well since he just wanted clicks and to not actually help.....Crank the tension and start trying the technique. When using the technique you are not smashing the pedal but kinda in a floating position with you foot once you get adjusted to the pedal tension on the rebound. When you move your calf from side to side, your foot automatically leans from one sided to the other and the left and right side of your foot create an individual stroke. kind of like the steering geometry in modern vehicles which changes camber the further you turn the wheel. Next thing to know as the your foot never leaves contact with the board. It is always making contact and you will beging to feel when the rebound comes up in the pedal to time the leg movement. Back to spring tension: Once you start getting a feel for the motion you will feel some fatigue with springs cranked all the way up. The next step is to start rolling the spring tension back a little at a time until you get a balance to where the pedal rebound is enough that it's actively letting the beater come back and not throwing it too far back when the time comes for the second stroke. When you have the tension dialed, you'll be getting micro-rests between strokes and you will not be as fatigued because your ankle is not trying to compensate for too much rebound from the pedal. Also, head tension is crucial the faster you get. I play Evans GMAD on my batters because the rebound is faster than the EMAD since it's only one ply. Double ply damped heads always absorb more impact rather than bounce the beater back so I stick with the GMAD on the batter side and and EQ3 on the front and I never need to stuff anything in my kick. My kicks are 20" deep and I put a 16" x 20" piece of 2" acoustic foam in them without them making any contact with the heads to pull out some mid overtones and play with a tight batter and medium tension on the reso. I want that "click". when my beater slaps. I play Tama Dyna-Sync Singles with Trick Pro 1V beaters and a Remo Falam Slam Pad Kevalr patch on each batter.
Pressure swivel mostly consists in pressure from the upper leg and moving the heel left and right. Swivel is basically the ankle motion but with heels "naturally" going left and right (it's kind of an easier ankle motion for faster tempo)
![DOUBLE STROKES TECHNIQUE / HEEL-TOE [Extreme Drumming]](/img/n.gif)
Man I want some direct drives
Mapex Falcons are a good cheap direct drive. These specific pedals he's using are very very high end custom pedals
Ahhh the Pete Sandoval technique. So sick.
Are your knees creaking?
Спасибо, Крыштоф! Чуть подсмазать и будет бэнч!
This is so sick.
Thank you!
Nice technique
Thanks Teacher🫡
I will work in this technique
What's your spring tension percentage? please
well since he just wanted clicks and to not actually help.....Crank the tension and start trying the technique. When using the technique you are not smashing the pedal but kinda in a floating position with you foot once you get adjusted to the pedal tension on the rebound. When you move your calf from side to side, your foot automatically leans from one sided to the other and the left and right side of your foot create an individual stroke. kind of like the steering geometry in modern vehicles which changes camber the further you turn the wheel. Next thing to know as the your foot never leaves contact with the board. It is always making contact and you will beging to feel when the rebound comes up in the pedal to time the leg movement. Back to spring tension: Once you start getting a feel for the motion you will feel some fatigue with springs cranked all the way up. The next step is to start rolling the spring tension back a little at a time until you get a balance to where the pedal rebound is enough that it's actively letting the beater come back and not throwing it too far back when the time comes for the second stroke. When you have the tension dialed, you'll be getting micro-rests between strokes and you will not be as fatigued because your ankle is not trying to compensate for too much rebound from the pedal. Also, head tension is crucial the faster you get. I play Evans GMAD on my batters because the rebound is faster than the EMAD since it's only one ply. Double ply damped heads always absorb more impact rather than bounce the beater back so I stick with the GMAD on the batter side and and EQ3 on the front and I never need to stuff anything in my kick. My kicks are 20" deep and I put a 16" x 20" piece of 2" acoustic foam in them without them making any contact with the heads to pull out some mid overtones and play with a tight batter and medium tension on the reso. I want that "click". when my beater slaps. I play Tama Dyna-Sync Singles with Trick Pro 1V beaters and a Remo Falam Slam Pad Kevalr patch on each batter.
impressive
What’s the difference between pressure swivel and swivel? Usual swivel depends more on ankle control?
Pressure swivel mostly consists in pressure from the upper leg and moving the heel left and right. Swivel is basically the ankle motion but with heels "naturally" going left and right (it's kind of an easier ankle motion for faster tempo)
Those 3 I try to swivel😅
I don't get it. It looks like he used the same technique in both the No and Yes portion. Please use your words to explain your lessons.
It means you can't or hardly can do this at the top of your pedal and stick more to the middle
So it's heel up just with a strike on each side?
I have the swivel down but my feet keep sliding of the board wich ruins the teqniue how do I fix this annoying problem?
You could try wearing skate shoes or putting a type of rubber grip on the pedal.
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You are pericarp man 😂😂😂
Not by any means great. But it's okay for a beginner. Keep it up kid!
your profile pic is hitler