Chris Brown's Engineer Teezio Shows You How to Make Your Drums 'Slap'
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- Опубліковано 9 лип 2024
- Teezio shows us the important relationship between an 808 and Kick drum as well as how to make your drums sound fat and powerful in the mix.
00:00 - Introduction
01:15 - Starting a mix with just the drums
01:38 - Referencing your mix
04:00 - Using FabFilter
04:10 - Walk through the session
18:21 - Using Lo-fi by Avid on an 808/Sub Bass
27:00 - Outro
▶️ bit.ly/3Xgh076
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#secretstudio #protools #teezio
*clicks one time*
OMG WOW
😂
incredible, thanks
Mixing for over 20 yrs. Personally I don’t F with most of this approach but to each his own. Props for working with CB.
Yeah he did Industry Baby by Lil Nas X, No Guidance and Freaky Friday by CB, Superhero by metro boomin, and a lot more industry songs so he definetly knows what he's doing.
This is dope
🔥🔥🔥🔥🔥
The order how he explained the drums in the exact way I lay out my sessions for producing. Then I add the instruments
3:37 Teezio As it did to the fabfilter pro q 3 to freeze the frequencies in blue and be able to lower several bands. Does anyone know what keys it is?
To do that you have to go to the section at the bottom of pro q where it says post or pre .
Click that and a menu will pop up with all your tracks that have pro q 3 on them .
Bottom of that menu you’ll see a snow flake . That’s the button
Wich Pro tools he use ?
No esta en Español?
Love this! Teezio what level are you trying to get your kick to hit at in the Gainstage?
Just feel it..
For me Make it the loudest element in the mix and go down from there with the rest of the instruments. , you can
This way you don't worry about clipping your signal . make it hit -5 Db as a starting point .
How Did He Mark Multiple points on the fabfilter EQ. ive been trying to fig that shit out
Straight from the manual:
"You can also activate Permanent Spectrum Grab mode by clicking and holding in the spectrum area until the highlight becomes blue. This freezes the spectrum permanently so you can grab and drag multiple spectrum peaks. To exit this mode, simply click on the display background instead of on the white spectrum curve."
Worked for me
@@mxynx 👍🏽you are the man!
😅
What headphones are you. Using please?
looks like airpods max
What headphones are Teezio using?
AirPods Max
What does he mean by print effects separate?
He means that he doesn't want the reverb on the channel of the vocals. He wants dry vocals and Reverb/Delay on a separate channels so he can mix it. ;)
@@benjamintheiler1257 if he’s getting the stems and your sending them from logic then he just wouldn’t be getting the reverb or delay right . Or does he want a dry version and one with the efffects ?
He is saying he wants dry vocals by themself, reverb effect by itself, and delay effect by itself all on separate channels. @@NoConcentrationTV
where do yall find these hosts? 😂
✨✨🌎✨✨✨✨✨✨🚀
Did this guy just say that fabfilter dynamic mode compresses? Its dynamic eq not compress.
is the audio in mono or something? Couldn't hear a change from microshift on the flute, needless to say all of the talking going on when doing an A/B.
mono indeed
I thought I was tripping
AKAI MPC for the last 40 years HipHop !We don't nee 50 plugins!
Panicking over folders, jesus
Fuck, those grammys will forever protect him from being called a looser
Why u hating 😂
@@emerymesich1134 i watched the video
Chris Brown definitely beats and slaps......well, you know.
drum buss 🤤😈😫💦
Forget plugins, i cant hear the differences, i need new ears
train your ears. theres cheap programs you can use.
Is he using AirPods Max?
Yup
Stop saying wow dude
Stop complaining
wow
😂
the host made this video sufferable.
You mix your elements in solo, yea i liked to solo tracks when i listen to my favourite song 🤣🤣🤣 chill bro even i mix i always put my tracks in context with each other, you mix your drums with bass and vocals, or you mix your vocals with melodys and bass thats there is no point to mix one element
I totally agree that this isn’t informative at all. He does small adjustments and figures out what works. That’s all the hard facts we get here. There is nothing to hear with these tiny cuts he does, at least not in this isolated form here. This is a chill interview, but nothing to learn from, unfortunately.
shit sounds the same
That’s the point it shouldn’t sound different from what the producer did but instead clean and place things were it belongs and i could hear the difference from what he was doing it shouldn’t be day and night difference unless all samples were already bad
@@Hitnature this studoo shitnjust a bunvh of jargon tp make people.spend money i made.billboard with $500 worth of equipmemt i get it otmtp make nerds fell like thay have a purpose
@@WONANDONESPORTS i remember my first beer
@@Hitnature its digital
Dont care if he’s someone engineer of someone but this guy is literally making no changes to the audio with those -1dB cuts and it’s one of the less didactic thing I’ve seen so far
Yea let’s use 30min to boost 1 dB
Of course it’s the most important thing to make your drum slap
U DONT understand he is a PRO and uses PRO TOOL$
hilarious because the majority of mixing engineers do indeed only make incremental 1 - 2dB cuts at a time, its bedroom producers that get the notion you should be throwing things down stupid amounts, whereas the pros know that each move changes the balance of the sound. If you cut too steep in low mids, the high frequencies pop too much. Small changes are made so that you don't introduce more issues. You make a 1dB change, leave it and if it continues to bother you later, come back and decrease more. If you immediately go for a steep cut, then you don't hear what you're missing.
TLDR: just do whats necessary, if it doesn't sound bad leave it alone.
@@ScottThePisceswell put! Not to Martin these are digital processed sounds so incremental changes to make everything fit with each other is all that’s needed. Versus mic’d up recorded instruments where you have to do a lot more processing and tone shaping to deal with issues that comes with the recording process in itself.