Last time I heard this piece was about 25 years ago performed by the Vienna Arban Berg Quartet in Tokyo. It was a dreamy experience. Honestly speaking, I started listening to this with not too high expectations but I was pleasantly surprised. Great performance. The number of audience vs performer's talent ratio is ridiculously low. I guess it is the destiny of chamber music. Many great performers but not too many listeners. Isn't it a pity?
베르크 현악사중주를 위한 서정적 조곡 1악장 00:00~03:15 3악장 10:15~13:50 특징 - 느린악장 빠른악장 번갈아나옴. 1악장 알레그레토 3악장 알레그로 5악장 프레스토로 점차빨라짐. 1악장 - 전음정음열이라는 논리적 구성. 음열내에 단2도~장7도 모든 음정이 포한되어 있고, 그 논리안에 조성적장치가 암시되어 서정적협화음 가능케함. 3악장 - 음열을 시작하는 첫 네 음이 베르크와 한나의 이름 이니셜 알파벳이 들어있는 사랑에 대한 암시임. 일명 소제토카바토 기법의 사용.
Absolutely brilliant! I have complete admiration for you wonderfully talented young people. A fantastic rendition of this amazing piece of music. Thank you 🙏
I have earlier today in Swedish Television seen programs about Egon Schiele and Gustaf Klimt and the Secessionists, and also a program about Alban Berg. So this made me come here. And I completely understand why this fine quartet calls themselves "Secession Quartet". Alban Berg was 1926 in Vienna living in a city that was a complete melting point, New Times were coming and this music is The New Time. Almost hundred years later I wonder if we have come so much longer now? Great playing, anyway!
Yet again, "orientals" playing 'our' music better than we often do and so young and mature in understanding. I was taken to task once for using the word oriental - a lovely word - I can see n thing wrong with it. I use it when I don't know where the musicians come from, but there is a note saying Japan. For better and worse, the Japanese caught up quickly with Western culture. Thanks for bringing this wonderfully strange Berg so eloquently into my living room. I will listen to this many times.
I often lately see orientals playing western music splendidly, every note and phrase in the right place. I enjoy this music very much but will have to listen to it often to get the hang of it.
I often see irrelevant old fools still thinking it's acceptable to call people from Asia "Orientals." Who the fuck cares what you think about the music if you can't address its players respectfully?
@@ariasnribs7243 - My use of the word oriental is not disrespectgul. What's worng with being oriental? I have admired various musicians from those regions but don't always know exactly which countries they come from. Oriental is a lovely word, so fuck off.
@@realnigga19 - I wouldn't go in for such generalisations, but I often see ORIENTALS playing wonderfully. But also some Eureopeans; the French Adam Laloum playing the piano. if you haven't heard him look him up immediately - the way he plays Schumann's Davidsbuendlertaenze....and he looks as beautiful as the music he plays.
Last time I heard this piece was about 25 years ago performed by the Vienna Arban Berg Quartet in Tokyo. It was a dreamy experience. Honestly speaking, I started listening to this with not too high expectations but I was pleasantly surprised. Great performance. The number of audience vs performer's talent ratio is ridiculously low. I guess it is the destiny of chamber music. Many great performers but not too many listeners. Isn't it a pity?
Great Sound World exploration
Seriousness of their performance is commendable......2023...audience for this near to zero
베르크 현악사중주를 위한 서정적 조곡
1악장 00:00~03:15
3악장 10:15~13:50
특징 - 느린악장 빠른악장 번갈아나옴. 1악장 알레그레토 3악장 알레그로 5악장 프레스토로 점차빨라짐.
1악장 - 전음정음열이라는 논리적 구성. 음열내에 단2도~장7도 모든 음정이 포한되어 있고, 그 논리안에 조성적장치가 암시되어 서정적협화음 가능케함.
3악장 - 음열을 시작하는 첫 네 음이 베르크와 한나의 이름 이니셜 알파벳이 들어있는 사랑에 대한 암시임. 일명 소제토카바토 기법의 사용.
Absolutely brilliant! I have complete admiration for you wonderfully talented young people. A fantastic rendition of this amazing piece of music. Thank you 🙏
Lovely. So few people sitting there. I am glad that I got to hear the results of your hard work, talent, and hearts! Thank you.
I have earlier today in Swedish Television seen programs about Egon Schiele and Gustaf Klimt and the Secessionists, and also a program about Alban Berg. So this made me come here. And I completely understand why this fine quartet calls themselves "Secession Quartet". Alban Berg was 1926 in Vienna living in a city that was a complete melting point, New Times were coming and this music is The New Time. Almost hundred years later I wonder if we have come so much longer now? Great playing, anyway!
Very good young musicians who relive this extraordinary score of Berg
beautiful!! Great performance! Thank you for dedicating your lives to music
Wow x 10! So beautifully played and interpreted...
What an achievement what a Performance !
Impressive!
Solid interpretation! Thank you!
Thanks for doing this.
Yet again, "orientals" playing 'our' music better than we often do and so young and mature in understanding. I was taken to task once for using the word oriental - a lovely word - I can see n thing wrong with it. I use it when I don't know where the musicians come from, but there is a note saying Japan. For better and worse, the Japanese caught up quickly with Western culture. Thanks for bringing this wonderfully strange Berg so eloquently into my living room. I will listen to this many times.
I often lately see orientals playing western music splendidly, every note and phrase in the right place. I enjoy this music very much but will have to listen to it often to get the hang of it.
I often see irrelevant old fools still thinking it's acceptable to call people from Asia "Orientals." Who the fuck cares what you think about the music if you can't address its players respectfully?
@@ariasnribs7243 - My use of the word oriental is not disrespectgul. What's worng with being oriental? I have admired various musicians from those regions but don't always know exactly which countries they come from. Oriental is a lovely word, so fuck off.
you know what they say: "no matter how good you are at something, there will always be an asian who can do it better"
@@realnigga19 - I wouldn't go in for such generalisations, but I often see ORIENTALS playing wonderfully. But also some Eureopeans; the French Adam Laloum playing the piano. if you haven't heard him look him up immediately - the way he plays Schumann's Davidsbuendlertaenze....and he looks as beautiful as the music he plays.
この演奏が大好きです。Galimir quartet やRudolph Kolisch の演奏に比べ艶やかで余韻もいい。CD化されていませんか？ 欲しいのでメンバーのどなたかと連絡が取れたらいいなと思ってます。
ご覧いただきありがとうございます。
残念ながら演奏はこの時だけで、現在はカルテットも解散して僕は日本に戻ってきております。
@@kentauno3684 ごめんなさい、返信があったことに今頃気付きました。この躍動感、本当に美しいです。解散されたのは残念ですが、CD-Rなど作らなかったのですか？ もったいないですよ。
@@ぺん-i4t そう言っていただけて光栄です。これはノルウェーでのコンクールの時の配信なので、我々は録音を持っていないのです。是非この動画でお楽しみいただけたらと思います。
0:01~3:15, 10:15~13:50/0:05~0:13, 10:15~10:30
아 개재미없네
the musicians are excellent but not the music