comprendre l"harmonie.
Plein de bonnes choses et à bientôt... dans la nature.
Really love his "I Should Care" rendition, "Autumn Nocturne," and "Summertime."
The Sound, thank you SO much for posting this. Absolutely wonderful.
Your satisfaction is our pleasure.
We will continue to publish some of the Maestro's treasures.
Genial.....Maestro
Great performance and amazing sound quality! Thank you.
Thank you so much for this FANTASTIC upload! ♥
Keith Jarrett had a special artistic relationship with Juan-les-Pins Festival. I saw him many times in different places, including Paris. He was never better (except Japan) than in JLP. I remember one of his concerts in 1998 (I believe): it was magical !
Merci pour votre témoignage. Il existe tout de même d'autres excellents concerts de KJ donnés dans d'autres lieux.
Celui-ci est exceptionnel, c'est vrai.
This is so brilliant it is unreal
Agree with you. Very great performance... KJ is the master of improvisation.
@@thesoundofcontemporarymusi3196 Truly the master.
Wow !
Great concert !
The quality of the recording is WAY beyond the bootlegs you normally hear: a master tape "borrowed" from the ECM vault perhaps?
Impossible : ECM is very strict about publishing rights.
@@thesoundofcontemporarymusi3196 How the heck did someone get their mics on stage, I wonder! Either way, thank you so much.
To consider this recording a master tape from ECM's vault is an affront to ECM. The compression of this recording is absolutely indiscussable. Anyone who thinks this is ECM standard has no idea of ECM's bench-marking sound quality.
@@hvanngil9575 Sorry my ears aren't as good as yours. And, personally, an "affront to ECM"? And, I do NOT know what you mean by the compression of this recording being "indiscussable". Everything is discussble. And, it is entirely possible that i have "no idea of ECM's bench-marking sound quality". Maybe i am thinking more about the music than the sound. I am pissed at Jarrett, I guess, more than ECM, since I am guessing that it is he who has the final word on what of his gets released and what doesn't, but I have been to a NUMBER of live solo piano concerts that were FAR better than the some of the ones Jarrett/ECM has chosen to release. Maybe Jarrett and I just don't agree on which Jarrett playing is the best since, though Jarrett is to me a genius, and my favorite musician in the world, there is actually stuff he has released that is.........inferior to what he is capable of.
@@hvanngil9575 I agree, ECM would, not only, ever release this, they would have never used soooo much compression. Eicher always strives for a naturalistic and completely dynamic rendering in most ECM recordings of this nature. However, haha..... I do think this a very good "bootleg" recording despite the terrible compression levels. At least, for me, I am able to really hear all the notes very clearly and am able to transcribe the notes easier than other bootlegs. I'm working on Sophisticated Lady. I've never heard him do a solo rendition....its marvelous! 🙂
Worship this song!
Sophisticated Lady, No Moon at All, Autumn Nocturne...if I were rich I would have all three of these transcribed.
Transcendent! Thank you!!! This is immediately one of my favorites. Keith is out exploring the cosmos in the improvisation on this one -- and the cosmos is exploring him. Is it even remotely possible to decompress this recording, to open up the sound, give it space and make it more natural? (I apologize for my naive question; I am certainly no sound engineer.)
A person could answer you. He certainly has the recording. Probably, he owns the rights. It's Manfred Eicher.
In fact, compressed sound cannot be restored unless if you have the original.
Thanks for your interest.
Yeah, but “Autumn Nocturne” is the amazing song-the greatest rendition ever!
One of the most beautiful ballad performances I have ever heard.
When in Sophisticated Lady, 49:30, he starts that slow stride thing, it is to die for! LOL.
I was there!
Quelle chance !
What a great concert !
Joan, I too, have heard him live, but you sure were lucky to be at this one!
Finest kind!
How lucky you were!
Amazing as usual... Thks very much...
By the way I am looking for a concert still in Juan Les Pins may be one or 2 years after this one where he played only Standards (I should care again and every things happen to me etc...) Does it ring a bell to you?
C'est toujours un plaisir de recevoir des commentaires de musiciens... et parfois éminents !
Malheureusement, nous ne pourrons pas vous aider dans votre recherche... tout du moins, pour l'instant.
It is always a pleasure to receive comments from musicians... and sometimes eminent ones !
Unfortunately, we can't help you in your search... at least not yet.
Pol Kerfendal
Merci quand même... En fait pendant longtemps j'avais un son sur K7 via une élève mais c'était de très mauvaise qualité... Enfin pas assez pour ne pas se rendre compte de la qualité exceptionnelle du concert... Car si on le remet dans son contexte, de notre point de vue KJ n'avait à l'époque pas joué de standards en solo et en public...!
@@SergeForte Vous pourriez peut-être demander à Olivier Bruchez, auteur du site non officiel de KJ : KeithJarrett.org, c'est un grand spécialiste à qui nous devons beaucoup de bootleg du pianiste.
A l'occasion, félicitations pour votre travail que j'ai pu apprécier sur votre chaine : KJ est une grande source d'inspiration pour de nombreux musiciens.
@@thesoundofcontemporarymusi3196 Merci du conseil je vais lui demander... Et merci pour votre gentil message...Quel dommage qu'il ne puisse plus jouer... Surtout pour les nouvelles générations qui ne pourront pas le voir en live... Et je ne sais pas comment il tient psychologiquement...
@@SergeForte La date exacte du concert que vous recherchez est le 22 juillet 1989 ou le 20 juillet 1991 : KJ était en solo à Antibes.
Vous trouverez le renseignement dans le PDF en ligne P. 229 ou 246 (avec la liste des standards interprétés)... cela ne vous donne pas l'enregistrement mais c'est un début.
www.keithjarrett.org/wp-content/uploads/2019-06-Keith-Jarrett-discography-Maurizio.pdf
I would enjoy hearing Jarrett lengthen his classic Summertime into a full length work
天才そのもの。
ろさ