Hi, congratulations for the video it's very clear. I had a question about it, I work with a Mac and an external monitor calibrated in range 2.4, On daVinci I work by setting the color space in rec 709 range 2.4. For the gamma shift problem the exported files are more faded, if I used the Mac monitor I would use rec-A; but since I use an external monitor (so it can't be set in rec 709) how do I have the same result between the preview and the exported files? I know that the problem is Quick time, but anyway if I upload them on UA-cam I see the same problem. Thank you very much, sorry to bother you.
Hey, thank you. I actually faced this problem a few months ago too , when my Video monitoring card broke down and I had to get the preview out using computer's second display output via USB onto a non Mac display. In this case no matter if the monitor is calibrated through rec 709, the display Mac is producing is going out from Mac and not the video output card thus even if you are using a nonac display the settings of your project should be set to rec 709 A . And you may use a rec 709 2.4 cst on the whole timeline. Hopefully it will give you the correct output . :-) it solved problem though 😀
Thanks, even if you don't set it to rec 709 A in the deliver page and leave it to default it's gonna give you Rec 709 A color tag, which is gonna be consistent accros the platforms like UA-cam, insta and QuickTime player
Hi, congratulations for the video it's very clear. I had a question about it, I work with a Mac and an external monitor calibrated in range 2.4, On daVinci I work by setting the color space in rec 709 range 2.4. For the gamma shift problem the exported files are more faded, if I used the Mac monitor I would use rec-A; but since I use an external monitor (so it can't be set in rec 709) how do I have the same result between the preview and the exported files? I know that the problem is Quick time, but anyway if I upload them on UA-cam I see the same problem.
Thank you very much, sorry to bother you.
Hey, thank you. I actually faced this problem a few months ago too , when my Video monitoring card broke down and I had to get the preview out using computer's second display output via USB onto a non Mac display. In this case no matter if the monitor is calibrated through rec 709, the display Mac is producing is going out from Mac and not the video output card thus even if you are using a nonac display the settings of your project should be set to rec 709 A . And you may use a rec 709 2.4 cst on the whole timeline. Hopefully it will give you the correct output . :-) it solved problem though 😀
This is great - is it worth using RED 709-A in the Gamma tag in advanced settings in the Deliver/export page as well?
Thanks, even if you don't set it to rec 709 A in the deliver page and leave it to default it's gonna give you Rec 709 A color tag, which is gonna be consistent accros the platforms like UA-cam, insta and QuickTime player
Thanks - really appreciate the advice!
worked great!
Great to hear! 😊
That's really helpful 😊
Glad it was helpful! ☺️
You have just saved a soul
❤️😃
Bro can u please make any video on how to build best film looks and how to apply coour schemes in davinci resolve?👍
Thanks, sure I will make one those 👌
@@salmannafeesacademy Thanks
This option hasn't worked in the Davinci 18.6.6 version since April 2024. So what's the solution to fixed washed out exports in Mac now??
@@js1597 I was using version 19 and it works ,😃